Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
I have a garden in my brain
shaped like a maze
I lose myself
in, it seems. They only look for me
sometimes. I don’t like my dreams.
The nurses quarrel over where I am
hiding. I hear from inside
a bush. One is crisp
and cuts; one pinches. I’d like to push
them each somewhere.
They both think it’s funny
here. The laughter sounds like diesels.
I won’t come out because I’m lazy.
You start to like the needles.
You start to want to crazy.
The dining room was empty. There were dragons – dragon ashtrays, dragon statues, dragons carved into posts. In a remarkably misguided attempt at décor, there was also a profusion of mirrors. The result was upsetting.
Annalee is sorting through a box of seed packets. She has a swollen lip; her boyfriend punched her this morning because she had run out of bacon. She walks over to Wynn’s truck and inspects her lips in the sideview mirror. “It’s really strange to have somebody hit you,” she says. “When I was in high school, a boy hit me once and I remember thinking, If he hits me again I’m going to kill him. Then he hit me again and I didn’t do anything.”
We Googled how to shoot gun, and when we tried, we were spooked by the recoil, by the salty smell and smoke, by the liturgical drama of the whole thing in the woods. But actually we loved to shoot them, the guns. We liked to shoot them wrong even, with a loose hand, the pitch forward and the pitch back. Under our judicious trigger fingers, beer bottles died, Vogue magazines died, Chia Pets died, oak saplings died, squirrels died, elk died. We feasted.
Egrets picketing the spines of cattle in fields edged
with common tansy. Flowers my father gathered
for my mother to chew. To induce abortion. A common,
cosmopolitan agnostoid lithofacies naked in the foothills. I love
the character of your intelligence, its cast as well as pitch.
Border wide without marginal spines. At high angles
to the inferred shoreline.
We unyoke owl pellets from marrow
in desert meadow. His mouth a pigeon eye,
a torch, a womb turned flower. He, still a boy
dug from cactus skull, undresses into bark
beetles. He unlearns how to hold a gist
with my hand.
I have a garden in my brain
shaped like a maze
I lose myself
in, it seems. They only look for me
sometimes. I don’t like my dreams.
The nurses quarrel over where I am
hiding. I hear from inside
a bush. One is crisp
and cuts; one pinches. I’d like to push
them each somewhere.
They both think it’s funny
here. The laughter sounds like diesels.
I won’t come out because I’m lazy.
You start to like the needles.
You start to want to crazy.
The dining room was empty. There were dragons – dragon ashtrays, dragon statues, dragons carved into posts. In a remarkably misguided attempt at décor, there was also a profusion of mirrors. The result was upsetting.
Annalee is sorting through a box of seed packets. She has a swollen lip; her boyfriend punched her this morning because she had run out of bacon. She walks over to Wynn’s truck and inspects her lips in the sideview mirror. “It’s really strange to have somebody hit you,” she says. “When I was in high school, a boy hit me once and I remember thinking, If he hits me again I’m going to kill him. Then he hit me again and I didn’t do anything.”
We Googled how to shoot gun, and when we tried, we were spooked by the recoil, by the salty smell and smoke, by the liturgical drama of the whole thing in the woods. But actually we loved to shoot them, the guns. We liked to shoot them wrong even, with a loose hand, the pitch forward and the pitch back. Under our judicious trigger fingers, beer bottles died, Vogue magazines died, Chia Pets died, oak saplings died, squirrels died, elk died. We feasted.
Egrets picketing the spines of cattle in fields edged
with common tansy. Flowers my father gathered
for my mother to chew. To induce abortion. A common,
cosmopolitan agnostoid lithofacies naked in the foothills. I love
the character of your intelligence, its cast as well as pitch.
Border wide without marginal spines. At high angles
to the inferred shoreline.
We unyoke owl pellets from marrow
in desert meadow. His mouth a pigeon eye,
a torch, a womb turned flower. He, still a boy
dug from cactus skull, undresses into bark
beetles. He unlearns how to hold a gist
with my hand.