Search All Winners

Name Sort descending Genre Year
Justin Cronin Fiction 2002
Stanley Crouch Nonfiction 1991
Michael Cunningham Fiction 1995
Charles D'Ambrosio Fiction 2006
Michael Dahlie Fiction 2010
J. D. Daniels Nonfiction 2016
Lydia Davis Fiction 1988
Nathan Alan Davis Drama 2018
Tyree Daye Poetry 2019
Connie Deanovich Poetry 1997
Hannah Dela Cruz Abrams Fiction 2013
Hannah Dela Cruz Abrams Nonfiction 2013
Jaquira Díaz Nonfiction 2020
Hernan Diaz Fiction 2019
LaTasha N. Nevada Diggs Poetry 2016
Trudy Dittmar Nonfiction 2003
Matt Donovan Poetry 2010
Mark Doty Poetry 1994
Marcia Douglas Fiction 2023
Jennifer duBois Fiction 2013
Bruce Duffy Fiction 1988
Steven Dunn Fiction 2021
Anaïs Duplan Nonfiction 2022
Pam Durban Fiction 1987
Stuart Dybek Fiction 1985
Gerald Early Nonfiction 1988
Russell Edson Poetry 1989
Louis Edwards Fiction 1994
Kim Edwards Fiction 2002
Erik Ehn Drama 1997
Gretel Ehrlich Nonfiction 1987
Nancy Eimers Poetry 1998
Deborah Eisenberg Fiction 1987
Thomas Sayers Ellis Poetry 2005
Jeffrey Eugenides Fiction 1993

Selected winners

Shubha Sunder
2025
Optional Practical Training: A Novel

I paused outside Porter Square Station, in my wet clothes, to observe what a sign there called a kinetic sculpture—three elevated red objects shaped like tongues, tumbling about their axes and orbiting a tall white pole. My thoughts circled back to Theta’s shocked expression at my rent, which led me to review my predicted costs—food, transportation, utilities—and wonder if I’d overlooked something. After a brief trance, I descended a long escalator to the commuter rail platform and boarded the train to Wilton. Soon I was passing the same backyards and open spaces I’d sped by in March, no longer barren and covered with dirty snow, but green, with that profusion of young spring leaves I associated with Impressionist paintings. A pond slid into view, its edges blurred by clumps of reeds. The rain started again. It drew long diagonal streaks across the windows. Anyone want to get off at Brandeis? the conductor called as she strode up the aisle. That was a question, she added cheerfully. Not a threat.

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Taylor Johnson
2024
Inheritance: Poems

If there is a ground, then there are bodies beneath it.

 

If the bodies know my name, then I am said to be protected.

 

If I am spoken for, then I could've died a number of times.

 

If I am still here, then I am speaking for the dirt.

 

If there is dirt, then there is my mouth wet and ripe with questions.

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Tyree Daye
2019
River Hymns

1. Boy, don’t let a shadow in you, I never want to see the devil in your eyes, a traceable line of your daddy’s.

2. If you dream about fish or a river, somebody’s pregnant, we need the water more than it needs us.

3. Dream about snakes, you haven’t been living right, wash your hands of it.

4. They’re shooting boys who look like you. You know my number, use it, keep all your blood.

5. Stay

6. Alive.

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Jaquira Díaz
2020
Ordinary Girls
A Memoir

“You know I’m gonna pay you back,” my mother said, then winked at him.

       He pulled out a ten-dollar bill and handed it to her, just like that. “Gracias,” she said, then headed inside.

        She was always like this, learning my friends’ names, getting familiar enough to ask for money, or cigarettes, or drugs. It would be this way into my late teens, when I’m grown, when I’m a woman. It was like I was the only one getting older, changing. But Mami, she was frozen in time as that twenty-year-old who listened to Madonna and thought my father was running around on her, still haunted by those same monsters, and even years after we’d left Puerto Rico, she believed we still owned the house in Luquillo, the liquor store, that we would go back there, pick up right where we left off. That it would all be waiting for us to get back.

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Major Jackson
2003
Leaving Saturn
Poems

In that darkness,

Speakers rose like

Housing projects,

Moonlight diamonded

Mesh-wire panes.

 

What was it that bloomed

Around his curled

Body when the lights

Came up, fluorescent,

Vacant, garish?

 

The gym throbbed

With beats & rage

And his eyes darted

Like a man nailed

To a burning crucifix.

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Melanie Rae Thon
1997
First, Body
Stories

There’s a man inside this woman, and he’s alive. But he can’t speak—she can’t speak—the face is peeled back, the skull empty, and now the cap of bone is being plastered back in place, and now the skin is being stitched shut. The autopsy is over—she’s closed, she’s done—and he’s still in there, with her, in another country, with the smell of shit and blood that’s never going to go away, and he’s not himself at all, he’s her, he’s Gloria Luby—bloated, full of gas, fat and white and dead forever.

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