Search All Winners

Name Sort descending Genre Year
Justin Cronin Fiction 2002
Stanley Crouch Nonfiction 1991
Michael Cunningham Fiction 1995
Charles D'Ambrosio Fiction 2006
Michael Dahlie Fiction 2010
J. D. Daniels Nonfiction 2016
Nathan Alan Davis Drama 2018
Lydia Davis Fiction 1988
Tyree Daye Poetry 2019
Connie Deanovich Poetry 1997
Hannah Dela Cruz Abrams Fiction 2013
Hannah Dela Cruz Abrams Nonfiction 2013
Jaquira Díaz Nonfiction 2020
Hernan Diaz Fiction 2019
LaTasha N. Nevada Diggs Poetry 2016
Trudy Dittmar Nonfiction 2003
Matt Donovan Poetry 2010
Mark Doty Poetry 1994
Marcia Douglas Fiction 2023
Jennifer duBois Fiction 2013
Bruce Duffy Fiction 1988
Steven Dunn Fiction 2021
Anaïs Duplan Nonfiction 2022
Pam Durban Fiction 1987
Stuart Dybek Fiction 1985
Gerald Early Nonfiction 1988
Russell Edson Poetry 1989
Kim Edwards Fiction 2002
Louis Edwards Fiction 1994
Erik Ehn Drama 1997
Gretel Ehrlich Nonfiction 1987
Nancy Eimers Poetry 1998
Deborah Eisenberg Fiction 1987
Thomas Sayers Ellis Poetry 2005
Jeffrey Eugenides Fiction 1993

Selected winners

Saïd Sayrafiezadeh
2010
When Skateboards Will Be Free
A Memoir of a Political Childhood

My father believes that the United States is destined one day to be engulfed in a socialist revolution. All revolutions are bloody, he says, but this one will be the bloodiest of them all. The working class—which includes me—will at some point in the not-so-distant future decide to put down the tools of our trade, pour into the streets, beat the police into submission, take over the means of production, and usher in a new epoch—the final epoch—of peace and equality. This revolution is not only inevitable, it is imminent. It is not only imminent, it is quite imminent. And when the time comes, my father will lead it.

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Daniel Alarcon
2004
War by Candlelight
Stories

In Lima, dying is the local sport. Those who die in phantasmagoric fashion, violently, spectacularly, are celebrated in the fifty-cent papers beneath appropriately gory headlines: DRIVER GETS MELON BURST or NARCO SHOOTOUT, BYSTANDERS EAT LEAD. I don’t work at that kind of newspaper, but if I did, I would write those headlines too. Like my father, I never refuse work. I’ve covered drug busts, double homicides, fires at discos and markets, traffic accidents, bombs in shopping centers. I’ve profiled corrupt politicians, drunken has-been soccer players, artists who hate the world. But I’ve never covered the unexpected death of a middle-aged worker in a public hospital. Mourned by his wife. His child. His other wife. Her children.

 

My father’s dying was not news.

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Aisha Sabatini Sloan
2025
Dreaming of Ramadi in Detroit: Essays

The Sade who joins you at the hotel restaurant is not the Sade who gave you all the love she got she gave you more than she could give she gave you love. But she is a Sade who, you realize after a bit of googling, can flex muscles in her leg that most people will never know about and who may be one of the best dancers in the world even though she went to school to be a doctor. She will talk to you about making paintings in Romania while you eat food that tastes like dreams of food.

A waiter whose persona seems to have been inspired by the Steve Martin hamburger scene in the remake of The Pink Panther keeps pouring wine. You win an argument about the name of a jazz biopic even though your sparring partner has spent some SERIOUS time with Wynton Marsalis. By the end of the day you will have heard stories about artists whose names you have searched for in the stacks of many libraries, like one that begins with “Romie called me one morning” and ends with a dick joke the butt of which is, somehow, the New York Times. You fall asleep in a blue room on a mattress that wants your lower back to just go ahead and peace out. But you feel like the number-one luckiest girl in the world.

Downstairs in the dark, Aunt Jemima smiles from the confines of a painting, giving everybody the middle finger.

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Samuel Hunter
2012
A Bright New Boise
A Play

ALEX: I get panic attacks over nothing. Absolutely nothing. I’ll be at work, or at home, or at school, and suddenly I’ll start shaking and I won’t be able to breathe.

 

          (pause)

 

School counselor says that it might be a chemical imbalance. Or, she says, it might have something to do with my past. I think it has something to do with my past, so if you’re my father, it’s probably your fault.

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Clarence Coo
2017
Beautiful Province (Belle Province)
A Play

MR. GREEN: Two verbs! Granted, they are irregular. But that’s no excuse, for these forms —

 

Do. Not. Change.

 

They are immutable!

 

More reliable than the people in your lives. More stable than governments. More dependable than churches or philosophies. These verbs are your deliverance!

 

Commit these patterns to memory. Determine the person, the number, the tense. Then remember the form. That’s all there is. To conjugation.

 

Conjugation. Such a beautiful word. Such a beautiful act. 

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Yannick Murphy
1990
Stories in Another Language

I thought, I bet the daughter’s glad she’s dead, because what her mother was doing, throwing herself into the grave on top of the box like that, looked funny. It looked funny because her mother was fat, and it looked so much like the mother was doing the Fat Man Dance, because her arms were spread out too, as if she were waiting for her daughter to spread out her arms also, and then they could hold hands and smack bellies together and dance in circles on the box just the way we always did in the summer when we did the Fat Man Dance. Because we always did the Fat Man Dance in the summer when we ran around with no clothes on and danced a lot because it was summer.

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