Search All Winners

Name Sort descending Genre Year
Jack Turner Nonfiction 2007
Genya Turovskaya Poetry 2020
Mark Turpin Poetry 1997
Samrat Upadhyay Fiction 2001
Azareen Van der Vliet Oloomi Fiction 2015
A.J. Verdelle Fiction 1996
Vanessa Angélica Villarreal Poetry 2019
William T. Vollmann Fiction 1988
Ocean Vuong Poetry 2016
D.J. Waldie Nonfiction 1998
David Foster Wallace Fiction 1987
Carvell Wallace Nonfiction 2026
Anthony Walton Nonfiction 1998
Weike Wang Fiction 2018
Esmé Weijun Wang Nonfiction 2018
Anne Washburn Drama 2015
Teddy Wayne Fiction 2011
Charles Harper Webb Poetry 1998
Kerri Webster Poetry 2011
Joshua Weiner Poetry 2002
Annie Wenstrup Poetry 2025
Timberlake Wertenbaker Drama 1989
Kate Wheeler Fiction 1994
Simone White Poetry 2017
Colson Whitehead Fiction 2000
Marianne Wiggins Fiction 1989
Amy Wilentz Nonfiction 1990
Damien Wilkins Fiction 1992
Claude Wilkinson Poetry 2000
Phillip B. Williams Poetry 2017
Greg Williamson Poetry 1998
August Wilson Drama 1986
Tracey Scott Wilson Drama 2004
Milo Wippermann Poetry 2023
Tobias Wolff Nonfiction 1989

Selected winners

Jose Rivera
1992
Marisol and Other Plays

ANGEL: Here’s your big chance, baby. What would you like to ask the Angel of the Lord?

 

MARISOL (Energized): Are you real? Are you true? Are you gonna make the Bronx safe for me? Is it true angels’ favorite food is Thousand Island dressing? Is it true your shit smells like mangoes and when you’re drunk you speak Portuguese?

 

ANGEL: Honey, last time I was drunk…

 

          (Marisol gets a sudden, horrifying realization.)

 

MARISOL: Wait a minute – am I dead?

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Amanda Coplin
2013
The Orchardist
A Novel

There were times when the girls knew where the man was in the orchard, and times they did not. These times they trod slowly and carefully, not that they thought he would harm them—not really—but it had become a kind of game. You might turn the corner into an orchard row and find him there, walking toward you or away, or maybe you saw his legs, his trunk, obscured in leaves.

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Patrick Cottrell
2018
Sorry to Disrupt the Peace
A Novel

I pictured in my mind the house at the bottom of the hill, a dark house I had not set foot inside for many years, a house as large and spacious as a medieval fortress, with enough square footage for at least one or two more Catholic families. It was not a cheaply built house, as my adoptive father liked to say. It did not come cheaply built. My parents are somewhat rich, but, like most Midwesterners, they are the cheapest people I have ever known. Despite their lack of financial stress, they are extravagant in their cheapness, their discount-hunting, their coupon-scissoring, their manuals on how to save. It was important, they said, to think about the catastrophic future, to always have a backup account filled with hundreds of thousands of dollars. To think about it too much depressed me. My entire existence was infected by this cheapness, this so-called frugality. Of course, it would be wrong not to acknowledge that these values of cheapness or frugality were what allowed once-orphans like myself and my now-dead adoptive brother to grow up, and to thrive even, in the comfort and security of the not cheaply built house. But there would be no more thriving for us, as one of us was dead.

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Jake Skeets
2020
Eyes Bottle Dark with a Mouthful of Flowers

We unyoke owl pellets from marrow

in desert meadow. His mouth a pigeon eye,

 

a torch, a womb turned flower. He, still a boy

dug from cactus skull, undresses into bark

 

beetles. He unlearns how to hold a gist

with my hand.

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August Wilson
1986
Ma Rainey's Black Bottom
A Play

TOLEDO: Go ahead, then. Spell it. Music. Spell it.

 

LEVEE: I can spell it, nigger! M-U-S-I-K. There!

            (He reaches for the money.)

 

TOLEDO: Naw! Naw! Leave that money alone! You ain’t spelled it.

 

LEVEE: What you mean I ain’t spelled it? I said M-U-S-I-K!

 

TOLEDO: That ain’t how you spell it! That ain’t how you spell it! It’s M-U-S-I-C! C, nigger. Not K! M-U-S-I-C!

 

LEVEE: What you mean, C? Who say it’s C?

 

TOLEDO: Cutler. Slow Drag, Tell this fool.

            (They look at each other and then away.)

Well, I’ll be a monkey’s uncle!

            (TOLEDO picks up the money and hands LEVEE his dollar back.)

Here’s your dollar back, Levee. I done won it, you understand. I done won the dollar. But if don’t nobody know but me, how am I gonna prove it to you?

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