Search All Winners

Name Sort descending Genre Year
R. Kikuo Johnson Fiction 2023
Jenny Johnson Poetry 2015
Adam Johnson Fiction 2009
Taylor Johnson Poetry 2024
Sarah Stewart Johnson Nonfiction 2021
Denis Johnson Fiction 1986
R.S. Jones Fiction 1992
A. Van Jordan Poetry 2004
Dan Josefson Fiction 2015
Rajiv Joseph Drama 2009
Hansol Jung Drama 2018
Cynthia Kadohata Fiction 1991
Agymah Kamau Fiction 2003
Ilya Kaminsky Poetry 2005
Joan Naviyuk Kane Poetry 2009
Seth Kantner Fiction 2005
Mary Karr Poetry 1989
Douglas Kearney Poetry 2008
John Keene Fiction 2005
John Keene Poetry 2005
Brigit Pegeen Kelly Poetry 1996
Randall Kenan Fiction 1994
Randall Kenan Nonfiction 1994
Brad Kessler Fiction 2007
Laleh Khadivi Fiction 2008
Sylvia Khoury Drama 2021
Alice Sola Kim Fiction 2016
James Kimbrell Poetry 1998
Lily King Fiction 2000
Linda Kinstler Nonfiction 2023
Brian Kiteley Fiction 1996
Matthew Klam Fiction 2001
Kevin Kling Drama 1993
Wayne Koestenbaum Nonfiction 1994
Wayne Koestenbaum Poetry 1994

Selected winners

Claire Schwartz
2022
Civil Service
Poems

In his office in the attic, in his favorite khaki pants,

the Archivist carefully sets down the glass case

of his body so as not to rattle the exhibit of his mind.

He wears gloves to stroke the name on the envelope,

the name written in a florid hand trained by long-ago

love. To live among the dead, the Archivist thinks.

His eyebrows do a little jig. With fingers strange

to his wife, the Archivist traces the name of the street

in the village that burned. The street wears the name of the flower

the Archivist’s mother tucked behind her ear in a photograph

languishing in a desk drawer. The Archivist carries his mind

into each house. Here, the Cook makes love, his hand

brushing flour against his boyfriend’s nipple. There,

the Tailor’s satisfied song of scissors bisecting

a ream of red. A girl whose mouth makes an O,

around which chocolate makes another mouth, runs

through the road. The road which runs through

the Archivist’s blood. The girl is the Archivist’s grandmother

only in that she is a story the Archivist tells

himself about how he got here. Under an oak tree,

two dogs fucking. The girl’s ice cream is melting.

The Archivist’s mind is sticky with history.

Of course, the village burns again. History is

the only road that survives. Downstairs, the Archivist’s daughter

is hungry. He restores the dead to their folders. To live!

The girls’ wails rise through the house like smoke.

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Tracy K. Smith
2005
Life on Mars
Poems

Some of the prisoners were strung like beef

From the ceilings of their cells. “Gus”

Was led around on a leash. I mean dragged.

Others were ridden like mules. The guards

Were under a tremendous amount of pleasure.

I mean pressure. Pretty disgusting. Not

What you’d expect from Americans.

Just kidding. I’m only talking about people

Having a good time, blowing off steam.

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Lucy Sante
1989
Low Life
Lures and Snares of Old New York

Rat-baiting was the premier betting sport of the nineteenth century. Its prestige can be gauged in economic terms, circa 1875: admission to a then illegal prizefight between humans cost fifty cents, to dogfights and cockfights $2, while a fight pitting a dog against rats ran anywhere from $1.50 if the dog faced five rats or fewer, up to $5, in proportion to the number of rats. In the eighteenth century the biggest draw had been bearbaiting, but that sport gradually dissipated as the number of available bears decreased, although matches continued to be held up to the Civil War, notably in McLaughlin’s bear pit at First Avenue and Tenth Street. For a while, dog-vs.-raccoon contests were popular, but rats were so readily available that they came to dominate the scene; boys were paid to catch them, at a rate of five to twelve cents a head.

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Stephania Taladrid
2023
The New Yorker (October 17, 2022)

By the time the pregnant woman for whom Anna was waiting walked up, the trailhead was quiet enough to make the chirping of birds seem jarring. As Anna pulled a plastic bag of pills from her pocket and settled across from the pregnant woman at a picnic table, she registered the fear on the woman’s face. Her distress, as Anna understood it, was less about a breach of Texas law than about the possibility that her husband, who was violent, might find out what she was doing. Hands shaking, the woman told Anna that she was already raising three children and had been trying to save enough money to remove them from a dangerous home. The prospect of having another child, she said, was like “getting a death sentence.” She couldn’t vanish from her household for a day without explanation, travel to a state where abortion is legal, and pay seven hundred dollars to a doctor for a prescription. Anna’s pills, which were free, were her best option. Taking the baggie and some instructions on how to take the medication, the woman thanked Anna and fled the park, hoping that her husband would never realize she’d been gone.

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Peter Trachtenberg
2007
7 Tattoos
A Memoir in the Flesh

I show Hanky Panky the design that I adapted from a photo in a book of Dayak art, and he has me take off my shirt and he sketches the design on my collarbone with a grease pencil. Then he calls over an assistant to shave my chest. Now, under other circumstances, this could be kind of a turn-on. But in Hanky Panky’s tattoo parlor it justs reminds me of the shaving I had to undergo before some surgery I once had in the groin region. That one, much to my initial disappointment, had been performed by a male nurse, although actually I did see the wisdom of having a man for the job at around the time he began to whisk the razor around my balls. “Hey, be careful. Please!” I begged. And my male nurse answered, “Don’t worry, buddy. I’ll handle ‘em like they were my own.”

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Sharifa Rhodes-Pitts
2012
Harlem Is Nowhere
A Journey to the Mecca of Black America

In this dream Harlem, the avenues are even wider and more grand. I visit elegant lounges that have mahogany fittings and floor-to-ceiling windows that open onto the avenue—striped silk curtains billow in the breeze. In that dream Harlem, that nowhere Harlem, I reach the campus of City College by ascending the face of a ragged cliff many times more treacherous than the steps of St. Nicholas Park. In these settings unfold various plots of which I am not quite the author.

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