Search All Winners

Name Sort descending Genre Year
Justin Cronin Fiction 2002
Stanley Crouch Nonfiction 1991
Michael Cunningham Fiction 1995
Charles D'Ambrosio Fiction 2006
Michael Dahlie Fiction 2010
J. D. Daniels Nonfiction 2016
Lydia Davis Fiction 1988
Nathan Alan Davis Drama 2018
Tyree Daye Poetry 2019
Connie Deanovich Poetry 1997
Hannah Dela Cruz Abrams Fiction 2013
Hannah Dela Cruz Abrams Nonfiction 2013
Hernan Diaz Fiction 2019
Jaquira Díaz Nonfiction 2020
LaTasha N. Nevada Diggs Poetry 2016
Trudy Dittmar Nonfiction 2003
Matt Donovan Poetry 2010
Mark Doty Poetry 1994
Marcia Douglas Fiction 2023
Jennifer duBois Fiction 2013
Bruce Duffy Fiction 1988
Steven Dunn Fiction 2021
Anaïs Duplan Nonfiction 2022
Pam Durban Fiction 1987
Stuart Dybek Fiction 1985
Gerald Early Nonfiction 1988
Russell Edson Poetry 1989
Louis Edwards Fiction 1994
Kim Edwards Fiction 2002
Erik Ehn Drama 1997
Gretel Ehrlich Nonfiction 1987
Nancy Eimers Poetry 1998
Deborah Eisenberg Fiction 1987
Thomas Sayers Ellis Poetry 2005
Jeffrey Eugenides Fiction 1993

Selected winners

Xan Forest Phillips
2021
HULL

Though I cannot lavish praise on stamina
            alone, I must acknowledge a femme

            

            fortitude. Last night, I tell myself,
a misstep at battery’s expense

 

so as to never consider the sentience
of a pleasure machine.

 

How her trembling must have lullabied
                   my drunk tongue the intricacies

                  

                   of sexual decorum even in sleep,
how she may have throbbed

 

all night beside me, anticipating her
own reciprocal and tender invasion.

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Jia Tolentino
2020
Trick Mirror
Reflections on Self-Delusion

What could put an end to the worst of the internet? Social and economic collapse would do it, or perhaps a series of antitrust cases followed by a package of hard regulatory legislation that would somehow also dismantle the internet’s fundamental profit model. At this point it’s clear that collapse will almost definitely come first. Barring that, we’ve got nothing except our small attempts to retain our humanity.

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Louis Edwards
1994
Ten Seconds
A Novel

“Malcolm is dead,” Eddie kept hearing as he raced to the shop. As he got closer, he saw the flashing lights, and the siren that had been only an eerie, barely audible musical accompaniment to his thoughts began to register as belonging to an ambulance and not as being a regular plant alarm. He knew that he would not cry no matter how awful it was; he never cried. That was one thing he never had to worry about. If one of them had to be killed here, it was better that it was Malcolm—because if Eddie had been killed, Malcolm would have cried like a baby.

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Gordon Grice
1999
The Red Hourglass
Lives of the Predators

I decided the caterpillar was too stupid to live. I put it into the carabid beetle’s container. The caterpillar was much larger, but it had no means of defense. The carabid sliced into it and lapped at its leaking blood. Because the caterpillar was so big, the carabid had to repeat his attack eight or ten times. The caterpillar crawled away frantically for the first few wounds, but it was so slow that its movements hardly inconvenienced the beetle drinking from its bleeding flank. After ten minutes or so the caterpillar lay still. Its jade flesh turned black as the beetle chewed and drained it.

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Matthew Klam
2001
Sam the Cat
And Other Stories

I am a fantastic lover. I’ve got to give me that. There are only two things about me that females don’t like: the fact that I sing when I drive—admittedly, I’m not a musician—and my skiing. All the girls I know ski moguls well—really solid bump skiers—and I try to turn in the swells and lose my downhill line. I have thick hair. I’ve got a car that stinks from new leather. My skin, my body—that’s all decent. But I get ridiculed on bumps, and the way I sing gets mistaken for a joke or an imitation of someone dippy, when in fact your car is one of the few places besides the bathroom where you can sing the best songs the way they were meant to be sung. They all think my singing is terrible. Screw them. (I did.)

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Liza Birkenmeier
2025
Grief Hotel
A Play

WINN – How’s Melba?

EM – She told me she could see the afterlife.

WINN – What’s it like?

EM – Or my afterlife. She said that I would be a few other things when I die, that my cells have tiny souls so when I am a piece of cheese and a pigeon, I will still be me, but my consciousness will be broken down into smaller bits.

WINN – Does that feel happy to you?

EM – I don’t care. I’ll be like a deconstructed sandwich. / Or baby.

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