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LULU: Mr. Marcus, I didn’t even want to waste your time. Pride and Prejudice is not a book that makes for a teleplay.

MARTIN: Philco’s killing us with the class acts.

LULU: There’s more to classy material than rich people in mansions talking in high-class accents. There are stories to tell about the little guy, an American guy, and the contributions they make; or even fail to make. You see a bum on the street, or a woman yelling at her kids after working in a factory all day, but to really understand what causes that behavior… Each of these people had goals; they had dreams; they had disappointments. TV can get inside that, can get close, and be honest about it. That’s what’s classy.

MARTIN: So no more period pieces?

LULU: If they’re topical.

MARTIN: Pride and prejudice: sounds topical.

LULU: It’s about marriage. Today’s audience has more on their mind than who marries who.

… I used to love it when it would rain in Los Angeles. I felt that the city was made suddenly reflective by the rain, that it was being coated in another, deeper layer of what it was by the falling moisture. It made me sad and that pleased me. It was a moment of relief from what I took to be the exhausting project of pretending to be happy all of the time.

It is not the primary thrust or purpose of these essays to serve as autobiography. The strictly autobiographical portions are to be approached with caution. This is not to suggest that they are not true, but veracity is hardly the issue or the point. The autobiographical parts often serve the same purpose as notes in a symphony or passage of music: simply to get from one place to another. The personage I am in some of the essays, to borrow Henry Adams’s metaphor, is simply a manikin on which I model some suitable clothes for the occasion… I am a critic and it is best for the reader never to forget that, even if at times I appear to be playing other roles.

He grimaced out at the fields and she saw the deep elevens etched between his eyes, eyes that were the color of the sky and just as distant. He looked to her like a thing seized, as if all his old self had been suckered up from his body proper and forced into the small, staring space of his eyes. She did not like those new blinkless eyes of his and she did not like the way his words all collapsed in his new way of talking. As if his tongue could not bear the weight of words any longer.

My sister was enrolled in a beauty pageant for virgins, a contest I thought she could win. She was cute enough, but also, how many teenage hymens were left in America anymore? Even the emu-faced girls had been initiated by twelve. Fewer contestants fueled better odds.

- You might actually win, I told Nabisase.

- I’m glad that this surprises you, she said.

He could be cruel. I once saw him blow pepper in the cat’s face. He loathed that cat, a surly, untrainable tom found in the street. But he was fond of another creature we took in, an orphaned nestling sparrow. Against expectations, the bird survived and learned to fly. But, afraid that it would not know how to fend for itself outdoors, we decided to keep it. My father sometimes sat by its cage, watching the bird and cooing to it in Chinese. My mother was amused. “You see: He has more to say to that bird than to us!” The emperor and his nightingale, she called them. “The Chinese have always loved their birds.” (What none of us knew: At that very moment in China keeping pet birds had been prohibited as a bourgeois affectation, and sparrows were being exterminated as pests.)