Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Book Mansion was overwhelming. China’s largest bookstore occupied 172,000 square feet and carried 230,000 titles. Bestsellers included Chinese titles such as I Was an American Police Officer; I’m Only Raising You for 18 Years; Chinese-Style Divorce; and Harvard Girl, a memoir that revealed the parenting style that made her stand out from her Chinese classmates and gain acceptance to the school. That book was in its sixty-third printing.
Downstairs, Monica’s Story lay between Bill and Hillary Clinton’s autobiographies. A boxed set about Göring rubbed shoulders with What’s Behind Jewish Excellence? Translated American titles ranged from the predictable – The Da Vinci Code, The Atkins Diet—to the surprising—Henry Rollins’s Get in the Van, and a Woody Allen collection whose Chinese title promised MENSA Whores. An entire floor held English-learning materials. Love English taught pickup lines and pillow talk, including cultural hints such as “‘I’m bored’ really means ‘Do you want to have sex?’”
People in the street referred to her as al-tarsha, the deaf woman, and, among the Arabs in the marketplace, everyone and everything in her household was known in elation to the tarsha: the deaf woman’s father, the deaf woman’s home, her maid, her bicycle, her car, her husband. The motorcycle with which she had won an exhibition race on the Corniche in the early forties and which was later sold to a neighbor continued to be known as the tarsha’s mutusikl. When I was old enough to walk alone on the streets of Ibrahimieh, I discovered that I too was known as the tarsha’s son.
In this wet season my gone mother
climbs back again
and everything here smells gutted—
bloodtide, sea grapes in thick bloom,
our smashed plates and teacups. Dismantling
this grey shoreline for some kind of home, scared
orphans out bleating with the mongrels,
all of us starved
for something reclaimable. What chases them,
her barefoot rain, stains my unopened petunia,
shined church shoes, our black words, our hands.
I’ll catch the day creep in, her dirt marking my father’s
neck, oil-dreck steeped dark to every collar,
her tar this same fish odor I am washing.
I know I am one of them. The emptied.
There’s a kind of sky below the ocean –
a field of starfish, turning slowly
like cogs inside
a water-watch, wound by a sea river;
the star’s five fingers tremble and
reach for a clam’s book of meat,
into which it will inject a sedative
and then its stomach.
In The City, escaped parrots colonize
a hilltop and breed, cackling You want that
In a bag? More hits after this…
Jilly took her head out of the oven mainly because it was hot and the gas did not work independently of the pilot light. Stupid new technology. And preferring her head whole and her new auburn sew-in weave unsinged, and having no chloroform in the house, she conceded that she would not go out like a poet. But she updated her status, just the same:
A final peace out
before I end it all.
Treat your life like bread,
no edge too small
to butter.
Jilly was not a poet or even an aspiring one. She just liked varying her posts as much as possible.
Copyright © by Nafissa Thompson-Spires. From Heads of the Colored People: Stories by Nafissa Thompson-Spires. Published by 37 Ink/Atria Books, an Imprint of Simon & Schuster, Inc. Printed by permission.
DOU YI
My hands were packed in dry ice
Flown across the Pacific and
Stitched onto a man who lost his overseas.
My palms open doors to
Rooms my feet haven't walked through and
Caress a woman my eyes will never see.
It doesn't snow there but my
Nails ache when they touch ice and
Scratch strange characters onto that
Soldier's skin while he's sleeping.
His doctors call it post-traumatic stress but
He knows they're words from a
Language his tongue never learned
Justice.
Justice.
Justice
Across the East Sea a yam farmer
Uses my corneas to see.
She dreams of snow but thinks
It's ashes from a childhood fire bombing.
On the far side of the Atlantic my stomach digests
Food that never passed through my lips
Food my teeth didn't chew
Food my tongue hasn't tasted
Food that could have made this spirit stronger
And act sooner if someone offered it to Dou Yi.
But my heart--
My heart beats in this town,
Pumping blood through a man
Loved by the son of an official,
A son who moved Heaven and Earth for
His Happiness.
His Future.
His New Harmony.
These offerings have given me strength
I feel my spirit reviving!
Justice.
Justice.
Justice.
Justice and burial for the widow Dou Yi
Justice.
Justice.
Justice.
But how can you bury a woman whose butchered body's still living?
Justice.
Justice.
That is my heart. It should beat inside me.
(Dou Yi thrusts her hand into Rocket's chest and retrieves her heart.)
