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I live brokenly and assemble together

Weakly – from long bone of the arm, hip

Rollicking in its socket, and the jaw,

Its brux. From the lip of a wooden

Bowl carved from the knot of a limb

Drifted, my name was given on water

And laid down like hail upon my tongue.

It’s become a bewilderment of white –

It snows. It does snow. It is snowing.

Some of the subjects covered during Gamal’s hour of talk: the great friendship they will have; the difficulty Gamal has accepting Ib’s name—he prefers to call him Ibrahim; the movies of Kaleemt Ishtwud; the language of Arabic, which Gamal will make Ib speak like one good Arab Man, which Gamal says is the language everyone in the world knows; felucca rides on the Nile; the English language, the greatest language on earth, which Ib will teach Gamal to speak like on good English Man; this great beauty the singer Paula Abdul, but what is she a servant of (abdul means “servant of”) and how can we make her visit our house which we will build together near the Pyramids; the Pyramids, which Gamal feels one moment are the great monuments of the world we know, the next moment, garbage heaps, where bad people sell bad things that do not make Egypt look good; the right of a man to marry a woman for a few weeks, a very necessary right, men are much stronger and fairer this way, men grow beards more quickly, men walk in straight lines.

so mama said no running, afraid
for me: shriveled lansones, sickly.

threat of skinned shins. cherry
glow of lola’s clove cigarettes,

smoke plumes sealing my throat.
or on my cheeks, plum rashes

blooming from playing in witchwillow.
these days, I don’t run much.

but I was only seven when I broke
a girl’s front teeth. 

He watched the sky and thought of all the fires the world had ever seen, fires from wars, fires from bombs. So much smoke. Where has it all gone? New smoke curled beneath wisps of old, drifting ever higher, higher. Where does it all go? He inhaled deeply and his insides burned, and Vernon knew all that smoke was now just the air we breathe.

When I say my wives are cages, I don’t mean I’m a bird.

Collapsible shelves, they hide their usefulness when not

in use. All my wives contain terrariums: terrible and fetid

atmospheres in which their salamander selves linger atop

damp rocks. Their hands are damp as the tissues they ball

in their hands, though none of my wives could make a fist,

not even if I asked, no, not even if I commanded them to,

an amusing idea I must someday revisit. My wives are like

the Small Mammal House at the zoo, their rooms kept dark

so visitors may view their nocturnal truths, that anonymous

wakefulness we sleepers do not care to know. None of my

wives are like lanterns, nor do their ribs sing with canaries...

“Three words,” Gaz said. “Motion. Picture. History.” He got up, circled the table as he explained his movie: en route to Earth from a distant solar system, the crew of the Valedictorian crash-lands on a hostile planet inhabited by bat-winged pygmies, lobster-clawed cannibals, two-headed vampires. “That’s where your stuff comes in. I’m going to splice up your movies with mine.” He went on about the mixing-up of genres, chop-suey cinema, bringing together East and West. “We’d be the ambassadors of international film!”

“What’s your thinking on this?” Checkers asked me in Tagalog. “Is this man serious? Is he just an American fool?”

“Ask how much he’ll pay,” I said, “get twenty percent more, give him the movies, and show him to the door.”