Search All Winners

Name Sort descending Genre Year
Paul Guest Poetry 2007
Stephen Adly Guirgis Drama 2006
Alexis Pauline Gumbs Nonfiction 2022
Danai Gurira Drama 2012
Daniel Hall Poetry 1998
Lisa Halliday Fiction 2017
W. David Hancock Drama 1998
Kent Haruf Fiction 1986
Michael Haskell Poetry 1999
Ehud Havazelet Fiction 1999
Terrance Hayes Poetry 1999
Alan Heathcock Fiction 2012
Marwa Helal Poetry 2021
Amy Herzog Drama 2011
Emily Hiestand Poetry 1990
Rick Hilles Poetry 2008
Lucas Hnath Drama 2015
Eva Hoffman Nonfiction 1992
Donovan Hohn Nonfiction 2008
John Holman Fiction 1991
Mary Hood Fiction 1994
Jay Hopler Poetry 2009
Michelle Huneven Fiction 2002
Samuel Hunter Drama 2012
Ishion Hutchinson Poetry 2013
Naomi Iizuka Drama 1999
James Ijames Drama 2017
Mitchell S. Jackson Fiction 2016
Major Jackson Poetry 2003
Michael R. Jackson Drama 2019
Tyehimba Jess Poetry 2006
R. Kikuo Johnson Fiction 2023
Adam Johnson Fiction 2009
Jenny Johnson Poetry 2015
Taylor Johnson Poetry 2024

Selected winners

Kirsten Bakis
2004
Lives of the Monster Dogs
A Novel

The photo showed a dog, standing on its hind legs, being helped from the door of a helicopter by a serious-looking man in a down vest. The dog seemed to stand about the same height as the man, and looked like a Malamute. The strange thing about it, besides its larger-than-average size, was the fact that it was wearing a dark-colored jacket which looked like part of an old-fashioned military uniform, and a pair of spectacles, and that it appeared to have hands instead of front paws. In one of those gloved hands it held a cane, which was pointed at an awkward angle, probably because of the way the man was holding on to that foreleg just above the elbow. The other hand gripped the side of the helicopter doorway. The expression on the animal’s face was one of terror. Its lips were slightly parted, its ears were pointing straight backward, and its eyes were wide.

Read More >
Virginia Grise
2013
blu
A Play

BLU: … i seen pictures, gemini, of oceans that are actually blue. waters so clear you can stand waist deep, look down and see your feet. not like any ocean i’ve ever been to. light reflects off the top of the water and you can see the sand on the ocean floor.

Read More >
Shubha Sunder
2025
Optional Practical Training: A Novel

I paused outside Porter Square Station, in my wet clothes, to observe what a sign there called a kinetic sculpture—three elevated red objects shaped like tongues, tumbling about their axes and orbiting a tall white pole. My thoughts circled back to Theta’s shocked expression at my rent, which led me to review my predicted costs—food, transportation, utilities—and wonder if I’d overlooked something. After a brief trance, I descended a long escalator to the commuter rail platform and boarded the train to Wilton. Soon I was passing the same backyards and open spaces I’d sped by in March, no longer barren and covered with dirty snow, but green, with that profusion of young spring leaves I associated with Impressionist paintings. A pond slid into view, its edges blurred by clumps of reeds. The rain started again. It drew long diagonal streaks across the windows. Anyone want to get off at Brandeis? the conductor called as she strode up the aisle. That was a question, she added cheerfully. Not a threat.

Read More >
Milo Wippermann
2023
Joan of Arkansas

Last year, Simone had been voted “Most Christ-Like” of the Domremy Catholic High School Freshman Class. 
            Privately, she hoped that she did have God’s grace to thank for her ease in the world. Something about grace, even though one need not do anything to receive it, denoted heroism. It was heroism in the sense of being singled out and chosen—an idea that accounted for and made tolerable the ways in which Simone felt entirely alone.
            Nothing, she knew, had been easy for Joan—nothing except talking to God. “If you want God to talk to you, you have to be silent,” Simone knew from one of Joan’s videos. She had attempted silence in every form she could fathom but even her attempts felt loud. How to empty herself of her self, she wondered.

Read More >
Ilya Kaminsky
2005
Dancing in Odessa
Poems

I see her windows open in the rain, laundry in the windows—

she rides a wild pony for my birthday,

a white pony on the seventh floor.

 

“And where will we keep it?” “On the balcony!”

the pony neighing on the balcony for nine weeks.

At the center of my life: my mother dances,

 

yes here, as in childhood, my mother

asks to describe the stages of my happiness—

she speaks of soups, she is of their telling:

 

between the regiments of saucers and towels,

she moves so fast—she is motionless,

opening and closing doors.

 

But what was happiness? A pony on the balcony!

My mother's past, a cloak she wore on her shoulder.

I drew an axis through the afternoon

 

to see her, sixty, courting a foreign language—

young, not young—my mother

gallops a pony on the seventh floor.

 

She becomes a stranger and acts herself, opens

what is shut, shuts what is open.

Read More >
James Ijames
2017
WHITE
A Play

VANESSA: Have you ever met a black woman…you know…in like, real life that talks like that?

 

GUS: I’m sure I have.

 

VANESSA: I see.

 

GUS: That’s why I think this matters so much. My work is really interrogating my own interiority. But having you present my work, I’m being more true to myself by exposing my inner self through you. Creating a real life version of …the black woman inside me. To be enjoyed by all. I want her voice to be heard. I want to create her with you.

 

VANESSA: Oh my god. I just read an article about this in The Atlantic. What did they call it? Uhph—Racial Tourism! That’s it!

 

GUS: That’s a new one.

 

VANESSA: No it’s like…“Let me play double-dutch with the black girls on the playground cause they make me feel all empowered and fierce. They can teach me fun comebacks and how to wag my finger and I can be just as fierce and fabulous as them, but without the burden of actually being a black girl.” I got that right?

 

GUS: Whoa…You don’t know me.

 

VANESSA: I don’t.

 

GUS: I’m not a racist.

 

VANESSA: This is really awkward for you.

Read More >