Search All Winners

Name Sort descending Genre Year
Jack Turner Nonfiction 2007
Genya Turovskaya Poetry 2020
Mark Turpin Poetry 1997
Samrat Upadhyay Fiction 2001
Azareen Van der Vliet Oloomi Fiction 2015
A.J. Verdelle Fiction 1996
Vanessa Angélica Villarreal Poetry 2019
William T. Vollmann Fiction 1988
Ocean Vuong Poetry 2016
D.J. Waldie Nonfiction 1998
Carvell Wallace Nonfiction 2026
David Foster Wallace Fiction 1987
Anthony Walton Nonfiction 1998
Weike Wang Fiction 2018
Esmé Weijun Wang Nonfiction 2018
Anne Washburn Drama 2015
Teddy Wayne Fiction 2011
Charles Harper Webb Poetry 1998
Kerri Webster Poetry 2011
Joshua Weiner Poetry 2002
Annie Wenstrup Poetry 2025
Timberlake Wertenbaker Drama 1989
Kate Wheeler Fiction 1994
Simone White Poetry 2017
Colson Whitehead Fiction 2000
Marianne Wiggins Fiction 1989
Amy Wilentz Nonfiction 1990
Damien Wilkins Fiction 1992
Claude Wilkinson Poetry 2000
Phillip B. Williams Poetry 2017
Greg Williamson Poetry 1998
August Wilson Drama 1986
Tracey Scott Wilson Drama 2004
Milo Wippermann Poetry 2023
Tobias Wolff Fiction 1989

Selected winners

Morgan Meis
2013
Ruins
Selected Essays

… I used to love it when it would rain in Los Angeles. I felt that the city was made suddenly reflective by the rain, that it was being coated in another, deeper layer of what it was by the falling moisture. It made me sad and that pleased me. It was a moment of relief from what I took to be the exhausting project of pretending to be happy all of the time.

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Justin Cronin
2002
Mary and O'Neil
A Novel in Stories

Later, when O’Neil imagines the accident—in the days and weeks that follow, and then for years to come—he imagines that it occurs in silence, and that his parents’ eyes are closed. Their eyes are closed like children asleep in a car at night, their faces and bodies in perfect, trusting repose, his father at the wheel, his mother beside him, and though it makes no sense to think it, he sees them holding hands—as O’Neil will one day hold his daughter’s hand when a nightmare has awakened her, to tell her that he is there beside her, that in sleep we have nothing to fear.

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Jaquira Díaz
2020
Ordinary Girls
A Memoir

“You know I’m gonna pay you back,” my mother said, then winked at him.

       He pulled out a ten-dollar bill and handed it to her, just like that. “Gracias,” she said, then headed inside.

        She was always like this, learning my friends’ names, getting familiar enough to ask for money, or cigarettes, or drugs. It would be this way into my late teens, when I’m grown, when I’m a woman. It was like I was the only one getting older, changing. But Mami, she was frozen in time as that twenty-year-old who listened to Madonna and thought my father was running around on her, still haunted by those same monsters, and even years after we’d left Puerto Rico, she believed we still owned the house in Luquillo, the liquor store, that we would go back there, pick up right where we left off. That it would all be waiting for us to get back.

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Nami Mun
2009
Miles from Nowhere
A Novel

Time moved both fast and slow, and neither speed synced up with her fears as she stood at the head of the line. The tellers looked too chipper for a Monday morning. Did they even have money on Mondays? she wondered. Shouldn’t she have come on a Friday? She couldn’t remember why she opened the stickup note, just that she did, and that her boyfriend, the first and only boy she’d ever dated, was the one who had penned it: This is a stickup. Give me all your monie.

 

The misspelling stopped her.

 

“Next in line,” a teller called.

 

Knowledge herself had quit school in the ninth grade but she couldn’t believe that he had misspelled money. “What kind of an idiot can’t spell money?” she told me. “How fucking stupid do you have to be? And if he’s that stupid, how stupid am I for robbing a bank for him?”

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Hernan Diaz
2019
In the Distance
A Novel

Often, the three of them—burro, horse, rider—would simply stand in the middle of the plains. Aside from the occasional sigh or the halfhearted attempt at swatting away an insect, they all stood still, staring into the avoid. Brown flats, blue wall. From his animals, with their serenely sad, bulge-eyed gaze, Håkan seemed to have learned to gape into space. To this absent expression, he added a drooping jaw. They merely stood, completely absorbed by nothing. Time dissolved into the sky. There was little difference between landscape and spectators. Insensible things that existed in one another.

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Allegra Goodman
1991
Total Immersion
Stories

As Frankel muses on Progress in his Hillman Minx, Ed Markowitz wearily drives a rented Fiat to the Oriental Institute. He had not wanted to go on the day of his arrival, but this is the only time he can be sure to see Mujahid Rashaf, who is returning to Saudi Arabia within the week. Rashaf is an Oxford fellow and the son of a merchant prince. He will provide just the reasoned yet religious opinions that Markowitz seeks for his book, Terrorism: A Civilized Creed.

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