Search All Winners

Name Sort descending Genre Year
R. Kikuo Johnson Fiction 2023
Denis Johnson Fiction 1986
R.S. Jones Fiction 1992
A. Van Jordan Poetry 2004
Dan Josefson Fiction 2015
Rajiv Joseph Drama 2009
Hansol Jung Drama 2018
Cynthia Kadohata Fiction 1991
Agymah Kamau Fiction 2003
Ilya Kaminsky Poetry 2005
Joan Naviyuk Kane Poetry 2009
Seth Kantner Fiction 2005
Mary Karr Poetry 1989
Douglas Kearney Poetry 2008
John Keene Poetry 2005
John Keene Fiction 2005
Brigit Pegeen Kelly Poetry 1996
Randall Kenan Fiction 1994
Randall Kenan Nonfiction 1994
Brad Kessler Fiction 2007
Laleh Khadivi Fiction 2008
Sylvia Khoury Drama 2021
Alice Sola Kim Fiction 2016
James Kimbrell Poetry 1998
Lily King Fiction 2000
Linda Kinstler Nonfiction 2023
Brian Kiteley Fiction 1996
Matthew Klam Fiction 2001
Kevin Kling Drama 1993
Wayne Koestenbaum Nonfiction 1994
Wayne Koestenbaum Poetry 1994
Samuel Kọ́láwọlé Fiction 2025
Tony Kushner Drama 1990
Natalie Kusz Nonfiction 1989
Suji Kwock Kim Poetry 2006

Selected winners

Anthony Carelli
2015
Carnations
Poems

Kenosha is hideous behind us, cloaked by this cloud that hangs

On the pigeons flushed out:  the last exhalation of the auto assembly. 

We wait at the base of the docks, and talk about the White Sox,

Not the Roman Empire.  My father and I stare right at it, but talk baseball.

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Mona Mansour
2012
Humana Festival 2012
The Complete Plays

BEDER: (fuming) Independence Day fireworks. How can the Israelis call it Independence Day and not choke on the words? They celebrate forcibly removing people from their homes? Killing men, women, children? This is cause for a party?

 

ADHAM: Let’s not get political.

 

BEDER: Who’s getting political?

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Allegra Goodman
1991
Total Immersion
Stories

As Frankel muses on Progress in his Hillman Minx, Ed Markowitz wearily drives a rented Fiat to the Oriental Institute. He had not wanted to go on the day of his arrival, but this is the only time he can be sure to see Mujahid Rashaf, who is returning to Saudi Arabia within the week. Rashaf is an Oxford fellow and the son of a merchant prince. He will provide just the reasoned yet religious opinions that Markowitz seeks for his book, Terrorism: A Civilized Creed.

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Brian Blanchfield
2016
Proxies
Essays Near Knowing

What you type and submit appears to you attributed to You. What he replies and enters comes from Partner. There is, as it turns out, a lot to say while watching Partner look at you watching. He is, to begin with, in a room of some kind, particular, contingent, “real.” With art and clocks and books and pillows and cigarettes and mail and daylight, or lamplight, with a bed or desk or basement sofa, with doors you can ask him to open, bags he may or may not empty, of content you may deduce about. The bottoms of his socks are dirty. You give it to him that his socks are dirty, that his door is ajar, that his grin is telling. “Partner: Are you for real?”

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Kevin Kling
1993
On Stage with Kevin Kling

CHAIRMAN FRANCIS: Our church is the street, our faith is the people, and our laws are constantly changing. If a law offends us, we pluck it out. If a minister offends us, we pluck him out and elect a new minister who is young and strong and can recognize evil’s ever-changing face. We don’t believe in miracles, we believe in action. But action takes money. Mr. Chairman, the church of Democratic Progression needs your financial support. Now, Mr. Chairman, how much would you pay to nip evil in the bud? Now I’m not talking about wiping out evil entirely, just your own little personal dark speck. Would you pay forty dollars, Mr. Chairman? Thirty dollars? Twenty dollars, the price of four filthy movies? NO. Mr. Chairman, for just fifteen dollars a month you can keep a chairman, like myself, on the streets fighting evil on your behalf.

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Nathan Alan Davis
2018
Nat Turner in Jerusalem
A Play

NAT TURNER

What do you mean by your copyright?

The right to copy?

 

THOMAS R. GRAY

Yes, well, the right to publish and distribute, which involves copying necessarily.

 

NAT

And who can grant such a right?

 

THOMAS

The copyright office, naturally.

 

NAT

...

 

THOMAS

It protects the rights of the man who has done the work.

 

NAT

And is God not a sufficient witness of our works?

 

THOMAS

Uh,

No.

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