Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
People did not know what she knew, that she was not really a woman but a man, often a fat man, but more often, probably, an old man. The fact that she was an old man made it hard for her to be a young woman. It was hard for her to talk to a young man, for instance, though the young man was clearly interested in her. She had to ask herself, Why is this young man flirting with this old man?
In the locker room we unhooked our bras, hoping
shower steam kept us invisible,
but our souls showed, our prepubescent fuzz.
Stockings hung from shower rods like biblical snakes.
Who would learn first? we wondered, and drew breasts
in goofy loops until Sister Angelica banged
her ruler, and we printed the same confession
a hundred times, her shadow crossing
our spiral notebooks, her eyes like old
spiders. Ginnie learned and got a heart-shaped
locket, then a shotgun wedding ring.
Heather gave birth so often she forgot,
she said, what caused it. Becky’s womb was lost
in an abortionist’s garage. We said good-bye
in the Immaculate Conception parking lot.
Still, nuns click their beads in memory of us,
how we strolled, arms linked, singing,
into the world of women where all deaths begin.
A bobwhite sounds through larks
and jays, the wringing-wet shade,
as in the first world, before Adam
understood their sharp iambs,
when the refrain could’ve been
anything’s: plant or animal, or light
so pure it sang. Even now
how absolute, how wondrously
primitive the singularity rings –
shouting its name, its name,
its name… till from elsewhere
an echo swells through April-thick wings
as if addressing some question
on the presence of parallels.
BLIND LOUIE: Lissen I’m a be straight up with you, Diane, I need money, as much as you can spare - now – see, I’m puttin’ my shit out heah – ‘cause I’m sick, man, real sick – I gotta go cop – I’m sorry to be like this but I can lie and say I need it for somethin’ else y’know stand here, and try and cop a plea and perpetrate a fraud. I’m not doin’ that, Diane. I’m a junkie.
I have a garden in my brain
shaped like a maze
I lose myself
in, it seems. They only look for me
sometimes. I don’t like my dreams.
The nurses quarrel over where I am
hiding. I hear from inside
a bush. One is crisp
and cuts; one pinches. I’d like to push
them each somewhere.
They both think it’s funny
here. The laughter sounds like diesels.
I won’t come out because I’m lazy.
You start to like the needles.
You start to want to crazy.
I plugged my poem into a manhole cover
That flamed into the first guitar,
Jarred the asphalt and tar to ash,
And made from where there once was
Ground a sound to stand on.
People did not know what she knew, that she was not really a woman but a man, often a fat man, but more often, probably, an old man. The fact that she was an old man made it hard for her to be a young woman. It was hard for her to talk to a young man, for instance, though the young man was clearly interested in her. She had to ask herself, Why is this young man flirting with this old man?
In the locker room we unhooked our bras, hoping
shower steam kept us invisible,
but our souls showed, our prepubescent fuzz.
Stockings hung from shower rods like biblical snakes.
Who would learn first? we wondered, and drew breasts
in goofy loops until Sister Angelica banged
her ruler, and we printed the same confession
a hundred times, her shadow crossing
our spiral notebooks, her eyes like old
spiders. Ginnie learned and got a heart-shaped
locket, then a shotgun wedding ring.
Heather gave birth so often she forgot,
she said, what caused it. Becky’s womb was lost
in an abortionist’s garage. We said good-bye
in the Immaculate Conception parking lot.
Still, nuns click their beads in memory of us,
how we strolled, arms linked, singing,
into the world of women where all deaths begin.
A bobwhite sounds through larks
and jays, the wringing-wet shade,
as in the first world, before Adam
understood their sharp iambs,
when the refrain could’ve been
anything’s: plant or animal, or light
so pure it sang. Even now
how absolute, how wondrously
primitive the singularity rings –
shouting its name, its name,
its name… till from elsewhere
an echo swells through April-thick wings
as if addressing some question
on the presence of parallels.
BLIND LOUIE: Lissen I’m a be straight up with you, Diane, I need money, as much as you can spare - now – see, I’m puttin’ my shit out heah – ‘cause I’m sick, man, real sick – I gotta go cop – I’m sorry to be like this but I can lie and say I need it for somethin’ else y’know stand here, and try and cop a plea and perpetrate a fraud. I’m not doin’ that, Diane. I’m a junkie.
I have a garden in my brain
shaped like a maze
I lose myself
in, it seems. They only look for me
sometimes. I don’t like my dreams.
The nurses quarrel over where I am
hiding. I hear from inside
a bush. One is crisp
and cuts; one pinches. I’d like to push
them each somewhere.
They both think it’s funny
here. The laughter sounds like diesels.
I won’t come out because I’m lazy.
You start to like the needles.
You start to want to crazy.
I plugged my poem into a manhole cover
That flamed into the first guitar,
Jarred the asphalt and tar to ash,
And made from where there once was
Ground a sound to stand on.