Search All Winners

Name Sort descending Genre Year
John McManus Fiction 2000
James McMichael Poetry 1995
Scott McPherson Drama 1991
Jane Mead Poetry 1992
Suketu Mehta Fiction 1997
Suketu Mehta Nonfiction 1997
Morgan Meis Nonfiction 2013
Ellen Meloy Nonfiction 1997
Michael Meyer Nonfiction 2009
Meg Miroshnik Drama 2012
Albert Mobilio Fiction 2000
Albert Mobilio Poetry 2000
Gothataone Moeng Fiction 2024
C.E. Morgan Fiction 2013
Wright Morris Fiction 1985
Wright Morris Nonfiction 1985
Thylias Moss Poetry 1991
Sylvia Moss Poetry 1988
Brighde Mullins Drama 2001
Nami Mun Fiction 2009
Manuel Muñoz Fiction 2008
Yannick Murphy Fiction 1990
Yxta Maya Murray Fiction 1999
Lawrence Naumoff Fiction 1990
Nana Nkweti Fiction 2022
Howard Norman Fiction 1985
Bruce Norris Drama 2006
Josip Novakovich Nonfiction 1997
Josip Novakovich Fiction 1997
Sigrid Nunez Fiction 1993
Dennis Nurkse Poetry 1990
Antoinette Nwandu Drama 2018
Geoffrey O'Brien Nonfiction 1988
Patrick O'Keeffe Fiction 2006
Chris Offutt Fiction 1996

Selected winners

Stephania Taladrid
2023
The New Yorker (October 17, 2022)

By the time the pregnant woman for whom Anna was waiting walked up, the trailhead was quiet enough to make the chirping of birds seem jarring. As Anna pulled a plastic bag of pills from her pocket and settled across from the pregnant woman at a picnic table, she registered the fear on the woman’s face. Her distress, as Anna understood it, was less about a breach of Texas law than about the possibility that her husband, who was violent, might find out what she was doing. Hands shaking, the woman told Anna that she was already raising three children and had been trying to save enough money to remove them from a dangerous home. The prospect of having another child, she said, was like “getting a death sentence.” She couldn’t vanish from her household for a day without explanation, travel to a state where abortion is legal, and pay seven hundred dollars to a doctor for a prescription. Anna’s pills, which were free, were her best option. Taking the baggie and some instructions on how to take the medication, the woman thanked Anna and fled the park, hoping that her husband would never realize she’d been gone.

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Nathan Alan Davis
2018
Nat Turner in Jerusalem
A Play

NAT TURNER

What do you mean by your copyright?

The right to copy?

 

THOMAS R. GRAY

Yes, well, the right to publish and distribute, which involves copying necessarily.

 

NAT

And who can grant such a right?

 

THOMAS

The copyright office, naturally.

 

NAT

...

 

THOMAS

It protects the rights of the man who has done the work.

 

NAT

And is God not a sufficient witness of our works?

 

THOMAS

Uh,

No.

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Mitchell S. Jackson
2016
The Residue Years
A Novel

My ex answers your call like shit is sweet, says, Good to hear from you, so fake you want to reach through the receiver. Next thing, she drops the phone minus nary a pardon and leaves you on an indefinite hold soundtracked by the blare of some rap video cranked beyond good sense. Meanwhile, you carry the noisy cordless into another room, crack the blinds, and watch a pair of baseheads, both thin as antennas, push a half-wrecked sedan down the street. The baseheads, they’ve got the sedan’s doors flung open, and seethe at each other across a scrappy ragtop roof. Farther, they jog their hooptie to a slow cruise, jump in on the run, and sputter off. It’s still plenty of lightweight action on the set. The old lady dressed in a who-gives-a-what-about-the-heat getup (down coat, snow boots, thick wool scarf) tugging a shopping cart full of thrashed cans. Down a ways, boys riding wheelies for distance on dirt bikes with mismatched rims.

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Ben Fountain
2007
Brief Encounters with Che Guevara
Stories

When Blair protested they hit him fairly hard in the stomach, and that was the moment he knew that his life had changed. They called him la merca, the merchandise, and for the next four days he slogged through the mountains eating cold arepas and sardines and taking endless taunts about firing squads, although he did, thanks to an eighty-mile-a-week running habit, hold up better than the oil executives and mining engineers the rebels were used to bringing in.

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John Ash
1986
The Branching Stairs
Poems

You know it too! … The charm of funerals in the rain,

the special effects men with their hoses well aimed,

huge drops exploding on

classically beautiful

black umbrellas.

 

You know them, -

the houses like fat vegetables

stuffed with old lace, ceramics, silverware, dust –

secure as bank vaults.

                                    Who will inherit?

Vittorio is dining with

that Chinese actress again…

Will the kingdom be divided?

Who will keep

the chandeliers in good repair

and tend the lists of public enemies?

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