Search All Winners

Name Sort descending Genre Year
Catherine Lacey Fiction 2016
Mary LaChapelle Fiction 1988
Rattawut Lapcharoensap Fiction 2010
Rickey Laurentiis Poetry 2018
Victor LaValle Fiction 2004
Andrea Lawlor Fiction 2020
Amy Leach Nonfiction 2010
Li-Young Lee Poetry 1988
Suzannah Lessard Nonfiction 1995
Dana Levin Poetry 2005
Mark Levine Poetry 1993
Yiyun Li Fiction 2006
Ralph Lombreglia Fiction 1998
Ralph Lombreglia Nonfiction 1998
Layli Long Soldier Poetry 2016
Claire Luchette Fiction 2025
Ling Ma Fiction 2020
Nathaniel Mackey Fiction 1993
Nathaniel Mackey Poetry 1993
Rosemary Mahoney Nonfiction 1994
Terese Marie Mailhot Nonfiction 2019
Megha Majumdar Fiction 2022
Mona Mansour Drama 2012
Micheline A. Marcom Fiction 2006
J.S. Marcus Fiction 1992
Ben Marcus Fiction 1999
Anthony Marra Fiction 2012
Dionisio D. Martínez Poetry 1993
Nina Marie Martínez Fiction 2006
Cate Marvin Poetry 2007
Jesse McCarthy Nonfiction 2022
Shane McCrae Poetry 2011
Tarell Alvin McCraney Drama 2007
Alice McDermott Fiction 1987
Reginald McKnight Fiction 1995

Selected winners

Pam Durban
1987
All Set about with Fever Trees
And Other Stories

The words she would have said and the sound of the blow she’d gone ready to deliver echoed and died in her head. Words rushed up and died in her throat—panicked words, words to soothe, to tame, to call him back—they rushed on her, but she forgot them halfway to her mouth and he lay so still. And that’s how she learned that Beau Clinton, her only son and the son of Charles Clinton, was dead.

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Morgan Meis
2013
Ruins
Selected Essays

… I used to love it when it would rain in Los Angeles. I felt that the city was made suddenly reflective by the rain, that it was being coated in another, deeper layer of what it was by the falling moisture. It made me sad and that pleased me. It was a moment of relief from what I took to be the exhausting project of pretending to be happy all of the time.

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Kayleb Rae Candrilli
2019
What Runs Over

I imagine my daddy’s mind

looks most like broken
 

dryer machines

scattered in a forest,

 

field mice living

in the leftover lint.

 

I imagine it looks

like stepped-on

 

syringes, too,

flies stooping

 

down to sop up

all the sweet.

 
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Michael Cunningham
1995
Flesh and Blood

The address books Englehart’s stocked were second-rate. Their covers were simulated leather, their bindings indifferently glued. Mary stood frowning over one of the books, bound in oxblood plastic, emblazoned with the golden word Addresses, the final s of which had already begun to chip. It was such a flimsy thing, so beneath her, that she felt foolish even looking at it. She glanced around, saw that no one was watching, and almost before she knew she would do it she slipped the address book into her bag. Her forehead burned. Calmly, walking as herself, in heels and pearl earrings, she left the store with the tacky little address book hidden in her bag, its price tag still attached. The tag, when she looked at it, said that the book had cost ninety-nine cents.

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Darryl Pinckney
1986
Out There
Mavericks of Black Literature

The experience of reading Sex and Race is one of embrace and recoil as Rogers indiscriminately loads us down with the provable and the forever dodgy, the serious and the frivolous. Sometimes his footnotes, not always adequate or acceptable, tell when he was at work on a given aspect of his subject, in the way that an itemized credit card bill is a diary, a record of movement. The references go in clusters: in the 1920s, he was reading about Syria, Palestine, Arabia, and Persia; in the 1930s, he was reading the memoirs of English travelers in Africa. Sometimes, he clearly couldn’t go back to a particular library or text to check his facts again. And sometimes Sex and Race reads as though it had threatened to consume him, because the first-person voice breaks through in the book at times of what could be called narrative stress.

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Deborah Eisenberg
1987
Transactions in a Foreign Currency
Stories

While I sit with all the other patients in the waiting room, I always think that I will ask Dr. Wald what exactly is happening to my eyes, but when I go into his examining room alone it is dark, with a circle of light on the wall, and the doctor is standing with his back to me arranging silver instruments on a cloth. The big chair is empty for me to go sit in, and each time I feel as if I have gone into a dream straight from being awake, the way you do sometimes at night, and I go to the chair without saying anything.

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