Search All Winners

Name Sort descending Genre Year
Samuel Kọ́láwọlé Fiction 2025
Tony Kushner Drama 1990
Natalie Kusz Nonfiction 1989
Suji Kwock Kim Poetry 2006
Catherine Lacey Fiction 2016
Mary LaChapelle Fiction 1988
Rattawut Lapcharoensap Fiction 2010
Rickey Laurentiis Poetry 2018
Victor LaValle Fiction 2004
Andrea Lawlor Fiction 2020
Amy Leach Nonfiction 2010
Li-Young Lee Poetry 1988
Hilary Leichter Fiction 2026
Suzannah Lessard Nonfiction 1995
Dana Levin Poetry 2005
Mark Levine Poetry 1993
Yiyun Li Fiction 2006
Ralph Lombreglia Fiction 1998
Ralph Lombreglia Nonfiction 1998
Layli Long Soldier Poetry 2016
Claire Luchette Fiction 2025
Ling Ma Fiction 2020
Nathaniel Mackey Fiction 1993
Nathaniel Mackey Poetry 1993
Rosemary Mahoney Nonfiction 1994
Terese Marie Mailhot Nonfiction 2019
Megha Majumdar Fiction 2022
Mona Mansour Drama 2012
Micheline A. Marcom Fiction 2006
J.S. Marcus Fiction 1992
Ben Marcus Fiction 1999
Anthony Marra Fiction 2012
Dionisio D. Martínez Poetry 1993
Nina Marie Martínez Fiction 2006
Cate Marvin Poetry 2007

Selected winners

Lysley Tenorio
2008
Monstress
Stories

“Three words,” Gaz said. “Motion. Picture. History.” He got up, circled the table as he explained his movie: en route to Earth from a distant solar system, the crew of the Valedictorian crash-lands on a hostile planet inhabited by bat-winged pygmies, lobster-clawed cannibals, two-headed vampires. “That’s where your stuff comes in. I’m going to splice up your movies with mine.” He went on about the mixing-up of genres, chop-suey cinema, bringing together East and West. “We’d be the ambassadors of international film!”

 

“What’s your thinking on this?” Checkers asked me in Tagalog. “Is this man serious? Is he just an American fool?”

 

“Ask how much he’ll pay,” I said, “get twenty percent more, give him the movies, and show him to the door.”

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Gordon Grice
1999
The Red Hourglass
Lives of the Predators

I decided the caterpillar was too stupid to live. I put it into the carabid beetle’s container. The caterpillar was much larger, but it had no means of defense. The carabid sliced into it and lapped at its leaking blood. Because the caterpillar was so big, the carabid had to repeat his attack eight or ten times. The caterpillar crawled away frantically for the first few wounds, but it was so slow that its movements hardly inconvenienced the beetle drinking from its bleeding flank. After ten minutes or so the caterpillar lay still. Its jade flesh turned black as the beetle chewed and drained it.

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Xan Forest Phillips
2021
HULL

Though I cannot lavish praise on stamina
            alone, I must acknowledge a femme

            

            fortitude. Last night, I tell myself,
a misstep at battery’s expense

 

so as to never consider the sentience
of a pleasure machine.

 

How her trembling must have lullabied
                   my drunk tongue the intricacies

                  

                   of sexual decorum even in sleep,
how she may have throbbed

 

all night beside me, anticipating her
own reciprocal and tender invasion.

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Nina Marie Martínez
2006
¡Caramba!
A Novel

Javier was crazy about tacos. He loved them the way some men love their women: a nice, hard, firm shell. While many men have fallen to the wayside on account of a woman, it is hard to imagine a taco unraveling a man the way it did Javier. After simple surgery to remove a cyst from his gallbladder, one of Javier’s friends snuck him a couple of hard-shelled tacos. He propped himself up in his bed, the green of his hospital pajamas matching the lettuce in his taco, smiled wide, and dug in. After a good meal, he thanked the Lord for his many blessings, including such good friends, then laid himself down to sleep never to wake again. The taco shell had ripped his stitches as it went down.

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Joan Chase
1987
During the Reign of the Queen of Persia
A Novel

For as long as we could remember we had been together in the house which established the center of the known world. When we were younger we woke in the mornings while it was still dark. Grandad would be clumping out of his back room and down the hall to the bathroom, phantom-like in his long underwear. He wore it because he was a farmer, which was why he got up before first light to do the chores. In the two iron beds in the attic room there were the four of us—Celia and Jenny, who were sisters, Anne and Katie, sisters too, like our mothers, who were sisters. Sometimes we watched each other, knew differences. But most of the time it was as though the four of us were one and we lived in days that gathered into one stream of time, undifferentiated and communal.

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Mia Chung
2023
Catch as Catch Can
A Play

THERESA

I’m worried she’ll be a fish out of water.

 

ROBERTA

When do we meet her? When’re they movin’?


THERESA

Not now. Soon. We’ll see. They’re waiting to see if Mingjing can transfer jobs.


            ROBERTA puts down her cookie.


ROBERTA

What’s her name?

 

THERESA

Minjung.


ROBERTA

Theresa.


            THERESA sips tea.


THERESA

She’s in architecture, works for a big firm out there

 

ROBERTA

(indicating the under-eye skin) Those dark circles, no wonder.

 

THERESA

But she might give it up and teach.

 

ROBERTA

You seen her only once?

 

THERESA

Tim never said any—why would I think

 

ROBERTA

Such a rush.

 

THERESA

My brain’s exploded.

 

ROBERTA

I knew it: how far gone is she?

 

Note: A male actor plays the roles of both THERESA and her son TIM. A second male actor plays the roles of both ROBERTA and her son ROBBIE.

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