Search All Winners

Name Sort descending Genre Year
Virginia Grise Drama 2013
Rinne Groff Drama 2005
Paul Guest Poetry 2007
Stephen Adly Guirgis Drama 2006
Alexis Pauline Gumbs Nonfiction 2022
Danai Gurira Drama 2012
Daniel Hall Poetry 1998
Lisa Halliday Fiction 2017
W. David Hancock Drama 1998
Karen Hao Nonfiction 2026
Kent Haruf Fiction 1986
Michael Haskell Poetry 1999
Ehud Havazelet Fiction 1999
Terrance Hayes Poetry 1999
Alan Heathcock Fiction 2012
Marwa Helal Poetry 2021
Amy Herzog Drama 2011
Emily Hiestand Poetry 1990
Rick Hilles Poetry 2008
Lucas Hnath Drama 2015
Eva Hoffman Nonfiction 1992
Donovan Hohn Nonfiction 2008
John Holman Fiction 1991
Mary Hood Fiction 1994
Jay Hopler Poetry 2009
Michelle Huneven Fiction 2002
Samuel Hunter Drama 2012
Hajar Hussaini Poetry 2026
Ishion Hutchinson Poetry 2013
Naomi Iizuka Drama 1999
James Ijames Drama 2017
Michael R. Jackson Drama 2019
Major Jackson Poetry 2003
Mitchell S. Jackson Fiction 2016
Tyehimba Jess Poetry 2006

Selected winners

Darryl Pinckney
1986
Out There
Mavericks of Black Literature

The experience of reading Sex and Race is one of embrace and recoil as Rogers indiscriminately loads us down with the provable and the forever dodgy, the serious and the frivolous. Sometimes his footnotes, not always adequate or acceptable, tell when he was at work on a given aspect of his subject, in the way that an itemized credit card bill is a diary, a record of movement. The references go in clusters: in the 1920s, he was reading about Syria, Palestine, Arabia, and Persia; in the 1930s, he was reading the memoirs of English travelers in Africa. Sometimes, he clearly couldn’t go back to a particular library or text to check his facts again. And sometimes Sex and Race reads as though it had threatened to consume him, because the first-person voice breaks through in the book at times of what could be called narrative stress.

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Saïd Sayrafiezadeh
2010
When Skateboards Will Be Free
A Memoir of a Political Childhood

My father believes that the United States is destined one day to be engulfed in a socialist revolution. All revolutions are bloody, he says, but this one will be the bloodiest of them all. The working class—which includes me—will at some point in the not-so-distant future decide to put down the tools of our trade, pour into the streets, beat the police into submission, take over the means of production, and usher in a new epoch—the final epoch—of peace and equality. This revolution is not only inevitable, it is imminent. It is not only imminent, it is quite imminent. And when the time comes, my father will lead it.

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Tommy Pico
2018
Nature Poem

My family’s experience isn’t fodder

for artwork, says Nature in btwn make outs

 

But you’ll drink yourself to sleep?

 

Who is the “I” but its inheritances—Let’s play a game

 

Let’s say Southern California’s water is oil

 

Let’s say Halliburton is the San Diego Flume Company

and I am descended from a long line of wildfires

I mean tribal leaders

 

The Cuyamaca Flume transported mountain runoff and river water into the heart of San Diego. Construction began illegally, in secret, in the 1880s. The creek bed dried. The plants died. The very best citizens of San Diego called it “deluded sentimentality” to give Indians any land or water. As if these are things, stuff to be owned or sold off

 

I am missing many cousins, have you seen them?

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Lysley Tenorio
2008
Monstress
Stories

“Three words,” Gaz said. “Motion. Picture. History.” He got up, circled the table as he explained his movie: en route to Earth from a distant solar system, the crew of the Valedictorian crash-lands on a hostile planet inhabited by bat-winged pygmies, lobster-clawed cannibals, two-headed vampires. “That’s where your stuff comes in. I’m going to splice up your movies with mine.” He went on about the mixing-up of genres, chop-suey cinema, bringing together East and West. “We’d be the ambassadors of international film!”

 

“What’s your thinking on this?” Checkers asked me in Tagalog. “Is this man serious? Is he just an American fool?”

 

“Ask how much he’ll pay,” I said, “get twenty percent more, give him the movies, and show him to the door.”

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Elif Batuman
2010
The Possessed
Adventures with Russian Books and the People Who Read Them

“The American girl will judge the leg contest!” they announced. I was still hoping that I had misunderstood them, even as German techno music was turned on and all the boys in the camp, ages eight to fourteen, were paraded out behind a screen that hid their bodies from the waist up; identifying numbers had been pinned to their shorts. I was given a clipboard with a form on which to rate their legs on a scale from one to ten. Gripped by panic, I stared at the clipboard. Nothing in either my life experience or my studies had prepared me to judge an adolescent boys’ leg contest. Finally the English teacher, who appeared to understand my predicament, whispered to me some scores of her own devising, and I wrote them on the form as if I had thought of them myself.

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Will Arbery
2020
Heroes of the Fourth Turning
A Play

KEVIN
I don’t understand anything you’re saying
 
TERESA
I’m sorry this sucked. Sorry. Sorry. I’ve stopped being able to lie. Don’t tear yourself apart over this. There’s a war coming, dude. 
 
KEVIN
What
 
TERESA
There’s a war coming. And I want you to be on the right side. I want you to be strong enough to fight. Remember your roots. You went to a school where you got wilderness training, where you spoke conversational Latin and locked your phone in a safe for four years and rode horses and built igloos and memorized poems while scaling mountains, and you were strong and you were one of us, and now look at you, you’re a pale American soy boy. 
 
KEVIN
A pale what
 
TERESA
Just make a decision not to be weak anymore, and stick to it.
 

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