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                My mother

gathers gladiolas. The gladness

is fractured. As when

the globe with its thousand mirrors

cracked the light. How

it hoarded sight: all the stolen perspectives

and the show of light

they shot around us: so that

down the dark hall the ghosts danced

with us: down the dark hall

the broken angels.

LULU: Mr. Marcus, I didn’t even want to waste your time. Pride and Prejudice is not a book that makes for a teleplay.

MARTIN: Philco’s killing us with the class acts.

LULU: There’s more to classy material than rich people in mansions talking in high-class accents. There are stories to tell about the little guy, an American guy, and the contributions they make; or even fail to make. You see a bum on the street, or a woman yelling at her kids after working in a factory all day, but to really understand what causes that behavior… Each of these people had goals; they had dreams; they had disappointments. TV can get inside that, can get close, and be honest about it. That’s what’s classy.

MARTIN: So no more period pieces?

LULU: If they’re topical.

MARTIN: Pride and prejudice: sounds topical.

LULU: It’s about marriage. Today’s audience has more on their mind than who marries who.

The words she would have said and the sound of the blow she’d gone ready to deliver echoed and died in her head. Words rushed up and died in her throat—panicked words, words to soothe, to tame, to call him back—they rushed on her, but she forgot them halfway to her mouth and he lay so still. And that’s how she learned that Beau Clinton, her only son and the son of Charles Clinton, was dead.

I love American newspapers, the way each section

is folded independently and believes it owns

the world. There’s this brief item in the inter-

national pages: the Chinese government has posted

signs in Tiananmen Square; forbidding laughter.

I’m sure the plastic surgeon would approve, he’d say

the Chinese will look young much longer, their faces

unnaturally smooth, but what I see (although

no photograph accompanies the story) is laughter

busting inside them. I go back to the sports section

and a closeup of a rookie in mind-swing, his face

keeping all the wrong emotions in check.

You know it too! … The charm of funerals in the rain,

the special effects men with their hoses well aimed,

huge drops exploding on

classically beautiful

black umbrellas.

You know them, -

the houses like fat vegetables

stuffed with old lace, ceramics, silverware, dust –

secure as bank vaults.

                                    Who will inherit?

Vittorio is dining with

that Chinese actress again…

Will the kingdom be divided?

Who will keep

the chandeliers in good repair

and tend the lists of public enemies?

Maybe he pictured just the nail,

the slight swirl in the center of the head and raised

the hammer, and brought it down with fury and with skill

and sank it with a single blow.

Not a difficult truck for a journeyman, no harder

than figuring stairs or a hip-and-valley roof

or staking out a lot, but neither is a house,

a house is just a box fastened with thousands of nails.