Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Hours later, Temperance is leading a “Mommyhood: The Christian Way” workshop for unwed mothers. She takes deep breaths, still trying to channel her mother’s certitude that this child was meant to be, ordained. The mothers around her are lollipop young, mainly from the projects, and chockablock with children. She can almost look at them now and not hurt. Before, her ovaries would ache just to be in this room with so many women who seemed to get pregnant if you so much as blew on them. Shanice begat Shanice Jr. begat Lativia begat LaRenée begat Jamelia begat Jameka. Begat, begetting, begotten.
Temperance had shared these thorny thoughts with Andrew once—confession, allegedly good for the soul and all. She had whispered that night, but her grievances somehow echoed in the cloistered silence of their bedroom. Why, Andrew, why? Why would God bless them and not her? Hadn’t she done everything right, everything expected? Waited to get her JD, her MRS. Why was she still waiting on her happily ever after? Andrew knuckled tears from her cheeks, his eyes filled with such tender disappointment, as he reminded her she was better than that, a woman of God—above such pretty, elitist notions. She bowed her head then. She listened as he prayed.
But sometimes, Lord. Sometimes.
THOUGHT #3
Tyler Perry knows how to bring everything together wit all the stories? And all the singing? And all the different people talking?
THOUGHT #1
And Tyler Perry don’t never forget to bring in the spirit’ch’alities.
THOUGHT #2
‘Cause Tyler Perry loves his Mama—
THOUGHT #6
And the Lord—
THOUGHT #1
So write a nice, clean Tyler Perry-like gospel play for your parents please?
In the unrealistic days of their marriage there was a question whether she would read what he wrote. He was a beginner and she is a tougher critic than she meant to be. It was touchy, her embarrassment, his resentment. Now in his letter he said, damn! but this book is good. How much he had learned about life and craft. He wanted to show her, let her read and see, judge for herself. She was the best critic he ever had, he said. She could help him too, for in spite of its merits he was afraid the novel lacked something. She would know, she could tell him. Take your time, he said, scribble a few words, whatever pops into your head. Signed, “Your old Edward still remembering.”
There was a space across which you and your shadow, pacing,
broke,
and around you pockets of shadow, sucking, shutting.
By now the talk had changed.
There was a liquid of wall and stove and space-behind-the-stove.
And x where the mirror had been.
And x where the window had been.
And x where my hand slid over the tabletop breaking a glass.
There were shadows in the shadows, and in there were cuts.
To live in the city of El Paso in those days was to hover at the edge of crushing and proximate cruelty, to safely fill the lungs with air steeped in horror. In news, in academic texts, in literature and art, El Paso’s twin city of Juárez was perpetually being presented as a place of murder and violence, a landscape of factories, maquiladoras, drug cartels, narcos, hit men, sicarios, delinquents, military, police, poverty, femicide, rape, kidnapping, disappearance, homicide, slaughter, massacre, shootings, gun fights, turf wars, mass graves, garbage dumps, impunity, corruption, decay, erosion, a hemispheric laboratory of social and economic horror. This representation—the narrative of a city irreparably fractured by its looming border, saddled with broken institutions and a terrorized populace—had become part and parcel of its legacy, the subconscious inheritance of all those who came into the city’s orbit.
From THE LINE BECOMES A RIVER by Francisco Cantu, to be published on February 6, 2018 by Riverhead Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. Copyright (c) 2018 by Francisco Cantu.
Book Mansion was overwhelming. China’s largest bookstore occupied 172,000 square feet and carried 230,000 titles. Bestsellers included Chinese titles such as I Was an American Police Officer; I’m Only Raising You for 18 Years; Chinese-Style Divorce; and Harvard Girl, a memoir that revealed the parenting style that made her stand out from her Chinese classmates and gain acceptance to the school. That book was in its sixty-third printing.
Downstairs, Monica’s Story lay between Bill and Hillary Clinton’s autobiographies. A boxed set about Göring rubbed shoulders with What’s Behind Jewish Excellence? Translated American titles ranged from the predictable – The Da Vinci Code, The Atkins Diet—to the surprising—Henry Rollins’s Get in the Van, and a Woody Allen collection whose Chinese title promised MENSA Whores. An entire floor held English-learning materials. Love English taught pickup lines and pillow talk, including cultural hints such as “‘I’m bored’ really means ‘Do you want to have sex?’”
