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What is the difference between beautiful girls and ordinary ones? My face was symmetrical. I’d taken Accutane. I wore the right things. None of it made a difference next to Tarryn. She had a shimmer about her, a light that I could never fully understand. I couldn’t even make eye contact with her. It was like staring at the headlights of a car on a dark road. Later, in my sorority, and even later at my job, I’d meet other women like her and wonder how they were made.
 

Turn signals blink through ice in the skin.

Snake dreams uncoil,

                        burrow into the spine of books.

Night spills from cracked eggs.

Thin hands vein oars in a canyon bed.

We follow deer tracks back to the insertion of her tongue.

I know snow as soap opera, the comedy
of white heap shovelled into strophe
and anti-strophe for long blocks – snow
as envy, a shaken blanket making a lasting
echo over clean avenues.

so mama said no running, afraid
for me: shriveled lansones, sickly.

threat of skinned shins. cherry
glow of lola’s clove cigarettes,

smoke plumes sealing my throat.
or on my cheeks, plum rashes

blooming from playing in witchwillow.
these days, I don’t run much.

but I was only seven when I broke
a girl’s front teeth. 

Intercourse with resuscitated wife for particular number of days, superstitious act designed to insure safe operation of household machinery. Electricity mourns the absence of the energy form (wife) within the household’s walls by stalling its flow to the outlets. As such, an improvised friction needs to take the place of electricity, to goad the natural currents back to their proper levels. This is achieved with the dead wife. She must be found, revived, and then penetrated until heat fills the room, until the toaster is shooting bread onto the floor, until she is smiling beneath you with black teeth and grabbing your bottom. Then the vacuum rides by and no one is pushing it, it is on full steam. Days flip past in chunks of fake light, and the intercourse is placed in the back of the mind. But it is always there, that moving into a static-ridden corpse that once spoke familiar messages in the morning when the sun was new.

HELENA: You okay?

THE GIRL: Jus’ let me sleep, I say I fine, whot number I is?

HELENA: Whot number whot?

THE GIRL: Whot number wife? He say dere is a rainkin’.

HELENA: Ah, ah… number four, you number four.

THE GIRL: Whot number is she?

HELENA: Tree.

THE GIRL: So who Number Two?