Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Once, when I was a very little girl in a bubble bath, I asked my father why I had a belly button. He was sitting on the toilet lid reading while I splashed. He peered at me over the top of his book.
“So you know where your center is,” he said.
“Why do I need to know where my center is?” I asked.
“So you don’t lose your balance,” he said. “Your center is where all the different parts of who you are come together. It used to connect you to your mother and to the beginning of human history in Africa.” I cannot be certain this is true, but when I remember him saying this, I hear his voice catch on the word mother.
There was a space across which you and your shadow, pacing,
broke,
and around you pockets of shadow, sucking, shutting.
By now the talk had changed.
There was a liquid of wall and stove and space-behind-the-stove.
And x where the mirror had been.
And x where the window had been.
And x where my hand slid over the tabletop breaking a glass.
There were shadows in the shadows, and in there were cuts.
Ivy ties the cellar door
in autumn, in summer morning glory
wraps the ribs of a mouse.
Love binds me to the one
whose hair I’ve found in my mouth,
whose sleeping head I kiss,
wondering is it death?
beauty? this dark
star spreading in every direction from the crown of her head.
My love’s hair is autumn hair, there
the sun ripens.
My fingers harvest the dark
vegetable of her body.
In the morning I remove it
from my tongue and
sleep again.
Daddy was often eager to play catch, since he felt society expected this from a loving, caring father. A confidence that soared and a glovehand that fell, still there was no baseball near either. Duplicity has killed more black men than gin. In a southpaw, what they appreciate most is this sort of "live arm." From his mouth words rushed like richly fed rapids, leaving him ever vulnerable to ascription.
Orion shot rabbits, but to tell the truth, it almost sickened Cora to clean and cook them. Stripped of its pelt, the taut body glistened. The small legs put her in mind of fingers. On her plate all she could think of was the pleading eyes. Somehow this did not trouble her about chickens, which she took the pains to behead herself, sometimes chasing the headless flapping bird around the chopping block. Orion plucked the bird for her, and the feathers were saved for a sleeping crib for Madge.
We Googled how to shoot gun, and when we tried, we were spooked by the recoil, by the salty smell and smoke, by the liturgical drama of the whole thing in the woods. But actually we loved to shoot them, the guns. We liked to shoot them wrong even, with a loose hand, the pitch forward and the pitch back. Under our judicious trigger fingers, beer bottles died, Vogue magazines died, Chia Pets died, oak saplings died, squirrels died, elk died. We feasted.
Once, when I was a very little girl in a bubble bath, I asked my father why I had a belly button. He was sitting on the toilet lid reading while I splashed. He peered at me over the top of his book.
“So you know where your center is,” he said.
“Why do I need to know where my center is?” I asked.
“So you don’t lose your balance,” he said. “Your center is where all the different parts of who you are come together. It used to connect you to your mother and to the beginning of human history in Africa.” I cannot be certain this is true, but when I remember him saying this, I hear his voice catch on the word mother.
There was a space across which you and your shadow, pacing,
broke,
and around you pockets of shadow, sucking, shutting.
By now the talk had changed.
There was a liquid of wall and stove and space-behind-the-stove.
And x where the mirror had been.
And x where the window had been.
And x where my hand slid over the tabletop breaking a glass.
There were shadows in the shadows, and in there were cuts.
Ivy ties the cellar door
in autumn, in summer morning glory
wraps the ribs of a mouse.
Love binds me to the one
whose hair I’ve found in my mouth,
whose sleeping head I kiss,
wondering is it death?
beauty? this dark
star spreading in every direction from the crown of her head.
My love’s hair is autumn hair, there
the sun ripens.
My fingers harvest the dark
vegetable of her body.
In the morning I remove it
from my tongue and
sleep again.
Daddy was often eager to play catch, since he felt society expected this from a loving, caring father. A confidence that soared and a glovehand that fell, still there was no baseball near either. Duplicity has killed more black men than gin. In a southpaw, what they appreciate most is this sort of "live arm." From his mouth words rushed like richly fed rapids, leaving him ever vulnerable to ascription.
Orion shot rabbits, but to tell the truth, it almost sickened Cora to clean and cook them. Stripped of its pelt, the taut body glistened. The small legs put her in mind of fingers. On her plate all she could think of was the pleading eyes. Somehow this did not trouble her about chickens, which she took the pains to behead herself, sometimes chasing the headless flapping bird around the chopping block. Orion plucked the bird for her, and the feathers were saved for a sleeping crib for Madge.
We Googled how to shoot gun, and when we tried, we were spooked by the recoil, by the salty smell and smoke, by the liturgical drama of the whole thing in the woods. But actually we loved to shoot them, the guns. We liked to shoot them wrong even, with a loose hand, the pitch forward and the pitch back. Under our judicious trigger fingers, beer bottles died, Vogue magazines died, Chia Pets died, oak saplings died, squirrels died, elk died. We feasted.