An early novel by Meis and one of the first books published by Soft Skull Press.

Some Time in the Winter is an extended non-linear poetic sequence that includes unexpected juxtapositions and shifts in tempo among images, subjects, and both familiar and unfamiliar ways of talking, presenting, and being. The range is extraordinary; it includes comic moments, breathtaking masterful passages and short sequences, and extended meditations on time, distance, location. So many extraordinary images jump off almost every page: "my books / were extinguished by a flood of milk"; "to the extent stars fed, it would rain"; "A glove every ornament / on the calendar instructs"; "Wind flapped through tin prey." All of this is put together in a way that feels inevitable and complete. This is a masterful work by a poet whose unique power and command of beauty have been noted by other poets such as Robert Creeley, John Ashbery, and James Tate.

The Pink Trance Notebooks is the product of the year Wayne Koestenbaum stopped keeping the traditional journal he had maintained for three decades and began a series of “trance notebooks” as a way to reflect an intensified, unmoored consciousness. The resulting sequence of 34 assemblages reflects Koestenbaum’s unfettered musings, findings, and obsessions. Freed from the conventions of prose, this concatenation of the author’s intimate observations and desires lets loose a poetics of ecstatic praxis—voiced with aplomb and always on point.

A companion to her astonishing collection of prose Cooling Time, C.D. Wright argues for poetry as a way of being and seeing, and calls it "the one arena where I am not inclined to crank up the fog machine." Wright's passion for the genre is pure inspiration, and in her hands the answer to the question of poetry is poetry.

Paris, the City of Light. The city of the Eiffel Tower and the Louvre, of soft cheese and fresh baguettes. Or so tourist brochures would have you believe. In The Other Paris, Luc Sante reveals the city's hidden past, its seamy underside—one populated by working and criminal classes that, though virtually extinct today, have shaped Paris over the past two centuries.

Drawing on testimony from a great range of witnesses—from Balzac and Hugo to assorted boulevardiers, rabble-rousers, and tramps—Sante, whose thorough research is matched only by the vividness of his narration, takes the reader on a whirlwind tour. Richly illustrated with more than three hundred images, The Other Paris scuttles through the knotted streets of pre-Haussmann Paris; through the improvised accommodations of the original bohemians; through the massive garbage dump at Montfaucon, active until 1849, in which, "at any given time the carcasses of 12,000 horses . . . were left to rot."

A wildly lively survey of labor conditions, prostitution, drinking, crime, and popular entertainment, of the reporters, réaliste singers, pamphleteers, and poets who chronicled their evolution, The Other Paris is a book meant to upend the story of the French capital, to reclaim the city from the bon vivants and the speculators, and to hold a light to the works and days of the forgotten poor.

Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother—her only family—is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life.

Enter the Germans. A glancing encounter with a German peace activist leads Pip to an internship in South America with The Sunlight Project, an organization that traffics in all the secrets of the world—including, Pip hopes, the secret of her origins. TSP is the brainchild of Andreas Wolf, a charismatic provocateur who rose to fame in the chaos following the fall of the Berlin Wall. Now on the lam in Bolivia, Andreas is drawn to Pip for reasons she doesn't understand, and the intensity of her response to him upends her conventional ideas of right and wrong.

Purity is a grand story of youthful idealism, extreme fidelity, and murder. The author of The Corrections and Freedom has imagined a world of vividly original characters—Californians and East Germans, good parents and bad parents, journalists and leakers—and he follows their intertwining paths through landscapes as contemporary as the omnipresent Internet and as ancient as the war between the sexes. Purity is the most daring and penetrating book yet by one of the major writers of our time.

From the highly acclaimed author of Edisto and The Interrogative Mood, Padgett Powell’s new collection of stories, Cries for Help, Various, follows his mentor Donald Barthelme’s advice that “wacky mode” must “break their hearts.” The surrealistic and comical terrain of most of the forty-four stories here is grounded by a real preoccupation with longing, fear, work, loneliness, and cultural nostalgia. In “Joplin and Dickens,” the musician and writer meet as emotionally needy students in an American middle school; in “Change of Life,” a father ponders whether getting new clothes for the family or the patriotic purchase of a “new Government Cookie Flyer” would be more meaningful. In “The Imperative Mood,” giving orders to others—“Fall back and regroup”—leads less to power than to rumination.

Padgett Powell’s language is both lofty and low-down, his tone cranky and heartfelt, exuberant and inconsolable. His characters rebel against convention and ambition, hoping to maintain their very sanity by doing so. Even the most hilarious or fantastical stories in Cries for Help, Various ring gloriously, poignantly, true.

John McManus's long awaited short story collection encompasses the geographic limits of America, from trailers hidden in deep Southern woods to an Arkansas ranch converted into an elephant refuge. His lost-soul characters reel precariously between common anxiety and drug-enhanced paranoia, sober reality and fearsome hallucination. These nine masterpieces of twisted humor and pathos re-establish McManus as one of the most bracing voices of our time.