Search All Winners

Name Sort descending Genre Year
Jesse McCarthy Nonfiction 2022
Shane McCrae Poetry 2011
Tarell Alvin McCraney Drama 2007
Alice McDermott Fiction 1987
Reginald McKnight Fiction 1995
John McManus Fiction 2000
James McMichael Poetry 1995
Scott McPherson Drama 1991
Jane Mead Poetry 1992
Suketu Mehta Fiction 1997
Suketu Mehta Nonfiction 1997
Morgan Meis Nonfiction 2013
Ellen Meloy Nonfiction 1997
Michael Meyer Nonfiction 2009
Meg Miroshnik Drama 2012
Albert Mobilio Fiction 2000
Albert Mobilio Poetry 2000
Gothataone Moeng Fiction 2024
Lara Mimosa Montes Fiction 2026
C.E. Morgan Fiction 2013
Wright Morris Fiction 1985
Wright Morris Nonfiction 1985
Sylvia Moss Poetry 1988
Thylias Moss Poetry 1991
Brighde Mullins Drama 2001
Nami Mun Fiction 2009
Manuel Muñoz Fiction 2008
Yannick Murphy Fiction 1990
Yxta Maya Murray Fiction 1999
Lawrence Naumoff Fiction 1990
Nana Nkweti Fiction 2022
Howard Norman Fiction 1985
Bruce Norris Drama 2006
Josip Novakovich Fiction 1997
Josip Novakovich Nonfiction 1997

Selected winners

Hajar Hussaini
2026
Disbound

Notes from Kabul

on being fine when others aren’t;
notice graphic, how quotes
wax truth & assassinate
anecdotes

the surplus of survival
guilt covers pages & the data
at the price of two
boiled eggs

rectangular streets grind us
like watercolor powder
we wash blood off bags
& hats & the few

branches of tree
are in blaze yet we
still play stone scissor
paper

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Jennifer duBois
2013
A Partial History of Lost Causes
A Novel

I told him about the nucleotides, the genetic test, the prognosis. I told him that atrophying of basal ganglia starts years before symptoms present, and that right now—in this car, in this moment—parts of my brain were dying, parts that I didn’t know I needed, but parts that I would never, never be able to get back. I told him that there wasn’t an emotion or an impulse or a stumble that I could completely trust; I told him that one day—if I let it—everything I did and said and thought would be nothing more than the entropic implosion of a condemned building or a dying star.

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Jaquira Díaz
2020
Ordinary Girls
A Memoir

“You know I’m gonna pay you back,” my mother said, then winked at him.

       He pulled out a ten-dollar bill and handed it to her, just like that. “Gracias,” she said, then headed inside.

        She was always like this, learning my friends’ names, getting familiar enough to ask for money, or cigarettes, or drugs. It would be this way into my late teens, when I’m grown, when I’m a woman. It was like I was the only one getting older, changing. But Mami, she was frozen in time as that twenty-year-old who listened to Madonna and thought my father was running around on her, still haunted by those same monsters, and even years after we’d left Puerto Rico, she believed we still owned the house in Luquillo, the liquor store, that we would go back there, pick up right where we left off. That it would all be waiting for us to get back.

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Yannick Murphy
1990
Stories in Another Language

I thought, I bet the daughter’s glad she’s dead, because what her mother was doing, throwing herself into the grave on top of the box like that, looked funny. It looked funny because her mother was fat, and it looked so much like the mother was doing the Fat Man Dance, because her arms were spread out too, as if she were waiting for her daughter to spread out her arms also, and then they could hold hands and smack bellies together and dance in circles on the box just the way we always did in the summer when we did the Fat Man Dance. Because we always did the Fat Man Dance in the summer when we ran around with no clothes on and danced a lot because it was summer.

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Tracey Scott Wilson
2004
The Story
A Play

LATISHA: The cops ain’t looking for no girl so we don’t get caught. (Pause.) Until now. Now, we kinda worried. Kinda in trouble.

 

YVONNE: (To Latisha.) Why?

 

LATISHA: Yo! You can’t tell nobody. And I mean nobody.

 

YVONNE: (To Latisha.) No, no, I won’t.

 

LATISHA: I’m telling you I’ll jack you up for real.

 

YVONNE: (To Latisha.) I won’t tell.

 

LATISHA: (Pause.) We capped that teacher.

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Tracy K. Smith
2005
Life on Mars
Poems

Some of the prisoners were strung like beef

From the ceilings of their cells. “Gus”

Was led around on a leash. I mean dragged.

Others were ridden like mules. The guards

Were under a tremendous amount of pleasure.

I mean pressure. Pretty disgusting. Not

What you’d expect from Americans.

Just kidding. I’m only talking about people

Having a good time, blowing off steam.

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