Search All Winners

Name Sort descending Genre Year
Rita Bullwinkel Fiction 2022
Michael Burkard Poetry 1988
Michael Byers Fiction 1998
Sarah Shun-Lien Bynum Fiction 2005
Ryan Call Fiction 2011
Sheila Callaghan Drama 2007
Kayleb Rae Candrilli Poetry 2019
Francisco Cantú Nonfiction 2017
Anthony Carelli Poetry 2015
Ina Cariño Poetry 2022
Hayden Carruth Poetry 1986
Emily Carter Fiction 2001
Elaine Castillo Fiction 2026
Joan Chase Fiction 1987
Alexander Chee Fiction 2003
Dan Chiasson Poetry 2004
Yoon Choi Fiction 2024
Don Mee Choi Poetry 2011
Shayok Misha Chowdhury Drama 2024
Mia Chung Drama 2023
Paul Clemens Nonfiction 2011
Ama Codjoe Poetry 2023
Anthony Cody Poetry 2022
Robert Cohen Fiction 2000
Christopher Cokinos Nonfiction 2003
Clarence Coo Drama 2017
Jordan E. Cooper Drama 2021
Amanda Coplin Fiction 2013
Leopoldine Core Fiction 2015
Eduardo C. Corral Poetry 2011
Elwin Cotman Fiction 2025
Patrick Cottrell Fiction 2018
Frances Ya-Chu Cowhig Drama 2024
Mark Cox Poetry 1987
Douglas Crase Poetry 1985

Selected winners

Vu Tran
2009
Las Vegas Noir

Six months ago, before all this, I drove into Las Vegas on a hot August twilight. My first time in the city. From the highway, I could see the Strip in the far distance, but also a lone dark cloud above it, flushed on a bed of light, glowing alien and purplish in the sky. My tired, pulpy brain at the time, I thought it was a UFO or something and nearly hit the truck ahead of me. Fifteen minutes later, at a gas station, I was told about the beam of light from atop that pyramid casino and how you can even see the beam from space, given no clouds were in the way. My disappointment surprised me.

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Reinaldo Povod
1987
Cuba & His Teddy Bear
A Play

CUBA: If you wanna jump offa the Empire State Building but you live up in the Bronx—

 

JACKIE: Or Brooklyn—where I live.

 

CUBA: Anywhere.

 

JACKIE: Staten Island.

 

CUBA: If you ain’t got money for your token, you better beg, borrow, or steal. And if yer old enough to beg, you’re old enough to steal. So you end up what? You end up forgetting yer problems ‘cause you got money in yer pockets—and you’re living a life of crime.

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Celine Song
2026
Endlings

GO MIN
숙자야 (Sook Ja-yah)
I wasn’t born here, did you know that?
I’ve never told you that before
I was born on an island nearby
Really close, only a few hours away on a boat
A matchmaker bought my brother a drink
So he told her that he had the perfect bride for her client
An exceptional swimmer
A hearty bruise-woman
For a guarantee of lifetime of income
He gave me away
My big brother sold my life for a drink
And that’s my immigration
A little immigration of my own
Just to be beaten up by the sea waves all day
And then beaten up by my loser drunk husband all night

Silence

숙자야 (Sook Ja-yah)
What do you want to do in your next life?
In my next life
I want to drive a car
A little red one
Drive it everywhere
Go see the mountains
The big buildings
Drive it across the prairies
Take the highway
I don’t have a driver’s license
I can’t take the written test because I can’t read
But when I see someone drive a car on TV
It looks easy
I think I could do it
I think I’d be good at it
Maybe I could drive a cab
Drive people around
What do you think?
You think I’d be good at it?

Beat

숙자야 (Sook Ja-yah)
In your next life
I hope you get to live the way you want

Silence
 

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Joshua Bennett
2021
The Sobbing School
Poems

Please, excuse my shadow. I can’t 

stop leaving. I don’t know how

to name what I don’t know

 

well enough to render

in a single sitting. Every poem

about us seems an impossible labor,

 

like forgetting the face

of the sea, or trying to find

a more perfect name for water.

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Gerald Early
1988
Tuxedo Junction
Essays on American Culture

It is not the primary thrust or purpose of these essays to serve as autobiography. The strictly autobiographical portions are to be approached with caution. This is not to suggest that they are not true, but veracity is hardly the issue or the point. The autobiographical parts often serve the same purpose as notes in a symphony or passage of music: simply to get from one place to another. The personage I am in some of the essays, to borrow Henry Adams’s metaphor, is simply a manikin on which I model some suitable clothes for the occasion… I am a critic and it is best for the reader never to forget that, even if at times I appear to be playing other roles.

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David Adjmi
2010
Stunning
A Play

CLAUDINE: (covers her face, emotionally exhausted) I’m old.

 

LILY: (I feel old.)

 

CLAUDINE: Bonnie has four kids //

 

SHELLY: (Three) //

 

CLAUDINE: and she’s two years younger than me I’m gonna be twenny.

 

LILY: If I met someone you will.

 

CLAUDINE: But you’re pretty.

 

LILY: You’re stunning!

 

CLAUDINE: I’M FAT!

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