Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
I plugged my poem into a manhole cover
That flamed into the first guitar,
Jarred the asphalt and tar to ash,
And made from where there once was
Ground a sound to stand on.
The dining room was empty. There were dragons – dragon ashtrays, dragon statues, dragons carved into posts. In a remarkably misguided attempt at décor, there was also a profusion of mirrors. The result was upsetting.
I thought, I bet the daughter’s glad she’s dead, because what her mother was doing, throwing herself into the grave on top of the box like that, looked funny. It looked funny because her mother was fat, and it looked so much like the mother was doing the Fat Man Dance, because her arms were spread out too, as if she were waiting for her daughter to spread out her arms also, and then they could hold hands and smack bellies together and dance in circles on the box just the way we always did in the summer when we did the Fat Man Dance. Because we always did the Fat Man Dance in the summer when we ran around with no clothes on and danced a lot because it was summer.
The intimate places of his father’s body were now within his reach, turned over to the touch of his fingers: his father who had never embraced him as a child. First he would touch his earlobes, to move them out of the way for the scissors, which had been taken out of the mother-of-pearl damascene box. Then he would take the nose between his thumb and forefinger, and give it a slight lift so as to shave above the upper lip. And the more the cancer gnawed away at the liver and the body grew limp, the more it opened to him, replete with its disappointments, sated with its tribulations. They would sit together in silence, the father and he, the youngest of his sons.
…what of the glowing spine,
what of the toy stings of stock footage flames,
what of the jets you swatted dead
from the air with unmistakable joy,
you of the plastic-leather, pebbled Pleistocene flesh,
you of the palsied fury, you
of the put-upon by dissemblers and disturbers,
you, what of the life burned
so cheaply into celluloid we are charmed…
I plugged my poem into a manhole cover
That flamed into the first guitar,
Jarred the asphalt and tar to ash,
And made from where there once was
Ground a sound to stand on.
The dining room was empty. There were dragons – dragon ashtrays, dragon statues, dragons carved into posts. In a remarkably misguided attempt at décor, there was also a profusion of mirrors. The result was upsetting.
I thought, I bet the daughter’s glad she’s dead, because what her mother was doing, throwing herself into the grave on top of the box like that, looked funny. It looked funny because her mother was fat, and it looked so much like the mother was doing the Fat Man Dance, because her arms were spread out too, as if she were waiting for her daughter to spread out her arms also, and then they could hold hands and smack bellies together and dance in circles on the box just the way we always did in the summer when we did the Fat Man Dance. Because we always did the Fat Man Dance in the summer when we ran around with no clothes on and danced a lot because it was summer.
The intimate places of his father’s body were now within his reach, turned over to the touch of his fingers: his father who had never embraced him as a child. First he would touch his earlobes, to move them out of the way for the scissors, which had been taken out of the mother-of-pearl damascene box. Then he would take the nose between his thumb and forefinger, and give it a slight lift so as to shave above the upper lip. And the more the cancer gnawed away at the liver and the body grew limp, the more it opened to him, replete with its disappointments, sated with its tribulations. They would sit together in silence, the father and he, the youngest of his sons.
…what of the glowing spine,
what of the toy stings of stock footage flames,
what of the jets you swatted dead
from the air with unmistakable joy,
you of the plastic-leather, pebbled Pleistocene flesh,
you of the palsied fury, you
of the put-upon by dissemblers and disturbers,
you, what of the life burned
so cheaply into celluloid we are charmed…