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It’s hard not to think of Sheryl’s mother as cruel in all this: hard not to think of her as the boys did, as the jealous queen, the wicked witch. She was the one, after all, who had swept her daughter out of the state the very day her pregnancy was confirmed, who chose to torment her boyfriend with these coy games. It was she who made sure her daughter had no chance to explain, to tell him goodbye. No doubt Sheryl tried to get past her, tried to call him from the supermarket on the last day she worked, from her own house as she quickly gathered her things together, from the airport, even, when she’d told her mother she wanted to go to the bathroom before boarding the plane and instead headed for the phones.

The last time I cried to your picture

was the anniversary of my grandmother’s death.

It was about her and you and how

all the things I could touch would disappear,

like your hand or dirty boxers on the floor,

or the liver spots on her arms, the space

of her missing tooth.

I’ve been having that dream again.

The one where I make a fortune selling my used underwear 

and I buy her a tombstone. 

What you type and submit appears to you attributed to You. What he replies and enters comes from Partner. There is, as it turns out, a lot to say while watching Partner look at you watching. He is, to begin with, in a room of some kind, particular, contingent, “real.” With art and clocks and books and pillows and cigarettes and mail and daylight, or lamplight, with a bed or desk or basement sofa, with doors you can ask him to open, bags he may or may not empty, of content you may deduce about. The bottoms of his socks are dirty. You give it to him that his socks are dirty, that his door is ajar, that his grin is telling. “Partner: Are you for real?”

Often, the three of them—burro, horse, rider—would simply stand in the middle of the plains. Aside from the occasional sigh or the halfhearted attempt at swatting away an insect, they all stood still, staring into the avoid. Brown flats, blue wall. From his animals, with their serenely sad, bulge-eyed gaze, Håkan seemed to have learned to gape into space. To this absent expression, he added a drooping jaw. They merely stood, completely absorbed by nothing. Time dissolved into the sky. There was little difference between landscape and spectators. Insensible things that existed in one another.

Voluptuous, then merely sticky: to absorb him through my palms. We

were as Danes in Denmark, thus I thought bathwater and longingly,

thought how kneeling hurts the knees, then ghost-gravel. I was

Marriott-air-conditioned unto arctic, not remedied by his warmth

an inch east. I thought surely the ice must calve, then forthwith. Or

was it Ramada, Ramada. In those stories, men stitch coarse blankets

together and spoon, or Strauss-waltz on blinding ice. In those stories,

such measures save no one. What does: deep consummation; marrow

from a shinbone.

ALEX: I get panic attacks over nothing. Absolutely nothing. I’ll be at work, or at home, or at school, and suddenly I’ll start shaking and I won’t be able to breathe.

          (pause)

School counselor says that it might be a chemical imbalance. Or, she says, it might have something to do with my past. I think it has something to do with my past, so if you’re my father, it’s probably your fault.