Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
“It was a misunderstanding,” her daughter said. “It was a cultural thing, actually.” And when Alice expressed skepticism about the need for cross-cultural understanding with rapists, Mandy said, “He’s not a rapist.”
“I’m sorry,” she said, “but if he raped you, he is a rapist.”
And Mandy said, “Don’t call him that, Mom. He’s my boyfriend.”
Some of the subjects covered during Gamal’s hour of talk: the great friendship they will have; the difficulty Gamal has accepting Ib’s name—he prefers to call him Ibrahim; the movies of Kaleemt Ishtwud; the language of Arabic, which Gamal will make Ib speak like one good Arab Man, which Gamal says is the language everyone in the world knows; felucca rides on the Nile; the English language, the greatest language on earth, which Ib will teach Gamal to speak like on good English Man; this great beauty the singer Paula Abdul, but what is she a servant of (abdul means “servant of”) and how can we make her visit our house which we will build together near the Pyramids; the Pyramids, which Gamal feels one moment are the great monuments of the world we know, the next moment, garbage heaps, where bad people sell bad things that do not make Egypt look good; the right of a man to marry a woman for a few weeks, a very necessary right, men are much stronger and fairer this way, men grow beards more quickly, men walk in straight lines.
The train arrived with a smell of hot metal. Not the one she needed. Framed in the windows, the frozen-forward faces of the passengers. But they different in New York, Lucifer says. Here, the seats face forward overlooking the tracks—as if you were the conductor, you think—but there, you face the other passengers, keep yo eyes to yoself. Yes, you think, looking but not seeing, eyes turned away, curving and swerving with the tracks. The conductor shouted, STANDING PASSENGERS, PLEASE DO NOT LEAN ON THE DOORS. Cause you might fall out of the doors, like teeth spilling from a mouth. The train drew off.
Fear the opera expert, he who knows everything, who puts your humble tastes to shame, who will criticize your recording of Turandot or even your affection for that vulgar opera, the opera queen who only like Monteverdi, the opera queen who doesn’t go to the Met anymore, the opera queen who can’t stand Sutherland, the opera queen who gave me his 1953 Callas Cetra Traviata because he said her voice was fingernails against a chalkboard, the opera queen who disagrees with the maestro’s tempi, the opera queen who hates Wagner or loves only Wagner, the opera queen who doesn’t recognize himself in this description, the opera queen who thinks homosexuality has nothing to do with opera, the opera queen who never has body odor but then, suddenly, unexpectedly, stinks, the opera queen who doesn’t come out to his mother because he says it will hurt her, the opera queen who loves the local production of Barbiere and the opera queen who makes fun of it, the opera queen who isn’t gay but seems gay because he has learned from opera queens how to be a connoisseur: the opera queen whose intense, phobic knowledge is a bludgeon.
Alone in a London museum, I saw a watercolor of twin
flames, one black, one a gauzy red,
only to learn the title is Boats at Sea. It's like how
sometimes I forget you're gone.
But it's not like that, is it? Not at all. When in this world
similes carry us nowhere.
And now I see again the boy pelting through those galleries
a boy not you, a flash of red, red, chasing, or being chased—
Or did I invent him? Mischief companion. Brother.
Listen to me
plead for your life though even in the dream I know you're
already dead.
How do I insure my desire for grief is never satisfied? Was
Priam's ever?
I tell my friend, I want the page itself to burn.
I love American newspapers, the way each section
is folded independently and believes it owns
the world. There’s this brief item in the inter-
national pages: the Chinese government has posted
signs in Tiananmen Square; forbidding laughter.
I’m sure the plastic surgeon would approve, he’d say
the Chinese will look young much longer, their faces
unnaturally smooth, but what I see (although
no photograph accompanies the story) is laughter
busting inside them. I go back to the sports section
and a closeup of a rookie in mind-swing, his face
keeping all the wrong emotions in check.
