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A military truck speeds through the intersection, children

                                     shrieking inside. A bicycle hurled

          through a store window. When the dust rises, a black dog

                     lies panting in the road. Its hind legs

                                                                         crushed into the shine

                                            of a white Christmas.

On the bedstand, a sprig of magnolia expands like a secret heard

                                                                   for the first time.

The pond is like a mackerel skin tonight,

the mackerel like a beaded evening bag.

This is like that, that is like this, oh,

let's call the whole thing off and take it straight:

nothing is like anything else.

Even the parrot and the apish ape

mirror, mimic and do like — unmatched.

To begin:  algae, abalone, alewife —

each the spitting image of itself.

Likewise beetles (potato, scarab and whirligig.)

Nothing even comes close to barrel cactus,

nothing is more original than a bog,

more rare than the cougar and crane —

save all the above named.

I've never seen anything like it — dustbowls,

deer, the descent of man and estuaries,

flakes of snow (no two like) fire,

flax, gannets and gulls.

Honeybees and the Hoover Dam

are unique -- there is nothing like a dam.

Ditto inbreeding, ice ages, industrialization,

joshua trees, lagoons and the law

that to liken a lichen is tautological.

Indeed, the rule of diminishing simile holds

that all of these are idiosyncracies:

the Leakeys, legumes, maize, marsupials and moose.

Virtually nothing is extraneous here —

not orchids, ooze, pampas nor peat.

This is the world of plenitude and power —

every bit of it out of this world:

the rain and rattlers, sperm, swamps and swans.

As now we inch toward an end — vectors

and a winter that figures to be like no other,

say the selfsame earth is to your liking,

and let us continue — yeast, yuccas, zoons,

all things like, beyond compare.

Whatever group of friends I told, what always fascinated people was not the boy’s dying but this image, this juxtaposition of school and cemetery, side by side, and a hill cutting them off from the ward. It was as if they thought that, away from our parents, we kids fraternized with the dead. There would often be one person who thought that I was embellishing, that I was making up these details for the benefit of a story, to create some sort of meaning. That skeptic seemed to assume that the hill—which I now knew to be just a hillock—the school, the cemetery were symbolic of something that I had overcome, something I had escaped. But the Botalaote cemetery was separated from Motalaote Lekhutile Primary School by only a narrow dirt road, and behind them the hillock cut them off from Botalaote Ward. Those were the facts.

                My mother

gathers gladiolas. The gladness

is fractured. As when

the globe with its thousand mirrors

cracked the light. How

it hoarded sight: all the stolen perspectives

and the show of light

they shot around us: so that

down the dark hall the ghosts danced

with us: down the dark hall

the broken angels.

CUBA: If you wanna jump offa the Empire State Building but you live up in the Bronx—

JACKIE: Or Brooklyn—where I live.

CUBA: Anywhere.

JACKIE: Staten Island.

CUBA: If you ain’t got money for your token, you better beg, borrow, or steal. And if yer old enough to beg, you’re old enough to steal. So you end up what? You end up forgetting yer problems ‘cause you got money in yer pockets—and you’re living a life of crime.

And she then imagines that she sees the flock today because today she is feeling forlorn and abandoned, like a small girl, and doubting and the birds are on a long journey, the journey perhaps of their southern flight for the winter and she also would like to travel, would like some kind of flight, would like an outside of her ideas, the labyrinth of codes and conduct which keeps her close, inside of a closed circuit, and it is only her lover, this carpenter in a Californian city, who had undone the right bands, who has leaked her soul out onto air again, like the small pockets of air beneath the bird-grey wings and lifting them, today, outside of the girl’s window and into the sky.