Search All Winners

Name Sort descending Genre Year
Virginia Grise Drama 2013
Rinne Groff Drama 2005
Paul Guest Poetry 2007
Stephen Adly Guirgis Drama 2006
Alexis Pauline Gumbs Nonfiction 2022
Danai Gurira Drama 2012
Daniel Hall Poetry 1998
Lisa Halliday Fiction 2017
W. David Hancock Drama 1998
Karen Hao Nonfiction 2026
Kent Haruf Fiction 1986
Michael Haskell Poetry 1999
Ehud Havazelet Fiction 1999
Terrance Hayes Poetry 1999
Alan Heathcock Fiction 2012
Marwa Helal Poetry 2021
Amy Herzog Drama 2011
Emily Hiestand Poetry 1990
Rick Hilles Poetry 2008
Lucas Hnath Drama 2015
Eva Hoffman Nonfiction 1992
Donovan Hohn Nonfiction 2008
John Holman Fiction 1991
Mary Hood Fiction 1994
Jay Hopler Poetry 2009
Michelle Huneven Fiction 2002
Samuel Hunter Drama 2012
Hajar Hussaini Poetry 2026
Ishion Hutchinson Poetry 2013
Naomi Iizuka Drama 1999
James Ijames Drama 2017
Mitchell S. Jackson Fiction 2016
Major Jackson Poetry 2003
Michael R. Jackson Drama 2019
Tyehimba Jess Poetry 2006

Selected winners

Shubha Sunder
2025
Optional Practical Training: A Novel

I paused outside Porter Square Station, in my wet clothes, to observe what a sign there called a kinetic sculpture—three elevated red objects shaped like tongues, tumbling about their axes and orbiting a tall white pole. My thoughts circled back to Theta’s shocked expression at my rent, which led me to review my predicted costs—food, transportation, utilities—and wonder if I’d overlooked something. After a brief trance, I descended a long escalator to the commuter rail platform and boarded the train to Wilton. Soon I was passing the same backyards and open spaces I’d sped by in March, no longer barren and covered with dirty snow, but green, with that profusion of young spring leaves I associated with Impressionist paintings. A pond slid into view, its edges blurred by clumps of reeds. The rain started again. It drew long diagonal streaks across the windows. Anyone want to get off at Brandeis? the conductor called as she strode up the aisle. That was a question, she added cheerfully. Not a threat.

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Esmé Weijun Wang
2018
The Collected Schizophrenias

You are told when to sleep and when to wake up. If you spend too much time in your bedroom, it indicates that you’re being antisocial; if you do sit in the common areas, but don’t interact with the other patients, you’re probably depressed or overly inward or perhaps even catatonic. Humans might all be ciphers to one another, but people with mental illness are particularly opaque because of our broken brains; we cannot be trusted about anything, including our own experiences.

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Vanessa Angélica Villarreal
2019
Beast Meridian

That I commune with the dead as I oil your feet. My house at the throat of the river, the door to this world, I wait for you. That I ask of the spirit and receive the knowledges: yerbabuena, vela de virgen, baño de alhucema. Cut the joint at the hoof & fatten the soup. Accept this offering, thank the plant. That I love you with the knowledge of our ways lost to violence. That you will call me up from the silt in your bones.

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Anton Shammas
1991
Arabesques
A Novel

The intimate places of his father’s body were now within his reach, turned over to the touch of his fingers: his father who had never embraced him as a child. First he would touch his earlobes, to move them out of the way for the scissors, which had been taken out of the mother-of-pearl damascene box. Then he would take the nose between his thumb and forefinger, and give it a slight lift so as to shave above the upper lip. And the more the cancer gnawed away at the liver and the body grew limp, the more it opened to him, replete with its disappointments, sated with its tribulations. They would sit together in silence, the father and he, the youngest of his sons.

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Elena Passarello
2015
Let Me Clear My Throat
Essays

By the time he was infamous enough to sell out bullfighting arenas, the Caruso C was a sort of burlesque number.  He would inch to it from the frequencies below, nearly embrace the note, and then flat a bit before trumpeting, C! with full tenor fury. Toscanini chided him for grandstanding, but this in-and-out tease worked well with German and Latin American houses, which particularly enjoyed the punishment of a loud flirtation.

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Cate Marvin
2007
Fragment of the Head of a Queen
Poems

When I say my wives are cages, I don’t mean I’m a bird.

Collapsible shelves, they hide their usefulness when not

in use. All my wives contain terrariums: terrible and fetid

atmospheres in which their salamander selves linger atop

damp rocks. Their hands are damp as the tissues they ball

in their hands, though none of my wives could make a fist,

not even if I asked, no, not even if I commanded them to,

 

an amusing idea I must someday revisit. My wives are like

the Small Mammal House at the zoo, their rooms kept dark

so visitors may view their nocturnal truths, that anonymous

wakefulness we sleepers do not care to know. None of my

wives are like lanterns, nor do their ribs sing with canaries...

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