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“This was when my dad was still living with us, but he would come to services from work, so when we went home afterward I’d have to choose who to go home with.  I don’t know if it upset my dad, but I always went home with my mom.  Mostly because she drove the Beetle, which was so much more fun. She would play these old Patti Smith cassettes, and I’d sing with her. But the best part was she’d let me put on the dome light, so it felt like we were in this little space capsule, just the two of us. That’s my favorite memory, me and my mom going home from temple Friday nights.  That car was like a lit-up igloo rolling through the dark.” 

In that darkness,

Speakers rose like

Housing projects,

Moonlight diamonded

Mesh-wire panes.

What was it that bloomed

Around his curled

Body when the lights

Came up, fluorescent,

Vacant, garish?

The gym throbbed

With beats & rage

And his eyes darted

Like a man nailed

To a burning crucifix.

From a side lane soft with lunar mulch

and thistledown I saw them, clipped alone

on a clothesline, a pair of diaphanous panties

as wide as an elephant’s forehead.

I sighed across the boy-mown lawn

and they shook as though they shed blessings

to the moon and her tongue-tied exiles.

Who would dare pour such panties

along his arms and throat? A murderer, maybe.

The Milky Way was pavement

compared to their luxury. I knew

I wouldn’t outwalk their whispers that night.

Next morning my feet felt like mallets.

I was back in the world where people

wear out, embarrassed by beautiful things,

and a garment fit for a goddess is nothing but big.

The sky over Bombay was filled with gold and silver, masonry, bricks, steel girders, and human limbs and torsos, flying through the air as far as Crawford Market. A jeweler was sitting in his office in Jhaveri Bazaar when a bar of solid gold crashed through the roof and arrived in front of him. A steel girder flew through the air and crashed through the roof of Victoria Terminus, the main train station. A plate of iron landed on a horse and neatly decapitated the animal. Stray limbs and fragments of bodies were blown all over the docks. Bombay had never, till then, seen any wartime action. It was as if the city had been bombed.

Alone in a London museum, I saw a watercolor of twin

      flames, one black, one a gauzy red,

only to learn the title is Boats at Sea. It's like how

      sometimes I forget you're gone.

But it's not like that, is it? Not at all. When in this world

      similes carry us nowhere.

And now I see again the boy pelting through those galleries

a boy not you, a flash of red, red, chasing, or being chased—

Or did I invent him? Mischief companion. Brother.

      Listen to me

plead for your life though even in the dream I know you're

      already dead.

How do I insure my desire for grief is never satisfied? Was

      Priam's ever?

I tell my friend, I want the page itself to burn.

A grotesquely fat woman lives in the farthest corner of the village. Her name is Matilde. When she walks to market, she must gather up her fat just as another woman gathers up her skirts, daintily pinching it between her fingers and hooking it over her wrists. Matilde’s fat moves about her gracefully, sighing and rustling with her every gesture. She walks as if enveloped by a dense storm cloud, from which the real, sylph-like Matilde is waiting to emerge, blinding as a sunbeam.