Whiting Award Winners

Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.

Reading the Water
Poems

A planeload of insurance salesmen, blown off course,

Discovers a tribe who believe an elephant-

In-the-distance is the same size as a gnat-in-the-eye.

 

This should cause trouble in a hunt. But tribespeople

Merely flick the pesky trumpeter away,

While the gnat – felled by clouds of arrows – feeds

 

The tribe for weeks. Faced by a lion, tribesmen run

Until its head is small enough to squish. Muscular

Warriors are found dead, pierced by mosquito-needles

 

Ear-to-ear. Everything here is as it seems.

The stick-in-water, drawn out, remains crooked

As a boomerang. Mountain and molehill are identical.

 

Tragedies that crush Americans – love’s waterbed

Popping, parents dropped into the scalding pot of age-

Require only that the sufferer walk away. “It’s not so awful,”

 

Tribal healers say. “With every step, troubles shrink;

Their howling dwindles to a buzz; their fangs shrivel to the size

Of pollen grains. Reach out. Brush them away. You see?”

New and Selected Poems

I have a garden in my brain

shaped like a maze

I lose myself

in, it seems. They only look for me

sometimes. I don’t like my dreams.

 

The nurses quarrel over where I am

hiding. I hear from inside

a bush. One is crisp

and cuts; one pinches. I’d like to push

them each somewhere.

 

They both think it’s funny

here. The laughter sounds like diesels.

I won’t come out because I’m lazy.

You start to like the needles.

You start to want to crazy.

The Museum of Unnatural Histories: Poems

 

 

The Lord and the General Din of the World
Poems

There is a strange world

in the changing of a light bulb,

the waxing of a bookshelf

I think I could grow by,

as into a dusty dream

in which each day layers

against one just past

and molds the one to come,

content as cabbage

drudging towards harvest.

Fra Keeler
A Novel

When I bent down to stack the papers, I thought the sensation I had had in my brain earlier was the same sensation I had once felt when I shook a pomegranate near my ear. Or, not exactly a sensation, but a sound. That when I shook the pomegranate it had made the same sound as the sound my blood made when it swiveled in my brain, and that both sounds led to the same sensation: of something having dissolved where it shouldn’t have. I went over the memory, from when I picked up the pomegranate to when I shook it near my ear: I had squeezed the pomegranate by rolling it, had pressed into it with my thumbs, juiced it without cracking it open, because it’s the only way to juice a pomegranate without any special machines. All the juice was swiveling about inside the shell of the pomegranate, channeling its way around the seeds the way river water channels itself around driftwood. When I put the pomegranate down I could still hear the juice working its way around the seeds that were dead without their pulp. I had squeezed the pomegranate till the pulp was dead. I could invent a machine to juice pomegranates, I thought, and not just pomegranates but persimmons too, some very basic, cheap tool people could use in their homes, and then I imagined a thousand people, all wearing their house slippers, juicing their pomegranates and persimmons for breakfast, and I thought, never mind, no doubt someone has already invented it.

The Floating World
A Novel

My grandmother owned a valise in which she carried all her possessions, but the stories she told were also possessions. The stories were fantastic, yet I believed them. She said that when she was young fireflies had invaded her town, so the whole town was lighted even during the nighttime. She said she had been told that the summer she was born, strange clouds passed through the sky. Every night for seven nights, a different cloud. The clouds all had a strange glow, as if someone had taken the moon and stretched it into a cloud shape. Those seven moon-clouds, she said, had been a lucky omen. As she spoke, she always gestured a great deal, so the background to her stories would be the soft tinkling of the bell we had bought her.

Reading the Water
Poems

A planeload of insurance salesmen, blown off course,

Discovers a tribe who believe an elephant-

In-the-distance is the same size as a gnat-in-the-eye.

 

This should cause trouble in a hunt. But tribespeople

Merely flick the pesky trumpeter away,

While the gnat – felled by clouds of arrows – feeds

 

The tribe for weeks. Faced by a lion, tribesmen run

Until its head is small enough to squish. Muscular

Warriors are found dead, pierced by mosquito-needles

 

Ear-to-ear. Everything here is as it seems.

The stick-in-water, drawn out, remains crooked

As a boomerang. Mountain and molehill are identical.

 

Tragedies that crush Americans – love’s waterbed

Popping, parents dropped into the scalding pot of age-

Require only that the sufferer walk away. “It’s not so awful,”

 

Tribal healers say. “With every step, troubles shrink;

Their howling dwindles to a buzz; their fangs shrivel to the size

Of pollen grains. Reach out. Brush them away. You see?”

New and Selected Poems

I have a garden in my brain

shaped like a maze

I lose myself

in, it seems. They only look for me

sometimes. I don’t like my dreams.

 

The nurses quarrel over where I am

hiding. I hear from inside

a bush. One is crisp

and cuts; one pinches. I’d like to push

them each somewhere.

 

They both think it’s funny

here. The laughter sounds like diesels.

I won’t come out because I’m lazy.

You start to like the needles.

You start to want to crazy.

The Museum of Unnatural Histories: Poems

 

 

The Lord and the General Din of the World
Poems

There is a strange world

in the changing of a light bulb,

the waxing of a bookshelf

I think I could grow by,

as into a dusty dream

in which each day layers

against one just past

and molds the one to come,

content as cabbage

drudging towards harvest.

Fra Keeler
A Novel

When I bent down to stack the papers, I thought the sensation I had had in my brain earlier was the same sensation I had once felt when I shook a pomegranate near my ear. Or, not exactly a sensation, but a sound. That when I shook the pomegranate it had made the same sound as the sound my blood made when it swiveled in my brain, and that both sounds led to the same sensation: of something having dissolved where it shouldn’t have. I went over the memory, from when I picked up the pomegranate to when I shook it near my ear: I had squeezed the pomegranate by rolling it, had pressed into it with my thumbs, juiced it without cracking it open, because it’s the only way to juice a pomegranate without any special machines. All the juice was swiveling about inside the shell of the pomegranate, channeling its way around the seeds the way river water channels itself around driftwood. When I put the pomegranate down I could still hear the juice working its way around the seeds that were dead without their pulp. I had squeezed the pomegranate till the pulp was dead. I could invent a machine to juice pomegranates, I thought, and not just pomegranates but persimmons too, some very basic, cheap tool people could use in their homes, and then I imagined a thousand people, all wearing their house slippers, juicing their pomegranates and persimmons for breakfast, and I thought, never mind, no doubt someone has already invented it.

The Floating World
A Novel

My grandmother owned a valise in which she carried all her possessions, but the stories she told were also possessions. The stories were fantastic, yet I believed them. She said that when she was young fireflies had invaded her town, so the whole town was lighted even during the nighttime. She said she had been told that the summer she was born, strange clouds passed through the sky. Every night for seven nights, a different cloud. The clouds all had a strange glow, as if someone had taken the moon and stretched it into a cloud shape. Those seven moon-clouds, she said, had been a lucky omen. As she spoke, she always gestured a great deal, so the background to her stories would be the soft tinkling of the bell we had bought her.