Search All Winners

In this wet season my gone mother

climbs back again

and everything here smells gutted—

bloodtide, sea grapes in thick bloom,

our smashed plates and teacups. Dismantling

this grey shoreline for some kind of home, scared

orphans out bleating with the mongrels,

                                    all of us starved

for something reclaimable. What chases them,

her barefoot rain, stains my unopened petunia,

shined church shoes, our black words, our hands.

I’ll catch the day creep in, her dirt marking my father’s

neck, oil-dreck steeped dark to every collar,

her tar this same fish odor I am washing.

I know I am one of them. The emptied.

We Googled how to shoot gun, and when we tried, we were spooked by the recoil, by the salty smell and smoke, by the liturgical drama of the whole thing in the woods. But actually we loved to shoot them, the guns. We liked to shoot them wrong even, with a loose hand, the pitch forward and the pitch back. Under our judicious trigger fingers, beer bottles died, Vogue magazines died, Chia Pets died, oak saplings died, squirrels died, elk died. We feasted.

so mama said no running, afraid
for me: shriveled lansones, sickly.

threat of skinned shins. cherry
glow of lola’s clove cigarettes,

smoke plumes sealing my throat.
or on my cheeks, plum rashes

blooming from playing in witchwillow.
these days, I don’t run much.

but I was only seven when I broke
a girl’s front teeth. 

            Jilly took her head out of the oven mainly because it was hot and the gas did not work independently of the pilot light. Stupid new technology. And preferring her head whole and her new auburn sew-in weave unsinged, and having no chloroform in the house, she conceded that she would not go out like a poet. But she updated her status, just the same:

                    A final peace out

                    before I end it all.

              Treat your life like bread,

                  no edge too small

                          to butter.

            Jilly was not a poet or even an aspiring one. She just liked varying her posts as much as possible.

Copyright © by Nafissa Thompson-Spires. From Heads of the Colored People: Stories by Nafissa Thompson-Spires. Published by 37 Ink/Atria Books, an Imprint of Simon & Schuster, Inc. Printed by permission.

When Blair protested they hit him fairly hard in the stomach, and that was the moment he knew that his life had changed. They called him la merca, the merchandise, and for the next four days he slogged through the mountains eating cold arepas and sardines and taking endless taunts about firing squads, although he did, thanks to an eighty-mile-a-week running habit, hold up better than the oil executives and mining engineers the rebels were used to bringing in.

“Three words,” Gaz said. “Motion. Picture. History.” He got up, circled the table as he explained his movie: en route to Earth from a distant solar system, the crew of the Valedictorian crash-lands on a hostile planet inhabited by bat-winged pygmies, lobster-clawed cannibals, two-headed vampires. “That’s where your stuff comes in. I’m going to splice up your movies with mine.” He went on about the mixing-up of genres, chop-suey cinema, bringing together East and West. “We’d be the ambassadors of international film!”

“What’s your thinking on this?” Checkers asked me in Tagalog. “Is this man serious? Is he just an American fool?”

“Ask how much he’ll pay,” I said, “get twenty percent more, give him the movies, and show him to the door.”