Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
If anything is endangered in America it is our experience of wild nature—gross contact. There is knowledge only the wild can give us, knowledge specific to the experience of it. These are its gifts to us. In this, wilderness is no different from music, painting, poetry, or love: you concede the abundance and try to respond with grace.
Prancing down the building’s stairs, Hui concentrated again on the boy who had stopped returning her calls. Acknowledging another’s pain obscured one’s own. Hui wasn’t ready yet to accept that. From the window, Meng watched her granddaughter walk up the tree-lined street. The old woman’s longing was like that of a child, featuring prominently in her eyes, which captured that spirit from her youth. It would have been easy for anyone to picture what she had looked like back then, if anyone had been there.
…nothing changed with Nadia. She didn’t get better, she didn’t get worse, her fever never went below a hundred and one. I visited her before and after work all week. Her IV bag emptied and was replaced; the back of her hand around the needle was bruised dark as an Oreo. She would wake up occasionally and say hello, her voice hoarse, her palate swollen and red when I peered in, and I would say hello back, touch her face. Ted came after school and read aloud from his book, sitting with his legs crossed, his big dark head bent over the pages. Every day he bought a single orange soda in a paper cup for sixty-five cents. Nurses came in red fur hats, sang “Jingle Bells” and “O Christmas Tress.” The rash traveled down her neck and back, across her stomach, drifting, and I imagined something about the size of my palm moving under her skin, some unformed thing lost, looking for a place to fasten itself.
NAT TURNER
What do you mean by your copyright?
The right to copy?
THOMAS R. GRAY
Yes, well, the right to publish and distribute, which involves copying necessarily.
NAT
And who can grant such a right?
THOMAS
The copyright office, naturally.
NAT
...
THOMAS
It protects the rights of the man who has done the work.
NAT
And is God not a sufficient witness of our works?
THOMAS
Uh,
No.
I know snow as soap opera, the comedy
of white heap shovelled into strophe
and anti-strophe for long blocks – snow
as envy, a shaken blanket making a lasting
echo over clean avenues.
I stood there perfectly still, just as I had sat for countless medical photographs: full face, turn to the left, the right, now a three-quarter shot to the left. I took a certain pride in knowing the routine so well. I’ve even seen some of these medical photographs in publications. Curiously, those sterile, bright photos are easy for me to look at. For one thing, I know that only doctors look at them, and perhaps I’m even slightly proud that I’m such an interesting case, worthy of documentation. Or maybe I do not really think it is me sitting there, Case 3, figure 6-A.
If anything is endangered in America it is our experience of wild nature—gross contact. There is knowledge only the wild can give us, knowledge specific to the experience of it. These are its gifts to us. In this, wilderness is no different from music, painting, poetry, or love: you concede the abundance and try to respond with grace.
Prancing down the building’s stairs, Hui concentrated again on the boy who had stopped returning her calls. Acknowledging another’s pain obscured one’s own. Hui wasn’t ready yet to accept that. From the window, Meng watched her granddaughter walk up the tree-lined street. The old woman’s longing was like that of a child, featuring prominently in her eyes, which captured that spirit from her youth. It would have been easy for anyone to picture what she had looked like back then, if anyone had been there.
…nothing changed with Nadia. She didn’t get better, she didn’t get worse, her fever never went below a hundred and one. I visited her before and after work all week. Her IV bag emptied and was replaced; the back of her hand around the needle was bruised dark as an Oreo. She would wake up occasionally and say hello, her voice hoarse, her palate swollen and red when I peered in, and I would say hello back, touch her face. Ted came after school and read aloud from his book, sitting with his legs crossed, his big dark head bent over the pages. Every day he bought a single orange soda in a paper cup for sixty-five cents. Nurses came in red fur hats, sang “Jingle Bells” and “O Christmas Tress.” The rash traveled down her neck and back, across her stomach, drifting, and I imagined something about the size of my palm moving under her skin, some unformed thing lost, looking for a place to fasten itself.
NAT TURNER
What do you mean by your copyright?
The right to copy?
THOMAS R. GRAY
Yes, well, the right to publish and distribute, which involves copying necessarily.
NAT
And who can grant such a right?
THOMAS
The copyright office, naturally.
NAT
...
THOMAS
It protects the rights of the man who has done the work.
NAT
And is God not a sufficient witness of our works?
THOMAS
Uh,
No.
I know snow as soap opera, the comedy
of white heap shovelled into strophe
and anti-strophe for long blocks – snow
as envy, a shaken blanket making a lasting
echo over clean avenues.
I stood there perfectly still, just as I had sat for countless medical photographs: full face, turn to the left, the right, now a three-quarter shot to the left. I took a certain pride in knowing the routine so well. I’ve even seen some of these medical photographs in publications. Curiously, those sterile, bright photos are easy for me to look at. For one thing, I know that only doctors look at them, and perhaps I’m even slightly proud that I’m such an interesting case, worthy of documentation. Or maybe I do not really think it is me sitting there, Case 3, figure 6-A.