Search All Winners

Name Sort descending Genre Year
Roger Fanning Poetry 1992
Anderson Ferrell Fiction 1996
Emil Ferris Fiction 2025
Kathleen Finneran Nonfiction 2001
Sidik Fofana Fiction 2023
Tope Folarin Fiction 2021
Ben Fountain Fiction 2007
Carribean Fragoza Fiction 2023
Jonathan Franzen Fiction 1988
Kennedy Fraser Nonfiction 1994
Ian Frazier Nonfiction 1989
Nell Freudenberger Fiction 2005
Forrest Gander Poetry 1997
Cristina García Fiction 1996
Madeleine George Drama 2016
David Gewanter Poetry 2002
Melissa James Gibson Drama 2002
Dagoberto Gilb Fiction 1993
Samantha Gillison Fiction 2000
Aracelis Girmay Poetry 2015
Jody Gladding Poetry 1997
Allison Glock Nonfiction 2004
Molly Gloss Fiction 1996
Rebecca Newberger Goldstein Fiction 1991
Elisa Gonzalez Poetry 2024
Allegra Goodman Fiction 1991
Jorie Graham Poetry 1985
Donnetta Lavinia Grays Drama 2021
Lucy Grealy Nonfiction 1995
Lucy Grealy Poetry 1995
Elana Greenfield Drama 2004
Elana Greenfield Fiction 2004
Kaitlyn Greenidge Fiction 2017
Linda Gregg Poetry 1985
Gordon Grice Nonfiction 1999

Selected winners

Ishion Hutchinson
2013
Far District
Poems

I know snow as soap opera, the comedy
of white heap shovelled into strophe
and anti-strophe for long blocks – snow
as envy, a shaken blanket making a lasting
echo over clean avenues.

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James Schuyler
1985
The Morning of the Poem

The bluet is a small flower, creamy-throated, that grows in patches in New England lawns. The bluet (French pronunciation) is the shaggy cornflower, growing wild in France. “The Bluet” is a poem I wrote. The Bluet is a painting of Joan Mitchell’s. The thick hard blue runs and holds. All of the, broken-up pieces of sky, hard sky, soft sky. Today I’ll take Joan’s giant vision, running and holding, staring you down with beauty. Though I need reject none. Bluet. “Bloo-ay.”

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Claire Luchette
2025
Agatha of Little Neon: A Novel

We didn’t know much about addiction, about homelessness, but we knew how it could look. We’d watched a man nod into his own lap in the Tim Hortons on Abbott Street, had seen kids hawk lone red and white carnations in plastic sleeves to drivers on the interchange off-ramp. We’d heard the spellbound murmurs of the woman who sat all day at the bus shelter on Fillmore. We offered these people things we thought they’d want. Some days one said yes to a cheeseburger or a Filet-O-Fish or a hot coffee, and other days no one wanted anything but whatever coins and cash we had.

We were many times not helpful at all. One winter, Mary Lucille came across a man asleep next to the grocery carts in the Tops lot. She tapped him on the shoulder and asked, when he roused, if he wanted a ride to the shelter. He shook his head. Or, she said, she could take him to McDonald’s for a chicken sandwich, or fries, or a parfait. 

“A parfait?” the man said. He squinted at her. “What the hell is a parfait?” 

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Shayok Misha Chowdhury
2024
Public Obscenities
A Play

CHOTON

I’m just saying like taxonomically, does it even make sense to categorize my genitalia and your genitalia as the same thing, like…

He indicates RAHEEM’s penis.

…if that’s a penis then…

He pulls his boxers down to show his own penis.

I mean what is this? It’s a polyp.

 

RAHEEM

Okay.

 

CHOTON

It’s a little nunu.

 

RAHEEM

Well I like your little nunu…

 

RAHEEM examines CHOTON’s penis. He pulls back his foreskin just a bit. CHOTON winces.

 

CHOTON

Ow. Careful.

 

RAHEEM

What?

 

CHOTON

No it’s— it’s just sensitive.

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Russ Rymer
1995
Genie
A Scientific Tragedy

The ensuing inquiries found the girl to be a teenager, though she weighed only fifty-nine pounds and was only fifty-four inches tall. She was in much worse physical shape than at first suspected: she was incontinent, could not chew solid food and could hardly swallow, could not focus her eyes beyond twelve feet, and, according to some accounts, could not cry. She salivated constantly, spat indiscriminately. She had a ring of hard callus around her buttocks, and she had two nearly complete sets of teeth. Her hair was thin. She could not hop, skip, climb, or do anything requiring the full extension of her limbs. She showed no perception of hot or cold.

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Hanna Pylväinen
2012
We Sinners
A Novel

Her plan had been to clean in the middle of the night, so her mother would wake to an empty kitchen sink, but as she stood in the foyer, the bathroom fan beating loudly and uselessly, the mess before her made her want to cry; being in a family of eleven made her want to cry, the way someone had soaked up the dog’s pee but not thrown away the paper towel, the way responsibility divided by eleven meant no one was really responsible.

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