Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
“He has something of mine,” the man said.
With that, she turned to look at him. “Who are you?” she finally demanded. “Sergio called me to come pick him up, not you.”
“You don’t know me?” His voice pitched higher, edging toward frustration, maybe anger. “You don’t know who I am?”
“No,” she finally said. “I don’t.”
“He’s got my heart,” the man said, melodramatically holding his hands across his chest, but he sneered a bit when he said it. “He’s got a lot of things I want back.”
Copyright © 2006 by Manuel Muñoz. By permission of Stuart Bernstein Representation for Artists, New York, NY and protected by the Copyright Laws of the United States. All rights reserved. The printing, copying, redistribution, or retransmission of this Content without express permission is prohibited.
A man and a woman
are lying together
listening to news of a war.
The radio dial
is the only light in the room.
Casualties are read out.
He thinks, “Those are people
I no longer have to love,”
and he touches her hair
and calls her name
but it sounds strange to her
like a stone left over
from a house already built.
Often, the three of them—burro, horse, rider—would simply stand in the middle of the plains. Aside from the occasional sigh or the halfhearted attempt at swatting away an insect, they all stood still, staring into the avoid. Brown flats, blue wall. From his animals, with their serenely sad, bulge-eyed gaze, Håkan seemed to have learned to gape into space. To this absent expression, he added a drooping jaw. They merely stood, completely absorbed by nothing. Time dissolved into the sky. There was little difference between landscape and spectators. Insensible things that existed in one another.
BEDER: (fuming) Independence Day fireworks. How can the Israelis call it Independence Day and not choke on the words? They celebrate forcibly removing people from their homes? Killing men, women, children? This is cause for a party?
ADHAM: Let’s not get political.
BEDER: Who’s getting political?
You will begin to listen to the story of Josie’s life in Spanish and English. You will begin to like the way she looks. At moments you will confuse her with the stripper dancing naked on the table next to where the two of you talk. Josie will be telling you about her marriage, about her husband, about her divorce, about her daughter, about her sadness and disappointment. You will have more drinks than her.
“Recipe” from THE MAGIC OF BLOOD by Dagoberto Gilb © 1993 by the University of New Mexico Press; reprinted with the permission of the publisher, Grove Atlantic, Inc. “Recipe” originally appeared in Winners on the Pass Line (Cinco Puntos Press).
In the Oakland Greyhound all the people were dwarfs, and they pushed and shoved to get on the bus, even cutting in ahead of the two nuns, who were there first. The two nuns smiled sweetly at Miranda and Baby Ellen and played I-see-you behind their fingers when they’d taken their seats. But Jamie could sense that they found her make-up too thick, her pants too tight. They knew she was leaving her husband, and figured she’d turn for a living to whoring. She wanted to tell them what was what, but you can’t talk to a Catholic. The shorter nun carried a bright cut rose wrapped in her two hands.
“He has something of mine,” the man said.
With that, she turned to look at him. “Who are you?” she finally demanded. “Sergio called me to come pick him up, not you.”
“You don’t know me?” His voice pitched higher, edging toward frustration, maybe anger. “You don’t know who I am?”
“No,” she finally said. “I don’t.”
“He’s got my heart,” the man said, melodramatically holding his hands across his chest, but he sneered a bit when he said it. “He’s got a lot of things I want back.”
Copyright © 2006 by Manuel Muñoz. By permission of Stuart Bernstein Representation for Artists, New York, NY and protected by the Copyright Laws of the United States. All rights reserved. The printing, copying, redistribution, or retransmission of this Content without express permission is prohibited.
A man and a woman
are lying together
listening to news of a war.
The radio dial
is the only light in the room.
Casualties are read out.
He thinks, “Those are people
I no longer have to love,”
and he touches her hair
and calls her name
but it sounds strange to her
like a stone left over
from a house already built.
Often, the three of them—burro, horse, rider—would simply stand in the middle of the plains. Aside from the occasional sigh or the halfhearted attempt at swatting away an insect, they all stood still, staring into the avoid. Brown flats, blue wall. From his animals, with their serenely sad, bulge-eyed gaze, Håkan seemed to have learned to gape into space. To this absent expression, he added a drooping jaw. They merely stood, completely absorbed by nothing. Time dissolved into the sky. There was little difference between landscape and spectators. Insensible things that existed in one another.
BEDER: (fuming) Independence Day fireworks. How can the Israelis call it Independence Day and not choke on the words? They celebrate forcibly removing people from their homes? Killing men, women, children? This is cause for a party?
ADHAM: Let’s not get political.
BEDER: Who’s getting political?
You will begin to listen to the story of Josie’s life in Spanish and English. You will begin to like the way she looks. At moments you will confuse her with the stripper dancing naked on the table next to where the two of you talk. Josie will be telling you about her marriage, about her husband, about her divorce, about her daughter, about her sadness and disappointment. You will have more drinks than her.
“Recipe” from THE MAGIC OF BLOOD by Dagoberto Gilb © 1993 by the University of New Mexico Press; reprinted with the permission of the publisher, Grove Atlantic, Inc. “Recipe” originally appeared in Winners on the Pass Line (Cinco Puntos Press).
In the Oakland Greyhound all the people were dwarfs, and they pushed and shoved to get on the bus, even cutting in ahead of the two nuns, who were there first. The two nuns smiled sweetly at Miranda and Baby Ellen and played I-see-you behind their fingers when they’d taken their seats. But Jamie could sense that they found her make-up too thick, her pants too tight. They knew she was leaving her husband, and figured she’d turn for a living to whoring. She wanted to tell them what was what, but you can’t talk to a Catholic. The shorter nun carried a bright cut rose wrapped in her two hands.