“It was a misunderstanding,” her daughter said. “It was a cultural thing, actually.” And when Alice expressed skepticism about the need for cross-cultural understanding with rapists, Mandy said, “He’s not a rapist.”
“I’m sorry,” she said, “but if he raped you, he is a rapist.”
And Mandy said, “Don’t call him that, Mom. He’s my boyfriend.”
Some of the subjects covered during Gamal’s hour of talk: the great friendship they will have; the difficulty Gamal has accepting Ib’s name—he prefers to call him Ibrahim; the movies of Kaleemt Ishtwud; the language of Arabic, which Gamal will make Ib speak like one good Arab Man, which Gamal says is the language everyone in the world knows; felucca rides on the Nile; the English language, the greatest language on earth, which Ib will teach Gamal to speak like on good English Man; this great beauty the singer Paula Abdul, but what is she a servant of (abdul means “servant of”) and how can we make her visit our house which we will build together near the Pyramids; the Pyramids, which Gamal feels one moment are the great monuments of the world we know, the next moment, garbage heaps, where bad people sell bad things that do not make Egypt look good; the right of a man to marry a woman for a few weeks, a very necessary right, men are much stronger and fairer this way, men grow beards more quickly, men walk in straight lines.
The train arrived with a smell of hot metal. Not the one she needed. Framed in the windows, the frozen-forward faces of the passengers. But they different in New York, Lucifer says. Here, the seats face forward overlooking the tracks—as if you were the conductor, you think—but there, you face the other passengers, keep yo eyes to yoself. Yes, you think, looking but not seeing, eyes turned away, curving and swerving with the tracks. The conductor shouted, STANDING PASSENGERS, PLEASE DO NOT LEAN ON THE DOORS. Cause you might fall out of the doors, like teeth spilling from a mouth. The train drew off.
Fear the opera expert, he who knows everything, who puts your humble tastes to shame, who will criticize your recording of Turandot or even your affection for that vulgar opera, the opera queen who only like Monteverdi, the opera queen who doesn’t go to the Met anymore, the opera queen who can’t stand Sutherland, the opera queen who gave me his 1953 Callas Cetra Traviata because he said her voice was fingernails against a chalkboard, the opera queen who disagrees with the maestro’s tempi, the opera queen who hates Wagner or loves only Wagner, the opera queen who doesn’t recognize himself in this description, the opera queen who thinks homosexuality has nothing to do with opera, the opera queen who never has body odor but then, suddenly, unexpectedly, stinks, the opera queen who doesn’t come out to his mother because he says it will hurt her, the opera queen who loves the local production of Barbiere and the opera queen who makes fun of it, the opera queen who isn’t gay but seems gay because he has learned from opera queens how to be a connoisseur: the opera queen whose intense, phobic knowledge is a bludgeon.
Alone in a London museum, I saw a watercolor of twin
flames, one black, one a gauzy red,
only to learn the title is Boats at Sea. It's like how
sometimes I forget you're gone.
But it's not like that, is it? Not at all. When in this world
similes carry us nowhere.
And now I see again the boy pelting through those galleries
a boy not you, a flash of red, red, chasing, or being chased—
Or did I invent him? Mischief companion. Brother.
Listen to me
plead for your life though even in the dream I know you're
already dead.
How do I insure my desire for grief is never satisfied? Was
Priam's ever?
I tell my friend, I want the page itself to burn.
I love American newspapers, the way each section
is folded independently and believes it owns
the world. There’s this brief item in the inter-
national pages: the Chinese government has posted
signs in Tiananmen Square; forbidding laughter.
I’m sure the plastic surgeon would approve, he’d say
the Chinese will look young much longer, their faces
unnaturally smooth, but what I see (although
no photograph accompanies the story) is laughter
busting inside them. I go back to the sports section
and a closeup of a rookie in mind-swing, his face
keeping all the wrong emotions in check.