Search All Winners

Name Sort descending Genre Year
D.J. Waldie Nonfiction 1998
David Foster Wallace Fiction 1987
Anthony Walton Nonfiction 1998
Weike Wang Fiction 2018
Esmé Weijun Wang Nonfiction 2018
Anne Washburn Drama 2015
Teddy Wayne Fiction 2011
Charles Harper Webb Poetry 1998
Kerri Webster Poetry 2011
Joshua Weiner Poetry 2002
Annie Wenstrup Poetry 2025
Timberlake Wertenbaker Drama 1989
Kate Wheeler Fiction 1994
Simone White Poetry 2017
Colson Whitehead Fiction 2000
Marianne Wiggins Fiction 1989
Amy Wilentz Nonfiction 1990
Damien Wilkins Fiction 1992
Claude Wilkinson Poetry 2000
Phillip B. Williams Poetry 2017
Greg Williamson Poetry 1998
Tracey Scott Wilson Drama 2004
August Wilson Drama 1986
Milo Wippermann Poetry 2023
Tobias Wolff Fiction 1989
Tobias Wolff Nonfiction 1989
John Wray Fiction 2001
Austin Wright Fiction 1985
Franz Wright Poetry 1991
Austin Wright Nonfiction 1985
C.D. Wright Poetry 1989
Stephen Wright Fiction 1990
Lauren Yee Drama 2019
Javier Zamora Nonfiction 2024
Ada Zhang Fiction 2024

Selected winners

Amy Leach
2010
Things That Are
Essays

In the seventeenth century, his Holiness the Pope adjudged beavers to be fish. In retrospect, that was a zoologically illogical decision; but beavers were not miffed at being changed into fish. They decided not to truckle their new specification, not to be perfect fish, textbook fish; instead they became fanciful fish, the first to have furry babies, the first to breathe air and the first fish to build for themselves commodious conical fortresses in the water.

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Cristina Garcia
1996
Dreaming in Cuban
A Novel

“I want to go where it’s cold,” Lourdes told her husband. They began to drive. “Colder,” she said as they passed the low salt marshes of Georgia, as if the word were a whip driving them north. “Colder,” she said through the withered fields of a Carolina winter. “Colder,” she said again in Washington, D.C., despite the cherry-blossom promises, despite the white stone monuments hoarding winter light. “This is cold enough,” she finally said when they reached New York.

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Tracey Scott Wilson
2004
The Story
A Play

LATISHA: The cops ain’t looking for no girl so we don’t get caught. (Pause.) Until now. Now, we kinda worried. Kinda in trouble.

 

YVONNE: (To Latisha.) Why?

 

LATISHA: Yo! You can’t tell nobody. And I mean nobody.

 

YVONNE: (To Latisha.) No, no, I won’t.

 

LATISHA: I’m telling you I’ll jack you up for real.

 

YVONNE: (To Latisha.) I won’t tell.

 

LATISHA: (Pause.) We capped that teacher.

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Jane Springer
2010
Dear Blackbird,
Poems

Whitman kept all the sleepers to himself but one, & she wasn’t just a demon

in the sack. When she wasn’t sleeping by daylight, she was the demon

slinging a house shoe at her children over the front seat of the Plymouth

while simultaneously steering it between the orgasmic, careening semis &

Beetle Bug Blue, Piddiddle, Beetle Bug Black.

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Tope Folarin
2021
A Particular Kind of Black Man
A Novel

   We had dozens of books. My father never bought us toys, and he always claimed that he was too broke to buy us new clothes, but somehow we each received at least three new books each month. Most of our books were nonfiction - short biographies, children’s encyclopedias, textbooks - because Dad was convinced that novels were for entertainment purposes only, and he always told us that we would have time for entertainment when we were old enough to make our own decisions. So Tayo and I would huddle in a single bed, his or mine, with a biography about George Washington, or a book about the invention of the telephone, and each of us would read a page and hand the flashlight over. 
  We eventually grew tired of these books, though, so we began to make up our own stories. Actually, Tayo made them up. Even though Tayo was younger than me, even though he looked up to me and followed me in every other part of our lives, he was a much better storyteller than I was. He was almost as good as Mom. 
     He always began: 
     “Once upon a time . . .”
 

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Mark Doty
1994
My Alexandria
Poems

Prendergast painted the Public Garden;

remembered, even at a little distance,

the city takes on his ravishing tones.

 

Jots of color resolve: massed parasols

above a glimmering pond, the transit

of almost translucent swans. Brilliant bits

 

- jewels? slices of sugared fruit? – bloom

into a clutch of skirts on the bridge

above the summer boaters. His city’s essence:

 

all the hues of chintzes or makeup

or Italian ices, all the sheen artifice

is capable of. Our city’s lavish paintbox.

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