Search All Winners

Name Sort descending Genre Year
Jesse McCarthy Nonfiction 2022
Shane McCrae Poetry 2011
Tarell Alvin McCraney Drama 2007
Alice McDermott Fiction 1987
Reginald McKnight Fiction 1995
John McManus Fiction 2000
James McMichael Poetry 1995
Scott McPherson Drama 1991
Jane Mead Poetry 1992
Suketu Mehta Fiction 1997
Suketu Mehta Nonfiction 1997
Morgan Meis Nonfiction 2013
Ellen Meloy Nonfiction 1997
Michael Meyer Nonfiction 2009
Meg Miroshnik Drama 2012
Albert Mobilio Fiction 2000
Albert Mobilio Poetry 2000
Gothataone Moeng Fiction 2024
Lara Mimosa Montes Fiction 2026
C.E. Morgan Fiction 2013
Wright Morris Fiction 1985
Wright Morris Nonfiction 1985
Sylvia Moss Poetry 1988
Thylias Moss Poetry 1991
Brighde Mullins Drama 2001
Nami Mun Fiction 2009
Manuel Muñoz Fiction 2008
Yannick Murphy Fiction 1990
Yxta Maya Murray Fiction 1999
Lawrence Naumoff Fiction 1990
Nana Nkweti Fiction 2022
Howard Norman Fiction 1985
Bruce Norris Drama 2006
Josip Novakovich Fiction 1997
Josip Novakovich Nonfiction 1997

Selected winners

Lucy Sante
1989
Low Life
Lures and Snares of Old New York

Rat-baiting was the premier betting sport of the nineteenth century. Its prestige can be gauged in economic terms, circa 1875: admission to a then illegal prizefight between humans cost fifty cents, to dogfights and cockfights $2, while a fight pitting a dog against rats ran anywhere from $1.50 if the dog faced five rats or fewer, up to $5, in proportion to the number of rats. In the eighteenth century the biggest draw had been bearbaiting, but that sport gradually dissipated as the number of available bears decreased, although matches continued to be held up to the Civil War, notably in McLaughlin’s bear pit at First Avenue and Tenth Street. For a while, dog-vs.-raccoon contests were popular, but rats were so readily available that they came to dominate the scene; boys were paid to catch them, at a rate of five to twelve cents a head.

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Ben Marcus
1999
The Age of Wire and String
Stories

Intercourse with resuscitated wife for particular number of days, superstitious act designed to insure safe operation of household machinery. Electricity mourns the absence of the energy form (wife) within the household’s walls by stalling its flow to the outlets. As such, an improvised friction needs to take the place of electricity, to goad the natural currents back to their proper levels. This is achieved with the dead wife. She must be found, revived, and then penetrated until heat fills the room, until the toaster is shooting bread onto the floor, until she is smiling beneath you with black teeth and grabbing your bottom. Then the vacuum rides by and no one is pushing it, it is on full steam. Days flip past in chunks of fake light, and the intercourse is placed in the back of the mind. But it is always there, that moving into a static-ridden corpse that once spoke familiar messages in the morning when the sun was new.

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Kirsten Bakis
2004
Lives of the Monster Dogs
A Novel

The photo showed a dog, standing on its hind legs, being helped from the door of a helicopter by a serious-looking man in a down vest. The dog seemed to stand about the same height as the man, and looked like a Malamute. The strange thing about it, besides its larger-than-average size, was the fact that it was wearing a dark-colored jacket which looked like part of an old-fashioned military uniform, and a pair of spectacles, and that it appeared to have hands instead of front paws. In one of those gloved hands it held a cane, which was pointed at an awkward angle, probably because of the way the man was holding on to that foreleg just above the elbow. The other hand gripped the side of the helicopter doorway. The expression on the animal’s face was one of terror. Its lips were slightly parted, its ears were pointing straight backward, and its eyes were wide.

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Lewis Robinson
2003
Officer Friendly and Other Stories

“Now, because it’s his birthday and he wasn’t supposed to make it this far, he asked that we throw him a bash, like the old Augusta blowouts, and he asked that at midnight we shoot him dead.”

 

I stared at him. He didn’t waver.

 

“We figure you’re the best guy to do it,” he said, slapping a hand on my shoulder.

 

“I’ve never even shot a gun,” I said.

 

He pulled up my shirt and took the gun from the back of my pants. “It’s pretty basic. Point and pull. You’ve seen the movies.” He aimed the pistol at the portrait of the old man, said “Bang” and faked the recoil, then blew imaginary smoke from the barrel.

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Andre Aciman
1995
Out of Egypt
A Memoir

People in the street referred to her as al-tarsha, the deaf woman, and, among the Arabs in the marketplace, everyone and everything in her household was known in elation to the tarsha: the deaf woman’s father, the deaf woman’s home, her maid, her bicycle, her car, her husband. The motorcycle with which she had won an exhibition race on the Corniche in the early forties and which was later sold to a neighbor continued to be known as the tarsha’s mutusikl. When I was old enough to walk alone on the streets of Ibrahimieh, I discovered that I too was known as the tarsha’s son.

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