Search All Winners

Name Sort descending Genre Year
Paul Guest Poetry 2007
Stephen Adly Guirgis Drama 2006
Alexis Pauline Gumbs Nonfiction 2022
Danai Gurira Drama 2012
Daniel Hall Poetry 1998
Lisa Halliday Fiction 2017
W. David Hancock Drama 1998
Kent Haruf Fiction 1986
Michael Haskell Poetry 1999
Ehud Havazelet Fiction 1999
Terrance Hayes Poetry 1999
Alan Heathcock Fiction 2012
Marwa Helal Poetry 2021
Amy Herzog Drama 2011
Emily Hiestand Poetry 1990
Rick Hilles Poetry 2008
Lucas Hnath Drama 2015
Eva Hoffman Nonfiction 1992
Donovan Hohn Nonfiction 2008
John Holman Fiction 1991
Mary Hood Fiction 1994
Jay Hopler Poetry 2009
Michelle Huneven Fiction 2002
Samuel Hunter Drama 2012
Ishion Hutchinson Poetry 2013
Naomi Iizuka Drama 1999
James Ijames Drama 2017
Michael R. Jackson Drama 2019
Mitchell S. Jackson Fiction 2016
Major Jackson Poetry 2003
Tyehimba Jess Poetry 2006
Sarah Stewart Johnson Nonfiction 2021
Denis Johnson Fiction 1986
R. Kikuo Johnson Fiction 2023
Jenny Johnson Poetry 2015

Selected winners

Tony Kushner
1990
A Bright Room Called Day
A Play

AGNES:

I feel at home.

My friends like it here,

better that their own apartments.

I’m not a fool.

I know that what’s coming

will be bad,

but not unlivable,

and not eternally,

and when it’s over, I will have clung to the least last thing,

which is to say, my lease.

And you have to admit, it’s a terrific apartment.

I could never find anything like it if I moved out now.

You would not believe

how low the rent is.

 

(End of scene.)

 

Slide: JANUARY 30, 1933.

Slide: PRESIDENT HINDENBURG

Slide: APPPOINTS ADOLF HITLER

Slide: CHANCELLOR OF THE GERMAN REICH.

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Ilya Kaminsky
2005
Dancing in Odessa
Poems

I see her windows open in the rain, laundry in the windows—

she rides a wild pony for my birthday,

a white pony on the seventh floor.

 

“And where will we keep it?” “On the balcony!”

the pony neighing on the balcony for nine weeks.

At the center of my life: my mother dances,

 

yes here, as in childhood, my mother

asks to describe the stages of my happiness—

she speaks of soups, she is of their telling:

 

between the regiments of saucers and towels,

she moves so fast—she is motionless,

opening and closing doors.

 

But what was happiness? A pony on the balcony!

My mother's past, a cloak she wore on her shoulder.

I drew an axis through the afternoon

 

to see her, sixty, courting a foreign language—

young, not young—my mother

gallops a pony on the seventh floor.

 

She becomes a stranger and acts herself, opens

what is shut, shuts what is open.

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Stephen Wright
1990
M31
A Family Romance

“There is an ocean of dreams,” Maryse was explaining, “that our sleeping heads dip back into late at night. The tides go in and out, cleansing the shore. Who we are is whatever silhouettes against that great sea. It is deep and vast and strong, and even in the clearest moment of the brightest day something is leaking in, a permanent trickle in the plumbing. Sometimes, in some of us, things collapse, but now the moment is approaching when the wave will break to carry us all away. This will happen. Consider the signs. Learn how to float.”

 

“But what’s all this got to do with UFOs?” asked Beale.

 

“They’re the openings the dreams come through.”

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Mia Chung
2023
Catch as Catch Can
A Play

THERESA

I’m worried she’ll be a fish out of water.

 

ROBERTA

When do we meet her? When’re they movin’?


THERESA

Not now. Soon. We’ll see. They’re waiting to see if Mingjing can transfer jobs.


            ROBERTA puts down her cookie.


ROBERTA

What’s her name?

 

THERESA

Minjung.


ROBERTA

Theresa.


            THERESA sips tea.


THERESA

She’s in architecture, works for a big firm out there

 

ROBERTA

(indicating the under-eye skin) Those dark circles, no wonder.

 

THERESA

But she might give it up and teach.

 

ROBERTA

You seen her only once?

 

THERESA

Tim never said any—why would I think

 

ROBERTA

Such a rush.

 

THERESA

My brain’s exploded.

 

ROBERTA

I knew it: how far gone is she?

 

Note: A male actor plays the roles of both THERESA and her son TIM. A second male actor plays the roles of both ROBERTA and her son ROBBIE.

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Russ Rymer
1995
Genie
A Scientific Tragedy

The ensuing inquiries found the girl to be a teenager, though she weighed only fifty-nine pounds and was only fifty-four inches tall. She was in much worse physical shape than at first suspected: she was incontinent, could not chew solid food and could hardly swallow, could not focus her eyes beyond twelve feet, and, according to some accounts, could not cry. She salivated constantly, spat indiscriminately. She had a ring of hard callus around her buttocks, and she had two nearly complete sets of teeth. Her hair was thin. She could not hop, skip, climb, or do anything requiring the full extension of her limbs. She showed no perception of hot or cold.

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Rebecca Goldstein
1991
The Late Summer Passion of A Woman of Mind
A Novel

It was true that Eva’s male colleagues had by now ceased to joke among themselves that a hopeless crush on Professor Mueller ought to be included among the requirements for the major in philosophy, but this was not because the students no longer fell in love with her. They did, at a rate which had of course slackened over the years but was still not inconsiderable. It was an irony—of course quite lost on Eva, who was steadfastly oblivious to the dramas in which she figured—that many who sat raptly listening to their professor’s lectures on the “futility of the passions,” on the need to transform the passive emotions directed towards objects and people outside ourselves into the active emotions of the intellect, were swollen with an advanced case of that same passive desire whose elimination was being eloquently, even passionately, urged upon them.

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