Search All Winners

Name Sort descending Genre Year
Jack Turner Nonfiction 2007
Genya Turovskaya Poetry 2020
Mark Turpin Poetry 1997
Samrat Upadhyay Fiction 2001
Azareen Van der Vliet Oloomi Fiction 2015
A.J. Verdelle Fiction 1996
Vanessa Angélica Villarreal Poetry 2019
William T. Vollmann Fiction 1988
Ocean Vuong Poetry 2016
D.J. Waldie Nonfiction 1998
Carvell Wallace Nonfiction 2026
David Foster Wallace Fiction 1987
Anthony Walton Nonfiction 1998
Weike Wang Fiction 2018
Esmé Weijun Wang Nonfiction 2018
Anne Washburn Drama 2015
Teddy Wayne Fiction 2011
Charles Harper Webb Poetry 1998
Kerri Webster Poetry 2011
Joshua Weiner Poetry 2002
Annie Wenstrup Poetry 2025
Timberlake Wertenbaker Drama 1989
Kate Wheeler Fiction 1994
Simone White Poetry 2017
Colson Whitehead Fiction 2000
Marianne Wiggins Fiction 1989
Amy Wilentz Nonfiction 1990
Damien Wilkins Fiction 1992
Claude Wilkinson Poetry 2000
Phillip B. Williams Poetry 2017
Greg Williamson Poetry 1998
August Wilson Drama 1986
Tracey Scott Wilson Drama 2004
Milo Wippermann Poetry 2023
Tobias Wolff Fiction 1989

Selected winners

Celine Song
2026
Endlings

GO MIN
숙자야 (Sook Ja-yah)
I wasn’t born here, did you know that?
I’ve never told you that before
I was born on an island nearby
Really close, only a few hours away on a boat
A matchmaker bought my brother a drink
So he told her that he had the perfect bride for her client
An exceptional swimmer
A hearty bruise-woman
For a guarantee of lifetime of income
He gave me away
My big brother sold my life for a drink
And that’s my immigration
A little immigration of my own
Just to be beaten up by the sea waves all day
And then beaten up by my loser drunk husband all night

Silence

숙자야 (Sook Ja-yah)
What do you want to do in your next life?
In my next life
I want to drive a car
A little red one
Drive it everywhere
Go see the mountains
The big buildings
Drive it across the prairies
Take the highway
I don’t have a driver’s license
I can’t take the written test because I can’t read
But when I see someone drive a car on TV
It looks easy
I think I could do it
I think I’d be good at it
Maybe I could drive a cab
Drive people around
What do you think?
You think I’d be good at it?

Beat

숙자야 (Sook Ja-yah)
In your next life
I hope you get to live the way you want

Silence
 

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Daniel Orozco
2011
Orientation
And Other Stories

There are no personal phone calls allowed. We do, however, allow for emergencies. If you must make an emergency phone call, ask your supervisor first. If you can’t find your supervisor, ask Phillip Spiers, who sits over there. He’ll check with Clarissa Nicks, who sits over there. If you make an emergency phone call without asking, you may be let go.

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Carvell Wallace
2026
Another Word for Love

Once, I read a story—or maybe I imagined a
story—of two children ages eight and twelve
discovering the dead body of the grandmother
who was taking care of them. The older child,
a girl, took responsibility then. Feeding her
younger brother, covering the body, keeping
life going, until the smell got too much, and
they asked a neighbor for help. They were, of
course, rescued. But I often wonder what they
were rescued from. It is good, of course, if
they were brought into a place of safety,
steady reliable meals, home, and hopefully
love and care. But somewhere in me the feeling
of hurtling alone is itself the feeling of
home, a human truth the size of the universe,
the size of my mother and me in a motel with
no future to be certain of. I would never want
that for myself or for my children. I would
never want that for anyone. And yet sometimes,
I want it for myself.

Excerpts from ANOTHER WORD FOR LOVE: A MEMOIR by Carvell Wallace. Copyright © 2024 by Carvell Wallace. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.

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Terrance Hayes
1999
Muscular Music
Poems

I’m sure you won’t believe this,

but if a policeman walks behind me, I tremble:

What would Shaft do? What would Shaft do?

 

Bits of my courage flake away like dandruff.

I’m sweating even as I tell you this.

I’m not cool.

 

I keep the real me tucked beneath a wig,

I’m a small American frog.

I grow beautiful as the theatre dims.

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Yannick Murphy
1990
Stories in Another Language

I thought, I bet the daughter’s glad she’s dead, because what her mother was doing, throwing herself into the grave on top of the box like that, looked funny. It looked funny because her mother was fat, and it looked so much like the mother was doing the Fat Man Dance, because her arms were spread out too, as if she were waiting for her daughter to spread out her arms also, and then they could hold hands and smack bellies together and dance in circles on the box just the way we always did in the summer when we did the Fat Man Dance. Because we always did the Fat Man Dance in the summer when we ran around with no clothes on and danced a lot because it was summer.

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Nathan Alan Davis
2018
Nat Turner in Jerusalem
A Play

NAT TURNER

What do you mean by your copyright?

The right to copy?

 

THOMAS R. GRAY

Yes, well, the right to publish and distribute, which involves copying necessarily.

 

NAT

And who can grant such a right?

 

THOMAS

The copyright office, naturally.

 

NAT

...

 

THOMAS

It protects the rights of the man who has done the work.

 

NAT

And is God not a sufficient witness of our works?

 

THOMAS

Uh,

No.

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