Search All Winners

Name Sort descending Genre Year
Roger Fanning Poetry 1992
Anderson Ferrell Fiction 1996
Emil Ferris Fiction 2025
Kathleen Finneran Nonfiction 2001
Sidik Fofana Fiction 2023
Tope Folarin Fiction 2021
Ben Fountain Fiction 2007
Carribean Fragoza Fiction 2023
Jonathan Franzen Fiction 1988
Kennedy Fraser Nonfiction 1994
Ian Frazier Nonfiction 1989
Nell Freudenberger Fiction 2005
Forrest Gander Poetry 1997
Cristina García Fiction 1996
Madeleine George Drama 2016
David Gewanter Poetry 2002
Melissa James Gibson Drama 2002
Dagoberto Gilb Fiction 1993
Samantha Gillison Fiction 2000
Aracelis Girmay Poetry 2015
Jody Gladding Poetry 1997
Allison Glock Nonfiction 2004
Molly Gloss Fiction 1996
Rebecca Newberger Goldstein Fiction 1991
Elisa Gonzalez Poetry 2024
Allegra Goodman Fiction 1991
Jorie Graham Poetry 1985
Donnetta Lavinia Grays Drama 2021
Lucy Grealy Nonfiction 1995
Lucy Grealy Poetry 1995
Elana Greenfield Drama 2004
Elana Greenfield Fiction 2004
Kaitlyn Greenidge Fiction 2017
Linda Gregg Poetry 1985
Gordon Grice Nonfiction 1999

Selected winners

Aisha Sabatini Sloan
2025
Dreaming of Ramadi in Detroit: Essays

The Sade who joins you at the hotel restaurant is not the Sade who gave you all the love she got she gave you more than she could give she gave you love. But she is a Sade who, you realize after a bit of googling, can flex muscles in her leg that most people will never know about and who may be one of the best dancers in the world even though she went to school to be a doctor. She will talk to you about making paintings in Romania while you eat food that tastes like dreams of food.

A waiter whose persona seems to have been inspired by the Steve Martin hamburger scene in the remake of The Pink Panther keeps pouring wine. You win an argument about the name of a jazz biopic even though your sparring partner has spent some SERIOUS time with Wynton Marsalis. By the end of the day you will have heard stories about artists whose names you have searched for in the stacks of many libraries, like one that begins with “Romie called me one morning” and ends with a dick joke the butt of which is, somehow, the New York Times. You fall asleep in a blue room on a mattress that wants your lower back to just go ahead and peace out. But you feel like the number-one luckiest girl in the world.

Downstairs in the dark, Aunt Jemima smiles from the confines of a painting, giving everybody the middle finger.

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Amy Herzog
2011
4000 Miles / After the Revolution
Two Plays

VERA: Have I told you about the lesbian who tried to seduce / me?

 

EMMA: Yes.

 

VERA: She showed up at the house, saying she has suck a big, whaddayacallit.

 

EMMA: Clitoris.

 

VERA: Clitoris, right, and she said it would be terrific, and all that. And I said no thank you, and she went away. Nice woman. Very pretty, actually.

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James Ijames
2017
WHITE
A Play

VANESSA: Have you ever met a black woman…you know…in like, real life that talks like that?

 

GUS: I’m sure I have.

 

VANESSA: I see.

 

GUS: That’s why I think this matters so much. My work is really interrogating my own interiority. But having you present my work, I’m being more true to myself by exposing my inner self through you. Creating a real life version of …the black woman inside me. To be enjoyed by all. I want her voice to be heard. I want to create her with you.

 

VANESSA: Oh my god. I just read an article about this in The Atlantic. What did they call it? Uhph—Racial Tourism! That’s it!

 

GUS: That’s a new one.

 

VANESSA: No it’s like…“Let me play double-dutch with the black girls on the playground cause they make me feel all empowered and fierce. They can teach me fun comebacks and how to wag my finger and I can be just as fierce and fabulous as them, but without the burden of actually being a black girl.” I got that right?

 

GUS: Whoa…You don’t know me.

 

VANESSA: I don’t.

 

GUS: I’m not a racist.

 

VANESSA: This is really awkward for you.

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August Wilson
1986
Ma Rainey's Black Bottom
A Play

TOLEDO: Go ahead, then. Spell it. Music. Spell it.

 

LEVEE: I can spell it, nigger! M-U-S-I-K. There!

            (He reaches for the money.)

 

TOLEDO: Naw! Naw! Leave that money alone! You ain’t spelled it.

 

LEVEE: What you mean I ain’t spelled it? I said M-U-S-I-K!

 

TOLEDO: That ain’t how you spell it! That ain’t how you spell it! It’s M-U-S-I-C! C, nigger. Not K! M-U-S-I-C!

 

LEVEE: What you mean, C? Who say it’s C?

 

TOLEDO: Cutler. Slow Drag, Tell this fool.

            (They look at each other and then away.)

Well, I’ll be a monkey’s uncle!

            (TOLEDO picks up the money and hands LEVEE his dollar back.)

Here’s your dollar back, Levee. I done won it, you understand. I done won the dollar. But if don’t nobody know but me, how am I gonna prove it to you?

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Michael Dahlie
2010
A Gentleman's Guide to Graceful Living
A Novel

In 1959, Prentice Ross astounded his parents by enrolling in aviation school instead of going to Yale. Of course, being generous and humane people, Prentice’s parents didn’t have anything against pilots per se. It just happened that they had never met one, nor had they ever even thought of how a person became one. In fact, they knew not a single person who drove any machine at all (for a living, that is), so they were at a loss when they tried to imagine what their son’s future would be like.

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Donnetta Lavinia Grays
2021
Last Night and the Night Before

REGGIE
Now see you gonna laugh. Cause you thank everythang I do is funny. It ain’t funny. It’s meant tah teach ya. How I speak? That’s meant tah teach you too. You get older ‘n leave this place...one thing ya gonna remember is the music of ya daddy’s voice. The memory ‘a what made ya. How ya people survived. An’ these little games we play? These little hand games? That’s your history too… ‘cause ya grandmama sat ya mama down when she was smaller ‘n you ‘n they played these games ‘n had the best time that ever was. Then, ya mama taught me ya know that? Shoot, I ain’t wanna learn no little girl games. Imma man! (Laughs.) What I look like playin’ some little girl hand game! But, then we had you. And I taught you. That’s a road map. You ever get lost, you find ya way back home (points to his chest) from them. Understand? And one way or another... I’ll come get you.

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