Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
“Then in the second half of the show,” my father recalled, “MacKnight would hypnotize subjects who came up from the audience, and he’d get them to do all kinds of things, and some of them I think he really did hypnotize but others would sort of fake it. He had people who traveled along with him, and I was one of them. I was supposed to sit in the audience and then come up onstage. And the audience must have known very well that I was a phony, because I had just done my magic act in the first part of the evening! But then I went out and sat in the audience, and he said, Will any volunteers come up, and up I would jump along with someone else. Of course, I was supposed to be hypnotized, but I never was. I wanted to be. I thought, Gee, I mustn’t fake this, because it was supposed to be for real, but he could never get me to be really hypnotized, so I always did have to fake it.”
There is a strange world
in the changing of a light bulb,
the waxing of a bookshelf
I think I could grow by,
as into a dusty dream
in which each day layers
against one just past
and molds the one to come,
content as cabbage
drudging towards harvest.
There’s a kind of sky below the ocean –
a field of starfish, turning slowly
like cogs inside
a water-watch, wound by a sea river;
the star’s five fingers tremble and
reach for a clam’s book of meat,
into which it will inject a sedative
and then its stomach.
In The City, escaped parrots colonize
a hilltop and breed, cackling You want that
In a bag? More hits after this…
The hay rake’s rattle, the stunned sputter of a moccasin
Slung in the blades, the mid-gloam crickets sending
Their codes as though from a nearby country of dreamers.
Each sound found its shape – low drip into mud beneath
The leaking spigot, scrape of sparrows stowing twigs
In the eaves, the combines fading, unzipping the bean
Rows and back again, and the wind-combed drift
Of dust in the field, which is where I can hear it most
Clearly now, my pointing the direction away
From that town, saying there I am, there I am, there I am…
There are the trash eaters: there are the diamond eaters. The diamond eaters are biblical; the trash eaters only so much in that they are lepers. I am on the side of the trash eaters, though I have eaten so many diamonds they are now poking through my skin. Everyone tries to figure out how to overcome the embarrassment of existing.
The game consisted of a single question: If you had to fall in love with (by which Paul meant have sex with) one person in this elevator, who would it be? He played the elevator game in every class he ever took, on the bus, in straight bars, in subway cars, in waiting rooms, free clinics, the line at a movie theater, dinner out with a group of friends-of-friends. He sometimes played the elevator game with Jane, a silent communion of eyebrows and squints or—more likely—a fast-talking, low-murmured loop around the bar, marking targets. Jane was his favorite companion for this; she didn’t judge. Most of his life he had played alone.
“Then in the second half of the show,” my father recalled, “MacKnight would hypnotize subjects who came up from the audience, and he’d get them to do all kinds of things, and some of them I think he really did hypnotize but others would sort of fake it. He had people who traveled along with him, and I was one of them. I was supposed to sit in the audience and then come up onstage. And the audience must have known very well that I was a phony, because I had just done my magic act in the first part of the evening! But then I went out and sat in the audience, and he said, Will any volunteers come up, and up I would jump along with someone else. Of course, I was supposed to be hypnotized, but I never was. I wanted to be. I thought, Gee, I mustn’t fake this, because it was supposed to be for real, but he could never get me to be really hypnotized, so I always did have to fake it.”
There is a strange world
in the changing of a light bulb,
the waxing of a bookshelf
I think I could grow by,
as into a dusty dream
in which each day layers
against one just past
and molds the one to come,
content as cabbage
drudging towards harvest.
There’s a kind of sky below the ocean –
a field of starfish, turning slowly
like cogs inside
a water-watch, wound by a sea river;
the star’s five fingers tremble and
reach for a clam’s book of meat,
into which it will inject a sedative
and then its stomach.
In The City, escaped parrots colonize
a hilltop and breed, cackling You want that
In a bag? More hits after this…
The hay rake’s rattle, the stunned sputter of a moccasin
Slung in the blades, the mid-gloam crickets sending
Their codes as though from a nearby country of dreamers.
Each sound found its shape – low drip into mud beneath
The leaking spigot, scrape of sparrows stowing twigs
In the eaves, the combines fading, unzipping the bean
Rows and back again, and the wind-combed drift
Of dust in the field, which is where I can hear it most
Clearly now, my pointing the direction away
From that town, saying there I am, there I am, there I am…
There are the trash eaters: there are the diamond eaters. The diamond eaters are biblical; the trash eaters only so much in that they are lepers. I am on the side of the trash eaters, though I have eaten so many diamonds they are now poking through my skin. Everyone tries to figure out how to overcome the embarrassment of existing.
The game consisted of a single question: If you had to fall in love with (by which Paul meant have sex with) one person in this elevator, who would it be? He played the elevator game in every class he ever took, on the bus, in straight bars, in subway cars, in waiting rooms, free clinics, the line at a movie theater, dinner out with a group of friends-of-friends. He sometimes played the elevator game with Jane, a silent communion of eyebrows and squints or—more likely—a fast-talking, low-murmured loop around the bar, marking targets. Jane was his favorite companion for this; she didn’t judge. Most of his life he had played alone.