Whiting Award Winners

After a sleepless sexless night, Henrik asked Lucretia over muesli where the nearest pharmacy was. She made her worst face and asked why. He said he needed prescriptions filled—at this, she became a flurry of snorts and book recommendations, declaring that Western medical institutions profited by aggravating illness; Big Pharma was a cartel, doctors were pushers, patients were junkies. She asked to see what he was taking, and when she laid eyes on his briefcase-size pill case, she looked like he’d just told her he was born without a heart. She made him lie down, and sent up gasps researching his prescriptions on her naturopathic reference sites. He wasn’t disordered, she assured him; society was. Manic conservatives, depressive liberals. Mood-swinging markets and a demented climate. Rich against poor, white against unwhite. Henrik was just American.

Often they seem to be falling forward

but I pretend not to notice

how well they use their bodies:

the girl, that tall delicate boy,

even the father in pink satin –

ardent, flashy. Now something scares me

and I turn away.

                        In the dream

they walk the beach –

my children and their father –

equally exposed, ridiculous suits

in the same ice-cream colors.

Six monarch butterfly cocoons

            Clinging to the back of your throat –

            you could feel their gold wings trembling.

You were alarmed. You felt infested.

In the downstairs bathroom of the family home,

            gagging to spit them out –

                        and a voice saying, Don’t, don’t –

…after dozens of visits, I stopped buying the paintings. Scenes of bright peasant life, or lovely little children in uniforms filing into school, pictures of grand bourgeois families dancing in a hall beneath towering hi-fi speakers, or of shocking voodoo ceremonies in blacks and reds with decapitated chickens flapping in blood and women writhing, panoramas of bustling, abundant markets, paintings of primeval forests, with lions, giraffes, panthers and other animals no Haitian has ever seen at home, where the wildest animal is the crocodile or the flamingo, or the tarantula. It’s hard to keep looking at those paintings, but these Haitian artists paint them over and over again, as though they can’t get this nightmare out of their system. For months, a vendor tried to sell me this one painting, of a church interior, because I made the mistake of looking at it. He started at thirty dollars, laughably high but negotiable. Still, for a long time I couldn’t bring myself to buy it, no matter how badly the stooped and stuttering art dealer wanted to get rid of it, no matter how low he would go. I had promised myself no more paintings.

Child or woman. Memory or need. Today, again, I can see you

in her eyes, today her eyes again pursue the ground, look

for some sign, some path to follow away from her route.

Her sweatshirt is zipped to the throat and I am realizing that

we are both then, somehow ashamed of what has suddenly happened

between us. And I’m slowing down a little, as if to let

the spring sun catch up to these hands on the steering wheel,

to these hands that will not ever stop needing breasts to

make them hands, as if to uncover my mouth

and yell across the lawns to her.

By 1924, there were about 200,000 Arabs living in the United States¹ and by 2000, at least 3.5 million Americans were of Arab descent².

It is 2010. A census form arrives in the mail.

I check OTHER and write-in: A-R-A-B.

In 2016, Obama wants to add a new racial category and has chosen an acronym to describe a group of people: MENA (Middle Eastern and North African)³

I note the absence of the word “Arab.”

Still, they do not sense us⁴.