Search All Winners

Name Sort descending Genre Year
Raymond Abbott Fiction 1985
Aria Aber Poetry 2020
André Aciman Nonfiction 1995
David Adjmi Drama 2010
Ellen Akins Fiction 1989
Daniel Alarcón Fiction 2004
Jeffery Renard Allen Fiction 2002
Jeffery Renard Allen Poetry 2002
Mindy Aloff Nonfiction 1987
Diannely Antigua Poetry 2020
Will Arbery Drama 2020
Elizabeth Arnold Poetry 2002
John Ash Poetry 1986
Negar Azimi Nonfiction 2026
Kirsten Bakis Fiction 2004
Catherine Barnett Poetry 2004
Clare Barron Drama 2017
Elif Batuman Nonfiction 2010
Jen Beagin Fiction 2017
Jo Ann Beard Nonfiction 1997
Joshua Bennett Poetry 2021
Mischa Berlinski Fiction 2008
Ciaran Berry Poetry 2012
Aaliyah Bilal Fiction 2024
Liza Birkenmeier Drama 2025
Sherwin Bitsui Poetry 2006
Scott Blackwood Fiction 2011
Brian Blanchfield Nonfiction 2016
Tommye Blount Poetry 2023
Judy Blunt Nonfiction 2001
Anne Boyer Poetry 2018
Claire Boyles Fiction 2022
Courtney A. Brkic Fiction 2003
Joel Brouwer Poetry 2001
Jericho Brown Poetry 2009

Selected winners

Mindy Aloff
1987
Hippo in a Tutu
Dancing in Disney Animation
Even in a traditional "princess" picture, such as the still-popular 1950 Cinderella, the scene with the most romantic magic—the Fred-and-Ginger buoyancy and sense of brimming anticipation—is not, as we would expect, Cinderella's waltz with the Prince in the ballroom. That we only get to glimpse from behind the courtiers watching it—during those moments when the dance isn't interrupted by comic business for secondary characters or by the couple themselves breaking off the dance merely to drink in each other's shadows. The accent is on their private discovery of their feelings, not on the public celebration of their newfound romance. The real dance energy, rather, surges forth in the designing, cutting, and assembly of the heroine's dress in her lonely bedroom by an exaltation of singing mice and birds: a solitary girl's fantasy. The Disney inspirational artist for Cinderella, as for many animated features of the 1950s, was the brilliant and thoughtful painter Mary Blair. Although Blair was frequently heartbroken by what she viewed as the mistranslation of her concepts in the finished films—a feeling that seems to be embodied in the moment when Cinderella's wicked stepmother and stepsisters tear her dress to shreds—throughout the picture you can still see evidence of Blair's deeply unconventional ideas of how stories can be told through synecdoche (key details made to stand for a larger whole) and emotions represented through color and shifts in proportion.
 
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Mona Simpson
1986
Anywhere But Here
A Novel

At Bob’s Big Boy, one day in the summer, my mother and I pressed together in the phone booth and emptied her purse out on the metal ledge. There were hundreds of scraps of paper, pencils, leaking pens, scuffed makeup tubes, brushes woven with a fabric of lint and hair, a bra, and finally, my mother’s brown leather address book, with the pages falling out. We wanted to call my father in Las Vegas. It was already over a year since we’d flown there. The number was written, carefully, in brown ink.

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Hajar Hussaini
2026
Disbound

Notes from Kabul

on being fine when others aren’t;
notice graphic, how quotes
wax truth & assassinate
anecdotes

the surplus of survival
guilt covers pages & the data
at the price of two
boiled eggs

rectangular streets grind us
like watercolor powder
we wash blood off bags
& hats & the few

branches of tree
are in blaze yet we
still play stone scissor
paper

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Christopher Cokinos
2003
Hope Is the Thing with Feathers
A Personal Chronicle of Vanished Birds

In a volume of his American Ornithology, pioneering naturalist Alexander Wilson described a flock of Passenger Pigeons that he had witnessed in the early 1800s as the birds flew between Kentucky and Indiana. The flock, Wilson estimated, numbered 2,230,272,000 birds. “An almost inconceivable multitude,” he wrote, “and yet probably far below the actual amount.” The multitude spanned a mile wide and extended for some 240 miles, consisting of no fewer than three pigeons per cubic yard of sky… if Wilson’s flock had flown beak to tail in a single file the birds would have stretched around the earth’s equatorial circumference 22.6 times… With their powerful chests and long, quick-snapping wings, the pigeons flew an average of 60 miles per hour for hours at a time. Sometimes the swift and seemingly endless flocks stretched across the entire dome of sky, so that wherever one looked, horizon or zenith or somewhere between, there flew the pigeons.  They closed over the sky like an eyelid.

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Frances Ya-Chu Cowhig
2024
Snow in Midsummer
A Play

DOU YI

My hands were packed in dry ice

Flown across the Pacific and

Stitched onto a man who lost his overseas.

My palms open doors to

Rooms my feet haven't walked through and

Caress a woman my eyes will never see.

It doesn't snow there but my

Nails ache when they touch ice and

Scratch strange characters onto that

Soldier's skin while he's sleeping.

His doctors call it post-traumatic stress but

He knows they're words from a

Language his tongue never learned

Justice. 

Justice. 

Justice

Across the East Sea a yam farmer

Uses my corneas to see.

She dreams of snow but thinks

It's ashes from a childhood fire bombing.

On the far side of the Atlantic my stomach digests

Food that never passed through my lips

Food my teeth didn't chew

Food my tongue hasn't tasted

Food that could have made this spirit stronger

And act sooner if someone offered it to Dou Yi.

But my heart--

My heart beats in this town,

Pumping blood through a man

Loved by the son of an official,

A son who moved Heaven and Earth for

His Happiness.

His Future.

His New Harmony.

These offerings have given me strength

I feel my spirit reviving!

Justice. 

Justice. 

Justice.

Justice and burial for the widow Dou Yi

Justice.

Justice.

Justice.

But how can you bury a woman whose butchered body's still living?

Justice. 

Justice.

That is my heart. It should beat inside me.

 

(Dou Yi thrusts her hand into Rocket's chest and retrieves her heart.)

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Colson Whitehead
2000
The Intuitionist
A Novel

“You aren’t one of those voodoo inspectors, are you? Don’t need to see anything, you just feel it, right? I heard Jimmy make jokes about you witch doctors.”

 

She says, “Intuitionist.” Lila Mae rubs the ballpoint of the pen to get the ink flowing. The W of her initials belongs to a ghost alphabet.

 

The super grins. “If that’s the game you want to play,” he says, “I guess you got me on the ropes.” There are three twenty-dollar bills in his oily palm. He leans over to Lila Mae and places the money in her breast pocket. Pats it down. “I haven’t ever seen a woman elevator inspector before, let alone a colored one, but I guess they teach you all the same tricks.”

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