Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
I show Hanky Panky the design that I adapted from a photo in a book of Dayak art, and he has me take off my shirt and he sketches the design on my collarbone with a grease pencil. Then he calls over an assistant to shave my chest. Now, under other circumstances, this could be kind of a turn-on. But in Hanky Panky’s tattoo parlor it justs reminds me of the shaving I had to undergo before some surgery I once had in the groin region. That one, much to my initial disappointment, had been performed by a male nurse, although actually I did see the wisdom of having a man for the job at around the time he began to whisk the razor around my balls. “Hey, be careful. Please!” I begged. And my male nurse answered, “Don’t worry, buddy. I’ll handle ‘em like they were my own.”
The precision of the map allowed Maria to read the planet’s history like a type of braille. As hinted by the initial data, the northern hemisphere proved to be the smoothest surface that had ever been observed in the solar system. Most of the terrain seemed to tilt slightly to the north, suggesting that a planetwide drainage system may have once emptied there, into a great northern ocean. Inscribed onto the surface was even a possible shoreline, Deuteronilus, which could be traced for thousands of kilometers. The coast ran along nearly the same elevation, with variations that could be explained by the ground rebounding, exhaling as the weight of a sea of long-gone water evaporated. With each new detail Maria plotted, another aspect of Mars’s history came to life.
Mars Global Surveyor changed what it meant to see a planet. If the old map of Mars was a simple picture, the new map was a portrait. It went beyond what our eyes could take in, capturing data on contours, on composition, on forces we could not see—not just topography but things like magnetic signals and mineral compositions measured out beyond the visible wavelengths. There were subtleties to be seen—we just had to get there, and when we got there, we had to know how to look.
Excerpt(s) from The Sirens of Mars: Searching for Life on Another World by Sarah Stewart Johnson, copyright © 2020 by Sarah Stewart Johnson. Used by permission of Crown Books, an imprint of Random House, a division of Penguin Random House LLC. All rights reserved.
She remembers sensing—almost smelling—that he wanted to kill her. Or that for a split second the thought was spreading itself in his mind. She remembers the terrible little theater of his eyes, which she had always thought to be blue. But looking at them in the afternoon glare, she saw that they weren’t even a little bit blue. They were grey.
My family’s experience isn’t fodder
for artwork, says Nature in btwn make outs
But you’ll drink yourself to sleep?
Who is the “I” but its inheritances—Let’s play a game
Let’s say Southern California’s water is oil
Let’s say Halliburton is the San Diego Flume Company
and I am descended from a long line of wildfires
I mean tribal leaders
The Cuyamaca Flume transported mountain runoff and river water into the heart of San Diego. Construction began illegally, in secret, in the 1880s. The creek bed dried. The plants died. The very best citizens of San Diego called it “deluded sentimentality” to give Indians any land or water. As if these are things, stuff to be owned or sold off
I am missing many cousins, have you seen them?
I have a garden in my brain
shaped like a maze
I lose myself
in, it seems. They only look for me
sometimes. I don’t like my dreams.
The nurses quarrel over where I am
hiding. I hear from inside
a bush. One is crisp
and cuts; one pinches. I’d like to push
them each somewhere.
They both think it’s funny
here. The laughter sounds like diesels.
I won’t come out because I’m lazy.
You start to like the needles.
You start to want to crazy.
We at school knew Mr. and Mrs. Cuts come from a family that eats children. There is a red metal tree with plastic-wrapped toys in the window and a long candy counter case to lure you in. Mr. and Mrs. Cuts have no children of their own. They ate them during a hard winter and salted the rest down for sandwiches the colored boy runs out to the pulpwood crew at noon. I count colored children going in to buy some candy to see how many make it back out, but generally our mother is ready to go home before I can tell. Our credit at Cuts is short.
I show Hanky Panky the design that I adapted from a photo in a book of Dayak art, and he has me take off my shirt and he sketches the design on my collarbone with a grease pencil. Then he calls over an assistant to shave my chest. Now, under other circumstances, this could be kind of a turn-on. But in Hanky Panky’s tattoo parlor it justs reminds me of the shaving I had to undergo before some surgery I once had in the groin region. That one, much to my initial disappointment, had been performed by a male nurse, although actually I did see the wisdom of having a man for the job at around the time he began to whisk the razor around my balls. “Hey, be careful. Please!” I begged. And my male nurse answered, “Don’t worry, buddy. I’ll handle ‘em like they were my own.”
The precision of the map allowed Maria to read the planet’s history like a type of braille. As hinted by the initial data, the northern hemisphere proved to be the smoothest surface that had ever been observed in the solar system. Most of the terrain seemed to tilt slightly to the north, suggesting that a planetwide drainage system may have once emptied there, into a great northern ocean. Inscribed onto the surface was even a possible shoreline, Deuteronilus, which could be traced for thousands of kilometers. The coast ran along nearly the same elevation, with variations that could be explained by the ground rebounding, exhaling as the weight of a sea of long-gone water evaporated. With each new detail Maria plotted, another aspect of Mars’s history came to life.
Mars Global Surveyor changed what it meant to see a planet. If the old map of Mars was a simple picture, the new map was a portrait. It went beyond what our eyes could take in, capturing data on contours, on composition, on forces we could not see—not just topography but things like magnetic signals and mineral compositions measured out beyond the visible wavelengths. There were subtleties to be seen—we just had to get there, and when we got there, we had to know how to look.
Excerpt(s) from The Sirens of Mars: Searching for Life on Another World by Sarah Stewart Johnson, copyright © 2020 by Sarah Stewart Johnson. Used by permission of Crown Books, an imprint of Random House, a division of Penguin Random House LLC. All rights reserved.
She remembers sensing—almost smelling—that he wanted to kill her. Or that for a split second the thought was spreading itself in his mind. She remembers the terrible little theater of his eyes, which she had always thought to be blue. But looking at them in the afternoon glare, she saw that they weren’t even a little bit blue. They were grey.
My family’s experience isn’t fodder
for artwork, says Nature in btwn make outs
But you’ll drink yourself to sleep?
Who is the “I” but its inheritances—Let’s play a game
Let’s say Southern California’s water is oil
Let’s say Halliburton is the San Diego Flume Company
and I am descended from a long line of wildfires
I mean tribal leaders
The Cuyamaca Flume transported mountain runoff and river water into the heart of San Diego. Construction began illegally, in secret, in the 1880s. The creek bed dried. The plants died. The very best citizens of San Diego called it “deluded sentimentality” to give Indians any land or water. As if these are things, stuff to be owned or sold off
I am missing many cousins, have you seen them?
I have a garden in my brain
shaped like a maze
I lose myself
in, it seems. They only look for me
sometimes. I don’t like my dreams.
The nurses quarrel over where I am
hiding. I hear from inside
a bush. One is crisp
and cuts; one pinches. I’d like to push
them each somewhere.
They both think it’s funny
here. The laughter sounds like diesels.
I won’t come out because I’m lazy.
You start to like the needles.
You start to want to crazy.
We at school knew Mr. and Mrs. Cuts come from a family that eats children. There is a red metal tree with plastic-wrapped toys in the window and a long candy counter case to lure you in. Mr. and Mrs. Cuts have no children of their own. They ate them during a hard winter and salted the rest down for sandwiches the colored boy runs out to the pulpwood crew at noon. I count colored children going in to buy some candy to see how many make it back out, but generally our mother is ready to go home before I can tell. Our credit at Cuts is short.