Search All Winners

Name Sort descending Genre Year
Roger Fanning Poetry 1992
Anderson Ferrell Fiction 1996
Emil Ferris Fiction 2025
Kathleen Finneran Nonfiction 2001
Sidik Fofana Fiction 2023
Tope Folarin Fiction 2021
Ben Fountain Fiction 2007
Carribean Fragoza Fiction 2023
Jonathan Franzen Fiction 1988
Kennedy Fraser Nonfiction 1994
Ian Frazier Nonfiction 1989
Nell Freudenberger Fiction 2005
Forrest Gander Poetry 1997
Cristina García Fiction 1996
Madeleine George Drama 2016
David Gewanter Poetry 2002
Melissa James Gibson Drama 2002
Dagoberto Gilb Fiction 1993
Samantha Gillison Fiction 2000
Aracelis Girmay Poetry 2015
Jody Gladding Poetry 1997
Allison Glock Nonfiction 2004
Molly Gloss Fiction 1996
Rebecca Newberger Goldstein Fiction 1991
Elisa Gonzalez Poetry 2024
Allegra Goodman Fiction 1991
Jorie Graham Poetry 1985
Donnetta Lavinia Grays Drama 2021
Lucy Grealy Nonfiction 1995
Lucy Grealy Poetry 1995
Elana Greenfield Drama 2004
Elana Greenfield Fiction 2004
Kaitlyn Greenidge Fiction 2017
Linda Gregg Poetry 1985
Gordon Grice Nonfiction 1999

Selected winners

Cristina Garcia
1996
Dreaming in Cuban
A Novel

“I want to go where it’s cold,” Lourdes told her husband. They began to drive. “Colder,” she said as they passed the low salt marshes of Georgia, as if the word were a whip driving them north. “Colder,” she said through the withered fields of a Carolina winter. “Colder,” she said again in Washington, D.C., despite the cherry-blossom promises, despite the white stone monuments hoarding winter light. “This is cold enough,” she finally said when they reached New York.

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Paul Guest
2007
Notes for My Body Double
Poems

…what of the glowing spine,

what of the toy stings of stock footage flames,

what of the jets you swatted dead

from the air with unmistakable joy,

you of the plastic-leather, pebbled Pleistocene flesh,

you of the palsied fury, you

of the put-upon by dissemblers and disturbers,

you, what of the life burned

so cheaply into celluloid we are charmed…

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Seth Kantner
2005
Ordinary Wolves
A Novel

I remembered the sweet powerful taste of pop. Tommy Feathers had stopped for coffee when he was hunting wolverine. He tossed a bulged red and white can on the chopping block. “You’ll have tat one springtime,” he joked. He was sober; that meant he was laughing and friendly, not frothing about naluagmius starving his family, stealing food out of his children’s mouths. We had sat around waiting for it to thaw. We could have bought pops in Takunak but according to Abe, pop cost money, wasted aluminum, and was bad for our teeth. Nothing for something. Why not drink water? Now Iris was describing the high school friends and fun we’d always worried we missed out on, and I wondered why I hadn’t bought myself a few Cokes.

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Aisha Sabatini Sloan
2025
Dreaming of Ramadi in Detroit: Essays

The Sade who joins you at the hotel restaurant is not the Sade who gave you all the love she got she gave you more than she could give she gave you love. But she is a Sade who, you realize after a bit of googling, can flex muscles in her leg that most people will never know about and who may be one of the best dancers in the world even though she went to school to be a doctor. She will talk to you about making paintings in Romania while you eat food that tastes like dreams of food.

A waiter whose persona seems to have been inspired by the Steve Martin hamburger scene in the remake of The Pink Panther keeps pouring wine. You win an argument about the name of a jazz biopic even though your sparring partner has spent some SERIOUS time with Wynton Marsalis. By the end of the day you will have heard stories about artists whose names you have searched for in the stacks of many libraries, like one that begins with “Romie called me one morning” and ends with a dick joke the butt of which is, somehow, the New York Times. You fall asleep in a blue room on a mattress that wants your lower back to just go ahead and peace out. But you feel like the number-one luckiest girl in the world.

Downstairs in the dark, Aunt Jemima smiles from the confines of a painting, giving everybody the middle finger.

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Donovan Hohn
2008
Harper's Magazine
January 2005

I've lurked in chat rooms with discussion threads devoted to such subjects as “A previously unknown Albert Goodell brace found in the wild.” One sweltering summer morning, on the Jay County fairgrounds in the farming village of Portland, Indiana, I walked among fabulous machines as small as schnauzers and as huge as elephants, all gleaming in the August sun. Drive belts whirred, flywheels revolved, pistons fired, and a forest of smokestacks piped foul smoke and rude music into the otherwise cloudless sky. Mostly, I have ridden a Midwestern circuit of flea markets and farm auctions in the passenger seat of an emerald green Toyota pickup truck piloted by a fifty-five-year-old botanist with a ponytail, spectacles like windowpanes, and a beard verging on the Whitmanesque.

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Shayok Misha Chowdhury
2024
Public Obscenities
A Play

CHOTON

I’m just saying like taxonomically, does it even make sense to categorize my genitalia and your genitalia as the same thing, like…

He indicates RAHEEM’s penis.

…if that’s a penis then…

He pulls his boxers down to show his own penis.

I mean what is this? It’s a polyp.

 

RAHEEM

Okay.

 

CHOTON

It’s a little nunu.

 

RAHEEM

Well I like your little nunu…

 

RAHEEM examines CHOTON’s penis. He pulls back his foreskin just a bit. CHOTON winces.

 

CHOTON

Ow. Careful.

 

RAHEEM

What?

 

CHOTON

No it’s— it’s just sensitive.

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