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The bluet is a small flower, creamy-throated, that grows in patches in New England lawns. The bluet (French pronunciation) is the shaggy cornflower, growing wild in France. “The Bluet” is a poem I wrote. The Bluet is a painting of Joan Mitchell’s. The thick hard blue runs and holds. All of the, broken-up pieces of sky, hard sky, soft sky. Today I’ll take Joan’s giant vision, running and holding, staring you down with beauty. Though I need reject none. Bluet. “Bloo-ay.”

“He has something of mine,” the man said.

With that, she turned to look at him. “Who are you?” she finally demanded. “Sergio called me to come pick him up, not you.”

“You don’t know me?” His voice pitched higher, edging toward frustration, maybe anger. “You don’t know who I am?”

“No,” she finally said. “I don’t.”

“He’s got my heart,” the man said, melodramatically holding his hands across his chest, but he sneered a bit when he said it. “He’s got a lot of things I want back.”

Copyright © 2006 by Manuel Muñoz. By permission of Stuart Bernstein Representation for Artists, New York, NY and protected by the Copyright Laws of the United States. All rights reserved.  The printing, copying, redistribution, or retransmission of this Content without express permission is prohibited.

Later, when O’Neil imagines the accident—in the days and weeks that follow, and then for years to come—he imagines that it occurs in silence, and that his parents’ eyes are closed. Their eyes are closed like children asleep in a car at night, their faces and bodies in perfect, trusting repose, his father at the wheel, his mother beside him, and though it makes no sense to think it, he sees them holding hands—as O’Neil will one day hold his daughter’s hand when a nightmare has awakened her, to tell her that he is there beside her, that in sleep we have nothing to fear.

ANGEL: Here’s your big chance, baby. What would you like to ask the Angel of the Lord?

MARISOL (Energized): Are you real? Are you true? Are you gonna make the Bronx safe for me? Is it true angels’ favorite food is Thousand Island dressing? Is it true your shit smells like mangoes and when you’re drunk you speak Portuguese?

ANGEL: Honey, last time I was drunk…

          (Marisol gets a sudden, horrifying realization.)

MARISOL: Wait a minute – am I dead?

My ex answers your call like shit is sweet, says, Good to hear from you, so fake you want to reach through the receiver. Next thing, she drops the phone minus nary a pardon and leaves you on an indefinite hold soundtracked by the blare of some rap video cranked beyond good sense. Meanwhile, you carry the noisy cordless into another room, crack the blinds, and watch a pair of baseheads, both thin as antennas, push a half-wrecked sedan down the street. The baseheads, they’ve got the sedan’s doors flung open, and seethe at each other across a scrappy ragtop roof. Farther, they jog their hooptie to a slow cruise, jump in on the run, and sputter off. It’s still plenty of lightweight action on the set. The old lady dressed in a who-gives-a-what-about-the-heat getup (down coat, snow boots, thick wool scarf) tugging a shopping cart full of thrashed cans. Down a ways, boys riding wheelies for distance on dirt bikes with mismatched rims.

…after dozens of visits, I stopped buying the paintings. Scenes of bright peasant life, or lovely little children in uniforms filing into school, pictures of grand bourgeois families dancing in a hall beneath towering hi-fi speakers, or of shocking voodoo ceremonies in blacks and reds with decapitated chickens flapping in blood and women writhing, panoramas of bustling, abundant markets, paintings of primeval forests, with lions, giraffes, panthers and other animals no Haitian has ever seen at home, where the wildest animal is the crocodile or the flamingo, or the tarantula. It’s hard to keep looking at those paintings, but these Haitian artists paint them over and over again, as though they can’t get this nightmare out of their system. For months, a vendor tried to sell me this one painting, of a church interior, because I made the mistake of looking at it. He started at thirty dollars, laughably high but negotiable. Still, for a long time I couldn’t bring myself to buy it, no matter how badly the stooped and stuttering art dealer wanted to get rid of it, no matter how low he would go. I had promised myself no more paintings.