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Our father comes in wearing his gorilla mask and hands, swinging his arms and beating his chest. My sister puts her hands over her plate. Our father pushes her hands away, grabs at her food and pokes sauerkraut through the mouth hole in his mask. He moves around the table, swiping food from the paper plates and guzzling from the cups. Near my mother he bangs his head on the knickknack shelf and one of the snow globes falls and breaks on the floor. It’s the one with the satellite inside.

When our father comes near me, I slide down under the table, but he pulls me back up by his hairy rubber hands. I don’t say anything. He likes being the gorilla. After dinner, when he takes off the mask and hands, his face will be flushed and there will be tears in his eyes.

I realize then that Wichu knows. Of course he knows. He was here, at this temple, outside of the pavilion with his mother, when Khamron got drafted years ago. He was here when the wealthier boys got taken out of the line. He was here when those same boys came back an hour later, took their places at the end of the lottery line, and—when their turns came—drew black card after black card after black card. Wichu had told me all about it the night of his brother’s draft. Although I had only half listened to him at the time, the memory of his voice comes back to me now in all its anger.

“Draft Day” from SIGHTSEEING © 2005 by Rattawaut Lapcharoensap; reprinted with the permission of the publisher, Grove Atlantic, Inc.

HOME IS WHERE

I peek from the slit
between my forearms.
Them. They come.
Eyes in all the heads glow. 
The flow
melts my arm flesh
Burgundy vessels drip
from bone.

The graveyard this time of year is nice. Damp orange yellow red leaves pile at the headstones for pillows. Place my head in leaves. Soil moist and black like chocolate cake and taste like worms. Arms spread legs spread wind crawls up my pants leg to pocket soft backs of knees. Slightly arched back anchors shoulders to my throat, jaw, head. Eyes fixed to the blue grey. Meanwhile. An old deer limps over, sits like a dog, licks my shoes.

We Googled how to shoot gun, and when we tried, we were spooked by the recoil, by the salty smell and smoke, by the liturgical drama of the whole thing in the woods. But actually we loved to shoot them, the guns. We liked to shoot them wrong even, with a loose hand, the pitch forward and the pitch back. Under our judicious trigger fingers, beer bottles died, Vogue magazines died, Chia Pets died, oak saplings died, squirrels died, elk died. We feasted.

“Three words,” Gaz said. “Motion. Picture. History.” He got up, circled the table as he explained his movie: en route to Earth from a distant solar system, the crew of the Valedictorian crash-lands on a hostile planet inhabited by bat-winged pygmies, lobster-clawed cannibals, two-headed vampires. “That’s where your stuff comes in. I’m going to splice up your movies with mine.” He went on about the mixing-up of genres, chop-suey cinema, bringing together East and West. “We’d be the ambassadors of international film!”

“What’s your thinking on this?” Checkers asked me in Tagalog. “Is this man serious? Is he just an American fool?”

“Ask how much he’ll pay,” I said, “get twenty percent more, give him the movies, and show him to the door.”