Search All Winners

Name Sort descending Genre Year
Paul Guest Poetry 2007
Stephen Adly Guirgis Drama 2006
Alexis Pauline Gumbs Nonfiction 2022
Danai Gurira Drama 2012
Daniel Hall Poetry 1998
Lisa Halliday Fiction 2017
W. David Hancock Drama 1998
Kent Haruf Fiction 1986
Michael Haskell Poetry 1999
Ehud Havazelet Fiction 1999
Terrance Hayes Poetry 1999
Alan Heathcock Fiction 2012
Marwa Helal Poetry 2021
Amy Herzog Drama 2011
Emily Hiestand Poetry 1990
Rick Hilles Poetry 2008
Lucas Hnath Drama 2015
Eva Hoffman Nonfiction 1992
Donovan Hohn Nonfiction 2008
John Holman Fiction 1991
Mary Hood Fiction 1994
Jay Hopler Poetry 2009
Michelle Huneven Fiction 2002
Samuel Hunter Drama 2012
Ishion Hutchinson Poetry 2013
Naomi Iizuka Drama 1999
James Ijames Drama 2017
Major Jackson Poetry 2003
Michael R. Jackson Drama 2019
Mitchell S. Jackson Fiction 2016
Tyehimba Jess Poetry 2006
Jenny Johnson Poetry 2015
Adam Johnson Fiction 2009
Taylor Johnson Poetry 2024
Sarah Stewart Johnson Nonfiction 2021

Selected winners

Tommye Blount
2023
Fantasia for the Man in Blue
Poems

I

 

What a lucky beast I am,

when he cleans up nice

 

and nicks his perfect face.

I get to lick that face,

 

when he lets me.

In the cut’s opening

 

I get a taste of him

from the inside

 

out, which is all I have

ever wanted,

 

to be cell-close

to him. Praise the razor’s

 

overzealous arm;

the ease

 

with which it finds tenderness

in this man.

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Emily Hiestand
1990
Green the Witch-Hazel Wood
Poems

The pond is like a mackerel skin tonight,

the mackerel like a beaded evening bag.

This is like that, that is like this, oh,

let's call the whole thing off and take it straight:

nothing is like anything else.

Even the parrot and the apish ape

mirror, mimic and do like — unmatched.

To begin:  algae, abalone, alewife —

each the spitting image of itself.

Likewise beetles (potato, scarab and whirligig.)

Nothing even comes close to barrel cactus,

nothing is more original than a bog,

more rare than the cougar and crane —

save all the above named.

 

I've never seen anything like it — dustbowls,

deer, the descent of man and estuaries,

flakes of snow (no two like) fire,

flax, gannets and gulls.

Honeybees and the Hoover Dam

are unique -- there is nothing like a dam.

Ditto inbreeding, ice ages, industrialization,

joshua trees, lagoons and the law

that to liken a lichen is tautological.

Indeed, the rule of diminishing simile holds

that all of these are idiosyncracies:

the Leakeys, legumes, maize, marsupials and moose.

 

Virtually nothing is extraneous here —

not orchids, ooze, pampas nor peat.

This is the world of plenitude and power —

every bit of it out of this world:

 

the rain and rattlers, sperm, swamps and swans.

As now we inch toward an end — vectors

and a winter that figures to be like no other,

say the selfsame earth is to your liking,

and let us continue — yeast, yuccas, zoons,

all things like, beyond compare.

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Tyehimba Jess
2006
leadbelly
Poems

Dear Yu Honor

Yu may rmember me when yu visits prison

here I am Walter Boyd Leadbelly #42738

yo best big niger from Sugarland Farm

wit my stella guitar and songs yu like

I play it all like a black machine for yu loud an slow

Down in the valley    What a frend we have in

Jesus an I Sugarland shuffle like pickin cotton far as

eye cn see I need my freedom like yu said yu was gone give me

yur honor all I need a second chance rmembr me

yu sed I was som niger   som niger need they pardon

GOVERNOR

thank yu for yo kind kind hand yo wisdum.

 

Copyright 2004 by Tyehimba Jess. Published by Verse Press. Reprinted with permission of the author and Wave Books. 

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Brian Blanchfield
2016
Proxies
Essays Near Knowing

What you type and submit appears to you attributed to You. What he replies and enters comes from Partner. There is, as it turns out, a lot to say while watching Partner look at you watching. He is, to begin with, in a room of some kind, particular, contingent, “real.” With art and clocks and books and pillows and cigarettes and mail and daylight, or lamplight, with a bed or desk or basement sofa, with doors you can ask him to open, bags he may or may not empty, of content you may deduce about. The bottoms of his socks are dirty. You give it to him that his socks are dirty, that his door is ajar, that his grin is telling. “Partner: Are you for real?”

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Seth Kantner
2005
Ordinary Wolves
A Novel

I remembered the sweet powerful taste of pop. Tommy Feathers had stopped for coffee when he was hunting wolverine. He tossed a bulged red and white can on the chopping block. “You’ll have tat one springtime,” he joked. He was sober; that meant he was laughing and friendly, not frothing about naluagmius starving his family, stealing food out of his children’s mouths. We had sat around waiting for it to thaw. We could have bought pops in Takunak but according to Abe, pop cost money, wasted aluminum, and was bad for our teeth. Nothing for something. Why not drink water? Now Iris was describing the high school friends and fun we’d always worried we missed out on, and I wondered why I hadn’t bought myself a few Cokes.

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Bruce Duffy
1988
The World as I Found It
A Novel

Even as they entered, he could feel the place envelop him like a vapor with a smell of heavy, overcooked food, privation and dust. The lady taking tickets, old and wigged, with big bosoms, conspicuously switched from Yiddish to German, putting the interlopers on notice that they had been spotted. Eyeing the overblown placard for the play, showing a giant Jew with maniacal eyes throttling some stricken Gentile, he again wondered, Why did they huddle so, these people? And all the while he kept hearing this coarse, splattery jargon, so animated, with that catarrh as though a fishbone were stuck in the throat. There was a man selling hot tea from a samovar and another vending sticky cakes and ices. And the eating—everybody eating, gnawing apples and chewing sweet crackling dumplings from greasy sheets of brown paper. And that marshy barn-warmth of people huddling. It was too close for him.

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