Whiting Award Winners

Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.

This Boy's Life
A Memoir

Roy stored his ammunition in a metal box he kept hidden in the closet. As with everything else hidden in the apartment, I knew exactly where to find it. There was a layer of loose .22 rounds on the bottom of the box under shells of bigger caliber, dropped there by the handful the way men drop pennies on their dressers at night. I took some and put them in a hiding place of my own. With these I started loading up the rifle. Hammer cocked, a round in the chamber, finger resting lightly on the trigger, I drew a bead on whoever walked by—women pushing strollers, children, garbage collectors laughing and calling to each other, anyone—and as they passed under my window I sometimes had to bite my lip to keep from laughing in the ecstasy of my power over them, and at their absurd and innocent belief that they were safe.

Stone Crop
Poems

The shambles of the gods stretches for miles,

a salvage yard where the smell of hot chrome rises,

where finned bodies lie beached and rusting,

and their names recall great chiefs

and tribes and the empowering animals.

 

Thunderbird, Winnebago, Mustang, Pontiac –

you must say these names out loud. You must

strip the radios in which the myths survive.

Repeat: Wi-Yuh returns to abolish the custom of killing

the beasts for their names. Leave the road maps

on the dashboards. Learn the song of spawning fish.

The Gatehouse Heaven
Poems

The hay rake’s rattle, the stunned sputter of a moccasin

Slung in the blades, the mid-gloam crickets sending

Their codes as though from a nearby country of dreamers.

Each sound found its shape – low drip into mud beneath

The leaking spigot, scrape of sparrows stowing twigs

In the eaves, the combines fading, unzipping the bean

Rows and back again, and the wind-combed drift

Of dust in the field, which is where I can hear it most

Clearly now, my pointing the direction away

From that town, saying there I am, there I am, there I am

The Septembers of Shiraz
A Novel

“He says, why should some people live like kings and the rest like rats? And why should the wealthy, enamored with Europe and the West, dictate how the whole country should dress, talk, live? What if we like our chadors and our Koran? What if we want our own mullahs to rule us, not that saint – what’s his name?” She taps her fingers on the dashboard, trying to remember the name. “ Morteza told me he is worshipped in Europe… I know! Saint Laurent, or something like that…”

 

“Yves Saint Laurent?” Farnaz laughs. “He’s not a saint, Habibeh. He’s a designer. That’s just his name.”

Reading the Water
Poems

A planeload of insurance salesmen, blown off course,

Discovers a tribe who believe an elephant-

In-the-distance is the same size as a gnat-in-the-eye.

 

This should cause trouble in a hunt. But tribespeople

Merely flick the pesky trumpeter away,

While the gnat – felled by clouds of arrows – feeds

 

The tribe for weeks. Faced by a lion, tribesmen run

Until its head is small enough to squish. Muscular

Warriors are found dead, pierced by mosquito-needles

 

Ear-to-ear. Everything here is as it seems.

The stick-in-water, drawn out, remains crooked

As a boomerang. Mountain and molehill are identical.

 

Tragedies that crush Americans – love’s waterbed

Popping, parents dropped into the scalding pot of age-

Require only that the sufferer walk away. “It’s not so awful,”

 

Tribal healers say. “With every step, troubles shrink;

Their howling dwindles to a buzz; their fangs shrivel to the size

Of pollen grains. Reach out. Brush them away. You see?”

Stop Breakin Down
Stories

Each pub has a barrel-rolling team. That makes ten teams. You wear fireproof gloves. The barrel is full of flaming tar. You have to see how long you can keep the barrel up in the air. It works like a relay. Four people on the team. You pass it to the next bloke when you get too hot and the barrel gets too heavy. You hold it high up above you and in your hands you rotate it; the flames shoot out into the crowd as you run down the streets. The people compact into themselves. You shout and the people duck down and run back and climb over each other and the flames shoot out at them and you laugh at the manic growls of fear and panic. There haven’t been more than a few deaths.

