Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
And the body is beautifully there, like hoarfrost.
Tears on its face now glimmering like dimes
falling from a slot machine, or a stream, thought lost,
that breaks through fresh snow at wintertime.
From Brother Salvage, posted by permission of the University of Pittsburgh Press
His music swims in the room’s colors,
Not making the décor any prettier,
In its war of blood and tar;
His bleak tone blare into blackness
Of hard luck and lights.
Easier to sit in the front row
With your feet propped on stage
Than to play in a room where
Notes are harder to hold than a cheating lover.
As everyone heckles advice,
Somebody tells a fable about
Dignity and the failed attempt.
Adrian Piper took photos of her naked body while reading The Critique of Pure Reason to make sure her body was still there. I don’t want to talk about “the black body.” Where is such a thing? I am not inside of anything. I want the monad. I want integration, but not the kind that requires “white” and “black” to participate. Integration as the move from a dualist Cartesian world to the monist’s world, so that transcendence is a misnomer—there being nothing to get beyond, to get above or around. In this single world-substance, everywhere is home; everything is forever; and everyone is inalienable.
If there is a ground, then there are bodies beneath it.
If the bodies know my name, then I am said to be protected.
If I am spoken for, then I could've died a number of times.
If I am still here, then I am speaking for the dirt.
If there is dirt, then there is my mouth wet and ripe with questions.
“This was when my dad was still living with us, but he would come to services from work, so when we went home afterward I’d have to choose who to go home with. I don’t know if it upset my dad, but I always went home with my mom. Mostly because she drove the Beetle, which was so much more fun. She would play these old Patti Smith cassettes, and I’d sing with her. But the best part was she’d let me put on the dome light, so it felt like we were in this little space capsule, just the two of us. That’s my favorite memory, me and my mom going home from temple Friday nights. That car was like a lit-up igloo rolling through the dark.”
Then, without any warning, Taylor could speak Abini. June and Peter could not recall a learning period, a month when the girl communicated awkwardly with the villagers. By the time June noticed her daughter speaking the native language, the girl was spitting out long sentences at her friends, laughing with them, and joining in songs and chants, and when June’s back was turned to Taylor and her friends, she could barely distinguish her daughter’s voice from those of the other children.
And the body is beautifully there, like hoarfrost.
Tears on its face now glimmering like dimes
falling from a slot machine, or a stream, thought lost,
that breaks through fresh snow at wintertime.
From Brother Salvage, posted by permission of the University of Pittsburgh Press
His music swims in the room’s colors,
Not making the décor any prettier,
In its war of blood and tar;
His bleak tone blare into blackness
Of hard luck and lights.
Easier to sit in the front row
With your feet propped on stage
Than to play in a room where
Notes are harder to hold than a cheating lover.
As everyone heckles advice,
Somebody tells a fable about
Dignity and the failed attempt.
Adrian Piper took photos of her naked body while reading The Critique of Pure Reason to make sure her body was still there. I don’t want to talk about “the black body.” Where is such a thing? I am not inside of anything. I want the monad. I want integration, but not the kind that requires “white” and “black” to participate. Integration as the move from a dualist Cartesian world to the monist’s world, so that transcendence is a misnomer—there being nothing to get beyond, to get above or around. In this single world-substance, everywhere is home; everything is forever; and everyone is inalienable.
If there is a ground, then there are bodies beneath it.
If the bodies know my name, then I am said to be protected.
If I am spoken for, then I could've died a number of times.
If I am still here, then I am speaking for the dirt.
If there is dirt, then there is my mouth wet and ripe with questions.
“This was when my dad was still living with us, but he would come to services from work, so when we went home afterward I’d have to choose who to go home with. I don’t know if it upset my dad, but I always went home with my mom. Mostly because she drove the Beetle, which was so much more fun. She would play these old Patti Smith cassettes, and I’d sing with her. But the best part was she’d let me put on the dome light, so it felt like we were in this little space capsule, just the two of us. That’s my favorite memory, me and my mom going home from temple Friday nights. That car was like a lit-up igloo rolling through the dark.”
Then, without any warning, Taylor could speak Abini. June and Peter could not recall a learning period, a month when the girl communicated awkwardly with the villagers. By the time June noticed her daughter speaking the native language, the girl was spitting out long sentences at her friends, laughing with them, and joining in songs and chants, and when June’s back was turned to Taylor and her friends, she could barely distinguish her daughter’s voice from those of the other children.