Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
In these short distances and insufferable spans the boy lives through a night forgotten by history, where the men of the land and soldiers of the shah take to each other with bullet, knife, curse and bludgeon to craft a single composition; the precise choreography of flesh puppets, strung to a thousand stars and pulled as sparring lovers, to and from the flame, to and from the gouge, to and from the stab and shot, their beating hearts like magnets charged to the opposite pulls of victory and death.
The last visitor left.
You closed the door and smiled at me.
I watched you cross Room 515 through
the flowers in vases, and your face
looked just like your face, smiling
down at me in my stupid green issue gown.
I felt myself want you
through the plastic tubes,
the vines around, across and above me.
I felt myself want you
exclusively. Even pain faded
into the scenery as you leaned in
to kiss me. And I met your kiss
with my lips and we were both
folded into it,
into that clean clean folding,
that soft longed-for kiss
across the side rails. That particular kiss
in its delicious oblivion hoisted us
above the suffering body.
We felt that long transfer of soft
for softness, that kiss lifting us
above the basement drawers
where we would finally face up.
This decision to wear his coat—like other stratagems of Mr. Shawn’s, like many of the procedures at the old New Yorker—might have been viewed by outside observers as quaint. But it was simply a solution to a practical problem. He was terrified of catching cold, because that might keep him from working. It might slow what always looked in him like the semisacred task of getting out the magazine each week in a form as close to perfect as he could make it. He was also phobic about self-service elevators, especially if they were full of strangers, people with emotional demands, or people with colds. I’ve never known anyone to match him in the imagination he brought to getting around some problem—to thinking things out. Working on his proofs at the Algonquin was simply the solution to that day’s dilemma: how to do his work, when he had to leave the office early because the fellow who operated the manual elevator was going off duty at three in the afternoon. (The elevator was the only own Shawn could ride serenely, and it had been expressly retained by the building’s management after the other elevators were automated.)
I’m sure you won’t believe this,
but if a policeman walks behind me, I tremble:
What would Shaft do? What would Shaft do?
Bits of my courage flake away like dandruff.
I’m sweating even as I tell you this.
I’m not cool.
I keep the real me tucked beneath a wig,
I’m a small American frog.
I grow beautiful as the theatre dims.
It’s May and I’ve just awakened from a nap, curled against sagebrush the way my dog taught me to sleep—sheltered from wind. A front is pulling the huge sky over me, and from the dark a hailstone has hit me on the head. I’m trailing a band of two thousand sheep across a stretch of Wyoming badlands, a fifty-mile trip that takes five days because sheep shade up in hot sun and won’t budge until it’s cool. Bunched together now, and excited into a run by the storm, they drift across dry land, tumbling into draws like water and surge out again onto the rugged, choppy plateaus that are the building blocks of this state.
He climbed over the fence surrounding the Queen’s Pond, took off his clothes, and dived in, not caring whether a police squad would approach. The chill of water invigorated him as he waded through the lilies floating on top. He wondered how long it would take, if he allowed himself to sink, for the water to fill his lungs. He thought of monsters with long tentacles that supposedly lived at the bottom, and he imagined them tearing into his flesh. Would his wife be able to recognize the body?
In these short distances and insufferable spans the boy lives through a night forgotten by history, where the men of the land and soldiers of the shah take to each other with bullet, knife, curse and bludgeon to craft a single composition; the precise choreography of flesh puppets, strung to a thousand stars and pulled as sparring lovers, to and from the flame, to and from the gouge, to and from the stab and shot, their beating hearts like magnets charged to the opposite pulls of victory and death.
The last visitor left.
You closed the door and smiled at me.
I watched you cross Room 515 through
the flowers in vases, and your face
looked just like your face, smiling
down at me in my stupid green issue gown.
I felt myself want you
through the plastic tubes,
the vines around, across and above me.
I felt myself want you
exclusively. Even pain faded
into the scenery as you leaned in
to kiss me. And I met your kiss
with my lips and we were both
folded into it,
into that clean clean folding,
that soft longed-for kiss
across the side rails. That particular kiss
in its delicious oblivion hoisted us
above the suffering body.
We felt that long transfer of soft
for softness, that kiss lifting us
above the basement drawers
where we would finally face up.
This decision to wear his coat—like other stratagems of Mr. Shawn’s, like many of the procedures at the old New Yorker—might have been viewed by outside observers as quaint. But it was simply a solution to a practical problem. He was terrified of catching cold, because that might keep him from working. It might slow what always looked in him like the semisacred task of getting out the magazine each week in a form as close to perfect as he could make it. He was also phobic about self-service elevators, especially if they were full of strangers, people with emotional demands, or people with colds. I’ve never known anyone to match him in the imagination he brought to getting around some problem—to thinking things out. Working on his proofs at the Algonquin was simply the solution to that day’s dilemma: how to do his work, when he had to leave the office early because the fellow who operated the manual elevator was going off duty at three in the afternoon. (The elevator was the only own Shawn could ride serenely, and it had been expressly retained by the building’s management after the other elevators were automated.)
I’m sure you won’t believe this,
but if a policeman walks behind me, I tremble:
What would Shaft do? What would Shaft do?
Bits of my courage flake away like dandruff.
I’m sweating even as I tell you this.
I’m not cool.
I keep the real me tucked beneath a wig,
I’m a small American frog.
I grow beautiful as the theatre dims.
It’s May and I’ve just awakened from a nap, curled against sagebrush the way my dog taught me to sleep—sheltered from wind. A front is pulling the huge sky over me, and from the dark a hailstone has hit me on the head. I’m trailing a band of two thousand sheep across a stretch of Wyoming badlands, a fifty-mile trip that takes five days because sheep shade up in hot sun and won’t budge until it’s cool. Bunched together now, and excited into a run by the storm, they drift across dry land, tumbling into draws like water and surge out again onto the rugged, choppy plateaus that are the building blocks of this state.
He climbed over the fence surrounding the Queen’s Pond, took off his clothes, and dived in, not caring whether a police squad would approach. The chill of water invigorated him as he waded through the lilies floating on top. He wondered how long it would take, if he allowed himself to sink, for the water to fill his lungs. He thought of monsters with long tentacles that supposedly lived at the bottom, and he imagined them tearing into his flesh. Would his wife be able to recognize the body?