Hours later, Temperance is leading a “Mommyhood: The Christian Way” workshop for unwed mothers. She takes deep breaths, still trying to channel her mother’s certitude that this child was meant to be, ordained. The mothers around her are lollipop young, mainly from the projects, and chockablock with children. She can almost look at them now and not hurt. Before, her ovaries would ache just to be in this room with so many women who seemed to get pregnant if you so much as blew on them. Shanice begat Shanice Jr. begat Lativia begat LaRenée begat Jamelia begat Jameka. Begat, begetting, begotten.
Temperance had shared these thorny thoughts with Andrew once—confession, allegedly good for the soul and all. She had whispered that night, but her grievances somehow echoed in the cloistered silence of their bedroom. Why, Andrew, why? Why would God bless them and not her? Hadn’t she done everything right, everything expected? Waited to get her JD, her MRS. Why was she still waiting on her happily ever after? Andrew knuckled tears from her cheeks, his eyes filled with such tender disappointment, as he reminded her she was better than that, a woman of God—above such pretty, elitist notions. She bowed her head then. She listened as he prayed.
But sometimes, Lord. Sometimes.
THOUGHT #3
Tyler Perry knows how to bring everything together wit all the stories? And all the singing? And all the different people talking?
THOUGHT #1
And Tyler Perry don’t never forget to bring in the spirit’ch’alities.
THOUGHT #2
‘Cause Tyler Perry loves his Mama—
THOUGHT #6
And the Lord—
THOUGHT #1
So write a nice, clean Tyler Perry-like gospel play for your parents please?
In the unrealistic days of their marriage there was a question whether she would read what he wrote. He was a beginner and she is a tougher critic than she meant to be. It was touchy, her embarrassment, his resentment. Now in his letter he said, damn! but this book is good. How much he had learned about life and craft. He wanted to show her, let her read and see, judge for herself. She was the best critic he ever had, he said. She could help him too, for in spite of its merits he was afraid the novel lacked something. She would know, she could tell him. Take your time, he said, scribble a few words, whatever pops into your head. Signed, “Your old Edward still remembering.”
There was a space across which you and your shadow, pacing,
broke,
and around you pockets of shadow, sucking, shutting.
By now the talk had changed.
There was a liquid of wall and stove and space-behind-the-stove.
And x where the mirror had been.
And x where the window had been.
And x where my hand slid over the tabletop breaking a glass.
There were shadows in the shadows, and in there were cuts.
To live in the city of El Paso in those days was to hover at the edge of crushing and proximate cruelty, to safely fill the lungs with air steeped in horror. In news, in academic texts, in literature and art, El Paso’s twin city of Juárez was perpetually being presented as a place of murder and violence, a landscape of factories, maquiladoras, drug cartels, narcos, hit men, sicarios, delinquents, military, police, poverty, femicide, rape, kidnapping, disappearance, homicide, slaughter, massacre, shootings, gun fights, turf wars, mass graves, garbage dumps, impunity, corruption, decay, erosion, a hemispheric laboratory of social and economic horror. This representation—the narrative of a city irreparably fractured by its looming border, saddled with broken institutions and a terrorized populace—had become part and parcel of its legacy, the subconscious inheritance of all those who came into the city’s orbit.
From THE LINE BECOMES A RIVER by Francisco Cantu, to be published on February 6, 2018 by Riverhead Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. Copyright (c) 2018 by Francisco Cantu.
Book Mansion was overwhelming. China’s largest bookstore occupied 172,000 square feet and carried 230,000 titles. Bestsellers included Chinese titles such as I Was an American Police Officer; I’m Only Raising You for 18 Years; Chinese-Style Divorce; and Harvard Girl, a memoir that revealed the parenting style that made her stand out from her Chinese classmates and gain acceptance to the school. That book was in its sixty-third printing.
Downstairs, Monica’s Story lay between Bill and Hillary Clinton’s autobiographies. A boxed set about Göring rubbed shoulders with What’s Behind Jewish Excellence? Translated American titles ranged from the predictable – The Da Vinci Code, The Atkins Diet—to the surprising—Henry Rollins’s Get in the Van, and a Woody Allen collection whose Chinese title promised MENSA Whores. An entire floor held English-learning materials. Love English taught pickup lines and pillow talk, including cultural hints such as “‘I’m bored’ really means ‘Do you want to have sex?’”