Search All Winners

Name Sort descending Genre Year
Justin Cronin Fiction 2002
Stanley Crouch Nonfiction 1991
Michael Cunningham Fiction 1995
Charles D'Ambrosio Fiction 2006
Michael Dahlie Fiction 2010
J. D. Daniels Nonfiction 2016
Nathan Alan Davis Drama 2018
Lydia Davis Fiction 1988
Tyree Daye Poetry 2019
Connie Deanovich Poetry 1997
Hannah Dela Cruz Abrams Fiction 2013
Hannah Dela Cruz Abrams Nonfiction 2013
Hernan Diaz Fiction 2019
Jaquira Díaz Nonfiction 2020
LaTasha N. Nevada Diggs Poetry 2016
Trudy Dittmar Nonfiction 2003
Matt Donovan Poetry 2010
Mark Doty Poetry 1994
Marcia Douglas Fiction 2023
Jennifer duBois Fiction 2013
Bruce Duffy Fiction 1988
Steven Dunn Fiction 2021
Anaïs Duplan Nonfiction 2022
Pam Durban Fiction 1987
Stuart Dybek Fiction 1985
Gerald Early Nonfiction 1988
Russell Edson Poetry 1989
Louis Edwards Fiction 1994
Kim Edwards Fiction 2002
Erik Ehn Drama 1997
Gretel Ehrlich Nonfiction 1987
Nancy Eimers Poetry 1998
Deborah Eisenberg Fiction 1987
Thomas Sayers Ellis Poetry 2005
Jeffrey Eugenides Fiction 1993

Selected winners

Karen Hao
2026
Empire of AI

Over the years, I’ve found only one metaphor
that encapsulates the nature of what these AI
power players are: empires. During the long
era of European colonialism, empires seized
and extracted resources that were not their
own and exploited the labor of the people
they subjugated to mine, cultivate, and
refine those resources for the empire’s
enrichment. They projected racist,
dehumanizing ideas of their own superiority
and modernity to justify—and even entice the
conquered into accepting—the invasion of
sovereignty, the theft, and the subjugation.
They justified their quest for power by the
need to compete with other empires: In an
arms race, all bets are off. All this
ultimately served to entrench each empire’s
power and to drive its expansion and
progress. In the simplest terms, empires
amassed extraordinary riches across space and
time, through imposing a colonial world
order, at great expense to everyone else.
 

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Suzan-Lori Parks
1992
America Play and Other Works

BLACK WOMAN WITH FRIED DRUMSTICK: Yesterday today next summer tomorrow just uh moment uhgoh in 1317 dieded thuh last black man in thuh whole entire world. Uh! Oh. Dont be uhlarmed. Do not be afeared. It was painless. Uh painless passin. He falls twenty-three floors to his death. 23 floors from uh passin ship from space tuh splat on thuh pavement. He have uh head he been keeping under thuh Tee V. On his bottom pantry shelf. He have uh head that hurts. Dont fit right. Put it on tuh go tuh thuh store in it pinched him when he walks his thoughts dont got room. Why dieded he huh? Where he gonna go now that he done dieded? Where he gonna go tuh wash his hands?

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Linda Kinstler
2023
Come to This Court and Cry
How The Holocaust Ends

She went to school with other Russian-speaking children, some of whom were Latvian Jews, sons and daughters of the lucky few who had been hidden away by righteous gentiles, or who had fought with the famous 43rd Latvian Rifle Guards Battalion of the Soviet army. The others, like her own family, had moved to Riga after the war, their families mostly intact, having spent the war in the eastern evacuation zones.


Some of her schoolteachers were survivors themselves, but no one knew for sure. The survivors, they were silent. They had not yet been glorified, honoured, beatified. They simply went about their lives as best they could. Only decades later did my mother find out that the school principal, Nina Dmitrievna Alieva, was an inmate in Salaspils concentration camp. Only later did she learn of rumours that their strict chorus teacher had climbed out of a ditch in Rumbula.

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Andre Aciman
1995
Out of Egypt
A Memoir

People in the street referred to her as al-tarsha, the deaf woman, and, among the Arabs in the marketplace, everyone and everything in her household was known in elation to the tarsha: the deaf woman’s father, the deaf woman’s home, her maid, her bicycle, her car, her husband. The motorcycle with which she had won an exhibition race on the Corniche in the early forties and which was later sold to a neighbor continued to be known as the tarsha’s mutusikl. When I was old enough to walk alone on the streets of Ibrahimieh, I discovered that I too was known as the tarsha’s son.

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Melanie Rae Thon
1997
First, Body
Stories

There’s a man inside this woman, and he’s alive. But he can’t speak—she can’t speak—the face is peeled back, the skull empty, and now the cap of bone is being plastered back in place, and now the skin is being stitched shut. The autopsy is over—she’s closed, she’s done—and he’s still in there, with her, in another country, with the smell of shit and blood that’s never going to go away, and he’s not himself at all, he’s her, he’s Gloria Luby—bloated, full of gas, fat and white and dead forever.

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Karisma Price
2025
I'm Always So Serious: Poems

        The husband joins his wife near the olive
shaded lamp and quails


        as his raving lover seizes the neck of
the fixture. I shudder in the passenger seat of


        this city, far enough to not be heard but a light shines
bright and I am seen, sleuthing and serious. I know


        close violences still form in the absence of want.
I keep walking as the husband shuts the blinds.

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