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BEDER: (fuming) Independence Day fireworks. How can the Israelis call it Independence Day and not choke on the words? They celebrate forcibly removing people from their homes? Killing men, women, children? This is cause for a party?

ADHAM: Let’s not get political.

BEDER: Who’s getting political?

You will begin to listen to the story of Josie’s life in Spanish and English. You will begin to like the way she looks. At moments you will confuse her with the stripper dancing naked on the table next to where the two of you talk. Josie will be telling you about her marriage, about her husband, about her divorce, about her daughter, about her sadness and disappointment. You will have more drinks than her.

“Recipe” from THE MAGIC OF BLOOD by Dagoberto Gilb © 1993 by the University of New Mexico Press; reprinted with the permission of the publisher, Grove Atlantic, Inc. “Recipe” originally appeared in Winners on the Pass Line (Cinco Puntos Press).

He tried to swerve around her but, instead, went into a slide. The reds and yellows in the road stretched out. Cottonwood leaves roared in his head. His bowels shuddered. Even before he struck the girl and hurled her into the creek bed, he felt all the familiar habits of the world begin to recede.

Please, excuse my shadow. I can’t 

stop leaving. I don’t know how

to name what I don’t know

well enough to render

in a single sitting. Every poem

about us seems an impossible labor,

like forgetting the face

of the sea, or trying to find

a more perfect name for water.

Prancing down the building’s stairs, Hui concentrated again on the boy who had stopped returning her calls. Acknowledging another’s pain obscured one’s own. Hui wasn’t ready yet to accept that. From the window, Meng watched her granddaughter walk up the tree-lined street. The old woman’s longing was like that of a child, featuring prominently in her eyes, which captured that spirit from her youth. It would have been easy for anyone to picture what she had looked like back then, if anyone had been there.

My mother supports an agency that every week or so sends her a list of the world’s political prisoners who are known to be in immediate danger of their lives. She sits over a chunky Adler typewriter and composes polite pleas to jailors and torturers and killers on behalf of their victims. “In the name of liberty, of decency, Your Excellency…”

These petitions for pity and reason, strangled as they are by formality, necessarily without anger, she types on personal stationery of pale yellow or pale tangerine or aqua—the kind got at a pharmacy. Her bursitis makes the typing difficult, and the text is unevenly imprinted, since some of the keys have more bite than others, the way she works them. All the same, her handwriting is impossible.