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From a side lane soft with lunar mulch

and thistledown I saw them, clipped alone

on a clothesline, a pair of diaphanous panties

as wide as an elephant’s forehead.

I sighed across the boy-mown lawn

and they shook as though they shed blessings

to the moon and her tongue-tied exiles.

Who would dare pour such panties

along his arms and throat? A murderer, maybe.

The Milky Way was pavement

compared to their luxury. I knew

I wouldn’t outwalk their whispers that night.

Next morning my feet felt like mallets.

I was back in the world where people

wear out, embarrassed by beautiful things,

and a garment fit for a goddess is nothing but big.

I love American newspapers, the way each section

is folded independently and believes it owns

the world. There’s this brief item in the inter-

national pages: the Chinese government has posted

signs in Tiananmen Square; forbidding laughter.

I’m sure the plastic surgeon would approve, he’d say

the Chinese will look young much longer, their faces

unnaturally smooth, but what I see (although

no photograph accompanies the story) is laughter

busting inside them. I go back to the sports section

and a closeup of a rookie in mind-swing, his face

keeping all the wrong emotions in check.

LULU: Mr. Marcus, I didn’t even want to waste your time. Pride and Prejudice is not a book that makes for a teleplay.

MARTIN: Philco’s killing us with the class acts.

LULU: There’s more to classy material than rich people in mansions talking in high-class accents. There are stories to tell about the little guy, an American guy, and the contributions they make; or even fail to make. You see a bum on the street, or a woman yelling at her kids after working in a factory all day, but to really understand what causes that behavior… Each of these people had goals; they had dreams; they had disappointments. TV can get inside that, can get close, and be honest about it. That’s what’s classy.

MARTIN: So no more period pieces?

LULU: If they’re topical.

MARTIN: Pride and prejudice: sounds topical.

LULU: It’s about marriage. Today’s audience has more on their mind than who marries who.

Time moved both fast and slow, and neither speed synced up with her fears as she stood at the head of the line. The tellers looked too chipper for a Monday morning. Did they even have money on Mondays? she wondered. Shouldn’t she have come on a Friday? She couldn’t remember why she opened the stickup note, just that she did, and that her boyfriend, the first and only boy she’d ever dated, was the one who had penned it: This is a stickup. Give me all your monie.

The misspelling stopped her.

“Next in line,” a teller called.

Knowledge herself had quit school in the ninth grade but she couldn’t believe that he had misspelled money. “What kind of an idiot can’t spell money?” she told me. “How fucking stupid do you have to be? And if he’s that stupid, how stupid am I for robbing a bank for him?”

The photo showed a dog, standing on its hind legs, being helped from the door of a helicopter by a serious-looking man in a down vest. The dog seemed to stand about the same height as the man, and looked like a Malamute. The strange thing about it, besides its larger-than-average size, was the fact that it was wearing a dark-colored jacket which looked like part of an old-fashioned military uniform, and a pair of spectacles, and that it appeared to have hands instead of front paws. In one of those gloved hands it held a cane, which was pointed at an awkward angle, probably because of the way the man was holding on to that foreleg just above the elbow. The other hand gripped the side of the helicopter doorway. The expression on the animal’s face was one of terror. Its lips were slightly parted, its ears were pointing straight backward, and its eyes were wide.

VANESSA: Have you ever met a black woman…you know…in like, real life that talks like that?

GUS: I’m sure I have.

VANESSA: I see.

GUS: That’s why I think this matters so much. My work is really interrogating my own interiority. But having you present my work, I’m being more true to myself by exposing my inner self through you. Creating a real life version of …the black woman inside me. To be enjoyed by all. I want her voice to be heard. I want to create her with you.

VANESSA: Oh my god. I just read an article about this in The Atlantic. What did they call it? Uhph—Racial Tourism! That’s it!

GUS: That’s a new one.

VANESSA: No it’s like…“Let me play double-dutch with the black girls on the playground cause they make me feel all empowered and fierce. They can teach me fun comebacks and how to wag my finger and I can be just as fierce and fabulous as them, but without the burden of actually being a black girl.” I got that right?

GUS: Whoa…You don’t know me.

VANESSA: I don’t.

GUS: I’m not a racist.

VANESSA: This is really awkward for you.