Search All Winners

Name Sort descending Genre Year
Paul Guest Poetry 2007
Stephen Adly Guirgis Drama 2006
Alexis Pauline Gumbs Nonfiction 2022
Danai Gurira Drama 2012
Daniel Hall Poetry 1998
Lisa Halliday Fiction 2017
W. David Hancock Drama 1998
Kent Haruf Fiction 1986
Michael Haskell Poetry 1999
Ehud Havazelet Fiction 1999
Terrance Hayes Poetry 1999
Alan Heathcock Fiction 2012
Marwa Helal Poetry 2021
Amy Herzog Drama 2011
Emily Hiestand Poetry 1990
Rick Hilles Poetry 2008
Lucas Hnath Drama 2015
Eva Hoffman Nonfiction 1992
Donovan Hohn Nonfiction 2008
John Holman Fiction 1991
Mary Hood Fiction 1994
Jay Hopler Poetry 2009
Michelle Huneven Fiction 2002
Samuel Hunter Drama 2012
Ishion Hutchinson Poetry 2013
Naomi Iizuka Drama 1999
James Ijames Drama 2017
Michael R. Jackson Drama 2019
Mitchell S. Jackson Fiction 2016
Major Jackson Poetry 2003
Tyehimba Jess Poetry 2006
Taylor Johnson Poetry 2024
Denis Johnson Fiction 1986
Sarah Stewart Johnson Nonfiction 2021
R. Kikuo Johnson Fiction 2023

Selected winners

August Wilson
1986
Ma Rainey's Black Bottom
A Play

TOLEDO: Go ahead, then. Spell it. Music. Spell it.

 

LEVEE: I can spell it, nigger! M-U-S-I-K. There!

            (He reaches for the money.)

 

TOLEDO: Naw! Naw! Leave that money alone! You ain’t spelled it.

 

LEVEE: What you mean I ain’t spelled it? I said M-U-S-I-K!

 

TOLEDO: That ain’t how you spell it! That ain’t how you spell it! It’s M-U-S-I-C! C, nigger. Not K! M-U-S-I-C!

 

LEVEE: What you mean, C? Who say it’s C?

 

TOLEDO: Cutler. Slow Drag, Tell this fool.

            (They look at each other and then away.)

Well, I’ll be a monkey’s uncle!

            (TOLEDO picks up the money and hands LEVEE his dollar back.)

Here’s your dollar back, Levee. I done won it, you understand. I done won the dollar. But if don’t nobody know but me, how am I gonna prove it to you?

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Anaïs Duplan
2022
Blackspace
On the Poetics of an Afrofuture

Adrian Piper took photos of her naked body while reading The Critique of Pure Reason to make sure her body was still there. I don’t want to talk about “the black body.” Where is such a thing? I am not inside of anything. I want the monad. I want integration, but not the kind that requires “white” and “black” to participate. Integration as the move from a dualist Cartesian world to the monist’s world, so that transcendence is a misnomer—there being nothing to get beyond, to get above or around. In this single world-substance, everywhere is home; everything is forever; and everyone is inalienable.

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Linda Gregg
1985
Too Bright to See / Alma
Poems

She walks all the time in the Heart Ward.

She makes no sound. She is always alone.

If she is looking in the toilet stall and you come in

she leaves. She calls you Dear.

I was thinking of giving her my flowers.

Just now she came over and said,

‘You don’t have to be writing all the time Dear.’

I said, ‘Do you have any flowers?’

She said, ‘No Dear.’

I said, ‘Do you want any flowers?’

She said, ‘No, no flowers, Dear.’

I said, ‘Don’t you want any flowers at all?’

‘No,’ she said, ‘it’s too late for flowers Dear.’

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Dalia Sofer
2007
The Septembers of Shiraz
A Novel

“He says, why should some people live like kings and the rest like rats? And why should the wealthy, enamored with Europe and the West, dictate how the whole country should dress, talk, live? What if we like our chadors and our Koran? What if we want our own mullahs to rule us, not that saint – what’s his name?” She taps her fingers on the dashboard, trying to remember the name. “ Morteza told me he is worshipped in Europe… I know! Saint Laurent, or something like that…”

 

“Yves Saint Laurent?” Farnaz laughs. “He’s not a saint, Habibeh. He’s a designer. That’s just his name.”

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Sofi Thanhauser
2025
Worn: A People’s History of Clothing

Today, it is no longer cheaper to make your own clothes than to buy them. A task that once fell within the province of the ordinary household is now an esoteric hobby, requiring skills out of reach to most ordinary Americans. It can even be cost prohibitive, since to buy the cloth to make a shirt will often cost more than the price of a new shirt. A curious reversal.

Ralph Tharpe, the former design engineer at Cone Mills in North Carolina, and the man responsible for making denim for Levi’s 501s during the 1970s, put the question to me this way: “Why is it that from 1960 to today the price of a Ford truck has increased ten times over and the price of a pair of dungarees has stayed the same?” This question becomes even more puzzling when one considers that many mass-manufacturing processes have been automated since the 1960s but sewing is not one of them. The process one follows to sew a garment has not changed materially since the advent of the sewing machine. Fabric is a fussy and unpredictable material, unlike sheet metal, that still requires the subtle manipulation of tension that can only be done by a real human hand.

How then, did this happen?

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