Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
A man and a woman
are lying together
listening to news of a war.
The radio dial
is the only light in the room.
Casualties are read out.
He thinks, “Those are people
I no longer have to love,”
and he touches her hair
and calls her name
but it sounds strange to her
like a stone left over
from a house already built.
In the seventeenth century, his Holiness the Pope adjudged beavers to be fish. In retrospect, that was a zoologically illogical decision; but beavers were not miffed at being changed into fish. They decided not to truckle their new specification, not to be perfect fish, textbook fish; instead they became fanciful fish, the first to have furry babies, the first to breathe air and the first fish to build for themselves commodious conical fortresses in the water.
If there is a ground, then there are bodies beneath it.
If the bodies know my name, then I am said to be protected.
If I am spoken for, then I could've died a number of times.
If I am still here, then I am speaking for the dirt.
If there is dirt, then there is my mouth wet and ripe with questions.
Her plan had been to clean in the middle of the night, so her mother would wake to an empty kitchen sink, but as she stood in the foyer, the bathroom fan beating loudly and uselessly, the mess before her made her want to cry; being in a family of eleven made her want to cry, the way someone had soaked up the dog’s pee but not thrown away the paper towel, the way responsibility divided by eleven meant no one was really responsible.
Though I cannot lavish praise on stamina
alone, I must acknowledge a femme
fortitude. Last night, I tell myself,
a misstep at battery’s expense
so as to never consider the sentience
of a pleasure machine.
How her trembling must have lullabied
my drunk tongue the intricacies
of sexual decorum even in sleep,
how she may have throbbed
all night beside me, anticipating her
own reciprocal and tender invasion.
You would like to go home. These drug runs are getting tiring. Besides, Mississippi makes you nervous. You look past your sun-darkened elbow out the window of the van at the house Rusty has sent you to. It is low, thick-looking, and made of red brick. Looks like a kiln. Stiff yuccas sprout from the bristling yard, and a dead palm tree bends against the right corner of the house. Timmy leans his sweaty face from the back, over your shoulder. “Rusty sure know how to pick ‘em, don’t he?” he says, breathing hotly on your ear.
A man and a woman
are lying together
listening to news of a war.
The radio dial
is the only light in the room.
Casualties are read out.
He thinks, “Those are people
I no longer have to love,”
and he touches her hair
and calls her name
but it sounds strange to her
like a stone left over
from a house already built.
In the seventeenth century, his Holiness the Pope adjudged beavers to be fish. In retrospect, that was a zoologically illogical decision; but beavers were not miffed at being changed into fish. They decided not to truckle their new specification, not to be perfect fish, textbook fish; instead they became fanciful fish, the first to have furry babies, the first to breathe air and the first fish to build for themselves commodious conical fortresses in the water.
If there is a ground, then there are bodies beneath it.
If the bodies know my name, then I am said to be protected.
If I am spoken for, then I could've died a number of times.
If I am still here, then I am speaking for the dirt.
If there is dirt, then there is my mouth wet and ripe with questions.
Her plan had been to clean in the middle of the night, so her mother would wake to an empty kitchen sink, but as she stood in the foyer, the bathroom fan beating loudly and uselessly, the mess before her made her want to cry; being in a family of eleven made her want to cry, the way someone had soaked up the dog’s pee but not thrown away the paper towel, the way responsibility divided by eleven meant no one was really responsible.
Though I cannot lavish praise on stamina
alone, I must acknowledge a femme
fortitude. Last night, I tell myself,
a misstep at battery’s expense
so as to never consider the sentience
of a pleasure machine.
How her trembling must have lullabied
my drunk tongue the intricacies
of sexual decorum even in sleep,
how she may have throbbed
all night beside me, anticipating her
own reciprocal and tender invasion.
You would like to go home. These drug runs are getting tiring. Besides, Mississippi makes you nervous. You look past your sun-darkened elbow out the window of the van at the house Rusty has sent you to. It is low, thick-looking, and made of red brick. Looks like a kiln. Stiff yuccas sprout from the bristling yard, and a dead palm tree bends against the right corner of the house. Timmy leans his sweaty face from the back, over your shoulder. “Rusty sure know how to pick ‘em, don’t he?” he says, breathing hotly on your ear.