Search All Winners

Name Sort descending Genre Year
Roger Fanning Poetry 1992
Anderson Ferrell Fiction 1996
Emil Ferris Fiction 2025
Kathleen Finneran Nonfiction 2001
Sidik Fofana Fiction 2023
Tope Folarin Fiction 2021
Ben Fountain Fiction 2007
Carribean Fragoza Fiction 2023
Jonathan Franzen Fiction 1988
Kennedy Fraser Nonfiction 1994
Ian Frazier Nonfiction 1989
Nell Freudenberger Fiction 2005
Forrest Gander Poetry 1997
Cristina García Fiction 1996
Madeleine George Drama 2016
David Gewanter Poetry 2002
Melissa James Gibson Drama 2002
Dagoberto Gilb Fiction 1993
Samantha Gillison Fiction 2000
Aracelis Girmay Poetry 2015
Jody Gladding Poetry 1997
Allison Glock Nonfiction 2004
Molly Gloss Fiction 1996
Rebecca Newberger Goldstein Fiction 1991
Elisa Gonzalez Poetry 2024
Allegra Goodman Fiction 1991
Jorie Graham Poetry 1985
Donnetta Lavinia Grays Drama 2021
Lucy Grealy Nonfiction 1995
Lucy Grealy Poetry 1995
Elana Greenfield Drama 2004
Elana Greenfield Fiction 2004
Kaitlyn Greenidge Fiction 2017
Linda Gregg Poetry 1985
Gordon Grice Nonfiction 1999

Selected winners

Shayok Misha Chowdhury
2024
Public Obscenities
A Play

CHOTON

I’m just saying like taxonomically, does it even make sense to categorize my genitalia and your genitalia as the same thing, like…

He indicates RAHEEM’s penis.

…if that’s a penis then…

He pulls his boxers down to show his own penis.

I mean what is this? It’s a polyp.

 

RAHEEM

Okay.

 

CHOTON

It’s a little nunu.

 

RAHEEM

Well I like your little nunu…

 

RAHEEM examines CHOTON’s penis. He pulls back his foreskin just a bit. CHOTON winces.

 

CHOTON

Ow. Careful.

 

RAHEEM

What?

 

CHOTON

No it’s— it’s just sensitive.

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Teddy Wayne
2011
Kapitoil
A Novel

The movie is entertaining and intriguing. At four points during it I rotate my eyes to observe Rebecca. The monitor is mirrored on her glasses and behind them her eyes are very wide. Although I am a more experienced programmer, I am certain her ideas on the movie are more complex than mine.

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Mary Karr
1989
Abacus
Poems

In the locker room we unhooked our bras, hoping

shower steam kept us invisible,

but our souls showed, our prepubescent fuzz.

Stockings hung from shower rods like biblical snakes.

Who would learn first? we wondered, and drew breasts

in goofy loops until Sister Angelica banged

 

her ruler, and we printed the same confession

a hundred times, her shadow crossing

our spiral notebooks, her eyes like old

spiders. Ginnie learned and got a heart-shaped

locket, then a shotgun wedding ring.

Heather gave birth so often she forgot,

she said, what caused it. Becky’s womb was lost

in an abortionist’s garage. We said good-bye

 

in the Immaculate Conception parking lot.

Still, nuns click their beads in memory of us,

how we strolled, arms linked, singing,

into the world of women where all deaths begin.

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Anaïs Duplan
2022
Blackspace
On the Poetics of an Afrofuture

Adrian Piper took photos of her naked body while reading The Critique of Pure Reason to make sure her body was still there. I don’t want to talk about “the black body.” Where is such a thing? I am not inside of anything. I want the monad. I want integration, but not the kind that requires “white” and “black” to participate. Integration as the move from a dualist Cartesian world to the monist’s world, so that transcendence is a misnomer—there being nothing to get beyond, to get above or around. In this single world-substance, everywhere is home; everything is forever; and everyone is inalienable.

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Melanie Sumner
1995
Polite Society
Stories

The next day I piled my possessions among the goats and chickens and boxes tied with string on the roof of a taxi brousse, squeezed in with the Senegalese passengers, and went to Dakar. I got the key to my new house, took a pregnancy test, and arranged a round-trip flight to Washington, D.C. Every Peace Corps volunteer was allowed one abortion.

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Elena Passarello
2015
Let Me Clear My Throat
Essays

By the time he was infamous enough to sell out bullfighting arenas, the Caruso C was a sort of burlesque number.  He would inch to it from the frequencies below, nearly embrace the note, and then flat a bit before trumpeting, C! with full tenor fury. Toscanini chided him for grandstanding, but this in-and-out tease worked well with German and Latin American houses, which particularly enjoyed the punishment of a loud flirtation.

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