Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
I told him about the nucleotides, the genetic test, the prognosis. I told him that atrophying of basal ganglia starts years before symptoms present, and that right now—in this car, in this moment—parts of my brain were dying, parts that I didn’t know I needed, but parts that I would never, never be able to get back. I told him that there wasn’t an emotion or an impulse or a stumble that I could completely trust; I told him that one day—if I let it—everything I did and said and thought would be nothing more than the entropic implosion of a condemned building or a dying star.
Prendergast painted the Public Garden;
remembered, even at a little distance,
the city takes on his ravishing tones.
Jots of color resolve: massed parasols
above a glimmering pond, the transit
of almost translucent swans. Brilliant bits
- jewels? slices of sugared fruit? – bloom
into a clutch of skirts on the bridge
above the summer boaters. His city’s essence:
all the hues of chintzes or makeup
or Italian ices, all the sheen artifice
is capable of. Our city’s lavish paintbox.
The ensuing inquiries found the girl to be a teenager, though she weighed only fifty-nine pounds and was only fifty-four inches tall. She was in much worse physical shape than at first suspected: she was incontinent, could not chew solid food and could hardly swallow, could not focus her eyes beyond twelve feet, and, according to some accounts, could not cry. She salivated constantly, spat indiscriminately. She had a ring of hard callus around her buttocks, and she had two nearly complete sets of teeth. Her hair was thin. She could not hop, skip, climb, or do anything requiring the full extension of her limbs. She showed no perception of hot or cold.
so mama said no running, afraid
for me: shriveled lansones, sickly.
threat of skinned shins. cherry
glow of lola’s clove cigarettes,
smoke plumes sealing my throat.
or on my cheeks, plum rashes
blooming from playing in witchwillow.
these days, I don’t run much.
but I was only seven when I broke
a girl’s front teeth.
Things weather fast here, soon bird will be bone,
brittle and white, dead twig snapped underfoot
where the sky alters in seconds, shine to shower,
and harsher truths hit home hour after hour –
the sundew snagging flies, settling to eat,
a fat gull’s fractured keen that cuts through stone.
There was a space across which you and your shadow, pacing,
broke,
and around you pockets of shadow, sucking, shutting.
By now the talk had changed.
There was a liquid of wall and stove and space-behind-the-stove.
And x where the mirror had been.
And x where the window had been.
And x where my hand slid over the tabletop breaking a glass.
There were shadows in the shadows, and in there were cuts.
I told him about the nucleotides, the genetic test, the prognosis. I told him that atrophying of basal ganglia starts years before symptoms present, and that right now—in this car, in this moment—parts of my brain were dying, parts that I didn’t know I needed, but parts that I would never, never be able to get back. I told him that there wasn’t an emotion or an impulse or a stumble that I could completely trust; I told him that one day—if I let it—everything I did and said and thought would be nothing more than the entropic implosion of a condemned building or a dying star.
Prendergast painted the Public Garden;
remembered, even at a little distance,
the city takes on his ravishing tones.
Jots of color resolve: massed parasols
above a glimmering pond, the transit
of almost translucent swans. Brilliant bits
- jewels? slices of sugared fruit? – bloom
into a clutch of skirts on the bridge
above the summer boaters. His city’s essence:
all the hues of chintzes or makeup
or Italian ices, all the sheen artifice
is capable of. Our city’s lavish paintbox.
The ensuing inquiries found the girl to be a teenager, though she weighed only fifty-nine pounds and was only fifty-four inches tall. She was in much worse physical shape than at first suspected: she was incontinent, could not chew solid food and could hardly swallow, could not focus her eyes beyond twelve feet, and, according to some accounts, could not cry. She salivated constantly, spat indiscriminately. She had a ring of hard callus around her buttocks, and she had two nearly complete sets of teeth. Her hair was thin. She could not hop, skip, climb, or do anything requiring the full extension of her limbs. She showed no perception of hot or cold.
so mama said no running, afraid
for me: shriveled lansones, sickly.
threat of skinned shins. cherry
glow of lola’s clove cigarettes,
smoke plumes sealing my throat.
or on my cheeks, plum rashes
blooming from playing in witchwillow.
these days, I don’t run much.
but I was only seven when I broke
a girl’s front teeth.
Things weather fast here, soon bird will be bone,
brittle and white, dead twig snapped underfoot
where the sky alters in seconds, shine to shower,
and harsher truths hit home hour after hour –
the sundew snagging flies, settling to eat,
a fat gull’s fractured keen that cuts through stone.
There was a space across which you and your shadow, pacing,
broke,
and around you pockets of shadow, sucking, shutting.
By now the talk had changed.
There was a liquid of wall and stove and space-behind-the-stove.
And x where the mirror had been.
And x where the window had been.
And x where my hand slid over the tabletop breaking a glass.
There were shadows in the shadows, and in there were cuts.