Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Circling slow and dripping like a fat June bug in the rain,
turbos throbbing in the labored
dark over Chicago, the Electra turned, one wing
pivoted up, like an old dog tilted on three legs,
smelling dank, an old heaviness in him, as though
he were about to tumble over toward those glorious,
snowy lights below. There might have been
freezing sleet as well. In any case, I know
I laughed into a glass half filled with bourbon,
glanced again at the two feathered props
out the window, their cowlings charred and smoky.
But freed all at once from months of killing depression,
elated strangely, almost uplifted.
To live in the city of El Paso in those days was to hover at the edge of crushing and proximate cruelty, to safely fill the lungs with air steeped in horror. In news, in academic texts, in literature and art, El Paso’s twin city of Juárez was perpetually being presented as a place of murder and violence, a landscape of factories, maquiladoras, drug cartels, narcos, hit men, sicarios, delinquents, military, police, poverty, femicide, rape, kidnapping, disappearance, homicide, slaughter, massacre, shootings, gun fights, turf wars, mass graves, garbage dumps, impunity, corruption, decay, erosion, a hemispheric laboratory of social and economic horror. This representation—the narrative of a city irreparably fractured by its looming border, saddled with broken institutions and a terrorized populace—had become part and parcel of its legacy, the subconscious inheritance of all those who came into the city’s orbit.
From THE LINE BECOMES A RIVER by Francisco Cantu, to be published on February 6, 2018 by Riverhead Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. Copyright (c) 2018 by Francisco Cantu.
Several times a day Granny Lin bathes Old Tang: in the morning and before bedtime, and whenever he wets or dirties himself. The private bathroom is what Granny Lin likes best about her marriage. For all her life, she has used public bathrooms, fighting with other slippery bodies for the lukewarm water drizzling from the rusty showers. Now that she has a bathroom all to herself, she never misses any chance to use it.
I couldn’t move. The ground was tiny, an aerial map, rich in detail, and the wind tugged at my feet. What were the commands? Arch, I whispered. Arch arch arch. That was all I could remember. I stood up, gripping the side of the opening, my feet balanced on the metal bar beneath the doorway, resisting the steady rush of wind. The jumpmaster shouted again. I felt the pressure of his fingers. And then I was gone. I left the plane behind me and fell into the air.
Like most of the fight world’s habits, hand wrapping is both practical and ritual. Done properly, it protects the hands from damage without giving a fighter an unfair advantage. Like boxing gloves or a football helmet, wrapping functions as both armor and sword, a protective measure that allows you to hit harder and more frequently than you could without it. One of the officials murmured, “That’s beautiful.” Colonna said “Thank you” without looking up from his work.
Circling slow and dripping like a fat June bug in the rain,
turbos throbbing in the labored
dark over Chicago, the Electra turned, one wing
pivoted up, like an old dog tilted on three legs,
smelling dank, an old heaviness in him, as though
he were about to tumble over toward those glorious,
snowy lights below. There might have been
freezing sleet as well. In any case, I know
I laughed into a glass half filled with bourbon,
glanced again at the two feathered props
out the window, their cowlings charred and smoky.
But freed all at once from months of killing depression,
elated strangely, almost uplifted.
To live in the city of El Paso in those days was to hover at the edge of crushing and proximate cruelty, to safely fill the lungs with air steeped in horror. In news, in academic texts, in literature and art, El Paso’s twin city of Juárez was perpetually being presented as a place of murder and violence, a landscape of factories, maquiladoras, drug cartels, narcos, hit men, sicarios, delinquents, military, police, poverty, femicide, rape, kidnapping, disappearance, homicide, slaughter, massacre, shootings, gun fights, turf wars, mass graves, garbage dumps, impunity, corruption, decay, erosion, a hemispheric laboratory of social and economic horror. This representation—the narrative of a city irreparably fractured by its looming border, saddled with broken institutions and a terrorized populace—had become part and parcel of its legacy, the subconscious inheritance of all those who came into the city’s orbit.
From THE LINE BECOMES A RIVER by Francisco Cantu, to be published on February 6, 2018 by Riverhead Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. Copyright (c) 2018 by Francisco Cantu.
Several times a day Granny Lin bathes Old Tang: in the morning and before bedtime, and whenever he wets or dirties himself. The private bathroom is what Granny Lin likes best about her marriage. For all her life, she has used public bathrooms, fighting with other slippery bodies for the lukewarm water drizzling from the rusty showers. Now that she has a bathroom all to herself, she never misses any chance to use it.
I couldn’t move. The ground was tiny, an aerial map, rich in detail, and the wind tugged at my feet. What were the commands? Arch, I whispered. Arch arch arch. That was all I could remember. I stood up, gripping the side of the opening, my feet balanced on the metal bar beneath the doorway, resisting the steady rush of wind. The jumpmaster shouted again. I felt the pressure of his fingers. And then I was gone. I left the plane behind me and fell into the air.
Like most of the fight world’s habits, hand wrapping is both practical and ritual. Done properly, it protects the hands from damage without giving a fighter an unfair advantage. Like boxing gloves or a football helmet, wrapping functions as both armor and sword, a protective measure that allows you to hit harder and more frequently than you could without it. One of the officials murmured, “That’s beautiful.” Colonna said “Thank you” without looking up from his work.