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And the body is beautifully there, like hoarfrost.

Tears on its face now glimmering like dimes

falling from a slot machine, or a stream, thought lost,

that breaks through fresh snow at wintertime.

From Brother Salvage, posted by permission of the University of Pittsburgh Press

The important thing, I suppose, is that this weekend was the first one we spent that wasn’t entirely at the state fair or big-brother Disneyland. It was the first time Daddy sort of ignored me like the Doctor, and I must confess that I had a better time than ever before on these custody junkets. It’s heavy pressure, you know, to find your role four days out of the month, a little two-day run every two weeks with no rehearsal. I suppose it was no fun for him, either, being the director as well as actor and still not getting it right. But that weekend he seemed a lot more regular in a way it’s hard to describe. I think that woman (Mike’s mother) looked sexy, for one thing, but that is strictly my unhaired opinion. At school the word is, you don’t know what girls really are until you have hair, kind of a Samson thing, I guess.

I am a cowry girl, a marine biologist to be exact. The 8-hour move-

ment started in the United States in 1884. Feeling more and more.

Gave birth. Took up the question. 8 hours shall be the norm. Marx:

Slavery disfigured a part of the republic. Labor with a white skin

cannot emancipate itself where labor with a black skin is branded.

The time named. Endorse the same. Half of the same. More pro-

foundly. Therefore be considered a synonym.

Masters, never trust me. Listen: each day

is a Negro boy, chained, slogging out of the waves,

panting, gripping the sum of his captain, the head,

ripped off, the blood purpling down, the red

hair flossed between the knuckles, swinging it

before him like judgment, saying to the mist,

then not, then quietly only to himself, This is what

I’ll do to you, what you dream I do, sir, if you like it.

REGGIE
Now see you gonna laugh. Cause you thank everythang I do is funny. It ain’t funny. It’s meant tah teach ya. How I speak? That’s meant tah teach you too. You get older ‘n leave this place...one thing ya gonna remember is the music of ya daddy’s voice. The memory ‘a what made ya. How ya people survived. An’ these little games we play? These little hand games? That’s your history too… ‘cause ya grandmama sat ya mama down when she was smaller ‘n you ‘n they played these games ‘n had the best time that ever was. Then, ya mama taught me ya know that? Shoot, I ain’t wanna learn no little girl games. Imma man! (Laughs.) What I look like playin’ some little girl hand game! But, then we had you. And I taught you. That’s a road map. You ever get lost, you find ya way back home (points to his chest) from them. Understand? And one way or another... I’ll come get you.

“He has something of mine,” the man said.

With that, she turned to look at him. “Who are you?” she finally demanded. “Sergio called me to come pick him up, not you.”

“You don’t know me?” His voice pitched higher, edging toward frustration, maybe anger. “You don’t know who I am?”

“No,” she finally said. “I don’t.”

“He’s got my heart,” the man said, melodramatically holding his hands across his chest, but he sneered a bit when he said it. “He’s got a lot of things I want back.”

Copyright © 2006 by Manuel Muñoz. By permission of Stuart Bernstein Representation for Artists, New York, NY and protected by the Copyright Laws of the United States. All rights reserved.  The printing, copying, redistribution, or retransmission of this Content without express permission is prohibited.