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What you type and submit appears to you attributed to You. What he replies and enters comes from Partner. There is, as it turns out, a lot to say while watching Partner look at you watching. He is, to begin with, in a room of some kind, particular, contingent, “real.” With art and clocks and books and pillows and cigarettes and mail and daylight, or lamplight, with a bed or desk or basement sofa, with doors you can ask him to open, bags he may or may not empty, of content you may deduce about. The bottoms of his socks are dirty. You give it to him that his socks are dirty, that his door is ajar, that his grin is telling. “Partner: Are you for real?”

KEVIN
I don’t understand anything you’re saying
 
TERESA
I’m sorry this sucked. Sorry. Sorry. I’ve stopped being able to lie. Don’t tear yourself apart over this. There’s a war coming, dude. 
 
KEVIN
What
 
TERESA
There’s a war coming. And I want you to be on the right side. I want you to be strong enough to fight. Remember your roots. You went to a school where you got wilderness training, where you spoke conversational Latin and locked your phone in a safe for four years and rode horses and built igloos and memorized poems while scaling mountains, and you were strong and you were one of us, and now look at you, you’re a pale American soy boy. 
 
KEVIN
A pale what
 
TERESA
Just make a decision not to be weak anymore, and stick to it.
 

Dear Yu Honor

Yu may rmember me when yu visits prison

here I am Walter Boyd Leadbelly #42738

yo best big niger from Sugarland Farm

wit my stella guitar and songs yu like

I play it all like a black machine for yu loud an slow

Down in the valley    What a frend we have in

Jesus an I Sugarland shuffle like pickin cotton far as

eye cn see I need my freedom like yu said yu was gone give me

yur honor all I need a second chance rmembr me

yu sed I was som niger   som niger need they pardon

GOVERNOR

thank yu for yo kind kind hand yo wisdum.

Copyright 2004 by Tyehimba Jess. Published by Verse Press. Reprinted with permission of the author and Wave Books. 

THERESA

I’m worried she’ll be a fish out of water.

ROBERTA

When do we meet her? When’re they movin’?

THERESA

Not now. Soon. We’ll see. They’re waiting to see if Mingjing can transfer jobs.

            ROBERTA puts down her cookie.

ROBERTA

What’s her name?

THERESA

Minjung.

ROBERTA

Theresa.

            THERESA sips tea.

THERESA

She’s in architecture, works for a big firm out there

ROBERTA

(indicating the under-eye skin) Those dark circles, no wonder.

THERESA

But she might give it up and teach.

ROBERTA

You seen her only once?

THERESA

Tim never said any—why would I think

ROBERTA

Such a rush.

THERESA

My brain’s exploded.

ROBERTA

I knew it: how far gone is she?

Note: A male actor plays the roles of both THERESA and her son TIM. A second male actor plays the roles of both ROBERTA and her son ROBBIE.

The bowhead whale lives for centuries and could potentially grow forever. Researchers say their spines don’t set, so even at two hundred years of age they might still grow. Yesterday, through a dear friend, a complete stranger gifted me a whale vertebra that might be from the eternally possible spine of a bowhead whale. 

What a heavy piece of oracle. Yes. Honor the bowhead whale whose large proportion of body fat keeps them warm enough in the Arctic to outlive the various weapons used to kill them over time. I have said it before, I will say it again, fat is a winning strategy. New research suggests that young bowhead whales may even take nutrients from their bones, to further grow their baleen (the food filters in their mouths) in order to be able to eat more krill, grow more fat, live more better. Evolutionary geniuses. 

My own backbone has been teaching me something too. My pediatricians diagnosed me with scoliosis as a school-aged child, and we may never know if I was born this gorgeously crooked or if the early weight of heavy books caused a shift in how I would carry myself through this life. What we do know? The books certainly were heavy and I haven’t yet put them down. And also I walk, sit, and move in the world in a way that overstretches part of me, compresses the other side.

I show Hanky Panky the design that I adapted from a photo in a book of Dayak art, and he has me take off my shirt and he sketches the design on my collarbone with a grease pencil. Then he calls over an assistant to shave my chest. Now, under other circumstances, this could be kind of a turn-on. But in Hanky Panky’s tattoo parlor it justs reminds me of the shaving I had to undergo before some surgery I once had in the groin region. That one, much to my initial disappointment, had been performed by a male nurse, although actually I did see the wisdom of having a man for the job at around the time he began to whisk the razor around my balls. “Hey, be careful. Please!” I begged. And my male nurse answered, “Don’t worry, buddy. I’ll handle ‘em like they were my own.”