Search All Winners

Name Sort descending Genre Year
Roger Fanning Poetry 1992
Anderson Ferrell Fiction 1996
Emil Ferris Fiction 2025
Kathleen Finneran Nonfiction 2001
Sidik Fofana Fiction 2023
Tope Folarin Fiction 2021
Ben Fountain Fiction 2007
Carribean Fragoza Fiction 2023
Jonathan Franzen Fiction 1988
Kennedy Fraser Nonfiction 1994
Ian Frazier Nonfiction 1989
Nell Freudenberger Fiction 2005
Forrest Gander Poetry 1997
Cristina García Fiction 1996
Madeleine George Drama 2016
David Gewanter Poetry 2002
Melissa James Gibson Drama 2002
Dagoberto Gilb Fiction 1993
Samantha Gillison Fiction 2000
Aracelis Girmay Poetry 2015
Jody Gladding Poetry 1997
Allison Glock Nonfiction 2004
Molly Gloss Fiction 1996
Rebecca Newberger Goldstein Fiction 1991
Elisa Gonzalez Poetry 2024
Allegra Goodman Fiction 1991
Jorie Graham Poetry 1985
Donnetta Lavinia Grays Drama 2021
Lucy Grealy Nonfiction 1995
Lucy Grealy Poetry 1995
Elana Greenfield Drama 2004
Elana Greenfield Fiction 2004
Kaitlyn Greenidge Fiction 2017
Linda Gregg Poetry 1985
Gordon Grice Nonfiction 1999

Selected winners

Lydia Peelle
2010
Reasons for and Advantages of Breathing
Stories

Panther. Painter. Puma. Cougar. Mountain lion. Whatever you want to call it, by the end of October, half a dozen more people claim they have caught a glimpse of it: a pale sliver in the distance, a flash of fur through the trees. In the woods, hunters linger in their tree stands, hoping they might be the next. In the houses, the big cat creeps nightly, making the rounds of dinner tables and dreams.

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Rickey Laurentiis
2018
Boy with Thorn
Poems

Masters, never trust me. Listen: each day

is a Negro boy, chained, slogging out of the waves,

panting, gripping the sum of his captain, the head,

ripped off, the blood purpling down, the red

hair flossed between the knuckles, swinging it

before him like judgment, saying to the mist,

then not, then quietly only to himself, This is what

I’ll do to you, what you dream I do, sir, if you like it.

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Carribean Fragoza
2023
Eat the Mouth That Feeds You

He had that look on his face again. She remembered it now. It was that troubled look he had six months ago when his snakes got sick. “Angelica,” she remembered him saying softly, almost in tears, “they’re dying, they won’t eat, they’re as limp as noodles, all of them.” What was he going to do? He was supposed to deliver their venom to the lab days ago. They had been calling, reminding him, demanding, threatening to go with another venom vendor. They’d tell the other labs about him, ruin his hard-earned reputation.

 

He was screwed without his snakes. And what’s more, he really loved them.

 

Angelica always wanted him to look at her that way, with that much attention and intensity that would show he loved her that much too. That he needed her around. And finally here it was.

 

“No more pills, Angelica. You’re going to end up killing yourself.”

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Ladan Osman
2021
Exiles of Eden

A friend asks, “What are you waiting for?

The straw that breaks the camel’s back?”

Maybe I am the straw.

Maybe I am hay. I made a list of rhyming words:

Bray, flay, array.

They all seemed to relate to farms, decaying things,

gray days, dismay.

I am recently reckless about making a display

of my unhappiness. Perhaps you may survey it.

Perhaps I may stray from it, go to the wrong home

by accident and say, “Oh! Here already?”

You know I’m fraying and just watch it.

You don’t even try to braid me together.

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Anthony Carelli
2015
Carnations
Poems

Kenosha is hideous behind us, cloaked by this cloud that hangs

On the pigeons flushed out:  the last exhalation of the auto assembly. 

We wait at the base of the docks, and talk about the White Sox,

Not the Roman Empire.  My father and I stare right at it, but talk baseball.

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