Search All Winners

Name Sort descending Genre Year
Virginia Grise Drama 2013
Rinne Groff Drama 2005
Paul Guest Poetry 2007
Stephen Adly Guirgis Drama 2006
Alexis Pauline Gumbs Nonfiction 2022
Danai Gurira Drama 2012
Daniel Hall Poetry 1998
Lisa Halliday Fiction 2017
W. David Hancock Drama 1998
Karen Hao Nonfiction 2026
Kent Haruf Fiction 1986
Michael Haskell Poetry 1999
Ehud Havazelet Fiction 1999
Terrance Hayes Poetry 1999
Alan Heathcock Fiction 2012
Marwa Helal Poetry 2021
Amy Herzog Drama 2011
Emily Hiestand Poetry 1990
Rick Hilles Poetry 2008
Lucas Hnath Drama 2015
Eva Hoffman Nonfiction 1992
Donovan Hohn Nonfiction 2008
John Holman Fiction 1991
Mary Hood Fiction 1994
Jay Hopler Poetry 2009
Michelle Huneven Fiction 2002
Samuel Hunter Drama 2012
Hajar Hussaini Poetry 2026
Ishion Hutchinson Poetry 2013
Naomi Iizuka Drama 1999
James Ijames Drama 2017
Michael R. Jackson Drama 2019
Mitchell S. Jackson Fiction 2016
Major Jackson Poetry 2003
Tyehimba Jess Poetry 2006

Selected winners

Mark Cox
1987
Barbells of the Gods
Poems

Child or woman. Memory or need. Today, again, I can see you

in her eyes, today her eyes again pursue the ground, look

for some sign, some path to follow away from her route.

Her sweatshirt is zipped to the throat and I am realizing that

we are both then, somehow ashamed of what has suddenly happened

between us. And I’m slowing down a little, as if to let

the spring sun catch up to these hands on the steering wheel,

to these hands that will not ever stop needing breasts to

make them hands, as if to uncover my mouth

and yell across the lawns to her.

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Gordon Grice
1999
The Red Hourglass
Lives of the Predators

I decided the caterpillar was too stupid to live. I put it into the carabid beetle’s container. The caterpillar was much larger, but it had no means of defense. The carabid sliced into it and lapped at its leaking blood. Because the caterpillar was so big, the carabid had to repeat his attack eight or ten times. The caterpillar crawled away frantically for the first few wounds, but it was so slow that its movements hardly inconvenienced the beetle drinking from its bleeding flank. After ten minutes or so the caterpillar lay still. Its jade flesh turned black as the beetle chewed and drained it.

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Lauren Yee
2019
The Great Leap

WEN CHANG

he was leading students in an obscene chant.

                                                                          

SAUL

what'd he say?

                                                                          

WEN CHANG

"u.s.a. u.s.a."

                                                                          

SAUL

oh come ON, that's every titty bar in america.

                                                                          

WEN CHANG

surrounded by student protestors in white headbands. it was a clear political protest. a declaration of war.

                                                                          

SAUL

war?! are you crazy?

                                                                          

WEN CHANG

less than twenty-four hours on chinese soil and this is what he does. how could you do this to me?

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James Schuyler
1985
The Morning of the Poem

The bluet is a small flower, creamy-throated, that grows in patches in New England lawns. The bluet (French pronunciation) is the shaggy cornflower, growing wild in France. “The Bluet” is a poem I wrote. The Bluet is a painting of Joan Mitchell’s. The thick hard blue runs and holds. All of the, broken-up pieces of sky, hard sky, soft sky. Today I’ll take Joan’s giant vision, running and holding, staring you down with beauty. Though I need reject none. Bluet. “Bloo-ay.”

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Marcia Douglas
2023
The Marvellous Equations of the Dread
A Novel in Bass Riddim

A prophet is never recognized in his own country, especially when that country has fallen into the mouths of dragons. Bob waves to a woman in a BMW across the street. It’s his lawyer, Christine. “Is me, Bob!” She closes the tinted windows and weaves through traffic. There was a time when BMW stood for Bob Marley and the Wailers. He thinks of the foolishness of that now.

            He returns to the park, searching for the boy from the night before. He wants to shine his shoes again, to see the light in his eyes from Africa reflected there. In the daylight, the park is different from how he remembered it, but the boy’s tree still leans, and there’s a man selling peanuts and asham.

            “You see the little youth that sleep inna the park?"

            "Which one?"

            “The one with the play-play guitar."

            “Oh, me remember him. Him in juvenile detention! Is a bad youth.”

            “No. Me see him last night.”

            “Him kill a Chinie man in August town. Man-slaughter."

            It doesn’t make sense. Bob has a feeling that he has stepped into the middle of someone’s dream. The fall-down skin itches and there is a dull pain behind his eyes. An idea comes to him.

            “You know Bob Marley?”

            “Yeah?”

            “What if me tell you him come back?”

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Kate Wheeler
1994
Not Where I Started From
Stories

A week into our affair, Severo Marquez told me he had shot his own dog. He’d already told me about his crazy female cousin who locked herself into the bathroom every Sunday and pounded nails into her hands in bloody imitation of Christ, about the jars of ears he saw in Vietnam, and his dramatic escape from Cuba—swimming across Guantánamo Bay under fire, dragging a rowboat full of relatives to the safety of the American base. I’d also heard about his Mookie-dog, part beagle, part Doberman, so smart she could carry an envelope to Severo’s mother across a mile of Little Havana, or climb a tree to find Severo in a woman’s apartment. When he said he’d shot this unbelievable animal, his dearest friend, there was a crack in his voice through which I could see him doing it, and suddenly I wondered whether everything else I’d heard from Severo might also be the truth.

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