Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
She walks all the time in the Heart Ward.
She makes no sound. She is always alone.
If she is looking in the toilet stall and you come in
she leaves. She calls you Dear.
I was thinking of giving her my flowers.
Just now she came over and said,
‘You don’t have to be writing all the time Dear.’
I said, ‘Do you have any flowers?’
She said, ‘No Dear.’
I said, ‘Do you want any flowers?’
She said, ‘No, no flowers, Dear.’
I said, ‘Don’t you want any flowers at all?’
‘No,’ she said, ‘it’s too late for flowers Dear.’
The hay rake’s rattle, the stunned sputter of a moccasin
Slung in the blades, the mid-gloam crickets sending
Their codes as though from a nearby country of dreamers.
Each sound found its shape – low drip into mud beneath
The leaking spigot, scrape of sparrows stowing twigs
In the eaves, the combines fading, unzipping the bean
Rows and back again, and the wind-combed drift
Of dust in the field, which is where I can hear it most
Clearly now, my pointing the direction away
From that town, saying there I am, there I am, there I am…
“Three words,” Gaz said. “Motion. Picture. History.” He got up, circled the table as he explained his movie: en route to Earth from a distant solar system, the crew of the Valedictorian crash-lands on a hostile planet inhabited by bat-winged pygmies, lobster-clawed cannibals, two-headed vampires. “That’s where your stuff comes in. I’m going to splice up your movies with mine.” He went on about the mixing-up of genres, chop-suey cinema, bringing together East and West. “We’d be the ambassadors of international film!”
“What’s your thinking on this?” Checkers asked me in Tagalog. “Is this man serious? Is he just an American fool?”
“Ask how much he’ll pay,” I said, “get twenty percent more, give him the movies, and show him to the door.”
He watched the sky and thought of all the fires the world had ever seen, fires from wars, fires from bombs. So much smoke. Where has it all gone? New smoke curled beneath wisps of old, drifting ever higher, higher. Where does it all go? He inhaled deeply and his insides burned, and Vernon knew all that smoke was now just the air we breathe.
A bobwhite sounds through larks
and jays, the wringing-wet shade,
as in the first world, before Adam
understood their sharp iambs,
when the refrain could’ve been
anything’s: plant or animal, or light
so pure it sang. Even now
how absolute, how wondrously
primitive the singularity rings –
shouting its name, its name,
its name… till from elsewhere
an echo swells through April-thick wings
as if addressing some question
on the presence of parallels.
The next day I piled my possessions among the goats and chickens and boxes tied with string on the roof of a taxi brousse, squeezed in with the Senegalese passengers, and went to Dakar. I got the key to my new house, took a pregnancy test, and arranged a round-trip flight to Washington, D.C. Every Peace Corps volunteer was allowed one abortion.
She walks all the time in the Heart Ward.
She makes no sound. She is always alone.
If she is looking in the toilet stall and you come in
she leaves. She calls you Dear.
I was thinking of giving her my flowers.
Just now she came over and said,
‘You don’t have to be writing all the time Dear.’
I said, ‘Do you have any flowers?’
She said, ‘No Dear.’
I said, ‘Do you want any flowers?’
She said, ‘No, no flowers, Dear.’
I said, ‘Don’t you want any flowers at all?’
‘No,’ she said, ‘it’s too late for flowers Dear.’
The hay rake’s rattle, the stunned sputter of a moccasin
Slung in the blades, the mid-gloam crickets sending
Their codes as though from a nearby country of dreamers.
Each sound found its shape – low drip into mud beneath
The leaking spigot, scrape of sparrows stowing twigs
In the eaves, the combines fading, unzipping the bean
Rows and back again, and the wind-combed drift
Of dust in the field, which is where I can hear it most
Clearly now, my pointing the direction away
From that town, saying there I am, there I am, there I am…
“Three words,” Gaz said. “Motion. Picture. History.” He got up, circled the table as he explained his movie: en route to Earth from a distant solar system, the crew of the Valedictorian crash-lands on a hostile planet inhabited by bat-winged pygmies, lobster-clawed cannibals, two-headed vampires. “That’s where your stuff comes in. I’m going to splice up your movies with mine.” He went on about the mixing-up of genres, chop-suey cinema, bringing together East and West. “We’d be the ambassadors of international film!”
“What’s your thinking on this?” Checkers asked me in Tagalog. “Is this man serious? Is he just an American fool?”
“Ask how much he’ll pay,” I said, “get twenty percent more, give him the movies, and show him to the door.”
He watched the sky and thought of all the fires the world had ever seen, fires from wars, fires from bombs. So much smoke. Where has it all gone? New smoke curled beneath wisps of old, drifting ever higher, higher. Where does it all go? He inhaled deeply and his insides burned, and Vernon knew all that smoke was now just the air we breathe.
A bobwhite sounds through larks
and jays, the wringing-wet shade,
as in the first world, before Adam
understood their sharp iambs,
when the refrain could’ve been
anything’s: plant or animal, or light
so pure it sang. Even now
how absolute, how wondrously
primitive the singularity rings –
shouting its name, its name,
its name… till from elsewhere
an echo swells through April-thick wings
as if addressing some question
on the presence of parallels.
The next day I piled my possessions among the goats and chickens and boxes tied with string on the roof of a taxi brousse, squeezed in with the Senegalese passengers, and went to Dakar. I got the key to my new house, took a pregnancy test, and arranged a round-trip flight to Washington, D.C. Every Peace Corps volunteer was allowed one abortion.