Search All Winners

Name Sort descending Genre Year
Raymond Abbott Fiction 1985
Aria Aber Poetry 2020
André Aciman Nonfiction 1995
David Adjmi Drama 2010
Ellen Akins Fiction 1989
Daniel Alarcón Fiction 2004
Jeffery Renard Allen Fiction 2002
Jeffery Renard Allen Poetry 2002
Mindy Aloff Nonfiction 1987
Diannely Antigua Poetry 2020
Will Arbery Drama 2020
Elizabeth Arnold Poetry 2002
John Ash Poetry 1986
Negar Azimi Nonfiction 2026
Kirsten Bakis Fiction 2004
Catherine Barnett Poetry 2004
Clare Barron Drama 2017
Elif Batuman Nonfiction 2010
Jen Beagin Fiction 2017
Jo Ann Beard Nonfiction 1997
Joshua Bennett Poetry 2021
Mischa Berlinski Fiction 2008
Ciaran Berry Poetry 2012
Aaliyah Bilal Fiction 2024
Liza Birkenmeier Drama 2025
Sherwin Bitsui Poetry 2006
Scott Blackwood Fiction 2011
Brian Blanchfield Nonfiction 2016
Tommye Blount Poetry 2023
Judy Blunt Nonfiction 2001
Anne Boyer Poetry 2018
Claire Boyles Fiction 2022
Courtney A. Brkic Fiction 2003
Joel Brouwer Poetry 2001
Jericho Brown Poetry 2009

Selected winners

Molly Gloss
1996
The Jump-Off Creek
A Novel

Every thing I own save the poor Beasts is in a heap here in the center of this room and if I mean to keep it whole I must before I sleep cover all against the leaking, rake old tins & leavings outside the door, burn a camphor stick against vermin, set my few mouse traps along the walls. And hope for better Weather & Strength in the days coming. I have put out in the night the 2 boys I found here, they had taken up living in the empty house. Those were Troubles I could not borrow, as I am scarce likely to make my own living in this poor place and coming West I have seen idle men Everywhere abut in La Grande and Boise and Missoula and in the Papers woeful news of the falling price of Wheat & Cattle both. They were polite & forebearing, for which reason I am sorry.

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Jenny Johnson
2015
The Best American Poetry 2012

A far cry. Epistrophy. A refusal.

A nightingale is recorded in a field

where finally we meet to touch and sleep.

A nightingale attests

as bombers buzz and whir

overhead enroute to raid.

We meet undercover of brush and dust.

We meet to revise what we heard.

The year I can’t tell you. The past restages

the future. Palindrome we can’t resolve.

But the coded trill a fever ascending,

a Markov chain, discrete equation,

generative pulse, sweet arrest,

bronchial junction, harmonic jam.

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Elena Passarello
2015
Let Me Clear My Throat
Essays

By the time he was infamous enough to sell out bullfighting arenas, the Caruso C was a sort of burlesque number.  He would inch to it from the frequencies below, nearly embrace the note, and then flat a bit before trumpeting, C! with full tenor fury. Toscanini chided him for grandstanding, but this in-and-out tease worked well with German and Latin American houses, which particularly enjoyed the punishment of a loud flirtation.

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Matthew Klam
2001
Sam the Cat
And Other Stories

I am a fantastic lover. I’ve got to give me that. There are only two things about me that females don’t like: the fact that I sing when I drive—admittedly, I’m not a musician—and my skiing. All the girls I know ski moguls well—really solid bump skiers—and I try to turn in the swells and lose my downhill line. I have thick hair. I’ve got a car that stinks from new leather. My skin, my body—that’s all decent. But I get ridiculed on bumps, and the way I sing gets mistaken for a joke or an imitation of someone dippy, when in fact your car is one of the few places besides the bathroom where you can sing the best songs the way they were meant to be sung. They all think my singing is terrible. Screw them. (I did.)

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Mark Doty
1994
My Alexandria
Poems

Prendergast painted the Public Garden;

remembered, even at a little distance,

the city takes on his ravishing tones.

 

Jots of color resolve: massed parasols

above a glimmering pond, the transit

of almost translucent swans. Brilliant bits

 

- jewels? slices of sugared fruit? – bloom

into a clutch of skirts on the bridge

above the summer boaters. His city’s essence:

 

all the hues of chintzes or makeup

or Italian ices, all the sheen artifice

is capable of. Our city’s lavish paintbox.

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Michael Meyer
2009
The Last Days of Old Beijing
Life in the Vanishing Backstreets of a City Transformed

Book Mansion was overwhelming. China’s largest bookstore occupied 172,000 square feet and carried 230,000 titles. Bestsellers included Chinese titles such as I Was an American Police Officer; I’m Only Raising You for 18 Years; Chinese-Style Divorce; and Harvard Girl, a memoir that revealed the parenting style that made her stand out from her Chinese classmates and gain acceptance to the school. That book was in its sixty-third printing.

 

Downstairs, Monica’s Story lay between Bill and Hillary Clinton’s autobiographies. A boxed set about Göring rubbed shoulders with What’s Behind Jewish Excellence? Translated American titles ranged from the predictable – The Da Vinci Code, The Atkins Diet—to the surprising—Henry Rollins’s Get in the Van, and a Woody Allen collection whose Chinese title promised MENSA Whores. An entire floor held English-learning materials. Love English taught pickup lines and pillow talk, including cultural hints such as “‘I’m bored’ really means ‘Do you want to have sex?’”

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