Search All Winners

Name Sort descending Genre Year
R. Kikuo Johnson Fiction 2023
Jenny Johnson Poetry 2015
Adam Johnson Fiction 2009
Taylor Johnson Poetry 2024
Denis Johnson Fiction 1986
Sarah Stewart Johnson Nonfiction 2021
R.S. Jones Fiction 1992
A. Van Jordan Poetry 2004
Dan Josefson Fiction 2015
Rajiv Joseph Drama 2009
Hansol Jung Drama 2018
Cynthia Kadohata Fiction 1991
Agymah Kamau Fiction 2003
Ilya Kaminsky Poetry 2005
Joan Naviyuk Kane Poetry 2009
Seth Kantner Fiction 2005
Mary Karr Poetry 1989
Douglas Kearney Poetry 2008
John Keene Poetry 2005
John Keene Fiction 2005
Brigit Pegeen Kelly Poetry 1996
Randall Kenan Fiction 1994
Randall Kenan Nonfiction 1994
Brad Kessler Fiction 2007
Laleh Khadivi Fiction 2008
Sylvia Khoury Drama 2021
Alice Sola Kim Fiction 2016
James Kimbrell Poetry 1998
Lily King Fiction 2000
Linda Kinstler Nonfiction 2023
Brian Kiteley Fiction 1996
Matthew Klam Fiction 2001
Kevin Kling Drama 1993
Wayne Koestenbaum Nonfiction 1994
Wayne Koestenbaum Poetry 1994

Selected winners

Daniel Orozco
2011
Orientation
And Other Stories

There are no personal phone calls allowed. We do, however, allow for emergencies. If you must make an emergency phone call, ask your supervisor first. If you can’t find your supervisor, ask Phillip Spiers, who sits over there. He’ll check with Clarissa Nicks, who sits over there. If you make an emergency phone call without asking, you may be let go.

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Darryl Pinckney
1986
Out There
Mavericks of Black Literature

The experience of reading Sex and Race is one of embrace and recoil as Rogers indiscriminately loads us down with the provable and the forever dodgy, the serious and the frivolous. Sometimes his footnotes, not always adequate or acceptable, tell when he was at work on a given aspect of his subject, in the way that an itemized credit card bill is a diary, a record of movement. The references go in clusters: in the 1920s, he was reading about Syria, Palestine, Arabia, and Persia; in the 1930s, he was reading the memoirs of English travelers in Africa. Sometimes, he clearly couldn’t go back to a particular library or text to check his facts again. And sometimes Sex and Race reads as though it had threatened to consume him, because the first-person voice breaks through in the book at times of what could be called narrative stress.

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Martha Zweig
1999
Vinegar Bone
Poems

He did it deliberately &

so when the police tracked him down he was

able to explain it so

clearly they had to

agree. Still, they hadn’t done it.

 

Anyway, he’d checked it out &

it was what they’d suspected,

women! – women just

opened & spilled, there was

nothing special in there after all.

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Liza Birkenmeier
2025
Grief Hotel
A Play

WINN – How’s Melba?

EM – She told me she could see the afterlife.

WINN – What’s it like?

EM – Or my afterlife. She said that I would be a few other things when I die, that my cells have tiny souls so when I am a piece of cheese and a pigeon, I will still be me, but my consciousness will be broken down into smaller bits.

WINN – Does that feel happy to you?

EM – I don’t care. I’ll be like a deconstructed sandwich. / Or baby.

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Genevieve Sly Crane
2020
Sorority
A Novel

What is the difference between beautiful girls and ordinary ones? My face was symmetrical. I’d taken Accutane. I wore the right things. None of it made a difference next to Tarryn. She had a shimmer about her, a light that I could never fully understand. I couldn’t even make eye contact with her. It was like staring at the headlights of a car on a dark road. Later, in my sorority, and even later at my job, I’d meet other women like her and wonder how they were made.
 

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