Search All Winners

Name Sort descending Genre Year
Jack Turner Nonfiction 2007
Genya Turovskaya Poetry 2020
Mark Turpin Poetry 1997
Samrat Upadhyay Fiction 2001
Azareen Van der Vliet Oloomi Fiction 2015
A.J. Verdelle Fiction 1996
Vanessa Angélica Villarreal Poetry 2019
William T. Vollmann Fiction 1988
Ocean Vuong Poetry 2016
D.J. Waldie Nonfiction 1998
David Foster Wallace Fiction 1987
Carvell Wallace Nonfiction 2026
Anthony Walton Nonfiction 1998
Weike Wang Fiction 2018
Esmé Weijun Wang Nonfiction 2018
Anne Washburn Drama 2015
Teddy Wayne Fiction 2011
Charles Harper Webb Poetry 1998
Kerri Webster Poetry 2011
Joshua Weiner Poetry 2002
Annie Wenstrup Poetry 2025
Timberlake Wertenbaker Drama 1989
Kate Wheeler Fiction 1994
Simone White Poetry 2017
Colson Whitehead Fiction 2000
Marianne Wiggins Fiction 1989
Amy Wilentz Nonfiction 1990
Damien Wilkins Fiction 1992
Claude Wilkinson Poetry 2000
Phillip B. Williams Poetry 2017
Greg Williamson Poetry 1998
Tracey Scott Wilson Drama 2004
August Wilson Drama 1986
Milo Wippermann Poetry 2023
Tobias Wolff Fiction 1989

Selected winners

Gordon Grice
1999
The Red Hourglass
Lives of the Predators

I decided the caterpillar was too stupid to live. I put it into the carabid beetle’s container. The caterpillar was much larger, but it had no means of defense. The carabid sliced into it and lapped at its leaking blood. Because the caterpillar was so big, the carabid had to repeat his attack eight or ten times. The caterpillar crawled away frantically for the first few wounds, but it was so slow that its movements hardly inconvenienced the beetle drinking from its bleeding flank. After ten minutes or so the caterpillar lay still. Its jade flesh turned black as the beetle chewed and drained it.

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Stephania Taladrid
2023
The New Yorker (October 17, 2022)

By the time the pregnant woman for whom Anna was waiting walked up, the trailhead was quiet enough to make the chirping of birds seem jarring. As Anna pulled a plastic bag of pills from her pocket and settled across from the pregnant woman at a picnic table, she registered the fear on the woman’s face. Her distress, as Anna understood it, was less about a breach of Texas law than about the possibility that her husband, who was violent, might find out what she was doing. Hands shaking, the woman told Anna that she was already raising three children and had been trying to save enough money to remove them from a dangerous home. The prospect of having another child, she said, was like “getting a death sentence.” She couldn’t vanish from her household for a day without explanation, travel to a state where abortion is legal, and pay seven hundred dollars to a doctor for a prescription. Anna’s pills, which were free, were her best option. Taking the baggie and some instructions on how to take the medication, the woman thanked Anna and fled the park, hoping that her husband would never realize she’d been gone.

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Mark Turpin
1997
Hammer
Poems

Maybe he pictured just the nail,

the slight swirl in the center of the head and raised

the hammer, and brought it down with fury and with skill

and sank it with a single blow.

 

Not a difficult truck for a journeyman, no harder

than figuring stairs or a hip-and-valley roof

or staking out a lot, but neither is a house,

a house is just a box fastened with thousands of nails.

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Hannah Dela Cruz Abrams
2013
The Man Who Danced With Dolls
A Novella

The dining room was empty. There were dragons – dragon ashtrays, dragon statues, dragons carved into posts. In a remarkably misguided attempt at décor, there was also a profusion of mirrors. The result was upsetting.

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Pam Durban
1987
All Set about with Fever Trees
And Other Stories

The words she would have said and the sound of the blow she’d gone ready to deliver echoed and died in her head. Words rushed up and died in her throat—panicked words, words to soothe, to tame, to call him back—they rushed on her, but she forgot them halfway to her mouth and he lay so still. And that’s how she learned that Beau Clinton, her only son and the son of Charles Clinton, was dead.

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Gothataone Moeng
2024
Call and Response: Stories

Whatever group of friends I told, what always fascinated people was not the boy’s dying but this image, this juxtaposition of school and cemetery, side by side, and a hill cutting them off from the ward. It was as if they thought that, away from our parents, we kids fraternized with the dead. There would often be one person who thought that I was embellishing, that I was making up these details for the benefit of a story, to create some sort of meaning. That skeptic seemed to assume that the hill—which I now knew to be just a hillock—the school, the cemetery were symbolic of something that I had overcome, something I had escaped. But the Botalaote cemetery was separated from Motalaote Lekhutile Primary School by only a narrow dirt road, and behind them the hillock cut them off from Botalaote Ward. Those were the facts.

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