Search All Winners

Name Sort descending Genre Year
Jack Turner Nonfiction 2007
Genya Turovskaya Poetry 2020
Mark Turpin Poetry 1997
Samrat Upadhyay Fiction 2001
Azareen Van der Vliet Oloomi Fiction 2015
A.J. Verdelle Fiction 1996
Vanessa Angélica Villarreal Poetry 2019
William T. Vollmann Fiction 1988
Ocean Vuong Poetry 2016
D.J. Waldie Nonfiction 1998
Carvell Wallace Nonfiction 2026
David Foster Wallace Fiction 1987
Anthony Walton Nonfiction 1998
Weike Wang Fiction 2018
Esmé Weijun Wang Nonfiction 2018
Anne Washburn Drama 2015
Teddy Wayne Fiction 2011
Charles Harper Webb Poetry 1998
Kerri Webster Poetry 2011
Joshua Weiner Poetry 2002
Annie Wenstrup Poetry 2025
Timberlake Wertenbaker Drama 1989
Kate Wheeler Fiction 1994
Simone White Poetry 2017
Colson Whitehead Fiction 2000
Marianne Wiggins Fiction 1989
Amy Wilentz Nonfiction 1990
Damien Wilkins Fiction 1992
Claude Wilkinson Poetry 2000
Phillip B. Williams Poetry 2017
Greg Williamson Poetry 1998
Tracey Scott Wilson Drama 2004
August Wilson Drama 1986
Milo Wippermann Poetry 2023
Tobias Wolff Fiction 1989

Selected winners

Daniel Alarcon
2004
War by Candlelight
Stories

In Lima, dying is the local sport. Those who die in phantasmagoric fashion, violently, spectacularly, are celebrated in the fifty-cent papers beneath appropriately gory headlines: DRIVER GETS MELON BURST or NARCO SHOOTOUT, BYSTANDERS EAT LEAD. I don’t work at that kind of newspaper, but if I did, I would write those headlines too. Like my father, I never refuse work. I’ve covered drug busts, double homicides, fires at discos and markets, traffic accidents, bombs in shopping centers. I’ve profiled corrupt politicians, drunken has-been soccer players, artists who hate the world. But I’ve never covered the unexpected death of a middle-aged worker in a public hospital. Mourned by his wife. His child. His other wife. Her children.

 

My father’s dying was not news.

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Eduardo C. Corral
2011
Slow Lightning
Poems

I draw the curtains.     The room darkens, but

the mirror still reflects          a crescent moon.

I pull        the crescent out,          a rigid curve

that softens                    into a length of cloth.

I wrap the cloth around                     my eyes,

and I’m peering    through a crack in the wall

revealing                        a landscape of snow.

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Clarence Coo
2017
Beautiful Province (Belle Province)
A Play

MR. GREEN: Two verbs! Granted, they are irregular. But that’s no excuse, for these forms —

 

Do. Not. Change.

 

They are immutable!

 

More reliable than the people in your lives. More stable than governments. More dependable than churches or philosophies. These verbs are your deliverance!

 

Commit these patterns to memory. Determine the person, the number, the tense. Then remember the form. That’s all there is. To conjugation.

 

Conjugation. Such a beautiful word. Such a beautiful act. 

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Patrick Cottrell
2018
Sorry to Disrupt the Peace
A Novel

I pictured in my mind the house at the bottom of the hill, a dark house I had not set foot inside for many years, a house as large and spacious as a medieval fortress, with enough square footage for at least one or two more Catholic families. It was not a cheaply built house, as my adoptive father liked to say. It did not come cheaply built. My parents are somewhat rich, but, like most Midwesterners, they are the cheapest people I have ever known. Despite their lack of financial stress, they are extravagant in their cheapness, their discount-hunting, their coupon-scissoring, their manuals on how to save. It was important, they said, to think about the catastrophic future, to always have a backup account filled with hundreds of thousands of dollars. To think about it too much depressed me. My entire existence was infected by this cheapness, this so-called frugality. Of course, it would be wrong not to acknowledge that these values of cheapness or frugality were what allowed once-orphans like myself and my now-dead adoptive brother to grow up, and to thrive even, in the comfort and security of the not cheaply built house. But there would be no more thriving for us, as one of us was dead.

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Andre Aciman
1995
Out of Egypt
A Memoir

People in the street referred to her as al-tarsha, the deaf woman, and, among the Arabs in the marketplace, everyone and everything in her household was known in elation to the tarsha: the deaf woman’s father, the deaf woman’s home, her maid, her bicycle, her car, her husband. The motorcycle with which she had won an exhibition race on the Corniche in the early forties and which was later sold to a neighbor continued to be known as the tarsha’s mutusikl. When I was old enough to walk alone on the streets of Ibrahimieh, I discovered that I too was known as the tarsha’s son.

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August Wilson
1986
Ma Rainey's Black Bottom
A Play

TOLEDO: Go ahead, then. Spell it. Music. Spell it.

 

LEVEE: I can spell it, nigger! M-U-S-I-K. There!

            (He reaches for the money.)

 

TOLEDO: Naw! Naw! Leave that money alone! You ain’t spelled it.

 

LEVEE: What you mean I ain’t spelled it? I said M-U-S-I-K!

 

TOLEDO: That ain’t how you spell it! That ain’t how you spell it! It’s M-U-S-I-C! C, nigger. Not K! M-U-S-I-C!

 

LEVEE: What you mean, C? Who say it’s C?

 

TOLEDO: Cutler. Slow Drag, Tell this fool.

            (They look at each other and then away.)

Well, I’ll be a monkey’s uncle!

            (TOLEDO picks up the money and hands LEVEE his dollar back.)

Here’s your dollar back, Levee. I done won it, you understand. I done won the dollar. But if don’t nobody know but me, how am I gonna prove it to you?

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