Search All Winners

Name Sort descending Genre Year
Raymond Abbott Fiction 1985
Aria Aber Poetry 2020
André Aciman Nonfiction 1995
David Adjmi Drama 2010
Ellen Akins Fiction 1989
Daniel Alarcón Fiction 2004
Jeffery Renard Allen Fiction 2002
Jeffery Renard Allen Poetry 2002
Mindy Aloff Nonfiction 1987
Diannely Antigua Poetry 2020
Will Arbery Drama 2020
Elizabeth Arnold Poetry 2002
John Ash Poetry 1986
Negar Azimi Nonfiction 2026
Kirsten Bakis Fiction 2004
Catherine Barnett Poetry 2004
Clare Barron Drama 2017
Elif Batuman Nonfiction 2010
Jen Beagin Fiction 2017
Jo Ann Beard Nonfiction 1997
Joshua Bennett Poetry 2021
Mischa Berlinski Fiction 2008
Ciaran Berry Poetry 2012
Aaliyah Bilal Fiction 2024
Liza Birkenmeier Drama 2025
Sherwin Bitsui Poetry 2006
Scott Blackwood Fiction 2011
Brian Blanchfield Nonfiction 2016
Tommye Blount Poetry 2023
Judy Blunt Nonfiction 2001
Anne Boyer Poetry 2018
Claire Boyles Fiction 2022
Courtney A. Brkic Fiction 2003
Joel Brouwer Poetry 2001
Jericho Brown Poetry 2009

Selected winners

Karen Hao
2026
Empire of AI

Over the years, I’ve found only one metaphor
that encapsulates the nature of what these AI
power players are: empires. During the long
era of European colonialism, empires seized
and extracted resources that were not their
own and exploited the labor of the people
they subjugated to mine, cultivate, and
refine those resources for the empire’s
enrichment. They projected racist,
dehumanizing ideas of their own superiority
and modernity to justify—and even entice the
conquered into accepting—the invasion of
sovereignty, the theft, and the subjugation.
They justified their quest for power by the
need to compete with other empires: In an
arms race, all bets are off. All this
ultimately served to entrench each empire’s
power and to drive its expansion and
progress. In the simplest terms, empires
amassed extraordinary riches across space and
time, through imposing a colonial world
order, at great expense to everyone else.
 

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Samrat Upadhyay
2001
Arresting God in Kathmandu
Stories

He climbed over the fence surrounding the Queen’s Pond, took off his clothes, and dived in, not caring whether a police squad would approach. The chill of water invigorated him as he waded through the lilies floating on top. He wondered how long it would take, if he allowed himself to sink, for the water to fill his lungs. He thought of monsters with long tentacles that supposedly lived at the bottom, and he imagined them tearing into his flesh. Would his wife be able to recognize the body?

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Matthew Stadler
1995
The Sex Offender
A Novel

“Do you masturbate?” he pried.

 

“Only alone, by myself.” I felt him bristle at my insolence.

 

“Do you work with appropriate fantasies?”

 

“Work?”

 

“You know, do you masturbate to appropriate fantasies before indulging in your inappropriate ones?” He’d given me very specific instructions about this. He scolded my silence by scooting his chair forward till I could smell the odor of his leg.

 

“Sometimes. Sometimes I forget.”

 

THE SEX OFFENDER © 1994 by Matthew Stadler; reprinted with the permission of the publisher, Grove Atlantic, Inc.

 

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Jorie Graham
1985
The Dream of the Unified Field
Selected Poems 1974-1994

There was a space across which you and your shadow, pacing,

        broke,

and around you pockets of shadow, sucking, shutting.

        By now the talk had changed.

There was a liquid of wall and stove and space-behind-the-stove.

        And x where the mirror had been.

And x where the window had been.

       And x where my hand slid over the tabletop breaking a glass.

 

There were shadows in the shadows, and in there were cuts.

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Lisa Halliday
2017
Asymmetry
A Novel

So I came home. To Pittsburgh. My parents were there, and my sister was there, married with children now, and certainly after Paris that wasn’t for me. I’ve always loved Pittsburgh, especially when it looked its worst. I’ve written about that, of course: Pittsburgh before they cleaned it up. Now it’s this immaculate city, all finance and technology, but back then you could die just from taking a breath on the street. The air was black and steaming with smog—“hell with the lid off” they used to say—and there was the clanging of trains, and the great mills, a very dramatic place, and maybe had I stayed and got lucky I might have been the Balzac of Pittsburgh. But I had to escape my family. I had to go to New York.

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Louis Edwards
1994
Ten Seconds
A Novel

“Malcolm is dead,” Eddie kept hearing as he raced to the shop. As he got closer, he saw the flashing lights, and the siren that had been only an eerie, barely audible musical accompaniment to his thoughts began to register as belonging to an ambulance and not as being a regular plant alarm. He knew that he would not cry no matter how awful it was; he never cried. That was one thing he never had to worry about. If one of them had to be killed here, it was better that it was Malcolm—because if Eddie had been killed, Malcolm would have cried like a baby.

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