Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
I am a fantastic lover. I’ve got to give me that. There are only two things about me that females don’t like: the fact that I sing when I drive—admittedly, I’m not a musician—and my skiing. All the girls I know ski moguls well—really solid bump skiers—and I try to turn in the swells and lose my downhill line. I have thick hair. I’ve got a car that stinks from new leather. My skin, my body—that’s all decent. But I get ridiculed on bumps, and the way I sing gets mistaken for a joke or an imitation of someone dippy, when in fact your car is one of the few places besides the bathroom where you can sing the best songs the way they were meant to be sung. They all think my singing is terrible. Screw them. (I did.)
“What do I want you to do? You really want to know? I’ll tell you. Just look me in the eye and tell me one thing. Just do it. Tell me whether you and Cynthia have made love. Tell me. Go on.”
“The answer is no.”
“You swear?”
“I swear.”
“I believe you,” she said quietly, and for a moment Richard thought it was over until she turned around and screamed at him, “THEN WHY DON’T YOU MAKE LOVE WITH ME?”
Some of the prisoners were strung like beef
From the ceilings of their cells. “Gus”
Was led around on a leash. I mean dragged.
Others were ridden like mules. The guards
Were under a tremendous amount of pleasure.
I mean pressure. Pretty disgusting. Not
What you’d expect from Americans.
Just kidding. I’m only talking about people
Having a good time, blowing off steam.
MOSES
yo ass gon rise up to yo full potential too
gon git up off dis block
man
you remember
dat sunday school
ol reverend Missus be like
(as reverend missus)
sed uh
do you wanna cross dat river now chillun
sed uh
do you wanna cross dat river now chillum
KITCH
(gasping)
pass ovuh
MOSES
yeah nigga damn
i feel like we cud do dis shit
you feel me
git up off dis block
KITCH
amen!
MOSES
be all we cud be
KITCH
yes lawd!
Cole claimed to remember the good times between my parents. But I didn’t. Seemed like they were always breaking up to make up. After their big fights, they usually got back together with a little ritual: Al Green, a bottle of red wine, and a carton of Chinese noodles. Sometimes they would read aloud to each other from one of their favorite writers, Camus or Richard Wright. Other times they would just stand in the living room, lights off, swaying to the soul music, kissing, and whispering to each other secrets Cole and I would never know.
Leaning over me, she took my head into her hands,
the short hair thick still, full beneath her fingers.
She told me she had read that pressure (from
a rubber band about the head) combined with
lowered temperatures (from ice) would sometimes
keep the drugs from killing hair roots in the scalp.
I suffered numbness, ache from cold, for her,
for hope. She only had to try it once.
I am a fantastic lover. I’ve got to give me that. There are only two things about me that females don’t like: the fact that I sing when I drive—admittedly, I’m not a musician—and my skiing. All the girls I know ski moguls well—really solid bump skiers—and I try to turn in the swells and lose my downhill line. I have thick hair. I’ve got a car that stinks from new leather. My skin, my body—that’s all decent. But I get ridiculed on bumps, and the way I sing gets mistaken for a joke or an imitation of someone dippy, when in fact your car is one of the few places besides the bathroom where you can sing the best songs the way they were meant to be sung. They all think my singing is terrible. Screw them. (I did.)
“What do I want you to do? You really want to know? I’ll tell you. Just look me in the eye and tell me one thing. Just do it. Tell me whether you and Cynthia have made love. Tell me. Go on.”
“The answer is no.”
“You swear?”
“I swear.”
“I believe you,” she said quietly, and for a moment Richard thought it was over until she turned around and screamed at him, “THEN WHY DON’T YOU MAKE LOVE WITH ME?”
Some of the prisoners were strung like beef
From the ceilings of their cells. “Gus”
Was led around on a leash. I mean dragged.
Others were ridden like mules. The guards
Were under a tremendous amount of pleasure.
I mean pressure. Pretty disgusting. Not
What you’d expect from Americans.
Just kidding. I’m only talking about people
Having a good time, blowing off steam.
MOSES
yo ass gon rise up to yo full potential too
gon git up off dis block
man
you remember
dat sunday school
ol reverend Missus be like
(as reverend missus)
sed uh
do you wanna cross dat river now chillun
sed uh
do you wanna cross dat river now chillum
KITCH
(gasping)
pass ovuh
MOSES
yeah nigga damn
i feel like we cud do dis shit
you feel me
git up off dis block
KITCH
amen!
MOSES
be all we cud be
KITCH
yes lawd!
Cole claimed to remember the good times between my parents. But I didn’t. Seemed like they were always breaking up to make up. After their big fights, they usually got back together with a little ritual: Al Green, a bottle of red wine, and a carton of Chinese noodles. Sometimes they would read aloud to each other from one of their favorite writers, Camus or Richard Wright. Other times they would just stand in the living room, lights off, swaying to the soul music, kissing, and whispering to each other secrets Cole and I would never know.
Leaning over me, she took my head into her hands,
the short hair thick still, full beneath her fingers.
She told me she had read that pressure (from
a rubber band about the head) combined with
lowered temperatures (from ice) would sometimes
keep the drugs from killing hair roots in the scalp.
I suffered numbness, ache from cold, for her,
for hope. She only had to try it once.