Search All Winners

Name Sort descending Genre Year
Jack Turner Nonfiction 2007
Genya Turovskaya Poetry 2020
Mark Turpin Poetry 1997
Samrat Upadhyay Fiction 2001
Azareen Van der Vliet Oloomi Fiction 2015
A.J. Verdelle Fiction 1996
Vanessa Angélica Villarreal Poetry 2019
William T. Vollmann Fiction 1988
Ocean Vuong Poetry 2016
D.J. Waldie Nonfiction 1998
David Foster Wallace Fiction 1987
Carvell Wallace Nonfiction 2026
Anthony Walton Nonfiction 1998
Weike Wang Fiction 2018
Esmé Weijun Wang Nonfiction 2018
Anne Washburn Drama 2015
Teddy Wayne Fiction 2011
Charles Harper Webb Poetry 1998
Kerri Webster Poetry 2011
Joshua Weiner Poetry 2002
Annie Wenstrup Poetry 2025
Timberlake Wertenbaker Drama 1989
Kate Wheeler Fiction 1994
Simone White Poetry 2017
Colson Whitehead Fiction 2000
Marianne Wiggins Fiction 1989
Amy Wilentz Nonfiction 1990
Damien Wilkins Fiction 1992
Claude Wilkinson Poetry 2000
Phillip B. Williams Poetry 2017
Greg Williamson Poetry 1998
August Wilson Drama 1986
Tracey Scott Wilson Drama 2004
Milo Wippermann Poetry 2023
Tobias Wolff Nonfiction 1989

Selected winners

Joshua Bennett
2021
The Sobbing School
Poems

Please, excuse my shadow. I can’t 

stop leaving. I don’t know how

to name what I don’t know

 

well enough to render

in a single sitting. Every poem

about us seems an impossible labor,

 

like forgetting the face

of the sea, or trying to find

a more perfect name for water.

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Stephen Adly Guirgis
2006
The Last Days of Judas Iscariot
A Play

JUDGE LITTLEFIELD: Cunningham, you’re the cynical, faithless spawn of a crackpot gypsy and a defrocked mick—yet, you just told me Jesus would have you on your knees in three minutes.

 

CUNNINGHAM: So?

 

JUDGE LITTLEFIELD: So consider this: your friend Judas? He has Jesus for three years. Think about that, Cunningham. Three years in the foxhole with the best friend ya ever had, then he shot him in the back for a pack of Kools. Think what that says about the essential character of the man. Now go home and stir that into your wee gypsy teapot! Petition’s invalid, motion denied! Next case!

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Ben Marcus
1999
The Age of Wire and String
Stories

Intercourse with resuscitated wife for particular number of days, superstitious act designed to insure safe operation of household machinery. Electricity mourns the absence of the energy form (wife) within the household’s walls by stalling its flow to the outlets. As such, an improvised friction needs to take the place of electricity, to goad the natural currents back to their proper levels. This is achieved with the dead wife. She must be found, revived, and then penetrated until heat fills the room, until the toaster is shooting bread onto the floor, until she is smiling beneath you with black teeth and grabbing your bottom. Then the vacuum rides by and no one is pushing it, it is on full steam. Days flip past in chunks of fake light, and the intercourse is placed in the back of the mind. But it is always there, that moving into a static-ridden corpse that once spoke familiar messages in the morning when the sun was new.

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Nathan Alan Davis
2018
Nat Turner in Jerusalem
A Play

NAT TURNER

What do you mean by your copyright?

The right to copy?

 

THOMAS R. GRAY

Yes, well, the right to publish and distribute, which involves copying necessarily.

 

NAT

And who can grant such a right?

 

THOMAS

The copyright office, naturally.

 

NAT

...

 

THOMAS

It protects the rights of the man who has done the work.

 

NAT

And is God not a sufficient witness of our works?

 

THOMAS

Uh,

No.

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Carvell Wallace
2026
Another Word for Love

Once, I read a story—or maybe I imagined a
story—of two children ages eight and twelve
discovering the dead body of the grandmother
who was taking care of them. The older child,
a girl, took responsibility then. Feeding her
younger brother, covering the body, keeping
life going, until the smell got too much, and
they asked a neighbor for help. They were, of
course, rescued. But I often wonder what they
were rescued from. It is good, of course, if
they were brought into a place of safety,
steady reliable meals, home, and hopefully
love and care. But somewhere in me the feeling
of hurtling alone is itself the feeling of
home, a human truth the size of the universe,
the size of my mother and me in a motel with
no future to be certain of. I would never want
that for myself or for my children. I would
never want that for anyone. And yet sometimes,
I want it for myself.

Excerpts from ANOTHER WORD FOR LOVE: A MEMOIR by Carvell Wallace. Copyright © 2024 by Carvell Wallace. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.

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