Search All Winners

Name Sort descending Genre Year
Emil Ferris Fiction 2025
Kathleen Finneran Nonfiction 2001
Sidik Fofana Fiction 2023
Tope Folarin Fiction 2021
Ben Fountain Fiction 2007
Carribean Fragoza Fiction 2023
Jonathan Franzen Fiction 1988
Kennedy Fraser Nonfiction 1994
Ian Frazier Nonfiction 1989
Nell Freudenberger Fiction 2005
Forrest Gander Poetry 1997
Cristina García Fiction 1996
Madeleine George Drama 2016
David Gewanter Poetry 2002
Melissa James Gibson Drama 2002
Dagoberto Gilb Fiction 1993
Samantha Gillison Fiction 2000
Aracelis Girmay Poetry 2015
Jody Gladding Poetry 1997
Allison Glock Nonfiction 2004
Molly Gloss Fiction 1996
Rebecca Newberger Goldstein Fiction 1991
Elisa Gonzalez Poetry 2024
Allegra Goodman Fiction 1991
Jorie Graham Poetry 1985
Donnetta Lavinia Grays Drama 2021
Lucy Grealy Nonfiction 1995
Lucy Grealy Poetry 1995
Elana Greenfield Drama 2004
Elana Greenfield Fiction 2004
Kaitlyn Greenidge Fiction 2017
Linda Gregg Poetry 1985
Gordon Grice Nonfiction 1999
Virginia Grise Drama 2013
Rinne Groff Drama 2005

Selected winners

Aisha Sabatini Sloan
2025
Dreaming of Ramadi in Detroit: Essays

The Sade who joins you at the hotel restaurant is not the Sade who gave you all the love she got she gave you more than she could give she gave you love. But she is a Sade who, you realize after a bit of googling, can flex muscles in her leg that most people will never know about and who may be one of the best dancers in the world even though she went to school to be a doctor. She will talk to you about making paintings in Romania while you eat food that tastes like dreams of food.

A waiter whose persona seems to have been inspired by the Steve Martin hamburger scene in the remake of The Pink Panther keeps pouring wine. You win an argument about the name of a jazz biopic even though your sparring partner has spent some SERIOUS time with Wynton Marsalis. By the end of the day you will have heard stories about artists whose names you have searched for in the stacks of many libraries, like one that begins with “Romie called me one morning” and ends with a dick joke the butt of which is, somehow, the New York Times. You fall asleep in a blue room on a mattress that wants your lower back to just go ahead and peace out. But you feel like the number-one luckiest girl in the world.

Downstairs in the dark, Aunt Jemima smiles from the confines of a painting, giving everybody the middle finger.

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Colson Whitehead
2000
The Intuitionist
A Novel

“You aren’t one of those voodoo inspectors, are you? Don’t need to see anything, you just feel it, right? I heard Jimmy make jokes about you witch doctors.”

 

She says, “Intuitionist.” Lila Mae rubs the ballpoint of the pen to get the ink flowing. The W of her initials belongs to a ghost alphabet.

 

The super grins. “If that’s the game you want to play,” he says, “I guess you got me on the ropes.” There are three twenty-dollar bills in his oily palm. He leans over to Lila Mae and places the money in her breast pocket. Pats it down. “I haven’t ever seen a woman elevator inspector before, let alone a colored one, but I guess they teach you all the same tricks.”

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Sherwin Bitsui
2006
Shapeshift
Poems

Turn signals blink through ice in the skin.

Snake dreams uncoil,

                        burrow into the spine of books.

Night spills from cracked eggs.

Thin hands vein oars in a canyon bed.

We follow deer tracks back to the insertion of her tongue.

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Michael Cunningham
1995
Flesh and Blood

The address books Englehart’s stocked were second-rate. Their covers were simulated leather, their bindings indifferently glued. Mary stood frowning over one of the books, bound in oxblood plastic, emblazoned with the golden word Addresses, the final s of which had already begun to chip. It was such a flimsy thing, so beneath her, that she felt foolish even looking at it. She glanced around, saw that no one was watching, and almost before she knew she would do it she slipped the address book into her bag. Her forehead burned. Calmly, walking as herself, in heels and pearl earrings, she left the store with the tacky little address book hidden in her bag, its price tag still attached. The tag, when she looked at it, said that the book had cost ninety-nine cents.

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August Wilson
1986
Ma Rainey's Black Bottom
A Play

TOLEDO: Go ahead, then. Spell it. Music. Spell it.

 

LEVEE: I can spell it, nigger! M-U-S-I-K. There!

            (He reaches for the money.)

 

TOLEDO: Naw! Naw! Leave that money alone! You ain’t spelled it.

 

LEVEE: What you mean I ain’t spelled it? I said M-U-S-I-K!

 

TOLEDO: That ain’t how you spell it! That ain’t how you spell it! It’s M-U-S-I-C! C, nigger. Not K! M-U-S-I-C!

 

LEVEE: What you mean, C? Who say it’s C?

 

TOLEDO: Cutler. Slow Drag, Tell this fool.

            (They look at each other and then away.)

Well, I’ll be a monkey’s uncle!

            (TOLEDO picks up the money and hands LEVEE his dollar back.)

Here’s your dollar back, Levee. I done won it, you understand. I done won the dollar. But if don’t nobody know but me, how am I gonna prove it to you?

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Nami Mun
2009
Miles from Nowhere
A Novel

Time moved both fast and slow, and neither speed synced up with her fears as she stood at the head of the line. The tellers looked too chipper for a Monday morning. Did they even have money on Mondays? she wondered. Shouldn’t she have come on a Friday? She couldn’t remember why she opened the stickup note, just that she did, and that her boyfriend, the first and only boy she’d ever dated, was the one who had penned it: This is a stickup. Give me all your monie.

 

The misspelling stopped her.

 

“Next in line,” a teller called.

 

Knowledge herself had quit school in the ninth grade but she couldn’t believe that he had misspelled money. “What kind of an idiot can’t spell money?” she told me. “How fucking stupid do you have to be? And if he’s that stupid, how stupid am I for robbing a bank for him?”

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