Search All Winners

Name Sort descending Genre Year
Sigrid Nunez Fiction 1993
Dennis Nurkse Poetry 1990
Antoinette Nwandu Drama 2018
Geoffrey O'Brien Nonfiction 1988
Patrick O'Keeffe Fiction 2006
Chris Offutt Fiction 1996
Chris Offutt Nonfiction 1996
Dael Orlandersmith Drama 2008
Daniel Orozco Fiction 2011
Ladan Osman Poetry 2021
Nadia Owusu Nonfiction 2019
ZZ Packer Fiction 1999
Ann Pancake Fiction 2003
Suzan-Lori Parks Drama 1992
Elena Passarello Nonfiction 2015
Lydia Peelle Fiction 2010
Janet Peery Fiction 1993
Kathleen Peirce Poetry 1993
Benjamin Percy Fiction 2008
Andrew X. Pham Nonfiction 2000
Rowan Ricardo Phillips Poetry 2013
Xan Forest Phillips Poetry 2021
Tommy Pico Poetry 2018
Claudia Roth Pierpont Nonfiction 1994
Darryl Pinckney Fiction 1986
Darryl Pinckney Nonfiction 1986
Katha Pollitt Nonfiction 1992
Katha Pollitt Poetry 1992
Reinaldo Povod Drama 1987
Padgett Powell Fiction 1986
Stephanie Powell Watts Fiction 2013
Karisma Price Poetry 2025
Brontez Purnell Fiction 2018
Hanna Pylväinen Fiction 2012
Hugh Raffles Nonfiction 2009

Selected winners

Azareen Van der Vliet Oloomi
2015
Fra Keeler
A Novel

When I bent down to stack the papers, I thought the sensation I had had in my brain earlier was the same sensation I had once felt when I shook a pomegranate near my ear. Or, not exactly a sensation, but a sound. That when I shook the pomegranate it had made the same sound as the sound my blood made when it swiveled in my brain, and that both sounds led to the same sensation: of something having dissolved where it shouldn’t have. I went over the memory, from when I picked up the pomegranate to when I shook it near my ear: I had squeezed the pomegranate by rolling it, had pressed into it with my thumbs, juiced it without cracking it open, because it’s the only way to juice a pomegranate without any special machines. All the juice was swiveling about inside the shell of the pomegranate, channeling its way around the seeds the way river water channels itself around driftwood. When I put the pomegranate down I could still hear the juice working its way around the seeds that were dead without their pulp. I had squeezed the pomegranate till the pulp was dead. I could invent a machine to juice pomegranates, I thought, and not just pomegranates but persimmons too, some very basic, cheap tool people could use in their homes, and then I imagined a thousand people, all wearing their house slippers, juicing their pomegranates and persimmons for breakfast, and I thought, never mind, no doubt someone has already invented it.

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Thomas Sayers Ellis
2005
The Maverick Room
Poems

Go Ju go Ju go.

Lightskinned Rainbow

eclipsed Tick Tock,

his chocolate walk-partner.

Incestuous Pootchie and Tan.

Both Frogs. Squirrel. Crazy ass Sponge.

Bama Duke’s lopsided,

sticky daughter, Peaches.

Out b-shaped barber,

Blinky. We miss you,

 

Missy, rest in peace.

John Rocks-on-Rocks.

The Young Dillingers.

Freckles versus Baby Tim.

Cabalou stuttering,

i-m-m-mi-t-ta-ting Johnny Lips.

Hillbilly, Lefty, Itchy and Skip.

Dootie Bug’s first

baby’s mama, leaving.

Tootie had Fin.

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August Wilson
1986
Ma Rainey's Black Bottom
A Play

TOLEDO: Go ahead, then. Spell it. Music. Spell it.

 

LEVEE: I can spell it, nigger! M-U-S-I-K. There!

            (He reaches for the money.)

 

TOLEDO: Naw! Naw! Leave that money alone! You ain’t spelled it.

 

LEVEE: What you mean I ain’t spelled it? I said M-U-S-I-K!

 

TOLEDO: That ain’t how you spell it! That ain’t how you spell it! It’s M-U-S-I-C! C, nigger. Not K! M-U-S-I-C!

 

LEVEE: What you mean, C? Who say it’s C?

 

TOLEDO: Cutler. Slow Drag, Tell this fool.

            (They look at each other and then away.)

Well, I’ll be a monkey’s uncle!

            (TOLEDO picks up the money and hands LEVEE his dollar back.)

Here’s your dollar back, Levee. I done won it, you understand. I done won the dollar. But if don’t nobody know but me, how am I gonna prove it to you?

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Anton Shammas
1991
Arabesques
A Novel

The intimate places of his father’s body were now within his reach, turned over to the touch of his fingers: his father who had never embraced him as a child. First he would touch his earlobes, to move them out of the way for the scissors, which had been taken out of the mother-of-pearl damascene box. Then he would take the nose between his thumb and forefinger, and give it a slight lift so as to shave above the upper lip. And the more the cancer gnawed away at the liver and the body grew limp, the more it opened to him, replete with its disappointments, sated with its tribulations. They would sit together in silence, the father and he, the youngest of his sons.

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Nathan Alan Davis
2018
Nat Turner in Jerusalem
A Play

NAT TURNER

What do you mean by your copyright?

The right to copy?

 

THOMAS R. GRAY

Yes, well, the right to publish and distribute, which involves copying necessarily.

 

NAT

And who can grant such a right?

 

THOMAS

The copyright office, naturally.

 

NAT

...

 

THOMAS

It protects the rights of the man who has done the work.

 

NAT

And is God not a sufficient witness of our works?

 

THOMAS

Uh,

No.

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Claude Wilkinson
2000
Reading the Earth
Poems

A bobwhite sounds through larks

and jays, the wringing-wet shade,

as in the first world, before Adam

understood their sharp iambs,

when the refrain could’ve been

anything’s: plant or animal, or light

so pure it sang. Even now

how absolute, how wondrously

primitive the singularity rings –

shouting its name, its name,

its name… till from elsewhere

an echo swells through April-thick wings

as if addressing some question

on the presence of parallels.

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