Search All Winners

Name Sort descending Genre Year
Roger Fanning Poetry 1992
Anderson Ferrell Fiction 1996
Emil Ferris Fiction 2025
Kathleen Finneran Nonfiction 2001
Sidik Fofana Fiction 2023
Tope Folarin Fiction 2021
Ben Fountain Fiction 2007
Carribean Fragoza Fiction 2023
Jonathan Franzen Fiction 1988
Kennedy Fraser Nonfiction 1994
Ian Frazier Nonfiction 1989
Nell Freudenberger Fiction 2005
Forrest Gander Poetry 1997
Cristina García Fiction 1996
Madeleine George Drama 2016
David Gewanter Poetry 2002
Melissa James Gibson Drama 2002
Dagoberto Gilb Fiction 1993
Samantha Gillison Fiction 2000
Aracelis Girmay Poetry 2015
Jody Gladding Poetry 1997
Allison Glock Nonfiction 2004
Molly Gloss Fiction 1996
Rebecca Newberger Goldstein Fiction 1991
Elisa Gonzalez Poetry 2024
Allegra Goodman Fiction 1991
Jorie Graham Poetry 1985
Donnetta Lavinia Grays Drama 2021
Lucy Grealy Nonfiction 1995
Lucy Grealy Poetry 1995
Elana Greenfield Drama 2004
Elana Greenfield Fiction 2004
Kaitlyn Greenidge Fiction 2017
Linda Gregg Poetry 1985
Gordon Grice Nonfiction 1999

Selected winners

Hilary Leichter
2026
Terrace Story

The old window gave a grand view of Yellow Tree, trunk to branch. They called it Yellow Tree even though the gingko was yellow for only about a week each year, its fan-shaped leaves rustling to the ground at the first suggestion of a breeze. Annie and Edward held the baby to the window and said, “See? Yellow!” But she was too small to say “yellow” in response. She just looked and watched and touched the glass. They wiped her fingerprints from the window and kissed the fingers that made the prints. Then the leaves fell, and the scenery changed. Some views show less than half of what needs seeing.

When the rent became unpayable, they went in search of a more affordable living situation. What’s your living situation? Annie turned the phrase over in her mind, the situation of their life. They had not saved nearly enough for a broker’s fee, let alone a security deposit.

“It looks smaller than it really is,” Edward said, leading Annie around the new apartment. A dimly lit lopsided square. “Give it some time, it might grow on you!”

“You mean it might literally grow?” Annie asked.

At the new apartment, there were no views of Yellow Tree. The introverted windows were gated and clasped and huddled around a central shaft that Edward dubbed Pigeon Tunnel. Edward and Annie liked inventing proper nouns for their world. Yellow Tree, Pigeon Tunnel, Closet Mystery. Closet Mystery was Annie’s term for the mystery of their single, overstuffed closet. Upon opening, what would catapult forth? It was a bona fide enigma. Edward and Annie picked a proper noun for their baby too. Her noun was Rose.

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Jorie Graham
1985
The Dream of the Unified Field
Selected Poems 1974-1994

There was a space across which you and your shadow, pacing,

        broke,

and around you pockets of shadow, sucking, shutting.

        By now the talk had changed.

There was a liquid of wall and stove and space-behind-the-stove.

        And x where the mirror had been.

And x where the window had been.

       And x where my hand slid over the tabletop breaking a glass.

 

There were shadows in the shadows, and in there were cuts.

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Elisa Gonzalez
2024
Grand Tour: Poems

Alone in a London museum, I saw a watercolor of twin

      flames, one black, one a gauzy red,

only to learn the title is Boats at Sea. It's like how

      sometimes I forget you're gone.

But it's not like that, is it? Not at all. When in this world

      similes carry us nowhere.

 

And now I see again the boy pelting through those galleries

a boy not you, a flash of red, red, chasing, or being chased—

Or did I invent him? Mischief companion. Brother.

      Listen to me

 

plead for your life though even in the dream I know you're

      already dead.

How do I insure my desire for grief is never satisfied? Was

      Priam's ever?

I tell my friend, I want the page itself to burn.

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Hanna Pylväinen
2012
We Sinners
A Novel

Her plan had been to clean in the middle of the night, so her mother would wake to an empty kitchen sink, but as she stood in the foyer, the bathroom fan beating loudly and uselessly, the mess before her made her want to cry; being in a family of eleven made her want to cry, the way someone had soaked up the dog’s pee but not thrown away the paper towel, the way responsibility divided by eleven meant no one was really responsible.

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LaTasha N. Nevada Diggs
2016
TwERK
Poems

               titanium, boom shocka, kill di woofa.

thrash reverberating neatly polish mih ride.

                            hyphy dancehall — no can

               hear tings demur.

titanium, boom shocka, kill di woofer

whine mih curvature: cause a road slaughtah.

                            ain’t neck breaking like dutty

               when she whine.

               titanium, boom shocka, kill di woofa.

thrash reverberating neatly polish mih ride. sih?

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Anaïs Duplan
2022
Blackspace
On the Poetics of an Afrofuture

Adrian Piper took photos of her naked body while reading The Critique of Pure Reason to make sure her body was still there. I don’t want to talk about “the black body.” Where is such a thing? I am not inside of anything. I want the monad. I want integration, but not the kind that requires “white” and “black” to participate. Integration as the move from a dualist Cartesian world to the monist’s world, so that transcendence is a misnomer—there being nothing to get beyond, to get above or around. In this single world-substance, everywhere is home; everything is forever; and everyone is inalienable.

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