Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
PEACHES
If you are one of those people who come to shows just so you can cough your way through them, please take this time to unwrap your cough drops and remind your body to shut itself the fuck up. However, this is still a show that you are allowed to be a part of. If you feel like laughing, laugh. If you wanna shout, bitch, shout, we will gladly hold your mule. Talk to us if you want. This is your church. And for those of you who are quiet, obedient and unresponsive in your church, consider this yo black church, yo sanctuary, yo juke joint, yo kitchen table, yo trial shaker, yo money maker, yo elevator, yo resuscitator.
Even as they entered, he could feel the place envelop him like a vapor with a smell of heavy, overcooked food, privation and dust. The lady taking tickets, old and wigged, with big bosoms, conspicuously switched from Yiddish to German, putting the interlopers on notice that they had been spotted. Eyeing the overblown placard for the play, showing a giant Jew with maniacal eyes throttling some stricken Gentile, he again wondered, Why did they huddle so, these people? And all the while he kept hearing this coarse, splattery jargon, so animated, with that catarrh as though a fishbone were stuck in the throat. There was a man selling hot tea from a samovar and another vending sticky cakes and ices. And the eating—everybody eating, gnawing apples and chewing sweet crackling dumplings from greasy sheets of brown paper. And that marshy barn-warmth of people huddling. It was too close for him.
“You aren’t one of those voodoo inspectors, are you? Don’t need to see anything, you just feel it, right? I heard Jimmy make jokes about you witch doctors.”
She says, “Intuitionist.” Lila Mae rubs the ballpoint of the pen to get the ink flowing. The W of her initials belongs to a ghost alphabet.
The super grins. “If that’s the game you want to play,” he says, “I guess you got me on the ropes.” There are three twenty-dollar bills in his oily palm. He leans over to Lila Mae and places the money in her breast pocket. Pats it down. “I haven’t ever seen a woman elevator inspector before, let alone a colored one, but I guess they teach you all the same tricks.”
To miss my life in Kabul is to tongue
pears laced with needles. I had no life
in Kabul. How, then, can I trust my mind’s long corridor,
its longing for before? I have a faint depression
polluting my heart, sings the lake. That there is music
in everything if you tune into it
devastates me. Even trauma sounds like Traum,
the German word for dream.
Faye fell to the deck in slow motion. It took forever for this part to end. “Hold still,” he warned as he cut her out of her clothes, the blade cool against her belly. “You won’t be needing these,” he said, and she knew rape wasn’t the last thing. She knew he intended to kill. That was next, when he had done with her. It meant something to him to know he was disgusting her now, hurting her, terrorizing her, it was why he did it, why he kept his eyes on her face, as he labored over her, his good arm corded and trembling, the point of the knife at her throat. She stared up past him to the square of sky framed by the hatch, waiting for it to be over, this now, waiting for the next thing, her next chance, her last chance.
A bobwhite sounds through larks
and jays, the wringing-wet shade,
as in the first world, before Adam
understood their sharp iambs,
when the refrain could’ve been
anything’s: plant or animal, or light
so pure it sang. Even now
how absolute, how wondrously
primitive the singularity rings –
shouting its name, its name,
its name… till from elsewhere
an echo swells through April-thick wings
as if addressing some question
on the presence of parallels.
PEACHES
If you are one of those people who come to shows just so you can cough your way through them, please take this time to unwrap your cough drops and remind your body to shut itself the fuck up. However, this is still a show that you are allowed to be a part of. If you feel like laughing, laugh. If you wanna shout, bitch, shout, we will gladly hold your mule. Talk to us if you want. This is your church. And for those of you who are quiet, obedient and unresponsive in your church, consider this yo black church, yo sanctuary, yo juke joint, yo kitchen table, yo trial shaker, yo money maker, yo elevator, yo resuscitator.
Even as they entered, he could feel the place envelop him like a vapor with a smell of heavy, overcooked food, privation and dust. The lady taking tickets, old and wigged, with big bosoms, conspicuously switched from Yiddish to German, putting the interlopers on notice that they had been spotted. Eyeing the overblown placard for the play, showing a giant Jew with maniacal eyes throttling some stricken Gentile, he again wondered, Why did they huddle so, these people? And all the while he kept hearing this coarse, splattery jargon, so animated, with that catarrh as though a fishbone were stuck in the throat. There was a man selling hot tea from a samovar and another vending sticky cakes and ices. And the eating—everybody eating, gnawing apples and chewing sweet crackling dumplings from greasy sheets of brown paper. And that marshy barn-warmth of people huddling. It was too close for him.
“You aren’t one of those voodoo inspectors, are you? Don’t need to see anything, you just feel it, right? I heard Jimmy make jokes about you witch doctors.”
She says, “Intuitionist.” Lila Mae rubs the ballpoint of the pen to get the ink flowing. The W of her initials belongs to a ghost alphabet.
The super grins. “If that’s the game you want to play,” he says, “I guess you got me on the ropes.” There are three twenty-dollar bills in his oily palm. He leans over to Lila Mae and places the money in her breast pocket. Pats it down. “I haven’t ever seen a woman elevator inspector before, let alone a colored one, but I guess they teach you all the same tricks.”
To miss my life in Kabul is to tongue
pears laced with needles. I had no life
in Kabul. How, then, can I trust my mind’s long corridor,
its longing for before? I have a faint depression
polluting my heart, sings the lake. That there is music
in everything if you tune into it
devastates me. Even trauma sounds like Traum,
the German word for dream.
Faye fell to the deck in slow motion. It took forever for this part to end. “Hold still,” he warned as he cut her out of her clothes, the blade cool against her belly. “You won’t be needing these,” he said, and she knew rape wasn’t the last thing. She knew he intended to kill. That was next, when he had done with her. It meant something to him to know he was disgusting her now, hurting her, terrorizing her, it was why he did it, why he kept his eyes on her face, as he labored over her, his good arm corded and trembling, the point of the knife at her throat. She stared up past him to the square of sky framed by the hatch, waiting for it to be over, this now, waiting for the next thing, her next chance, her last chance.
A bobwhite sounds through larks
and jays, the wringing-wet shade,
as in the first world, before Adam
understood their sharp iambs,
when the refrain could’ve been
anything’s: plant or animal, or light
so pure it sang. Even now
how absolute, how wondrously
primitive the singularity rings –
shouting its name, its name,
its name… till from elsewhere
an echo swells through April-thick wings
as if addressing some question
on the presence of parallels.