Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
The experience of reading Sex and Race is one of embrace and recoil as Rogers indiscriminately loads us down with the provable and the forever dodgy, the serious and the frivolous. Sometimes his footnotes, not always adequate or acceptable, tell when he was at work on a given aspect of his subject, in the way that an itemized credit card bill is a diary, a record of movement. The references go in clusters: in the 1920s, he was reading about Syria, Palestine, Arabia, and Persia; in the 1930s, he was reading the memoirs of English travelers in Africa. Sometimes, he clearly couldn’t go back to a particular library or text to check his facts again. And sometimes Sex and Race reads as though it had threatened to consume him, because the first-person voice breaks through in the book at times of what could be called narrative stress.
“It’s bad to hit children.” I felt silly for saying something this obvious, so I tried hiding my inanity with more words. “When I was in higher secondary, the untouchables sat in the back of the class. The teachers couldn’t slap the untouchables because then they would be touching them. The untouchables knew this and would always be talking. Sometimes the teachers became very angry, and to shut up the untouchables they threw pieces of chalk at them. And the untouchables, because all the students sat on the floor, would race around on their hands and knees, dodging the chalk.”
When I churned my arms to show how swiftly the untouchables crawled, Asha laughed and said, “My teachers only hit with rulers.”
I stood there perfectly still, just as I had sat for countless medical photographs: full face, turn to the left, the right, now a three-quarter shot to the left. I took a certain pride in knowing the routine so well. I’ve even seen some of these medical photographs in publications. Curiously, those sterile, bright photos are easy for me to look at. For one thing, I know that only doctors look at them, and perhaps I’m even slightly proud that I’m such an interesting case, worthy of documentation. Or maybe I do not really think it is me sitting there, Case 3, figure 6-A.
And the sky!
Nooned with the steadfast blue enthusiasm
Of an empty nursery.
Crooked lizards grassed in yellow shade.
The grass was lizarding,
Green and on a rampage.
Shade tenacious in the crook of a bent stem.
Noon. This noon –
Skyed, blue and full of hum, full of bloom.
The grass was lizarding
CHOTON
I’m just saying like taxonomically, does it even make sense to categorize my genitalia and your genitalia as the same thing, like…
He indicates RAHEEM’s penis.
…if that’s a penis then…
He pulls his boxers down to show his own penis.
I mean what is this? It’s a polyp.
RAHEEM
Okay.
CHOTON
It’s a little nunu.
RAHEEM
Well I like your little nunu…
RAHEEM examines CHOTON’s penis. He pulls back his foreskin just a bit. CHOTON winces.
CHOTON
Ow. Careful.
RAHEEM
What?
CHOTON
No it’s— it’s just sensitive.
I’m sure you won’t believe this,
but if a policeman walks behind me, I tremble:
What would Shaft do? What would Shaft do?
Bits of my courage flake away like dandruff.
I’m sweating even as I tell you this.
I’m not cool.
I keep the real me tucked beneath a wig,
I’m a small American frog.
I grow beautiful as the theatre dims.
The experience of reading Sex and Race is one of embrace and recoil as Rogers indiscriminately loads us down with the provable and the forever dodgy, the serious and the frivolous. Sometimes his footnotes, not always adequate or acceptable, tell when he was at work on a given aspect of his subject, in the way that an itemized credit card bill is a diary, a record of movement. The references go in clusters: in the 1920s, he was reading about Syria, Palestine, Arabia, and Persia; in the 1930s, he was reading the memoirs of English travelers in Africa. Sometimes, he clearly couldn’t go back to a particular library or text to check his facts again. And sometimes Sex and Race reads as though it had threatened to consume him, because the first-person voice breaks through in the book at times of what could be called narrative stress.
“It’s bad to hit children.” I felt silly for saying something this obvious, so I tried hiding my inanity with more words. “When I was in higher secondary, the untouchables sat in the back of the class. The teachers couldn’t slap the untouchables because then they would be touching them. The untouchables knew this and would always be talking. Sometimes the teachers became very angry, and to shut up the untouchables they threw pieces of chalk at them. And the untouchables, because all the students sat on the floor, would race around on their hands and knees, dodging the chalk.”
When I churned my arms to show how swiftly the untouchables crawled, Asha laughed and said, “My teachers only hit with rulers.”
I stood there perfectly still, just as I had sat for countless medical photographs: full face, turn to the left, the right, now a three-quarter shot to the left. I took a certain pride in knowing the routine so well. I’ve even seen some of these medical photographs in publications. Curiously, those sterile, bright photos are easy for me to look at. For one thing, I know that only doctors look at them, and perhaps I’m even slightly proud that I’m such an interesting case, worthy of documentation. Or maybe I do not really think it is me sitting there, Case 3, figure 6-A.
And the sky!
Nooned with the steadfast blue enthusiasm
Of an empty nursery.
Crooked lizards grassed in yellow shade.
The grass was lizarding,
Green and on a rampage.
Shade tenacious in the crook of a bent stem.
Noon. This noon –
Skyed, blue and full of hum, full of bloom.
The grass was lizarding
CHOTON
I’m just saying like taxonomically, does it even make sense to categorize my genitalia and your genitalia as the same thing, like…
He indicates RAHEEM’s penis.
…if that’s a penis then…
He pulls his boxers down to show his own penis.
I mean what is this? It’s a polyp.
RAHEEM
Okay.
CHOTON
It’s a little nunu.
RAHEEM
Well I like your little nunu…
RAHEEM examines CHOTON’s penis. He pulls back his foreskin just a bit. CHOTON winces.
CHOTON
Ow. Careful.
RAHEEM
What?
CHOTON
No it’s— it’s just sensitive.
I’m sure you won’t believe this,
but if a policeman walks behind me, I tremble:
What would Shaft do? What would Shaft do?
Bits of my courage flake away like dandruff.
I’m sweating even as I tell you this.
I’m not cool.
I keep the real me tucked beneath a wig,
I’m a small American frog.
I grow beautiful as the theatre dims.