Search All Winners

Name Sort descending Genre Year
Virginia Grise Drama 2013
Rinne Groff Drama 2005
Paul Guest Poetry 2007
Stephen Adly Guirgis Drama 2006
Alexis Pauline Gumbs Nonfiction 2022
Danai Gurira Drama 2012
Daniel Hall Poetry 1998
Lisa Halliday Fiction 2017
W. David Hancock Drama 1998
Karen Hao Nonfiction 2026
Kent Haruf Fiction 1986
Michael Haskell Poetry 1999
Ehud Havazelet Fiction 1999
Terrance Hayes Poetry 1999
Alan Heathcock Fiction 2012
Marwa Helal Poetry 2021
Amy Herzog Drama 2011
Emily Hiestand Poetry 1990
Rick Hilles Poetry 2008
Lucas Hnath Drama 2015
Eva Hoffman Nonfiction 1992
Donovan Hohn Nonfiction 2008
John Holman Fiction 1991
Mary Hood Fiction 1994
Jay Hopler Poetry 2009
Michelle Huneven Fiction 2002
Samuel Hunter Drama 2012
Hajar Hussaini Poetry 2026
Ishion Hutchinson Poetry 2013
Naomi Iizuka Drama 1999
James Ijames Drama 2017
Michael R. Jackson Drama 2019
Major Jackson Poetry 2003
Mitchell S. Jackson Fiction 2016
Tyehimba Jess Poetry 2006

Selected winners

Ilya Kaminsky
2005
Dancing in Odessa
Poems

I see her windows open in the rain, laundry in the windows—

she rides a wild pony for my birthday,

a white pony on the seventh floor.

 

“And where will we keep it?” “On the balcony!”

the pony neighing on the balcony for nine weeks.

At the center of my life: my mother dances,

 

yes here, as in childhood, my mother

asks to describe the stages of my happiness—

she speaks of soups, she is of their telling:

 

between the regiments of saucers and towels,

she moves so fast—she is motionless,

opening and closing doors.

 

But what was happiness? A pony on the balcony!

My mother's past, a cloak she wore on her shoulder.

I drew an axis through the afternoon

 

to see her, sixty, courting a foreign language—

young, not young—my mother

gallops a pony on the seventh floor.

 

She becomes a stranger and acts herself, opens

what is shut, shuts what is open.

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Saïd Sayrafiezadeh
2010
When Skateboards Will Be Free
A Memoir of a Political Childhood

My father believes that the United States is destined one day to be engulfed in a socialist revolution. All revolutions are bloody, he says, but this one will be the bloodiest of them all. The working class—which includes me—will at some point in the not-so-distant future decide to put down the tools of our trade, pour into the streets, beat the police into submission, take over the means of production, and usher in a new epoch—the final epoch—of peace and equality. This revolution is not only inevitable, it is imminent. It is not only imminent, it is quite imminent. And when the time comes, my father will lead it.

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Benjamin Percy
2008
The Wilding
A Novel

“You see my grandson over there.” Justin’s father humps his chin in Graham’s direction without taking his eyes off Seth. “You don’t want him to see what the inside of your skull looks like, do you?”

 

“You’d never do that,” Seth says. “I could walk right up to that rifle and stick my finger in it and you’d never do a thing.”

 

“Come on and try.”

 

“You’re so full of it.”

 

Then his father swings the barrel left and fires. The crack of the gunshot is followed by the chime of glass shattering, falling from the red pickup, its left headlight destroyed.

 

For a moment Seth stares at his truck. “You’ll fucking pay for that,” he says.

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Hilary Leichter
2026
Terrace Story

The old window gave a grand view of Yellow Tree, trunk to branch. They called it Yellow Tree even though the gingko was yellow for only about a week each year, its fan-shaped leaves rustling to the ground at the first suggestion of a breeze. Annie and Edward held the baby to the window and said, “See? Yellow!” But she was too small to say “yellow” in response. She just looked and watched and touched the glass. They wiped her fingerprints from the window and kissed the fingers that made the prints. Then the leaves fell, and the scenery changed. Some views show less than half of what needs seeing.

When the rent became unpayable, they went in search of a more affordable living situation. What’s your living situation? Annie turned the phrase over in her mind, the situation of their life. They had not saved nearly enough for a broker’s fee, let alone a security deposit.

“It looks smaller than it really is,” Edward said, leading Annie around the new apartment. A dimly lit lopsided square. “Give it some time, it might grow on you!”

“You mean it might literally grow?” Annie asked.

At the new apartment, there were no views of Yellow Tree. The introverted windows were gated and clasped and huddled around a central shaft that Edward dubbed Pigeon Tunnel. Edward and Annie liked inventing proper nouns for their world. Yellow Tree, Pigeon Tunnel, Closet Mystery. Closet Mystery was Annie’s term for the mystery of their single, overstuffed closet. Upon opening, what would catapult forth? It was a bona fide enigma. Edward and Annie picked a proper noun for their baby too. Her noun was Rose.

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Teddy Wayne
2011
Kapitoil
A Novel

The movie is entertaining and intriguing. At four points during it I rotate my eyes to observe Rebecca. The monitor is mirrored on her glasses and behind them her eyes are very wide. Although I am a more experienced programmer, I am certain her ideas on the movie are more complex than mine.

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Randall Kenan
1994
Let the Dead Bury Their Dead
Stories

Am I sitting here amid boxes of chicken and snow-peas, beef and broccoli, gooey rice and the remnants of an eggroll dabbled in mustard and duck sauce, scribbling the thoughts of a madman? Or am I merely depraved? Are these the thoughts of a neurotic? A psychopath? Or am I just more honest than most? Smarter? Am I daring greatly? Or have I been cursed for violating a sacred trust older than Yoruba legend and Nippon lore? Am I the victim of the gods’ own jealous wrath? Eat of any tree in the garden, but you are damned if you eat of the fruit of the One Tree. Double-damned if you enjoy it. Triple-damned if you can’t get enough.

 

Damn.

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