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The bowhead whale lives for centuries and could potentially grow forever. Researchers say their spines don’t set, so even at two hundred years of age they might still grow. Yesterday, through a dear friend, a complete stranger gifted me a whale vertebra that might be from the eternally possible spine of a bowhead whale. 

What a heavy piece of oracle. Yes. Honor the bowhead whale whose large proportion of body fat keeps them warm enough in the Arctic to outlive the various weapons used to kill them over time. I have said it before, I will say it again, fat is a winning strategy. New research suggests that young bowhead whales may even take nutrients from their bones, to further grow their baleen (the food filters in their mouths) in order to be able to eat more krill, grow more fat, live more better. Evolutionary geniuses. 

My own backbone has been teaching me something too. My pediatricians diagnosed me with scoliosis as a school-aged child, and we may never know if I was born this gorgeously crooked or if the early weight of heavy books caused a shift in how I would carry myself through this life. What we do know? The books certainly were heavy and I haven’t yet put them down. And also I walk, sit, and move in the world in a way that overstretches part of me, compresses the other side.

BLU: … i seen pictures, gemini, of oceans that are actually blue. waters so clear you can stand waist deep, look down and see your feet. not like any ocean i’ve ever been to. light reflects off the top of the water and you can see the sand on the ocean floor.

Gil Scott-Heron has a beautiful song I wish Ta-Nehisi Coates and all of us would listen to again. It’s called “Who Will Pay Reparations on My Soul?” The title is also the refrain, but the force of the rhetorical question lies in its pithy yoking of materialism and slave capitalism to a logic that transcends the material. This is also the crux of my dissent: What can reparations mean when the damage cannot be accounted for in the only system of accounting that a society recognizes? Part of the work here is thinking about the value of human life differently. This becomes obvious when commentators—including Coates—get caught up trying to tabulate the extraordinary value of slaves held in bondage (don’t forget to convert to today’s dollars!). It shouldn’t be hard to see that doing so yields to a mentality that is itself at the root of slavery as an institution: human beings cannot and should not be quantified, monetized, valued in dollar amounts. There can be no refund check for slavery. But that doesn’t mean the question of injury evaporates, so let us ask a harder question: Who will pay reparations on my soul?

Black American music has always insisted upon soul, the value of the human spirit, and its unquenchable yearnings. It’s a value that explicitly refuses material boundaries or limitations. You hear it encoded emblematically in the old spirituals. Black voices steal away to freedom. They go to the river. They fly away. Something is owed.

A far cry. Epistrophy. A refusal.

A nightingale is recorded in a field

where finally we meet to touch and sleep.

A nightingale attests

as bombers buzz and whir

overhead enroute to raid.

We meet undercover of brush and dust.

We meet to revise what we heard.

The year I can’t tell you. The past restages

the future. Palindrome we can’t resolve.

But the coded trill a fever ascending,

a Markov chain, discrete equation,

generative pulse, sweet arrest,

bronchial junction, harmonic jam.

My mother had good hair, a term she would never use herself because, she said, it was so hurtful she couldn’t possibly believe it. But my mother’s hair was undeniably long and thick, a mass of loose curls that Callie and I did not inherit and that she was determined to cut off before we began our new life.

She tried to talk both of us into joining her, but only Callie took the bait. My mother got her with the promise of hair made so easy and simple, you could run your fingers through it. When it was all over, Callie was left with an outgrowth of stiff, sodden curls that clung in limp clusters to her forehead and the nape of her neck and made the back of her head smell like burning and sugar.