Search All Winners

Name Sort descending Genre Year
Raymond Abbott Fiction 1985
Aria Aber Poetry 2020
André Aciman Nonfiction 1995
David Adjmi Drama 2010
Ellen Akins Fiction 1989
Daniel Alarcón Fiction 2004
Jeffery Renard Allen Fiction 2002
Jeffery Renard Allen Poetry 2002
Mindy Aloff Nonfiction 1987
Diannely Antigua Poetry 2020
Will Arbery Drama 2020
Elizabeth Arnold Poetry 2002
John Ash Poetry 1986
Negar Azimi Nonfiction 2026
Kirsten Bakis Fiction 2004
Catherine Barnett Poetry 2004
Clare Barron Drama 2017
Elif Batuman Nonfiction 2010
Jen Beagin Fiction 2017
Jo Ann Beard Nonfiction 1997
Joshua Bennett Poetry 2021
Mischa Berlinski Fiction 2008
Ciaran Berry Poetry 2012
Aaliyah Bilal Fiction 2024
Liza Birkenmeier Drama 2025
Sherwin Bitsui Poetry 2006
Scott Blackwood Fiction 2011
Brian Blanchfield Nonfiction 2016
Tommye Blount Poetry 2023
Judy Blunt Nonfiction 2001
Anne Boyer Poetry 2018
Claire Boyles Fiction 2022
Courtney A. Brkic Fiction 2003
Joel Brouwer Poetry 2001
Jericho Brown Poetry 2009

Selected winners

Tony Tulathimutte
2017
Private Citizens
A Novel

After a sleepless sexless night, Henrik asked Lucretia over muesli where the nearest pharmacy was. She made her worst face and asked why. He said he needed prescriptions filled—at this, she became a flurry of snorts and book recommendations, declaring that Western medical institutions profited by aggravating illness; Big Pharma was a cartel, doctors were pushers, patients were junkies. She asked to see what he was taking, and when she laid eyes on his briefcase-size pill case, she looked like he’d just told her he was born without a heart. She made him lie down, and sent up gasps researching his prescriptions on her naturopathic reference sites. He wasn’t disordered, she assured him; society was. Manic conservatives, depressive liberals. Mood-swinging markets and a demented climate. Rich against poor, white against unwhite. Henrik was just American.

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Patrick Cottrell
2018
Sorry to Disrupt the Peace
A Novel

I pictured in my mind the house at the bottom of the hill, a dark house I had not set foot inside for many years, a house as large and spacious as a medieval fortress, with enough square footage for at least one or two more Catholic families. It was not a cheaply built house, as my adoptive father liked to say. It did not come cheaply built. My parents are somewhat rich, but, like most Midwesterners, they are the cheapest people I have ever known. Despite their lack of financial stress, they are extravagant in their cheapness, their discount-hunting, their coupon-scissoring, their manuals on how to save. It was important, they said, to think about the catastrophic future, to always have a backup account filled with hundreds of thousands of dollars. To think about it too much depressed me. My entire existence was infected by this cheapness, this so-called frugality. Of course, it would be wrong not to acknowledge that these values of cheapness or frugality were what allowed once-orphans like myself and my now-dead adoptive brother to grow up, and to thrive even, in the comfort and security of the not cheaply built house. But there would be no more thriving for us, as one of us was dead.

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Atsuro Riley
2012
Romey's Order

Come the marrow-hours when he couldn’t sleep,

the boy river-brinked and chorded.

 

Mud-bedded himself here in the root-mesh; bided.

Sieved our alluvial sounds—

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Gerald Early
1988
Tuxedo Junction
Essays on American Culture

It is not the primary thrust or purpose of these essays to serve as autobiography. The strictly autobiographical portions are to be approached with caution. This is not to suggest that they are not true, but veracity is hardly the issue or the point. The autobiographical parts often serve the same purpose as notes in a symphony or passage of music: simply to get from one place to another. The personage I am in some of the essays, to borrow Henry Adams’s metaphor, is simply a manikin on which I model some suitable clothes for the occasion… I am a critic and it is best for the reader never to forget that, even if at times I appear to be playing other roles.

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Terese Marie Mailhot
2019
Heart Berries
A Memoir

Our culture is based in the profundity things carry. We’re always trying to see the world the way our ancestors did—we feel less of a relationship to the natural world. There was a time when we dictated our beliefs and told ourselves what was real, or what was wrong or right. There weren’t any abstractions. We knew that our language came before the world.

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