Search All Winners

Name Sort descending Genre Year
Michael Cunningham Fiction 1995
Charles D'Ambrosio Fiction 2006
Michael Dahlie Fiction 2010
J. D. Daniels Nonfiction 2016
Lydia Davis Fiction 1988
Nathan Alan Davis Drama 2018
Tyree Daye Poetry 2019
Connie Deanovich Poetry 1997
Hannah Dela Cruz Abrams Fiction 2013
Hannah Dela Cruz Abrams Nonfiction 2013
Jaquira Díaz Nonfiction 2020
Hernan Diaz Fiction 2019
LaTasha N. Nevada Diggs Poetry 2016
Trudy Dittmar Nonfiction 2003
Matt Donovan Poetry 2010
Mark Doty Poetry 1994
Marcia Douglas Fiction 2023
Jennifer duBois Fiction 2013
Bruce Duffy Fiction 1988
Steven Dunn Fiction 2021
Anaïs Duplan Nonfiction 2022
Pam Durban Fiction 1987
Stuart Dybek Fiction 1985
Gerald Early Nonfiction 1988
Russell Edson Poetry 1989
Kim Edwards Fiction 2002
Louis Edwards Fiction 1994
Erik Ehn Drama 1997
Gretel Ehrlich Nonfiction 1987
Nancy Eimers Poetry 1998
Deborah Eisenberg Fiction 1987
Thomas Sayers Ellis Poetry 2005
Jeffrey Eugenides Fiction 1993
Roger Fanning Poetry 1992
Anderson Ferrell Fiction 1996

Selected winners

Allegra Goodman
1991
Total Immersion
Stories

As Frankel muses on Progress in his Hillman Minx, Ed Markowitz wearily drives a rented Fiat to the Oriental Institute. He had not wanted to go on the day of his arrival, but this is the only time he can be sure to see Mujahid Rashaf, who is returning to Saudi Arabia within the week. Rashaf is an Oxford fellow and the son of a merchant prince. He will provide just the reasoned yet religious opinions that Markowitz seeks for his book, Terrorism: A Civilized Creed.

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Antoinette Nwandu
2018
Pass Over
A Play

                    MOSES

yo ass gon rise up to yo full potential too

gon git up off dis block

man

you remember

dat sunday school

ol reverend Missus be like

 

                    (as reverend missus)

sed uh

do you wanna cross dat river now chillun

sed uh

do you wanna cross dat river now chillum

 

                    KITCH

                    (gasping)

pass ovuh

 

                    MOSES

yeah nigga damn

i feel like we cud do dis shit

you feel me

git up off dis block

 

                    KITCH

amen!

 

                    MOSES

be all we cud be

 

                    KITCH

yes lawd!

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Michael Cunningham
1995
Flesh and Blood

The address books Englehart’s stocked were second-rate. Their covers were simulated leather, their bindings indifferently glued. Mary stood frowning over one of the books, bound in oxblood plastic, emblazoned with the golden word Addresses, the final s of which had already begun to chip. It was such a flimsy thing, so beneath her, that she felt foolish even looking at it. She glanced around, saw that no one was watching, and almost before she knew she would do it she slipped the address book into her bag. Her forehead burned. Calmly, walking as herself, in heels and pearl earrings, she left the store with the tacky little address book hidden in her bag, its price tag still attached. The tag, when she looked at it, said that the book had cost ninety-nine cents.

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Yiyun Li
2006
A Thousand Years of Good Prayers
Stories

Several times a day Granny Lin bathes Old Tang: in the morning and before bedtime, and whenever he wets or dirties himself. The private bathroom is what Granny Lin likes best about her marriage. For all her life, she has used public bathrooms, fighting with other slippery bodies for the lukewarm water drizzling from the rusty showers. Now that she has a bathroom all to herself, she never misses any chance to use it.

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Charif Shanahan
2024
Trace Evidence: poems

It happened inside a single room.

For me. Forgive me

If you feel with this assertion I diminish you

Or the integrity of your story.

 

But it’s true: I was nowhere, there,

On the frayed brown carpet, between two beds—

Mine to the right, my brother’s to the left—

Counting the tiny holes

In the radiator cover, dark eyes

Piercing through painted-white metal.

 

When I looked around, I saw nothing that I was.

Not even other nothings, like me.

Do you think I take from you?

I do not take from you, I am you.

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Douglas Kearney
2008
Fear, Some
Poems

I feel I could eat women.

 

Driving alone, I’m hungry,

hawking bus stops and sidewalks.

 

Eyeballs grinding, I harden.

 

My mind, a bulging ice box.

My computer, a deep freeze.

 

The bingeing grows out of hand –

 

my wastebasket coughing up

the napkins hiding the bones.

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