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“You aren’t one of those voodoo inspectors, are you? Don’t need to see anything, you just feel it, right? I heard Jimmy make jokes about you witch doctors.”

She says, “Intuitionist.” Lila Mae rubs the ballpoint of the pen to get the ink flowing. The W of her initials belongs to a ghost alphabet.

The super grins. “If that’s the game you want to play,” he says, “I guess you got me on the ropes.” There are three twenty-dollar bills in his oily palm. He leans over to Lila Mae and places the money in her breast pocket. Pats it down. “I haven’t ever seen a woman elevator inspector before, let alone a colored one, but I guess they teach you all the same tricks.”

Long ago a fish forgot what fins were good for

And flew out of the stream

It was not dreaming

It had no ambition but confusion

In Nova Scotia it lies on ice in the sun

and its eye turns white and pops out like a pearl

when it’s broiled

The Titanic is the one that got away.

The sky over Bombay was filled with gold and silver, masonry, bricks, steel girders, and human limbs and torsos, flying through the air as far as Crawford Market. A jeweler was sitting in his office in Jhaveri Bazaar when a bar of solid gold crashed through the roof and arrived in front of him. A steel girder flew through the air and crashed through the roof of Victoria Terminus, the main train station. A plate of iron landed on a horse and neatly decapitated the animal. Stray limbs and fragments of bodies were blown all over the docks. Bombay had never, till then, seen any wartime action. It was as if the city had been bombed.

Mamá, you left me.   Papá, you left me.

Abuelos, I left you.   Tías, I left you.

Cousins, I’m here.   Cousins, I left you.

Tías, welcome.   Abuelos, we’ll be back soon.

Mamá, let’s return.   Papá ¿por qué?

Mamá, marry for papers.   Papá, marry for papers.

Tías, abuelos, cousins, be careful.

I won’t marry for papers.   I might marry for papers.

I won’t be back soon.   I can’t vote anywhere,

I will etch visas on toilet paper and throw them from a lighthouse.

I show Hanky Panky the design that I adapted from a photo in a book of Dayak art, and he has me take off my shirt and he sketches the design on my collarbone with a grease pencil. Then he calls over an assistant to shave my chest. Now, under other circumstances, this could be kind of a turn-on. But in Hanky Panky’s tattoo parlor it justs reminds me of the shaving I had to undergo before some surgery I once had in the groin region. That one, much to my initial disappointment, had been performed by a male nurse, although actually I did see the wisdom of having a man for the job at around the time he began to whisk the razor around my balls. “Hey, be careful. Please!” I begged. And my male nurse answered, “Don’t worry, buddy. I’ll handle ‘em like they were my own.”

The precision of the map allowed Maria to read the planet’s history like a type of braille. As hinted by the initial data, the northern hemisphere proved to be the smoothest surface that had ever been observed in the solar system. Most of the terrain seemed to tilt slightly to the north, suggesting that a planetwide drainage system may have once emptied there, into a great northern ocean. Inscribed onto the surface was even a possible shoreline, Deuteronilus, which could be traced for thousands of kilometers. The coast ran along nearly the same elevation, with variations that could be explained by the ground rebounding, exhaling as the weight of a sea of long-gone water evaporated. With each new detail Maria plotted, another aspect of Mars’s history came to life. 
     Mars Global Surveyor changed what it meant to see a planet. If the old map of Mars was a simple picture, the new map was a portrait. It went beyond what our eyes could take in, capturing data on contours, on composition, on forces we could not see—not just topography but things like magnetic signals and mineral compositions measured out beyond the visible wavelengths. There were subtleties to be seen—we just had to get there, and when we got there, we had to know how to look.

Excerpt(s) from The Sirens of Mars: Searching for Life on Another World by Sarah Stewart Johnson, copyright © 2020 by Sarah Stewart Johnson. Used by permission of Crown Books, an imprint of Random House, a division of Penguin Random House LLC. All rights reserved.