This Boy's Life
A Memoir

Roy stored his ammunition in a metal box he kept hidden in the closet. As with everything else hidden in the apartment, I knew exactly where to find it. There was a layer of loose .22 rounds on the bottom of the box under shells of bigger caliber, dropped there by the handful the way men drop pennies on their dressers at night. I took some and put them in a hiding place of my own. With these I started loading up the rifle. Hammer cocked, a round in the chamber, finger resting lightly on the trigger, I drew a bead on whoever walked by—women pushing strollers, children, garbage collectors laughing and calling to each other, anyone—and as they passed under my window I sometimes had to bite my lip to keep from laughing in the ecstasy of my power over them, and at their absurd and innocent belief that they were safe.

Stone Crop
Poems

The shambles of the gods stretches for miles,

a salvage yard where the smell of hot chrome rises,

where finned bodies lie beached and rusting,

and their names recall great chiefs

and tribes and the empowering animals.

 

Thunderbird, Winnebago, Mustang, Pontiac –

you must say these names out loud. You must

strip the radios in which the myths survive.

Repeat: Wi-Yuh returns to abolish the custom of killing

the beasts for their names. Leave the road maps

on the dashboards. Learn the song of spawning fish.

The Gatehouse Heaven
Poems

The hay rake’s rattle, the stunned sputter of a moccasin

Slung in the blades, the mid-gloam crickets sending

Their codes as though from a nearby country of dreamers.

Each sound found its shape – low drip into mud beneath

The leaking spigot, scrape of sparrows stowing twigs

In the eaves, the combines fading, unzipping the bean

Rows and back again, and the wind-combed drift

Of dust in the field, which is where I can hear it most

Clearly now, my pointing the direction away

From that town, saying there I am, there I am, there I am

The Septembers of Shiraz
A Novel

“He says, why should some people live like kings and the rest like rats? And why should the wealthy, enamored with Europe and the West, dictate how the whole country should dress, talk, live? What if we like our chadors and our Koran? What if we want our own mullahs to rule us, not that saint – what’s his name?” She taps her fingers on the dashboard, trying to remember the name. “ Morteza told me he is worshipped in Europe… I know! Saint Laurent, or something like that…”

 

“Yves Saint Laurent?” Farnaz laughs. “He’s not a saint, Habibeh. He’s a designer. That’s just his name.”

Reading the Water
Poems

A planeload of insurance salesmen, blown off course,

Discovers a tribe who believe an elephant-

In-the-distance is the same size as a gnat-in-the-eye.

 

This should cause trouble in a hunt. But tribespeople

Merely flick the pesky trumpeter away,

While the gnat – felled by clouds of arrows – feeds

 

The tribe for weeks. Faced by a lion, tribesmen run

Until its head is small enough to squish. Muscular

Warriors are found dead, pierced by mosquito-needles

 

Ear-to-ear. Everything here is as it seems.

The stick-in-water, drawn out, remains crooked

As a boomerang. Mountain and molehill are identical.

 

Tragedies that crush Americans – love’s waterbed

Popping, parents dropped into the scalding pot of age-

Require only that the sufferer walk away. “It’s not so awful,”

 

Tribal healers say. “With every step, troubles shrink;

Their howling dwindles to a buzz; their fangs shrivel to the size

Of pollen grains. Reach out. Brush them away. You see?”

Stop Breakin Down
Stories

Each pub has a barrel-rolling team. That makes ten teams. You wear fireproof gloves. The barrel is full of flaming tar. You have to see how long you can keep the barrel up in the air. It works like a relay. Four people on the team. You pass it to the next bloke when you get too hot and the barrel gets too heavy. You hold it high up above you and in your hands you rotate it; the flames shoot out into the crowd as you run down the streets. The people compact into themselves. You shout and the people duck down and run back and climb over each other and the flames shoot out at them and you laugh at the manic growls of fear and panic. There haven’t been more than a few deaths.