Search All Winners

Name Sort descending Genre Year
Harriet Ritvo Nonfiction 1990
José Rivera Drama 1992
Lewis Robinson Fiction 2003
James Robison Fiction 1985
Rick Rofihe Fiction 1991
Carlo Rotella Nonfiction 2007
Jess Row Fiction 2003
Mary Ruefle Poetry 1995
Sarah Ruhl Drama 2003
Michael Ryan Poetry 1987
Russ Rymer Nonfiction 1995
Lucy Sante Nonfiction 1989
Saïd Sayrafiezadeh Nonfiction 2010
James Schuyler Poetry 1985
Claire Schwartz Poetry 2022
Salvatore Scibona Fiction 2009
Danzy Senna Fiction 2002
Anton Shammas Fiction 1991
Anton Shammas Nonfiction 1991
Charif Shanahan Poetry 2024
Akhil Sharma Fiction 2001
Lisa Shea Fiction 1993
Julie Sheehan Poetry 2008
Mona Simpson Fiction 1986
Safiya Sinclair Poetry 2016
Jake Skeets Poetry 2020
Aisha Sabatini Sloan Nonfiction 2025
Genevieve Sly Crane Fiction 2020
Evan Smith Drama 2002
Tracy K. Smith Poetry 2005
Dalia Sofer Fiction 2007
Jason Sommer Poetry 2001
Elizabeth Spires Poetry 1996
Jane Springer Poetry 2010
Matthew Stadler Fiction 1995

Selected winners

Sofi Thanhauser
2025
Worn: A People’s History of Clothing

Today, it is no longer cheaper to make your own clothes than to buy them. A task that once fell within the province of the ordinary household is now an esoteric hobby, requiring skills out of reach to most ordinary Americans. It can even be cost prohibitive, since to buy the cloth to make a shirt will often cost more than the price of a new shirt. A curious reversal.

Ralph Tharpe, the former design engineer at Cone Mills in North Carolina, and the man responsible for making denim for Levi’s 501s during the 1970s, put the question to me this way: “Why is it that from 1960 to today the price of a Ford truck has increased ten times over and the price of a pair of dungarees has stayed the same?” This question becomes even more puzzling when one considers that many mass-manufacturing processes have been automated since the 1960s but sewing is not one of them. The process one follows to sew a garment has not changed materially since the advent of the sewing machine. Fabric is a fussy and unpredictable material, unlike sheet metal, that still requires the subtle manipulation of tension that can only be done by a real human hand.

How then, did this happen?

Read More >
Lewis Robinson
2003
Officer Friendly and Other Stories

“Now, because it’s his birthday and he wasn’t supposed to make it this far, he asked that we throw him a bash, like the old Augusta blowouts, and he asked that at midnight we shoot him dead.”

 

I stared at him. He didn’t waver.

 

“We figure you’re the best guy to do it,” he said, slapping a hand on my shoulder.

 

“I’ve never even shot a gun,” I said.

 

He pulled up my shirt and took the gun from the back of my pants. “It’s pretty basic. Point and pull. You’ve seen the movies.” He aimed the pistol at the portrait of the old man, said “Bang” and faked the recoil, then blew imaginary smoke from the barrel.

Read More >
Andrea Lawlor
2020
Paul Takes the Form of a Mortal Girl
A Novel

The game consisted of a single question: If you had to fall in love with (by which Paul meant have sex with) one person in this elevator, who would it be? He played the elevator game in every class he ever took, on the bus, in straight bars, in subway cars, in waiting rooms, free clinics, the line at a movie theater, dinner out with a group of friends-of-friends. He sometimes played the elevator game with Jane, a silent communion of eyebrows and squints or—more likely—a fast-talking, low-murmured loop around the bar, marking targets. Jane was his favorite companion for this; she didn’t judge. Most of his life he had played alone.

Read More >
Shayok Misha Chowdhury
2024
Public Obscenities
A Play

CHOTON

I’m just saying like taxonomically, does it even make sense to categorize my genitalia and your genitalia as the same thing, like…

He indicates RAHEEM’s penis.

…if that’s a penis then…

He pulls his boxers down to show his own penis.

I mean what is this? It’s a polyp.

 

RAHEEM

Okay.

 

CHOTON

It’s a little nunu.

 

RAHEEM

Well I like your little nunu…

 

RAHEEM examines CHOTON’s penis. He pulls back his foreskin just a bit. CHOTON winces.

 

CHOTON

Ow. Careful.

 

RAHEEM

What?

 

CHOTON

No it’s— it’s just sensitive.

Read More >
Vanessa Angélica Villarreal
2019
Beast Meridian

That I commune with the dead as I oil your feet. My house at the throat of the river, the door to this world, I wait for you. That I ask of the spirit and receive the knowledges: yerbabuena, vela de virgen, baño de alhucema. Cut the joint at the hoof & fatten the soup. Accept this offering, thank the plant. That I love you with the knowledge of our ways lost to violence. That you will call me up from the silt in your bones.

Read More >
Megha Majumdar
2022
A Burning
A Novel

“YOU COME WITH ME NOW,” Uma madam says one day, after breakfast. She has come prepared. A male guard comes forward and grabs my arm. 

“Where?” I say, wrenching free. He lets go. “Stop it! I need to talk to Gobind about the appeals.” 

“You walk or he will drag you,” says Uma madam in reply. 

Back in my cell, I gather my sleeping mat, my other salwar kameez, slip my feet into the rubber slippers, then look around for anything else that is mine. Nothing is.

Uma madam pulls my dupatta off my neck. When I grab at it, she clicks her tongue. “What use is modesty for you anymore?” she says. 

We walk down the corridor, the three of us, and a few women look up from inside their cells. The corridor is so dim they are no more than movement, shapes, smells, a belch. Perhaps sensing my fear, Uma madam finds it in her heart to explain. “You can’t have a dupatta in this place where you are going. Not allowed. What if you decide to hang yourself, what then? It has happened before.” After a pause, she says, “Nobody’s coming to see you, don’t worry about looking nice.” 

Uma madam unlocks a door at the far end of the corridor, which opens onto a staircase I have never seen. Though the day is dry and sunny, there is a puddle of water on the top step.
 
“Go down,” she says. 

When I don’t move, she insists, “Go! Don’t look so afraid, we don’t keep tigers down there.” 

I climb down, my slippers slapping the steps.

Read More >