Whiting Award Winners

A planeload of insurance salesmen, blown off course,

Discovers a tribe who believe an elephant-

In-the-distance is the same size as a gnat-in-the-eye.

This should cause trouble in a hunt. But tribespeople

Merely flick the pesky trumpeter away,

While the gnat – felled by clouds of arrows – feeds

The tribe for weeks. Faced by a lion, tribesmen run

Until its head is small enough to squish. Muscular

Warriors are found dead, pierced by mosquito-needles

Ear-to-ear. Everything here is as it seems.

The stick-in-water, drawn out, remains crooked

As a boomerang. Mountain and molehill are identical.

Tragedies that crush Americans – love’s waterbed

Popping, parents dropped into the scalding pot of age-

Require only that the sufferer walk away. “It’s not so awful,”

Tribal healers say. “With every step, troubles shrink;

Their howling dwindles to a buzz; their fangs shrivel to the size

Of pollen grains. Reach out. Brush them away. You see?”

Outside, my grandfather wheeling

a pesticide tank

from tree to tree, spraying everything

with thick, white foam –

bark, leaf, apple flesh –

salting the garden

with handfuls of red sand, dissolving

aphid, Japanese beetle, horned tomato worm

as thick as rope. Gone

in an instant, emerging

from his fiberglass outbuilding shed, helving

an axe, bright blade, pine handle,

to eliminate

a dwarf peach weakened by nesting beetles.

O ordinary axe

The light made my skin look orange, and I started thinking about what Wickham had told us about light. She said that oranges and apples, leaves and flowers, the whole multicolored world, was not what it appeared to be. The colors we see, she said, look like they do only because of the light or ray that shines on them. “The color of the thing isn’t what you see but the light that’s reflected off it.” Then she shut out the lights and shone a white light on a prism. We watched the pale splay of colors on the projector screen; some people oohed and aahed. Suddenly, she switched on a black light and the color of everything changed. The prism colors vanished, Wickham’s arms were purple, the buttons of her dress were as orange as hot coals, rather than the blue they had been only seconds before.  We were all very quiet. “Nothing,” she said, after a while, “is really what it appears to be.”

Dear Yu Honor

Yu may rmember me when yu visits prison

here I am Walter Boyd Leadbelly #42738

yo best big niger from Sugarland Farm

wit my stella guitar and songs yu like

I play it all like a black machine for yu loud an slow

Down in the valley    What a frend we have in

Jesus an I Sugarland shuffle like pickin cotton far as

eye cn see I need my freedom like yu said yu was gone give me

yur honor all I need a second chance rmembr me

yu sed I was som niger   som niger need they pardon

GOVERNOR

thank yu for yo kind kind hand yo wisdum.

Copyright 2004 by Tyehimba Jess. Published by Verse Press. Reprinted with permission of the author and Wave Books. 

“There is an ocean of dreams,” Maryse was explaining, “that our sleeping heads dip back into late at night. The tides go in and out, cleansing the shore. Who we are is whatever silhouettes against that great sea. It is deep and vast and strong, and even in the clearest moment of the brightest day something is leaking in, a permanent trickle in the plumbing. Sometimes, in some of us, things collapse, but now the moment is approaching when the wave will break to carry us all away. This will happen. Consider the signs. Learn how to float.”

“But what’s all this got to do with UFOs?” asked Beale.

“They’re the openings the dreams come through.”

In the gone world of Roman Vishniac’s book

of photographs of Jewish Eastern Europe,

which we sit down to look over,

my rather recognizes for certain only

the village idiot of a Munkács neighborhood,

Meyer “Tsits,” whom they use to tease:

“Your mother has breasts,”

the children would say as they passed,

and frothing with rage he would give chase

some years before breasts and Meyer were ash.