Search All Winners

Name Sort descending Genre Year
Catherine Lacey Fiction 2016
Mary LaChapelle Fiction 1988
Rattawut Lapcharoensap Fiction 2010
Rickey Laurentiis Poetry 2018
Victor LaValle Fiction 2004
Andrea Lawlor Fiction 2020
Amy Leach Nonfiction 2010
Li-Young Lee Poetry 1988
Suzannah Lessard Nonfiction 1995
Dana Levin Poetry 2005
Mark Levine Poetry 1993
Yiyun Li Fiction 2006
Ralph Lombreglia Fiction 1998
Ralph Lombreglia Nonfiction 1998
Layli Long Soldier Poetry 2016
Claire Luchette Fiction 2025
Ling Ma Fiction 2020
Nathaniel Mackey Fiction 1993
Nathaniel Mackey Poetry 1993
Rosemary Mahoney Nonfiction 1994
Terese Marie Mailhot Nonfiction 2019
Megha Majumdar Fiction 2022
Mona Mansour Drama 2012
Micheline A. Marcom Fiction 2006
J.S. Marcus Fiction 1992
Ben Marcus Fiction 1999
Anthony Marra Fiction 2012
Nina Marie Martínez Fiction 2006
Dionisio D. Martínez Poetry 1993
Cate Marvin Poetry 2007
Jesse McCarthy Nonfiction 2022
Shane McCrae Poetry 2011
Tarell Alvin McCraney Drama 2007
Alice McDermott Fiction 1987
Reginald McKnight Fiction 1995

Selected winners

Forrest Gander
1997
Science & Steepleflower
Poems

Egrets picketing the spines of cattle in fields edged

with common tansy. Flowers my father gathered

for my mother to chew. To induce abortion. A common,

cosmopolitan agnostoid lithofacies naked in the foothills. I love

the character of your intelligence, its cast as well as pitch.

Border wide without marginal spines. At high angles

to the inferred shoreline.

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Michael Meyer
2009
The Last Days of Old Beijing
Life in the Vanishing Backstreets of a City Transformed

Book Mansion was overwhelming. China’s largest bookstore occupied 172,000 square feet and carried 230,000 titles. Bestsellers included Chinese titles such as I Was an American Police Officer; I’m Only Raising You for 18 Years; Chinese-Style Divorce; and Harvard Girl, a memoir that revealed the parenting style that made her stand out from her Chinese classmates and gain acceptance to the school. That book was in its sixty-third printing.

 

Downstairs, Monica’s Story lay between Bill and Hillary Clinton’s autobiographies. A boxed set about Göring rubbed shoulders with What’s Behind Jewish Excellence? Translated American titles ranged from the predictable – The Da Vinci Code, The Atkins Diet—to the surprising—Henry Rollins’s Get in the Van, and a Woody Allen collection whose Chinese title promised MENSA Whores. An entire floor held English-learning materials. Love English taught pickup lines and pillow talk, including cultural hints such as “‘I’m bored’ really means ‘Do you want to have sex?’”

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Clare Barron
2017
You Got Older
A Play

MAE: I used to have a fantasy where my high school boyfriend Dave Gellatly  – who totally cheated on me and like destroyed all of my self-confidence – would come to my window and knock on my window and then I would let him in and then he would be high on cocaine (even though I’m pretty sure he never did cocaine) and he would like rape me? And the whole time I’m thinking: Maybe I should scream! If I scream, my parents will wake up and come down here and save me and this whole thing will stop. But then if my parents come down here, they’ll see me naked with Dave on top of me. And I’m like a virgin. And super Christian. So I don’t scream. Because I’m too embarrassed. And he rapes me. And then later I decide to report it. And the whole town vilifies me and I’m like this outcast woman? And then Dave dies in a drunk driving accident and everyone is like: If you had just not reported it he would have died anyway and you would’ve gotten justice without having to besmirch his name

 

MAC: That was a fantasy?

 

MAE: I guess I just used to think about it when I needed to cry

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Darryl Pinckney
1986
Out There
Mavericks of Black Literature

The experience of reading Sex and Race is one of embrace and recoil as Rogers indiscriminately loads us down with the provable and the forever dodgy, the serious and the frivolous. Sometimes his footnotes, not always adequate or acceptable, tell when he was at work on a given aspect of his subject, in the way that an itemized credit card bill is a diary, a record of movement. The references go in clusters: in the 1920s, he was reading about Syria, Palestine, Arabia, and Persia; in the 1930s, he was reading the memoirs of English travelers in Africa. Sometimes, he clearly couldn’t go back to a particular library or text to check his facts again. And sometimes Sex and Race reads as though it had threatened to consume him, because the first-person voice breaks through in the book at times of what could be called narrative stress.

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Mary Swander
1994
Heaven-And-Earth House
Poems

We are the nothing-to-lose ones,

the try-anything-once ones,

weed seeds inside our cells –

dandelion, nettle, lizard tail –

roots sunk in, for it is the tips

that count, reaching out to tap

new moisture. Roots, stems, leaves,

the stomata, those little mouths

opening, closing, sucking in air

in the evening when we boil

wild ginger and sleep in its vapor.

Like cures like, we hear in the morning

when we brush ourselves with

vegetable fiber in the shower,

beat ourselves with our fists.

(This is no crazier than anything else.)

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Shubha Sunder
2025
Optional Practical Training: A Novel

I paused outside Porter Square Station, in my wet clothes, to observe what a sign there called a kinetic sculpture—three elevated red objects shaped like tongues, tumbling about their axes and orbiting a tall white pole. My thoughts circled back to Theta’s shocked expression at my rent, which led me to review my predicted costs—food, transportation, utilities—and wonder if I’d overlooked something. After a brief trance, I descended a long escalator to the commuter rail platform and boarded the train to Wilton. Soon I was passing the same backyards and open spaces I’d sped by in March, no longer barren and covered with dirty snow, but green, with that profusion of young spring leaves I associated with Impressionist paintings. A pond slid into view, its edges blurred by clumps of reeds. The rain started again. It drew long diagonal streaks across the windows. Anyone want to get off at Brandeis? the conductor called as she strode up the aisle. That was a question, she added cheerfully. Not a threat.

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