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…what of the glowing spine,

what of the toy stings of stock footage flames,

what of the jets you swatted dead

from the air with unmistakable joy,

you of the plastic-leather, pebbled Pleistocene flesh,

you of the palsied fury, you

of the put-upon by dissemblers and disturbers,

you, what of the life burned

so cheaply into celluloid we are charmed…

My mother had good hair, a term she would never use herself because, she said, it was so hurtful she couldn’t possibly believe it. But my mother’s hair was undeniably long and thick, a mass of loose curls that Callie and I did not inherit and that she was determined to cut off before we began our new life.

She tried to talk both of us into joining her, but only Callie took the bait. My mother got her with the promise of hair made so easy and simple, you could run your fingers through it. When it was all over, Callie was left with an outgrowth of stiff, sodden curls that clung in limp clusters to her forehead and the nape of her neck and made the back of her head smell like burning and sugar.

   We had dozens of books. My father never bought us toys, and he always claimed that he was too broke to buy us new clothes, but somehow we each received at least three new books each month. Most of our books were nonfiction - short biographies, children’s encyclopedias, textbooks - because Dad was convinced that novels were for entertainment purposes only, and he always told us that we would have time for entertainment when we were old enough to make our own decisions. So Tayo and I would huddle in a single bed, his or mine, with a biography about George Washington, or a book about the invention of the telephone, and each of us would read a page and hand the flashlight over. 
  We eventually grew tired of these books, though, so we began to make up our own stories. Actually, Tayo made them up. Even though Tayo was younger than me, even though he looked up to me and followed me in every other part of our lives, he was a much better storyteller than I was. He was almost as good as Mom. 
     He always began: 
     “Once upon a time . . .”
 

In the seventeenth century, his Holiness the Pope adjudged beavers to be fish. In retrospect, that was a zoologically illogical decision; but beavers were not miffed at being changed into fish. They decided not to truckle their new specification, not to be perfect fish, textbook fish; instead they became fanciful fish, the first to have furry babies, the first to breathe air and the first fish to build for themselves commodious conical fortresses in the water.

Panther. Painter. Puma. Cougar. Mountain lion. Whatever you want to call it, by the end of October, half a dozen more people claim they have caught a glimpse of it: a pale sliver in the distance, a flash of fur through the trees. In the woods, hunters linger in their tree stands, hoping they might be the next. In the houses, the big cat creeps nightly, making the rounds of dinner tables and dreams.

THERESA

I’m worried she’ll be a fish out of water.

ROBERTA

When do we meet her? When’re they movin’?

THERESA

Not now. Soon. We’ll see. They’re waiting to see if Mingjing can transfer jobs.

            ROBERTA puts down her cookie.

ROBERTA

What’s her name?

THERESA

Minjung.

ROBERTA

Theresa.

            THERESA sips tea.

THERESA

She’s in architecture, works for a big firm out there

ROBERTA

(indicating the under-eye skin) Those dark circles, no wonder.

THERESA

But she might give it up and teach.

ROBERTA

You seen her only once?

THERESA

Tim never said any—why would I think

ROBERTA

Such a rush.

THERESA

My brain’s exploded.

ROBERTA

I knew it: how far gone is she?

Note: A male actor plays the roles of both THERESA and her son TIM. A second male actor plays the roles of both ROBERTA and her son ROBBIE.