Search All Winners

Name Sort descending Genre Year
Emil Ferris Fiction 2025
Kathleen Finneran Nonfiction 2001
Sidik Fofana Fiction 2023
Tope Folarin Fiction 2021
Ben Fountain Fiction 2007
Carribean Fragoza Fiction 2023
Jonathan Franzen Fiction 1988
Kennedy Fraser Nonfiction 1994
Ian Frazier Nonfiction 1989
Nell Freudenberger Fiction 2005
Forrest Gander Poetry 1997
Cristina García Fiction 1996
Madeleine George Drama 2016
David Gewanter Poetry 2002
Melissa James Gibson Drama 2002
Dagoberto Gilb Fiction 1993
Samantha Gillison Fiction 2000
Aracelis Girmay Poetry 2015
Jody Gladding Poetry 1997
Allison Glock Nonfiction 2004
Molly Gloss Fiction 1996
Rebecca Newberger Goldstein Fiction 1991
Elisa Gonzalez Poetry 2024
Allegra Goodman Fiction 1991
Jorie Graham Poetry 1985
Donnetta Lavinia Grays Drama 2021
Lucy Grealy Nonfiction 1995
Lucy Grealy Poetry 1995
Elana Greenfield Drama 2004
Elana Greenfield Fiction 2004
Kaitlyn Greenidge Fiction 2017
Linda Gregg Poetry 1985
Gordon Grice Nonfiction 1999
Virginia Grise Drama 2013
Rinne Groff Drama 2005

Selected winners

Rickey Laurentiis
2018
Boy with Thorn
Poems

Masters, never trust me. Listen: each day

is a Negro boy, chained, slogging out of the waves,

panting, gripping the sum of his captain, the head,

ripped off, the blood purpling down, the red

hair flossed between the knuckles, swinging it

before him like judgment, saying to the mist,

then not, then quietly only to himself, This is what

I’ll do to you, what you dream I do, sir, if you like it.

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Rick Hilles
2008
Brother Salvage
Poems

And the body is beautifully there, like hoarfrost.

Tears on its face now glimmering like dimes

falling from a slot machine, or a stream, thought lost,

that breaks through fresh snow at wintertime.

 

From Brother Salvage, posted by permission of the University of Pittsburgh Press

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Kevin Kling
1993
On Stage with Kevin Kling

CHAIRMAN FRANCIS: Our church is the street, our faith is the people, and our laws are constantly changing. If a law offends us, we pluck it out. If a minister offends us, we pluck him out and elect a new minister who is young and strong and can recognize evil’s ever-changing face. We don’t believe in miracles, we believe in action. But action takes money. Mr. Chairman, the church of Democratic Progression needs your financial support. Now, Mr. Chairman, how much would you pay to nip evil in the bud? Now I’m not talking about wiping out evil entirely, just your own little personal dark speck. Would you pay forty dollars, Mr. Chairman? Thirty dollars? Twenty dollars, the price of four filthy movies? NO. Mr. Chairman, for just fifteen dollars a month you can keep a chairman, like myself, on the streets fighting evil on your behalf.

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Ben Marcus
1999
The Age of Wire and String
Stories

Intercourse with resuscitated wife for particular number of days, superstitious act designed to insure safe operation of household machinery. Electricity mourns the absence of the energy form (wife) within the household’s walls by stalling its flow to the outlets. As such, an improvised friction needs to take the place of electricity, to goad the natural currents back to their proper levels. This is achieved with the dead wife. She must be found, revived, and then penetrated until heat fills the room, until the toaster is shooting bread onto the floor, until she is smiling beneath you with black teeth and grabbing your bottom. Then the vacuum rides by and no one is pushing it, it is on full steam. Days flip past in chunks of fake light, and the intercourse is placed in the back of the mind. But it is always there, that moving into a static-ridden corpse that once spoke familiar messages in the morning when the sun was new.

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Stuart Dybek
1985
Childhood and Other Neighborhoods
Stories

There was an old buzka on Luther Street known as the Cat Woman, not because she kept cats but because she disposed of the neighborhood’s excess kittens. Fathers would bring them in cardboard boxes at night after the children were asleep and she would drown them in her wash machine. The wash machine was in the basement, an ancient model with a galvanized-metal tub that stood on legs and had a wringer. A thick cord connected it to a socket that hung from the ceiling and when she turned it on the light bulb in the basement would flicker and water begin to pour.

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Molly Gloss
1996
The Jump-Off Creek
A Novel

Every thing I own save the poor Beasts is in a heap here in the center of this room and if I mean to keep it whole I must before I sleep cover all against the leaking, rake old tins & leavings outside the door, burn a camphor stick against vermin, set my few mouse traps along the walls. And hope for better Weather & Strength in the days coming. I have put out in the night the 2 boys I found here, they had taken up living in the empty house. Those were Troubles I could not borrow, as I am scarce likely to make my own living in this poor place and coming West I have seen idle men Everywhere abut in La Grande and Boise and Missoula and in the Papers woeful news of the falling price of Wheat & Cattle both. They were polite & forebearing, for which reason I am sorry.

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