Search All Winners

Name Sort descending Genre Year
Harriet Ritvo Nonfiction 1990
José Rivera Drama 1992
Lewis Robinson Fiction 2003
James Robison Fiction 1985
Rick Rofihe Fiction 1991
Carlo Rotella Nonfiction 2007
Jess Row Fiction 2003
Mary Ruefle Poetry 1995
Sarah Ruhl Drama 2003
Michael Ryan Poetry 1987
Russ Rymer Nonfiction 1995
Lucy Sante Nonfiction 1989
Saïd Sayrafiezadeh Nonfiction 2010
James Schuyler Poetry 1985
Claire Schwartz Poetry 2022
Salvatore Scibona Fiction 2009
Danzy Senna Fiction 2002
Anton Shammas Fiction 1991
Anton Shammas Nonfiction 1991
Charif Shanahan Poetry 2024
Akhil Sharma Fiction 2001
Lisa Shea Fiction 1993
Julie Sheehan Poetry 2008
Mona Simpson Fiction 1986
Safiya Sinclair Poetry 2016
Jake Skeets Poetry 2020
Aisha Sabatini Sloan Nonfiction 2025
Genevieve Sly Crane Fiction 2020
Evan Smith Drama 2002
Tracy K. Smith Poetry 2005
Dalia Sofer Fiction 2007
Jason Sommer Poetry 2001
Elizabeth Spires Poetry 1996
Jane Springer Poetry 2010
Matthew Stadler Fiction 1995

Selected winners

Rebecca Goldstein
1991
The Late Summer Passion of A Woman of Mind
A Novel

It was true that Eva’s male colleagues had by now ceased to joke among themselves that a hopeless crush on Professor Mueller ought to be included among the requirements for the major in philosophy, but this was not because the students no longer fell in love with her. They did, at a rate which had of course slackened over the years but was still not inconsiderable. It was an irony—of course quite lost on Eva, who was steadfastly oblivious to the dramas in which she figured—that many who sat raptly listening to their professor’s lectures on the “futility of the passions,” on the need to transform the passive emotions directed towards objects and people outside ourselves into the active emotions of the intellect, were swollen with an advanced case of that same passive desire whose elimination was being eloquently, even passionately, urged upon them.

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Claude Wilkinson
2000
Reading the Earth
Poems

A bobwhite sounds through larks

and jays, the wringing-wet shade,

as in the first world, before Adam

understood their sharp iambs,

when the refrain could’ve been

anything’s: plant or animal, or light

so pure it sang. Even now

how absolute, how wondrously

primitive the singularity rings –

shouting its name, its name,

its name… till from elsewhere

an echo swells through April-thick wings

as if addressing some question

on the presence of parallels.

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Emily Hiestand
1990
Green the Witch-Hazel Wood
Poems

The pond is like a mackerel skin tonight,

the mackerel like a beaded evening bag.

This is like that, that is like this, oh,

let's call the whole thing off and take it straight:

nothing is like anything else.

Even the parrot and the apish ape

mirror, mimic and do like — unmatched.

To begin:  algae, abalone, alewife —

each the spitting image of itself.

Likewise beetles (potato, scarab and whirligig.)

Nothing even comes close to barrel cactus,

nothing is more original than a bog,

more rare than the cougar and crane —

save all the above named.

 

I've never seen anything like it — dustbowls,

deer, the descent of man and estuaries,

flakes of snow (no two like) fire,

flax, gannets and gulls.

Honeybees and the Hoover Dam

are unique -- there is nothing like a dam.

Ditto inbreeding, ice ages, industrialization,

joshua trees, lagoons and the law

that to liken a lichen is tautological.

Indeed, the rule of diminishing simile holds

that all of these are idiosyncracies:

the Leakeys, legumes, maize, marsupials and moose.

 

Virtually nothing is extraneous here —

not orchids, ooze, pampas nor peat.

This is the world of plenitude and power —

every bit of it out of this world:

 

the rain and rattlers, sperm, swamps and swans.

As now we inch toward an end — vectors

and a winter that figures to be like no other,

say the selfsame earth is to your liking,

and let us continue — yeast, yuccas, zoons,

all things like, beyond compare.

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Bruce Duffy
1988
The World as I Found It
A Novel

Even as they entered, he could feel the place envelop him like a vapor with a smell of heavy, overcooked food, privation and dust. The lady taking tickets, old and wigged, with big bosoms, conspicuously switched from Yiddish to German, putting the interlopers on notice that they had been spotted. Eyeing the overblown placard for the play, showing a giant Jew with maniacal eyes throttling some stricken Gentile, he again wondered, Why did they huddle so, these people? And all the while he kept hearing this coarse, splattery jargon, so animated, with that catarrh as though a fishbone were stuck in the throat. There was a man selling hot tea from a samovar and another vending sticky cakes and ices. And the eating—everybody eating, gnawing apples and chewing sweet crackling dumplings from greasy sheets of brown paper. And that marshy barn-warmth of people huddling. It was too close for him.

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Virginia Grise
2013
blu
A Play

BLU: … i seen pictures, gemini, of oceans that are actually blue. waters so clear you can stand waist deep, look down and see your feet. not like any ocean i’ve ever been to. light reflects off the top of the water and you can see the sand on the ocean floor.

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Yiyun Li
2006
A Thousand Years of Good Prayers
Stories

Several times a day Granny Lin bathes Old Tang: in the morning and before bedtime, and whenever he wets or dirties himself. The private bathroom is what Granny Lin likes best about her marriage. For all her life, she has used public bathrooms, fighting with other slippery bodies for the lukewarm water drizzling from the rusty showers. Now that she has a bathroom all to herself, she never misses any chance to use it.

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