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Six months ago, before all this, I drove into Las Vegas on a hot August twilight. My first time in the city. From the highway, I could see the Strip in the far distance, but also a lone dark cloud above it, flushed on a bed of light, glowing alien and purplish in the sky. My tired, pulpy brain at the time, I thought it was a UFO or something and nearly hit the truck ahead of me. Fifteen minutes later, at a gas station, I was told about the beam of light from atop that pyramid casino and how you can even see the beam from space, given no clouds were in the way. My disappointment surprised me.

Our culture is based in the profundity things carry. We’re always trying to see the world the way our ancestors did—we feel less of a relationship to the natural world. There was a time when we dictated our beliefs and told ourselves what was real, or what was wrong or right. There weren’t any abstractions. We knew that our language came before the world.

            Jilly took her head out of the oven mainly because it was hot and the gas did not work independently of the pilot light. Stupid new technology. And preferring her head whole and her new auburn sew-in weave unsinged, and having no chloroform in the house, she conceded that she would not go out like a poet. But she updated her status, just the same:

                    A final peace out

                    before I end it all.

              Treat your life like bread,

                  no edge too small

                          to butter.

            Jilly was not a poet or even an aspiring one. She just liked varying her posts as much as possible.

Copyright © by Nafissa Thompson-Spires. From Heads of the Colored People: Stories by Nafissa Thompson-Spires. Published by 37 Ink/Atria Books, an Imprint of Simon & Schuster, Inc. Printed by permission.

A grotesquely fat woman lives in the farthest corner of the village. Her name is Matilde. When she walks to market, she must gather up her fat just as another woman gathers up her skirts, daintily pinching it between her fingers and hooking it over her wrists. Matilde’s fat moves about her gracefully, sighing and rustling with her every gesture. She walks as if enveloped by a dense storm cloud, from which the real, sylph-like Matilde is waiting to emerge, blinding as a sunbeam.

Long ago a fish forgot what fins were good for

And flew out of the stream

It was not dreaming

It had no ambition but confusion

In Nova Scotia it lies on ice in the sun

and its eye turns white and pops out like a pearl

when it’s broiled

The Titanic is the one that got away.

Breathing Room 

There are lives twice as long as others; 

they might look back on those 

behind them like runners nearing 

the finish line relieved 

not to have been out of it so early. 

We wake one day to an understanding 

about our diminishment yet 

by evening, we’ve turned that corner— 

the present is everything; its tedium 

flaring in the window’s reflection. 

You get tired of being this way. 

Plans go awry & other plans 

get made elsewhere, somewhere 

elaborately empty. Still, we believe

ourselves slightly beautiful as we check 

the door then fill the bedside glass, 

means of accumulation mastered, 

our complaint well turned. 

Unheard behind that window, the night sky— 

boundless—still roars.