Search All Winners

Name Sort descending Genre Year
Raymond Abbott Fiction 1985
Aria Aber Poetry 2020
André Aciman Nonfiction 1995
David Adjmi Drama 2010
Ellen Akins Fiction 1989
Daniel Alarcón Fiction 2004
Jeffery Renard Allen Fiction 2002
Jeffery Renard Allen Poetry 2002
Mindy Aloff Nonfiction 1987
Diannely Antigua Poetry 2020
Will Arbery Drama 2020
Elizabeth Arnold Poetry 2002
John Ash Poetry 1986
Kirsten Bakis Fiction 2004
Catherine Barnett Poetry 2004
Clare Barron Drama 2017
Elif Batuman Nonfiction 2010
Jen Beagin Fiction 2017
Jo Ann Beard Nonfiction 1997
Joshua Bennett Poetry 2021
Mischa Berlinski Fiction 2008
Ciaran Berry Poetry 2012
Aaliyah Bilal Fiction 2024
Liza Birkenmeier Drama 2025
Sherwin Bitsui Poetry 2006
Scott Blackwood Fiction 2011
Brian Blanchfield Nonfiction 2016
Tommye Blount Poetry 2023
Judy Blunt Nonfiction 2001
Anne Boyer Poetry 2018
Claire Boyles Fiction 2022
Courtney A. Brkic Fiction 2003
Joel Brouwer Poetry 2001
Jericho Brown Poetry 2009
Rita Bullwinkel Fiction 2022

Selected winners

Joan Naviyuk Kane
2009
The Cormorant Hunter's Wife
Poems

I live brokenly and assemble together

Weakly – from long bone of the arm, hip

Rollicking in its socket, and the jaw,

 

Its brux. From the lip of a wooden

Bowl carved from the knot of a limb

Drifted, my name was given on water

 

And laid down like hail upon my tongue.

It’s become a bewilderment of white –

It snows. It does snow. It is snowing.

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Ralph Lombreglia
1998
Make Me Work
Stories

The statue’s resting place looked pretty good. All she really had to do was get him deep enough so the dogs didn’t dig him up before the sale. After her exertions over his tomb, the hollow Saint Joseph seemed to weigh nothing in her hand. He seemed to float in space before her eyes. She set him down on his back in the hole, but found that she couldn’t shovel the dirt on top of him, not right on his face like that. She turned him face-down, but that seemed worse. When she picked him up again, half-frozen dirt had sifted into his open base. You could see it through the translucent, cream-colored skin: Saint Joseph turning brown as he filled up with soil.

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Melanie Rae Thon
1997
First, Body
Stories

There’s a man inside this woman, and he’s alive. But he can’t speak—she can’t speak—the face is peeled back, the skull empty, and now the cap of bone is being plastered back in place, and now the skin is being stitched shut. The autopsy is over—she’s closed, she’s done—and he’s still in there, with her, in another country, with the smell of shit and blood that’s never going to go away, and he’s not himself at all, he’s her, he’s Gloria Luby—bloated, full of gas, fat and white and dead forever.

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Emily Hiestand
1990
Green the Witch-Hazel Wood
Poems

The pond is like a mackerel skin tonight,

the mackerel like a beaded evening bag.

This is like that, that is like this, oh,

let's call the whole thing off and take it straight:

nothing is like anything else.

Even the parrot and the apish ape

mirror, mimic and do like — unmatched.

To begin:  algae, abalone, alewife —

each the spitting image of itself.

Likewise beetles (potato, scarab and whirligig.)

Nothing even comes close to barrel cactus,

nothing is more original than a bog,

more rare than the cougar and crane —

save all the above named.

 

I've never seen anything like it — dustbowls,

deer, the descent of man and estuaries,

flakes of snow (no two like) fire,

flax, gannets and gulls.

Honeybees and the Hoover Dam

are unique -- there is nothing like a dam.

Ditto inbreeding, ice ages, industrialization,

joshua trees, lagoons and the law

that to liken a lichen is tautological.

Indeed, the rule of diminishing simile holds

that all of these are idiosyncracies:

the Leakeys, legumes, maize, marsupials and moose.

 

Virtually nothing is extraneous here —

not orchids, ooze, pampas nor peat.

This is the world of plenitude and power —

every bit of it out of this world:

 

the rain and rattlers, sperm, swamps and swans.

As now we inch toward an end — vectors

and a winter that figures to be like no other,

say the selfsame earth is to your liking,

and let us continue — yeast, yuccas, zoons,

all things like, beyond compare.

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Benjamin Percy
2008
The Wilding
A Novel

“You see my grandson over there.” Justin’s father humps his chin in Graham’s direction without taking his eyes off Seth. “You don’t want him to see what the inside of your skull looks like, do you?”

 

“You’d never do that,” Seth says. “I could walk right up to that rifle and stick my finger in it and you’d never do a thing.”

 

“Come on and try.”

 

“You’re so full of it.”

 

Then his father swings the barrel left and fires. The crack of the gunshot is followed by the chime of glass shattering, falling from the red pickup, its left headlight destroyed.

 

For a moment Seth stares at his truck. “You’ll fucking pay for that,” he says.

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Sarah Stewart Johnson
2021
The Sirens of Mars
Searching for Life on Another World

The precision of the map allowed Maria to read the planet’s history like a type of braille. As hinted by the initial data, the northern hemisphere proved to be the smoothest surface that had ever been observed in the solar system. Most of the terrain seemed to tilt slightly to the north, suggesting that a planetwide drainage system may have once emptied there, into a great northern ocean. Inscribed onto the surface was even a possible shoreline, Deuteronilus, which could be traced for thousands of kilometers. The coast ran along nearly the same elevation, with variations that could be explained by the ground rebounding, exhaling as the weight of a sea of long-gone water evaporated. With each new detail Maria plotted, another aspect of Mars’s history came to life. 
     Mars Global Surveyor changed what it meant to see a planet. If the old map of Mars was a simple picture, the new map was a portrait. It went beyond what our eyes could take in, capturing data on contours, on composition, on forces we could not see—not just topography but things like magnetic signals and mineral compositions measured out beyond the visible wavelengths. There were subtleties to be seen—we just had to get there, and when we got there, we had to know how to look.

 

Excerpt(s) from The Sirens of Mars: Searching for Life on Another World by Sarah Stewart Johnson, copyright © 2020 by Sarah Stewart Johnson. Used by permission of Crown Books, an imprint of Random House, a division of Penguin Random House LLC. All rights reserved.

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