Search All Winners

Name Sort descending Genre Year
Rita Bullwinkel Fiction 2022
Michael Burkard Poetry 1988
Michael Byers Fiction 1998
Sarah Shun-Lien Bynum Fiction 2005
Ryan Call Fiction 2011
Sheila Callaghan Drama 2007
Kayleb Rae Candrilli Poetry 2019
Francisco Cantú Nonfiction 2017
Anthony Carelli Poetry 2015
Ina Cariño Poetry 2022
Hayden Carruth Poetry 1986
Emily Carter Fiction 2001
Elaine Castillo Fiction 2026
Joan Chase Fiction 1987
Alexander Chee Fiction 2003
Dan Chiasson Poetry 2004
Don Mee Choi Poetry 2011
Yoon Choi Fiction 2024
Shayok Misha Chowdhury Drama 2024
Mia Chung Drama 2023
Paul Clemens Nonfiction 2011
Ama Codjoe Poetry 2023
Anthony Cody Poetry 2022
Robert Cohen Fiction 2000
Christopher Cokinos Nonfiction 2003
Clarence Coo Drama 2017
Jordan E. Cooper Drama 2021
Amanda Coplin Fiction 2013
Leopoldine Core Fiction 2015
Eduardo C. Corral Poetry 2011
Elwin Cotman Fiction 2025
Patrick Cottrell Fiction 2018
Frances Ya-Chu Cowhig Drama 2024
Mark Cox Poetry 1987
Douglas Crase Poetry 1985

Selected winners

Douglas Crase
1985
The Revisionist
Poems

Unlike the other countries, this one

Begins in houses, specific houses and the upstairs room

Where constitutions vibrate in the blockfront drawers,

A Queen Anne highboy, or maybe the widow’s walk

On a farmhouse hundreds of miles inland and believed

By the family to be a lookout for Indians though clearly

It was a pioneer’s conceit, fresh as the latest politics

From home: so much for that innocent thesis The Frontier.

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Elif Batuman
2010
The Possessed
Adventures with Russian Books and the People Who Read Them

“The American girl will judge the leg contest!” they announced. I was still hoping that I had misunderstood them, even as German techno music was turned on and all the boys in the camp, ages eight to fourteen, were paraded out behind a screen that hid their bodies from the waist up; identifying numbers had been pinned to their shorts. I was given a clipboard with a form on which to rate their legs on a scale from one to ten. Gripped by panic, I stared at the clipboard. Nothing in either my life experience or my studies had prepared me to judge an adolescent boys’ leg contest. Finally the English teacher, who appeared to understand my predicament, whispered to me some scores of her own devising, and I wrote them on the form as if I had thought of them myself.

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Darryl Pinckney
1986
Out There
Mavericks of Black Literature

The experience of reading Sex and Race is one of embrace and recoil as Rogers indiscriminately loads us down with the provable and the forever dodgy, the serious and the frivolous. Sometimes his footnotes, not always adequate or acceptable, tell when he was at work on a given aspect of his subject, in the way that an itemized credit card bill is a diary, a record of movement. The references go in clusters: in the 1920s, he was reading about Syria, Palestine, Arabia, and Persia; in the 1930s, he was reading the memoirs of English travelers in Africa. Sometimes, he clearly couldn’t go back to a particular library or text to check his facts again. And sometimes Sex and Race reads as though it had threatened to consume him, because the first-person voice breaks through in the book at times of what could be called narrative stress.

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Rinne Groff
2005
The Ruby Sunrise
A Play

LULU: Mr. Marcus, I didn’t even want to waste your time. Pride and Prejudice is not a book that makes for a teleplay.

 

MARTIN: Philco’s killing us with the class acts.

 

LULU: There’s more to classy material than rich people in mansions talking in high-class accents. There are stories to tell about the little guy, an American guy, and the contributions they make; or even fail to make. You see a bum on the street, or a woman yelling at her kids after working in a factory all day, but to really understand what causes that behavior… Each of these people had goals; they had dreams; they had disappointments. TV can get inside that, can get close, and be honest about it. That’s what’s classy.

 

MARTIN: So no more period pieces?

 

LULU: If they’re topical.

 

MARTIN: Pride and prejudice: sounds topical.

 

LULU: It’s about marriage. Today’s audience has more on their mind than who marries who.

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Megha Majumdar
2022
A Burning
A Novel

“YOU COME WITH ME NOW,” Uma madam says one day, after breakfast. She has come prepared. A male guard comes forward and grabs my arm. 

“Where?” I say, wrenching free. He lets go. “Stop it! I need to talk to Gobind about the appeals.” 

“You walk or he will drag you,” says Uma madam in reply. 

Back in my cell, I gather my sleeping mat, my other salwar kameez, slip my feet into the rubber slippers, then look around for anything else that is mine. Nothing is.

Uma madam pulls my dupatta off my neck. When I grab at it, she clicks her tongue. “What use is modesty for you anymore?” she says. 

We walk down the corridor, the three of us, and a few women look up from inside their cells. The corridor is so dim they are no more than movement, shapes, smells, a belch. Perhaps sensing my fear, Uma madam finds it in her heart to explain. “You can’t have a dupatta in this place where you are going. Not allowed. What if you decide to hang yourself, what then? It has happened before.” After a pause, she says, “Nobody’s coming to see you, don’t worry about looking nice.” 

Uma madam unlocks a door at the far end of the corridor, which opens onto a staircase I have never seen. Though the day is dry and sunny, there is a puddle of water on the top step.
 
“Go down,” she says. 

When I don’t move, she insists, “Go! Don’t look so afraid, we don’t keep tigers down there.” 

I climb down, my slippers slapping the steps.

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Suketu Mehta
1997
Maximum City
Bombay Lost and Found

The sky over Bombay was filled with gold and silver, masonry, bricks, steel girders, and human limbs and torsos, flying through the air as far as Crawford Market. A jeweler was sitting in his office in Jhaveri Bazaar when a bar of solid gold crashed through the roof and arrived in front of him. A steel girder flew through the air and crashed through the roof of Victoria Terminus, the main train station. A plate of iron landed on a horse and neatly decapitated the animal. Stray limbs and fragments of bodies were blown all over the docks. Bombay had never, till then, seen any wartime action. It was as if the city had been bombed.

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