Book Mansion was overwhelming. China’s largest bookstore occupied 172,000 square feet and carried 230,000 titles. Bestsellers included Chinese titles such as I Was an American Police Officer; I’m Only Raising You for 18 Years; Chinese-Style Divorce; and Harvard Girl, a memoir that revealed the parenting style that made her stand out from her Chinese classmates and gain acceptance to the school. That book was in its sixty-third printing.
Downstairs, Monica’s Story lay between Bill and Hillary Clinton’s autobiographies. A boxed set about Göring rubbed shoulders with What’s Behind Jewish Excellence? Translated American titles ranged from the predictable – The Da Vinci Code, The Atkins Diet—to the surprising—Henry Rollins’s Get in the Van, and a Woody Allen collection whose Chinese title promised MENSA Whores. An entire floor held English-learning materials. Love English taught pickup lines and pillow talk, including cultural hints such as “‘I’m bored’ really means ‘Do you want to have sex?’”
People in the street referred to her as al-tarsha, the deaf woman, and, among the Arabs in the marketplace, everyone and everything in her household was known in elation to the tarsha: the deaf woman’s father, the deaf woman’s home, her maid, her bicycle, her car, her husband. The motorcycle with which she had won an exhibition race on the Corniche in the early forties and which was later sold to a neighbor continued to be known as the tarsha’s mutusikl. When I was old enough to walk alone on the streets of Ibrahimieh, I discovered that I too was known as the tarsha’s son.
In this wet season my gone mother
climbs back again
and everything here smells gutted—
bloodtide, sea grapes in thick bloom,
our smashed plates and teacups. Dismantling
this grey shoreline for some kind of home, scared
orphans out bleating with the mongrels,
all of us starved
for something reclaimable. What chases them,
her barefoot rain, stains my unopened petunia,
shined church shoes, our black words, our hands.
I’ll catch the day creep in, her dirt marking my father’s
neck, oil-dreck steeped dark to every collar,
her tar this same fish odor I am washing.
I know I am one of them. The emptied.
There’s a kind of sky below the ocean –
a field of starfish, turning slowly
like cogs inside
a water-watch, wound by a sea river;
the star’s five fingers tremble and
reach for a clam’s book of meat,
into which it will inject a sedative
and then its stomach.
In The City, escaped parrots colonize
a hilltop and breed, cackling You want that
In a bag? More hits after this…
Jilly took her head out of the oven mainly because it was hot and the gas did not work independently of the pilot light. Stupid new technology. And preferring her head whole and her new auburn sew-in weave unsinged, and having no chloroform in the house, she conceded that she would not go out like a poet. But she updated her status, just the same:
A final peace out
before I end it all.
Treat your life like bread,
no edge too small
to butter.
Jilly was not a poet or even an aspiring one. She just liked varying her posts as much as possible.
Copyright © by Nafissa Thompson-Spires. From Heads of the Colored People: Stories by Nafissa Thompson-Spires. Published by 37 Ink/Atria Books, an Imprint of Simon & Schuster, Inc. Printed by permission.
DOU YI
My hands were packed in dry ice
Flown across the Pacific and
Stitched onto a man who lost his overseas.
My palms open doors to
Rooms my feet haven't walked through and
Caress a woman my eyes will never see.
It doesn't snow there but my
Nails ache when they touch ice and
Scratch strange characters onto that
Soldier's skin while he's sleeping.
His doctors call it post-traumatic stress but
He knows they're words from a
Language his tongue never learned
Justice.
Justice.
Justice
Across the East Sea a yam farmer
Uses my corneas to see.
She dreams of snow but thinks
It's ashes from a childhood fire bombing.
On the far side of the Atlantic my stomach digests
Food that never passed through my lips
Food my teeth didn't chew
Food my tongue hasn't tasted
Food that could have made this spirit stronger
And act sooner if someone offered it to Dou Yi.
But my heart--
My heart beats in this town,
Pumping blood through a man
Loved by the son of an official,
A son who moved Heaven and Earth for
His Happiness.
His Future.
His New Harmony.
These offerings have given me strength
I feel my spirit reviving!
Justice.
Justice.
Justice.
Justice and burial for the widow Dou Yi
Justice.
Justice.
Justice.
But how can you bury a woman whose butchered body's still living?
Justice.
Justice.
That is my heart. It should beat inside me.
(Dou Yi thrusts her hand into Rocket's chest and retrieves her heart.)