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CHAIRMAN FRANCIS: Our church is the street, our faith is the people, and our laws are constantly changing. If a law offends us, we pluck it out. If a minister offends us, we pluck him out and elect a new minister who is young and strong and can recognize evil’s ever-changing face. We don’t believe in miracles, we believe in action. But action takes money. Mr. Chairman, the church of Democratic Progression needs your financial support. Now, Mr. Chairman, how much would you pay to nip evil in the bud? Now I’m not talking about wiping out evil entirely, just your own little personal dark speck. Would you pay forty dollars, Mr. Chairman? Thirty dollars? Twenty dollars, the price of four filthy movies? NO. Mr. Chairman, for just fifteen dollars a month you can keep a chairman, like myself, on the streets fighting evil on your behalf.

My mother supports an agency that every week or so sends her a list of the world’s political prisoners who are known to be in immediate danger of their lives. She sits over a chunky Adler typewriter and composes polite pleas to jailors and torturers and killers on behalf of their victims. “In the name of liberty, of decency, Your Excellency…”

These petitions for pity and reason, strangled as they are by formality, necessarily without anger, she types on personal stationery of pale yellow or pale tangerine or aqua—the kind got at a pharmacy. Her bursitis makes the typing difficult, and the text is unevenly imprinted, since some of the keys have more bite than others, the way she works them. All the same, her handwriting is impossible.

The experience of reading Sex and Race is one of embrace and recoil as Rogers indiscriminately loads us down with the provable and the forever dodgy, the serious and the frivolous. Sometimes his footnotes, not always adequate or acceptable, tell when he was at work on a given aspect of his subject, in the way that an itemized credit card bill is a diary, a record of movement. The references go in clusters: in the 1920s, he was reading about Syria, Palestine, Arabia, and Persia; in the 1930s, he was reading the memoirs of English travelers in Africa. Sometimes, he clearly couldn’t go back to a particular library or text to check his facts again. And sometimes Sex and Race reads as though it had threatened to consume him, because the first-person voice breaks through in the book at times of what could be called narrative stress.

PEACHES
If you are one of those people who come to shows just so you can cough your way through them, please take this time to unwrap your cough drops and remind your body to shut itself the fuck up. However, this is still a show that you are allowed to be a part of. If you feel like laughing, laugh. If you wanna shout, bitch, shout, we will gladly hold your mule. Talk to us if you want. This is your church. And for those of you who are quiet, obedient and unresponsive in your church, consider this yo black church, yo sanctuary, yo juke joint, yo kitchen table, yo trial shaker, yo money maker, yo elevator, yo resuscitator.

                My mother

gathers gladiolas. The gladness

is fractured. As when

the globe with its thousand mirrors

cracked the light. How

it hoarded sight: all the stolen perspectives

and the show of light

they shot around us: so that

down the dark hall the ghosts danced

with us: down the dark hall

the broken angels.

Her plan had been to clean in the middle of the night, so her mother would wake to an empty kitchen sink, but as she stood in the foyer, the bathroom fan beating loudly and uselessly, the mess before her made her want to cry; being in a family of eleven made her want to cry, the way someone had soaked up the dog’s pee but not thrown away the paper towel, the way responsibility divided by eleven meant no one was really responsible.