Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
I remembered the sweet powerful taste of pop. Tommy Feathers had stopped for coffee when he was hunting wolverine. He tossed a bulged red and white can on the chopping block. “You’ll have tat one springtime,” he joked. He was sober; that meant he was laughing and friendly, not frothing about naluagmius starving his family, stealing food out of his children’s mouths. We had sat around waiting for it to thaw. We could have bought pops in Takunak but according to Abe, pop cost money, wasted aluminum, and was bad for our teeth. Nothing for something. Why not drink water? Now Iris was describing the high school friends and fun we’d always worried we missed out on, and I wondered why I hadn’t bought myself a few Cokes.
“Malcolm is dead,” Eddie kept hearing as he raced to the shop. As he got closer, he saw the flashing lights, and the siren that had been only an eerie, barely audible musical accompaniment to his thoughts began to register as belonging to an ambulance and not as being a regular plant alarm. He knew that he would not cry no matter how awful it was; he never cried. That was one thing he never had to worry about. If one of them had to be killed here, it was better that it was Malcolm—because if Eddie had been killed, Malcolm would have cried like a baby.
To remain :: is to grieve
:: is to answer
:: what side of the río
we crown
:: or
:: where your ancestors
Coffin
I am a cowry girl, a marine biologist to be exact. The 8-hour move-
ment started in the United States in 1884. Feeling more and more.
Gave birth. Took up the question. 8 hours shall be the norm. Marx:
Slavery disfigured a part of the republic. Labor with a white skin
cannot emancipate itself where labor with a black skin is branded.
The time named. Endorse the same. Half of the same. More pro-
foundly. Therefore be considered a synonym.
A Child is Like a Clarinet
for Eliza Harris and Henri Akoka
Similes are dangerous.
To equate a person to
an object, an instrument
no less, is a risk.
A child is like a clarinet.
A mother is like a clarinetist.
Personhood posits
promising possibilities.
Poems are willing to die.
Poems dare, just as Eliza
Harris leaped onto pieces
of ice to cross the frozen
Ohio River with her baby
in her hands. Poems flee,
just as Henri Akoka
jumped onto the top of
a moving train with his
clarinet under his arm.
One of these things
is not like the other.
Can’t you tell? Mouthpiece
from lips, flesh from wood.
“Then in the second half of the show,” my father recalled, “MacKnight would hypnotize subjects who came up from the audience, and he’d get them to do all kinds of things, and some of them I think he really did hypnotize but others would sort of fake it. He had people who traveled along with him, and I was one of them. I was supposed to sit in the audience and then come up onstage. And the audience must have known very well that I was a phony, because I had just done my magic act in the first part of the evening! But then I went out and sat in the audience, and he said, Will any volunteers come up, and up I would jump along with someone else. Of course, I was supposed to be hypnotized, but I never was. I wanted to be. I thought, Gee, I mustn’t fake this, because it was supposed to be for real, but he could never get me to be really hypnotized, so I always did have to fake it.”
I remembered the sweet powerful taste of pop. Tommy Feathers had stopped for coffee when he was hunting wolverine. He tossed a bulged red and white can on the chopping block. “You’ll have tat one springtime,” he joked. He was sober; that meant he was laughing and friendly, not frothing about naluagmius starving his family, stealing food out of his children’s mouths. We had sat around waiting for it to thaw. We could have bought pops in Takunak but according to Abe, pop cost money, wasted aluminum, and was bad for our teeth. Nothing for something. Why not drink water? Now Iris was describing the high school friends and fun we’d always worried we missed out on, and I wondered why I hadn’t bought myself a few Cokes.
“Malcolm is dead,” Eddie kept hearing as he raced to the shop. As he got closer, he saw the flashing lights, and the siren that had been only an eerie, barely audible musical accompaniment to his thoughts began to register as belonging to an ambulance and not as being a regular plant alarm. He knew that he would not cry no matter how awful it was; he never cried. That was one thing he never had to worry about. If one of them had to be killed here, it was better that it was Malcolm—because if Eddie had been killed, Malcolm would have cried like a baby.
To remain :: is to grieve
:: is to answer
:: what side of the río
we crown
:: or
:: where your ancestors
Coffin
I am a cowry girl, a marine biologist to be exact. The 8-hour move-
ment started in the United States in 1884. Feeling more and more.
Gave birth. Took up the question. 8 hours shall be the norm. Marx:
Slavery disfigured a part of the republic. Labor with a white skin
cannot emancipate itself where labor with a black skin is branded.
The time named. Endorse the same. Half of the same. More pro-
foundly. Therefore be considered a synonym.
A Child is Like a Clarinet
for Eliza Harris and Henri Akoka
Similes are dangerous.
To equate a person to
an object, an instrument
no less, is a risk.
A child is like a clarinet.
A mother is like a clarinetist.
Personhood posits
promising possibilities.
Poems are willing to die.
Poems dare, just as Eliza
Harris leaped onto pieces
of ice to cross the frozen
Ohio River with her baby
in her hands. Poems flee,
just as Henri Akoka
jumped onto the top of
a moving train with his
clarinet under his arm.
One of these things
is not like the other.
Can’t you tell? Mouthpiece
from lips, flesh from wood.
“Then in the second half of the show,” my father recalled, “MacKnight would hypnotize subjects who came up from the audience, and he’d get them to do all kinds of things, and some of them I think he really did hypnotize but others would sort of fake it. He had people who traveled along with him, and I was one of them. I was supposed to sit in the audience and then come up onstage. And the audience must have known very well that I was a phony, because I had just done my magic act in the first part of the evening! But then I went out and sat in the audience, and he said, Will any volunteers come up, and up I would jump along with someone else. Of course, I was supposed to be hypnotized, but I never was. I wanted to be. I thought, Gee, I mustn’t fake this, because it was supposed to be for real, but he could never get me to be really hypnotized, so I always did have to fake it.”