Search All Winners

Name Sort descending Genre Year
D.J. Waldie Nonfiction 1998
David Foster Wallace Fiction 1987
Anthony Walton Nonfiction 1998
Weike Wang Fiction 2018
Esmé Weijun Wang Nonfiction 2018
Anne Washburn Drama 2015
Teddy Wayne Fiction 2011
Charles Harper Webb Poetry 1998
Kerri Webster Poetry 2011
Joshua Weiner Poetry 2002
Annie Wenstrup Poetry 2025
Timberlake Wertenbaker Drama 1989
Kate Wheeler Fiction 1994
Simone White Poetry 2017
Colson Whitehead Fiction 2000
Marianne Wiggins Fiction 1989
Amy Wilentz Nonfiction 1990
Damien Wilkins Fiction 1992
Claude Wilkinson Poetry 2000
Phillip B. Williams Poetry 2017
Greg Williamson Poetry 1998
Tracey Scott Wilson Drama 2004
August Wilson Drama 1986
Milo Wippermann Poetry 2023
Tobias Wolff Fiction 1989
Tobias Wolff Nonfiction 1989
John Wray Fiction 2001
Franz Wright Poetry 1991
Austin Wright Nonfiction 1985
C.D. Wright Poetry 1989
Stephen Wright Fiction 1990
Austin Wright Fiction 1985
Lauren Yee Drama 2019
Javier Zamora Nonfiction 2024
Ada Zhang Fiction 2024

Selected winners

Matt Donovan
2010
Vellum
Poems

There are no limits to our verbs, our forms:

                                                                        think of the knife

that slits an orange or bundled iris stems, the one strapped

to the rooster’s varnished spur. The dagger, poniard, dirk.

 

Edge that snips the line, whittles an owl, juliennes, traces a lip.

A cut, an incision, a gouge. In Sudan, the story goes, when the slogan

of reform was The Future’s in Your Hands, men scavenged the streets

 

waving machetes, hacking off hands above the wrist, asking

How will you hold the future now? The stiletto, the skean, the scythe,

The choosing, the mark, the tool. Beneath a concrete bridge,

 

shirtless & drunk, a boy works his way through the swallows’ nests,

slashing until each mud cone-shape drops into the river, dissolves.

Yet to say so is hardly enough. To say pigsticker’s, bayonetshiv.

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Terrance Hayes
1999
Muscular Music
Poems

I’m sure you won’t believe this,

but if a policeman walks behind me, I tremble:

What would Shaft do? What would Shaft do?

 

Bits of my courage flake away like dandruff.

I’m sweating even as I tell you this.

I’m not cool.

 

I keep the real me tucked beneath a wig,

I’m a small American frog.

I grow beautiful as the theatre dims.

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Tracey Scott Wilson
2004
The Story
A Play

LATISHA: The cops ain’t looking for no girl so we don’t get caught. (Pause.) Until now. Now, we kinda worried. Kinda in trouble.

 

YVONNE: (To Latisha.) Why?

 

LATISHA: Yo! You can’t tell nobody. And I mean nobody.

 

YVONNE: (To Latisha.) No, no, I won’t.

 

LATISHA: I’m telling you I’ll jack you up for real.

 

YVONNE: (To Latisha.) I won’t tell.

 

LATISHA: (Pause.) We capped that teacher.

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Elisa Gonzalez
2024
Grand Tour: Poems

Alone in a London museum, I saw a watercolor of twin

      flames, one black, one a gauzy red,

only to learn the title is Boats at Sea. It's like how

      sometimes I forget you're gone.

But it's not like that, is it? Not at all. When in this world

      similes carry us nowhere.

 

And now I see again the boy pelting through those galleries

a boy not you, a flash of red, red, chasing, or being chased—

Or did I invent him? Mischief companion. Brother.

      Listen to me

 

plead for your life though even in the dream I know you're

      already dead.

How do I insure my desire for grief is never satisfied? Was

      Priam's ever?

I tell my friend, I want the page itself to burn.

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Gothataone Moeng
2024
Call and Response: Stories

Whatever group of friends I told, what always fascinated people was not the boy’s dying but this image, this juxtaposition of school and cemetery, side by side, and a hill cutting them off from the ward. It was as if they thought that, away from our parents, we kids fraternized with the dead. There would often be one person who thought that I was embellishing, that I was making up these details for the benefit of a story, to create some sort of meaning. That skeptic seemed to assume that the hill—which I now knew to be just a hillock—the school, the cemetery were symbolic of something that I had overcome, something I had escaped. But the Botalaote cemetery was separated from Motalaote Lekhutile Primary School by only a narrow dirt road, and behind them the hillock cut them off from Botalaote Ward. Those were the facts.

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William T. Vollmann
1988
You Bright and Risen Angels
A Cartoon

The following day, Pablo set the beetle loose, out of “pity,” he told me. (I believe that he was in Mr. White’s employ.) This had terrible consequences for us and our secret files, for that very night the bugs came rolling out of the jungle in a horrible unstoppable scuttling attack and seized me and carried me off down dim dizzy depths and under mountains and along the bottoms of warm shallow seas like my zombies with only a hollow reed in my mouth to keep air passages in working trim, and through sticky ferns and egg caches and incubators and subterranean cockroach classrooms of strategy and along abandoned mine shafts and eaten-away tunnels in hollowed-out documents in unused stacks in an obscure wing of a forgotten branch of a sealed-off area of the very Library of Congress…

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