Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
A grotesquely fat woman lives in the farthest corner of the village. Her name is Matilde. When she walks to market, she must gather up her fat just as another woman gathers up her skirts, daintily pinching it between her fingers and hooking it over her wrists. Matilde’s fat moves about her gracefully, sighing and rustling with her every gesture. She walks as if enveloped by a dense storm cloud, from which the real, sylph-like Matilde is waiting to emerge, blinding as a sunbeam.
When I bent down to stack the papers, I thought the sensation I had had in my brain earlier was the same sensation I had once felt when I shook a pomegranate near my ear. Or, not exactly a sensation, but a sound. That when I shook the pomegranate it had made the same sound as the sound my blood made when it swiveled in my brain, and that both sounds led to the same sensation: of something having dissolved where it shouldn’t have. I went over the memory, from when I picked up the pomegranate to when I shook it near my ear: I had squeezed the pomegranate by rolling it, had pressed into it with my thumbs, juiced it without cracking it open, because it’s the only way to juice a pomegranate without any special machines. All the juice was swiveling about inside the shell of the pomegranate, channeling its way around the seeds the way river water channels itself around driftwood. When I put the pomegranate down I could still hear the juice working its way around the seeds that were dead without their pulp. I had squeezed the pomegranate till the pulp was dead. I could invent a machine to juice pomegranates, I thought, and not just pomegranates but persimmons too, some very basic, cheap tool people could use in their homes, and then I imagined a thousand people, all wearing their house slippers, juicing their pomegranates and persimmons for breakfast, and I thought, never mind, no doubt someone has already invented it.
ANGEL: Here’s your big chance, baby. What would you like to ask the Angel of the Lord?
MARISOL (Energized): Are you real? Are you true? Are you gonna make the Bronx safe for me? Is it true angels’ favorite food is Thousand Island dressing? Is it true your shit smells like mangoes and when you’re drunk you speak Portuguese?
ANGEL: Honey, last time I was drunk…
(Marisol gets a sudden, horrifying realization.)
MARISOL: Wait a minute – am I dead?
They had been watching Lena for a month. The sound technician, a barrel-chested man with whom he had not previously worked, had introduced himself simply as Bear. Bear recorded her telephone conversations, leaving him to photograph her comings and goings. In her file at the Bureau, there were many Lenas. She appeared in a slew of black-and-white pictures, bundled in a woolen coat, talking to the downstairs neighbor, inspecting potatoes and carrots at the vegetable market. On warmer days, she stretched beside the window, the sill like a barre, and he had frozen her in her contortions. When the damp wind sank its teeth until it pierced his bones, she stood at the shut window in a thick sweater sipping coffee from a shallow cup that she held in both hands. In the pictures she was usually looking out. He liked to think that she had caught sight of something she had been expecting.
In that darkness,
Speakers rose like
Housing projects,
Moonlight diamonded
Mesh-wire panes.
What was it that bloomed
Around his curled
Body when the lights
Came up, fluorescent,
Vacant, garish?
The gym throbbed
With beats & rage
And his eyes darted
Like a man nailed
To a burning crucifix.
The man asks, Do you have a family? My thinking
brushes the air between us like a wet mark
stains white paper. My mother’s mother, dead
twenty-two years. A stone house. The ants I’ve killed.
Robyne, who, when someone hurls
toward me a small cruelty, cries. Memphis in August.
My twin brother crunching ice. All the cousins
I’ve made. Walking amongst cedar trees.
A grotesquely fat woman lives in the farthest corner of the village. Her name is Matilde. When she walks to market, she must gather up her fat just as another woman gathers up her skirts, daintily pinching it between her fingers and hooking it over her wrists. Matilde’s fat moves about her gracefully, sighing and rustling with her every gesture. She walks as if enveloped by a dense storm cloud, from which the real, sylph-like Matilde is waiting to emerge, blinding as a sunbeam.
When I bent down to stack the papers, I thought the sensation I had had in my brain earlier was the same sensation I had once felt when I shook a pomegranate near my ear. Or, not exactly a sensation, but a sound. That when I shook the pomegranate it had made the same sound as the sound my blood made when it swiveled in my brain, and that both sounds led to the same sensation: of something having dissolved where it shouldn’t have. I went over the memory, from when I picked up the pomegranate to when I shook it near my ear: I had squeezed the pomegranate by rolling it, had pressed into it with my thumbs, juiced it without cracking it open, because it’s the only way to juice a pomegranate without any special machines. All the juice was swiveling about inside the shell of the pomegranate, channeling its way around the seeds the way river water channels itself around driftwood. When I put the pomegranate down I could still hear the juice working its way around the seeds that were dead without their pulp. I had squeezed the pomegranate till the pulp was dead. I could invent a machine to juice pomegranates, I thought, and not just pomegranates but persimmons too, some very basic, cheap tool people could use in their homes, and then I imagined a thousand people, all wearing their house slippers, juicing their pomegranates and persimmons for breakfast, and I thought, never mind, no doubt someone has already invented it.
ANGEL: Here’s your big chance, baby. What would you like to ask the Angel of the Lord?
MARISOL (Energized): Are you real? Are you true? Are you gonna make the Bronx safe for me? Is it true angels’ favorite food is Thousand Island dressing? Is it true your shit smells like mangoes and when you’re drunk you speak Portuguese?
ANGEL: Honey, last time I was drunk…
(Marisol gets a sudden, horrifying realization.)
MARISOL: Wait a minute – am I dead?
They had been watching Lena for a month. The sound technician, a barrel-chested man with whom he had not previously worked, had introduced himself simply as Bear. Bear recorded her telephone conversations, leaving him to photograph her comings and goings. In her file at the Bureau, there were many Lenas. She appeared in a slew of black-and-white pictures, bundled in a woolen coat, talking to the downstairs neighbor, inspecting potatoes and carrots at the vegetable market. On warmer days, she stretched beside the window, the sill like a barre, and he had frozen her in her contortions. When the damp wind sank its teeth until it pierced his bones, she stood at the shut window in a thick sweater sipping coffee from a shallow cup that she held in both hands. In the pictures she was usually looking out. He liked to think that she had caught sight of something she had been expecting.
In that darkness,
Speakers rose like
Housing projects,
Moonlight diamonded
Mesh-wire panes.
What was it that bloomed
Around his curled
Body when the lights
Came up, fluorescent,
Vacant, garish?
The gym throbbed
With beats & rage
And his eyes darted
Like a man nailed
To a burning crucifix.
The man asks, Do you have a family? My thinking
brushes the air between us like a wet mark
stains white paper. My mother’s mother, dead
twenty-two years. A stone house. The ants I’ve killed.
Robyne, who, when someone hurls
toward me a small cruelty, cries. Memphis in August.
My twin brother crunching ice. All the cousins
I’ve made. Walking amongst cedar trees.