Search All Winners

Name Sort descending Genre Year
Rita Bullwinkel Fiction 2022
Michael Burkard Poetry 1988
Michael Byers Fiction 1998
Sarah Shun-Lien Bynum Fiction 2005
Ryan Call Fiction 2011
Sheila Callaghan Drama 2007
Kayleb Rae Candrilli Poetry 2019
Francisco Cantú Nonfiction 2017
Anthony Carelli Poetry 2015
Ina Cariño Poetry 2022
Hayden Carruth Poetry 1986
Emily Carter Fiction 2001
Elaine Castillo Fiction 2026
Joan Chase Fiction 1987
Alexander Chee Fiction 2003
Dan Chiasson Poetry 2004
Don Mee Choi Poetry 2011
Yoon Choi Fiction 2024
Shayok Misha Chowdhury Drama 2024
Mia Chung Drama 2023
Paul Clemens Nonfiction 2011
Ama Codjoe Poetry 2023
Anthony Cody Poetry 2022
Robert Cohen Fiction 2000
Christopher Cokinos Nonfiction 2003
Clarence Coo Drama 2017
Jordan E. Cooper Drama 2021
Amanda Coplin Fiction 2013
Leopoldine Core Fiction 2015
Eduardo C. Corral Poetry 2011
Elwin Cotman Fiction 2025
Patrick Cottrell Fiction 2018
Frances Ya-Chu Cowhig Drama 2024
Mark Cox Poetry 1987
Douglas Crase Poetry 1985

Selected winners

Hajar Hussaini
2026
Disbound

Notes from Kabul

on being fine when others aren’t;
notice graphic, how quotes
wax truth & assassinate
anecdotes

the surplus of survival
guilt covers pages & the data
at the price of two
boiled eggs

rectangular streets grind us
like watercolor powder
we wash blood off bags
& hats & the few

branches of tree
are in blaze yet we
still play stone scissor
paper

Read More >
Matt Donovan
2010
Vellum
Poems

There are no limits to our verbs, our forms:

                                                                        think of the knife

that slits an orange or bundled iris stems, the one strapped

to the rooster’s varnished spur. The dagger, poniard, dirk.

 

Edge that snips the line, whittles an owl, juliennes, traces a lip.

A cut, an incision, a gouge. In Sudan, the story goes, when the slogan

of reform was The Future’s in Your Hands, men scavenged the streets

 

waving machetes, hacking off hands above the wrist, asking

How will you hold the future now? The stiletto, the skean, the scythe,

The choosing, the mark, the tool. Beneath a concrete bridge,

 

shirtless & drunk, a boy works his way through the swallows’ nests,

slashing until each mud cone-shape drops into the river, dissolves.

Yet to say so is hardly enough. To say pigsticker’s, bayonetshiv.

Read More >
Alison C. Rollins
2026
Black Bell

A Child is Like a Clarinet

for Eliza Harris and Henri Akoka

Similes are dangerous.
To equate a person to

an object, an instrument
no less, is a risk.

A child is like a clarinet.
A mother is like a clarinetist.

Personhood posits
promising possibilities.

Poems are willing to die.
Poems dare, just as Eliza

Harris leaped onto pieces
of ice to cross the frozen

Ohio River with her baby
in her hands. Poems flee,

just as Henri Akoka
jumped onto the top of

a moving train with his
clarinet under his arm.

One of these things
is not like the other.

Can’t you tell? Mouthpiece
from lips, flesh from wood.

Read More >
Daniel Orozco
2011
Orientation
And Other Stories

There are no personal phone calls allowed. We do, however, allow for emergencies. If you must make an emergency phone call, ask your supervisor first. If you can’t find your supervisor, ask Phillip Spiers, who sits over there. He’ll check with Clarissa Nicks, who sits over there. If you make an emergency phone call without asking, you may be let go.

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Vu Tran
2009
Las Vegas Noir

Six months ago, before all this, I drove into Las Vegas on a hot August twilight. My first time in the city. From the highway, I could see the Strip in the far distance, but also a lone dark cloud above it, flushed on a bed of light, glowing alien and purplish in the sky. My tired, pulpy brain at the time, I thought it was a UFO or something and nearly hit the truck ahead of me. Fifteen minutes later, at a gas station, I was told about the beam of light from atop that pyramid casino and how you can even see the beam from space, given no clouds were in the way. My disappointment surprised me.

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Mia Chung
2023
Catch as Catch Can
A Play

THERESA

I’m worried she’ll be a fish out of water.

 

ROBERTA

When do we meet her? When’re they movin’?


THERESA

Not now. Soon. We’ll see. They’re waiting to see if Mingjing can transfer jobs.


            ROBERTA puts down her cookie.


ROBERTA

What’s her name?

 

THERESA

Minjung.


ROBERTA

Theresa.


            THERESA sips tea.


THERESA

She’s in architecture, works for a big firm out there

 

ROBERTA

(indicating the under-eye skin) Those dark circles, no wonder.

 

THERESA

But she might give it up and teach.

 

ROBERTA

You seen her only once?

 

THERESA

Tim never said any—why would I think

 

ROBERTA

Such a rush.

 

THERESA

My brain’s exploded.

 

ROBERTA

I knew it: how far gone is she?

 

Note: A male actor plays the roles of both THERESA and her son TIM. A second male actor plays the roles of both ROBERTA and her son ROBBIE.

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