Search All Winners

Name Sort descending Genre Year
Paul Guest Poetry 2007
Stephen Adly Guirgis Drama 2006
Alexis Pauline Gumbs Nonfiction 2022
Danai Gurira Drama 2012
Daniel Hall Poetry 1998
Lisa Halliday Fiction 2017
W. David Hancock Drama 1998
Kent Haruf Fiction 1986
Michael Haskell Poetry 1999
Ehud Havazelet Fiction 1999
Terrance Hayes Poetry 1999
Alan Heathcock Fiction 2012
Marwa Helal Poetry 2021
Amy Herzog Drama 2011
Emily Hiestand Poetry 1990
Rick Hilles Poetry 2008
Lucas Hnath Drama 2015
Eva Hoffman Nonfiction 1992
Donovan Hohn Nonfiction 2008
John Holman Fiction 1991
Mary Hood Fiction 1994
Jay Hopler Poetry 2009
Michelle Huneven Fiction 2002
Samuel Hunter Drama 2012
Ishion Hutchinson Poetry 2013
Naomi Iizuka Drama 1999
James Ijames Drama 2017
Michael R. Jackson Drama 2019
Mitchell S. Jackson Fiction 2016
Major Jackson Poetry 2003
Tyehimba Jess Poetry 2006
Taylor Johnson Poetry 2024
Sarah Stewart Johnson Nonfiction 2021
Denis Johnson Fiction 1986
R. Kikuo Johnson Fiction 2023

Selected winners

Joan Naviyuk Kane
2009
The Cormorant Hunter's Wife
Poems

I live brokenly and assemble together

Weakly – from long bone of the arm, hip

Rollicking in its socket, and the jaw,

 

Its brux. From the lip of a wooden

Bowl carved from the knot of a limb

Drifted, my name was given on water

 

And laid down like hail upon my tongue.

It’s become a bewilderment of white –

It snows. It does snow. It is snowing.

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Sarah Ruhl
2003
The Clean House and Other Plays

LORENZO: Let me tell you a story, Tilly. A patient of mine – he thought if he urinated, he would flood his entire village. So he could not urinate! And this was very painful to him. So I tell him a little white lie, I say to him, “Sir, your whole village is on fire.” And suddenly he feels free to urinate. He feels, through this very ordinary physical activity, that he is saving his village again and again.

 

TILLY: Huh.

 

LORENZO: Are you afraid of putting out the fires?

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Melanie Rae Thon
1997
First, Body
Stories

There’s a man inside this woman, and he’s alive. But he can’t speak—she can’t speak—the face is peeled back, the skull empty, and now the cap of bone is being plastered back in place, and now the skin is being stitched shut. The autopsy is over—she’s closed, she’s done—and he’s still in there, with her, in another country, with the smell of shit and blood that’s never going to go away, and he’s not himself at all, he’s her, he’s Gloria Luby—bloated, full of gas, fat and white and dead forever.

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Tony Kushner
1990
A Bright Room Called Day
A Play

AGNES:

I feel at home.

My friends like it here,

better that their own apartments.

I’m not a fool.

I know that what’s coming

will be bad,

but not unlivable,

and not eternally,

and when it’s over, I will have clung to the least last thing,

which is to say, my lease.

And you have to admit, it’s a terrific apartment.

I could never find anything like it if I moved out now.

You would not believe

how low the rent is.

 

(End of scene.)

 

Slide: JANUARY 30, 1933.

Slide: PRESIDENT HINDENBURG

Slide: APPPOINTS ADOLF HITLER

Slide: CHANCELLOR OF THE GERMAN REICH.

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Randall Kenan
1994
Let the Dead Bury Their Dead
Stories

Am I sitting here amid boxes of chicken and snow-peas, beef and broccoli, gooey rice and the remnants of an eggroll dabbled in mustard and duck sauce, scribbling the thoughts of a madman? Or am I merely depraved? Are these the thoughts of a neurotic? A psychopath? Or am I just more honest than most? Smarter? Am I daring greatly? Or have I been cursed for violating a sacred trust older than Yoruba legend and Nippon lore? Am I the victim of the gods’ own jealous wrath? Eat of any tree in the garden, but you are damned if you eat of the fruit of the One Tree. Double-damned if you enjoy it. Triple-damned if you can’t get enough.

 

Damn.

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Elena Passarello
2015
Let Me Clear My Throat
Essays

By the time he was infamous enough to sell out bullfighting arenas, the Caruso C was a sort of burlesque number.  He would inch to it from the frequencies below, nearly embrace the note, and then flat a bit before trumpeting, C! with full tenor fury. Toscanini chided him for grandstanding, but this in-and-out tease worked well with German and Latin American houses, which particularly enjoyed the punishment of a loud flirtation.

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