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There are no limits to our verbs, our forms:

                                                                        think of the knife

that slits an orange or bundled iris stems, the one strapped

to the rooster’s varnished spur. The dagger, poniard, dirk.

Edge that snips the line, whittles an owl, juliennes, traces a lip.

A cut, an incision, a gouge. In Sudan, the story goes, when the slogan

of reform was The Future’s in Your Hands, men scavenged the streets

waving machetes, hacking off hands above the wrist, asking

How will you hold the future now? The stiletto, the skean, the scythe,

The choosing, the mark, the tool. Beneath a concrete bridge,

shirtless & drunk, a boy works his way through the swallows’ nests,

slashing until each mud cone-shape drops into the river, dissolves.

Yet to say so is hardly enough. To say pigsticker’s, bayonet, shiv.

Alone in a London museum, I saw a watercolor of twin

      flames, one black, one a gauzy red,

only to learn the title is Boats at Sea. It's like how

      sometimes I forget you're gone.

But it's not like that, is it? Not at all. When in this world

      similes carry us nowhere.

And now I see again the boy pelting through those galleries

a boy not you, a flash of red, red, chasing, or being chased—

Or did I invent him? Mischief companion. Brother.

      Listen to me

plead for your life though even in the dream I know you're

      already dead.

How do I insure my desire for grief is never satisfied? Was

      Priam's ever?

I tell my friend, I want the page itself to burn.

Orion shot rabbits, but to tell the truth, it almost sickened Cora to clean and cook them. Stripped of its pelt, the taut body glistened. The small legs put her in mind of fingers. On her plate all she could think of was the pleading eyes. Somehow this did not trouble her about chickens, which she took the pains to behead herself, sometimes chasing the headless flapping bird around the chopping block. Orion plucked the bird for her, and the feathers were saved for a sleeping crib for Madge.

I

What a lucky beast I am,

when he cleans up nice

and nicks his perfect face.

I get to lick that face,

when he lets me.

In the cut’s opening

I get a taste of him

from the inside

out, which is all I have

ever wanted,

to be cell-close

to him. Praise the razor’s

overzealous arm;

the ease

with which it finds tenderness

in this man.

In the locker room we unhooked our bras, hoping

shower steam kept us invisible,

but our souls showed, our prepubescent fuzz.

Stockings hung from shower rods like biblical snakes.

Who would learn first? we wondered, and drew breasts

in goofy loops until Sister Angelica banged

her ruler, and we printed the same confession

a hundred times, her shadow crossing

our spiral notebooks, her eyes like old

spiders. Ginnie learned and got a heart-shaped

locket, then a shotgun wedding ring.

Heather gave birth so often she forgot,

she said, what caused it. Becky’s womb was lost

in an abortionist’s garage. We said good-bye

in the Immaculate Conception parking lot.

Still, nuns click their beads in memory of us,

how we strolled, arms linked, singing,

into the world of women where all deaths begin.

He sent this key from Florida.

I think. A key to what?

I tried the car, the trucks,

tried every door – nothing fit.

My wife thought it was his idea

of a joke. I never got his jokes.

Not a word from him, just things:

a blank postcard from Colorado Springs;

a snapshot of himself from Aspen,

arm in arm with somebody, but

both faces had been scissored out.

A sign above the bar said SHIT HAPPENS.

Eugene, Spokane… He’s telephone,

collect, and I knew it was him,

though he always used a different name.

At times enough to make you laugh:

Call from Hans, Ricardo, Jeff,

will you accept? Yes. Dial tone.