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PEACHES
If you are one of those people who come to shows just so you can cough your way through them, please take this time to unwrap your cough drops and remind your body to shut itself the fuck up. However, this is still a show that you are allowed to be a part of. If you feel like laughing, laugh. If you wanna shout, bitch, shout, we will gladly hold your mule. Talk to us if you want. This is your church. And for those of you who are quiet, obedient and unresponsive in your church, consider this yo black church, yo sanctuary, yo juke joint, yo kitchen table, yo trial shaker, yo money maker, yo elevator, yo resuscitator.

CUBA: If you wanna jump offa the Empire State Building but you live up in the Bronx—

JACKIE: Or Brooklyn—where I live.

CUBA: Anywhere.

JACKIE: Staten Island.

CUBA: If you ain’t got money for your token, you better beg, borrow, or steal. And if yer old enough to beg, you’re old enough to steal. So you end up what? You end up forgetting yer problems ‘cause you got money in yer pockets—and you’re living a life of crime.

At my desk, with my pen, pencil, markers, ruler, and thick white paper, I was in command. And when I drew the superhero who was my alter-ego, I gave him—i.e., myself—what in all my shyness I didn’t have: a girlfriend. She was as pretty as my limited skills could make her. Her name was Laura.

Please, excuse my shadow. I can’t 

stop leaving. I don’t know how

to name what I don’t know

well enough to render

in a single sitting. Every poem

about us seems an impossible labor,

like forgetting the face

of the sea, or trying to find

a more perfect name for water.

but we are still at sea     we climbed into the rocking

boat again     the things that we could not afford

to remember in the vernacular      

                                                                       sun

                                                            sinking backwards into the world’s

                                                            light industry    Eros in idle hands

One night during this time my mother started asking me questions, out of the blue, about William Faulkner. She was taking a night-school course and wanted to write about the Nobel laureate from her hometown, New Albany. Why Faulkner, I asked, of all the writers in the world to care about? Why not Richard Wright, James Baldwin or Zora Neale Hurston? “We’re kin to some Faulkners,” she said. I laughed out loud and informed her that this Faulkner was white. My mother smiled and said, “So?”