Search All Winners

Name Sort descending Genre Year
Michael Burkard Poetry 1988
Michael Byers Fiction 1998
Sarah Shun-Lien Bynum Fiction 2005
Ryan Call Fiction 2011
Sheila Callaghan Drama 2007
Kayleb Rae Candrilli Poetry 2019
Francisco Cantú Nonfiction 2017
Anthony Carelli Poetry 2015
Ina Cariño Poetry 2022
Hayden Carruth Poetry 1986
Emily Carter Fiction 2001
Joan Chase Fiction 1987
Alexander Chee Fiction 2003
Dan Chiasson Poetry 2004
Yoon Choi Fiction 2024
Don Mee Choi Poetry 2011
Shayok Misha Chowdhury Drama 2024
Mia Chung Drama 2023
Paul Clemens Nonfiction 2011
Ama Codjoe Poetry 2023
Anthony Cody Poetry 2022
Robert Cohen Fiction 2000
Christopher Cokinos Nonfiction 2003
Clarence Coo Drama 2017
Jordan E. Cooper Drama 2021
Amanda Coplin Fiction 2013
Leopoldine Core Fiction 2015
Eduardo C. Corral Poetry 2011
Elwin Cotman Fiction 2025
Patrick Cottrell Fiction 2018
Frances Ya-Chu Cowhig Drama 2024
Mark Cox Poetry 1987
Douglas Crase Poetry 1985
Justin Cronin Fiction 2002
Stanley Crouch Nonfiction 1991

Selected winners

Jia Tolentino
2020
Trick Mirror
Reflections on Self-Delusion

What could put an end to the worst of the internet? Social and economic collapse would do it, or perhaps a series of antitrust cases followed by a package of hard regulatory legislation that would somehow also dismantle the internet’s fundamental profit model. At this point it’s clear that collapse will almost definitely come first. Barring that, we’ve got nothing except our small attempts to retain our humanity.

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Austin Wright
1985
Tony and Susan
A Novel

In the unrealistic days of their marriage there was a question whether she would read what he wrote. He was a beginner and she is a tougher critic than she meant to be. It was touchy, her embarrassment, his resentment. Now in his letter he said, damn! but this book is good. How much he had learned about life and craft. He wanted to show her, let her read and see, judge for herself. She was the best critic he ever had, he said. She could help him too, for in spite of its merits he was afraid the novel lacked something. She would know, she could tell him. Take your time, he said, scribble a few words, whatever pops into your head. Signed, “Your old Edward still remembering.”

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Nadia Owusu
2019
Aftershocks

            Once, when I was a very little girl in a bubble bath, I asked my father why I had a belly button. He was sitting on the toilet lid reading while I splashed. He peered at me over the top of his book.

             “So you know where your center is,” he said.

           “Why do I need to know where my center is?” I asked.

            “So you don’t lose your balance,” he said. “Your center is where all the different parts of who you are come together. It used to connect you to your mother and to the beginning of human history in Africa.” I cannot be certain this is true, but when I remember him saying this, I hear his voice catch on the word mother.

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Lysley Tenorio
2008
Monstress
Stories

“Three words,” Gaz said. “Motion. Picture. History.” He got up, circled the table as he explained his movie: en route to Earth from a distant solar system, the crew of the Valedictorian crash-lands on a hostile planet inhabited by bat-winged pygmies, lobster-clawed cannibals, two-headed vampires. “That’s where your stuff comes in. I’m going to splice up your movies with mine.” He went on about the mixing-up of genres, chop-suey cinema, bringing together East and West. “We’d be the ambassadors of international film!”

 

“What’s your thinking on this?” Checkers asked me in Tagalog. “Is this man serious? Is he just an American fool?”

 

“Ask how much he’ll pay,” I said, “get twenty percent more, give him the movies, and show him to the door.”

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Matthew Stadler
1995
The Sex Offender
A Novel

“Do you masturbate?” he pried.

 

“Only alone, by myself.” I felt him bristle at my insolence.

 

“Do you work with appropriate fantasies?”

 

“Work?”

 

“You know, do you masturbate to appropriate fantasies before indulging in your inappropriate ones?” He’d given me very specific instructions about this. He scolded my silence by scooting his chair forward till I could smell the odor of his leg.

 

“Sometimes. Sometimes I forget.”

 

THE SEX OFFENDER © 1994 by Matthew Stadler; reprinted with the permission of the publisher, Grove Atlantic, Inc.

 

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Tony Kushner
1990
A Bright Room Called Day
A Play

AGNES:

I feel at home.

My friends like it here,

better that their own apartments.

I’m not a fool.

I know that what’s coming

will be bad,

but not unlivable,

and not eternally,

and when it’s over, I will have clung to the least last thing,

which is to say, my lease.

And you have to admit, it’s a terrific apartment.

I could never find anything like it if I moved out now.

You would not believe

how low the rent is.

 

(End of scene.)

 

Slide: JANUARY 30, 1933.

Slide: PRESIDENT HINDENBURG

Slide: APPPOINTS ADOLF HITLER

Slide: CHANCELLOR OF THE GERMAN REICH.

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