Search All Winners

Name Sort descending Genre Year
John McManus Fiction 2000
James McMichael Poetry 1995
Scott McPherson Drama 1991
Jane Mead Poetry 1992
Suketu Mehta Fiction 1997
Suketu Mehta Nonfiction 1997
Morgan Meis Nonfiction 2013
Ellen Meloy Nonfiction 1997
Michael Meyer Nonfiction 2009
Meg Miroshnik Drama 2012
Albert Mobilio Fiction 2000
Albert Mobilio Poetry 2000
Gothataone Moeng Fiction 2024
C.E. Morgan Fiction 2013
Wright Morris Fiction 1985
Wright Morris Nonfiction 1985
Sylvia Moss Poetry 1988
Thylias Moss Poetry 1991
Brighde Mullins Drama 2001
Nami Mun Fiction 2009
Manuel Muñoz Fiction 2008
Yannick Murphy Fiction 1990
Yxta Maya Murray Fiction 1999
Lawrence Naumoff Fiction 1990
Nana Nkweti Fiction 2022
Howard Norman Fiction 1985
Bruce Norris Drama 2006
Josip Novakovich Nonfiction 1997
Josip Novakovich Fiction 1997
Sigrid Nunez Fiction 1993
Dennis Nurkse Poetry 1990
Antoinette Nwandu Drama 2018
Geoffrey O'Brien Nonfiction 1988
Patrick O'Keeffe Fiction 2006
Chris Offutt Fiction 1996

Selected winners

Sarah Stewart Johnson
2021
The Sirens of Mars
Searching for Life on Another World

The precision of the map allowed Maria to read the planet’s history like a type of braille. As hinted by the initial data, the northern hemisphere proved to be the smoothest surface that had ever been observed in the solar system. Most of the terrain seemed to tilt slightly to the north, suggesting that a planetwide drainage system may have once emptied there, into a great northern ocean. Inscribed onto the surface was even a possible shoreline, Deuteronilus, which could be traced for thousands of kilometers. The coast ran along nearly the same elevation, with variations that could be explained by the ground rebounding, exhaling as the weight of a sea of long-gone water evaporated. With each new detail Maria plotted, another aspect of Mars’s history came to life. 
     Mars Global Surveyor changed what it meant to see a planet. If the old map of Mars was a simple picture, the new map was a portrait. It went beyond what our eyes could take in, capturing data on contours, on composition, on forces we could not see—not just topography but things like magnetic signals and mineral compositions measured out beyond the visible wavelengths. There were subtleties to be seen—we just had to get there, and when we got there, we had to know how to look.

 

Excerpt(s) from The Sirens of Mars: Searching for Life on Another World by Sarah Stewart Johnson, copyright © 2020 by Sarah Stewart Johnson. Used by permission of Crown Books, an imprint of Random House, a division of Penguin Random House LLC. All rights reserved.

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Hernan Diaz
2019
In the Distance
A Novel

Often, the three of them—burro, horse, rider—would simply stand in the middle of the plains. Aside from the occasional sigh or the halfhearted attempt at swatting away an insect, they all stood still, staring into the avoid. Brown flats, blue wall. From his animals, with their serenely sad, bulge-eyed gaze, Håkan seemed to have learned to gape into space. To this absent expression, he added a drooping jaw. They merely stood, completely absorbed by nothing. Time dissolved into the sky. There was little difference between landscape and spectators. Insensible things that existed in one another.

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Rattawut Lapcharoensap
2010
Sightseeing
Stories

I realize then that Wichu knows. Of course he knows. He was here, at this temple, outside of the pavilion with his mother, when Khamron got drafted years ago. He was here when the wealthier boys got taken out of the line. He was here when those same boys came back an hour later, took their places at the end of the lottery line, and—when their turns came—drew black card after black card after black card. Wichu had told me all about it the night of his brother’s draft. Although I had only half listened to him at the time, the memory of his voice comes back to me now in all its anger.

 

“Draft Day” from SIGHTSEEING © 2005 by Rattawaut Lapcharoensap; reprinted with the permission of the publisher, Grove Atlantic, Inc.

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Ralph Lombreglia
1998
Make Me Work
Stories

The statue’s resting place looked pretty good. All she really had to do was get him deep enough so the dogs didn’t dig him up before the sale. After her exertions over his tomb, the hollow Saint Joseph seemed to weigh nothing in her hand. He seemed to float in space before her eyes. She set him down on his back in the hole, but found that she couldn’t shovel the dirt on top of him, not right on his face like that. She turned him face-down, but that seemed worse. When she picked him up again, half-frozen dirt had sifted into his open base. You could see it through the translucent, cream-colored skin: Saint Joseph turning brown as he filled up with soil.

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Mia Chung
2023
Catch as Catch Can
A Play

THERESA

I’m worried she’ll be a fish out of water.

 

ROBERTA

When do we meet her? When’re they movin’?


THERESA

Not now. Soon. We’ll see. They’re waiting to see if Mingjing can transfer jobs.


            ROBERTA puts down her cookie.


ROBERTA

What’s her name?

 

THERESA

Minjung.


ROBERTA

Theresa.


            THERESA sips tea.


THERESA

She’s in architecture, works for a big firm out there

 

ROBERTA

(indicating the under-eye skin) Those dark circles, no wonder.

 

THERESA

But she might give it up and teach.

 

ROBERTA

You seen her only once?

 

THERESA

Tim never said any—why would I think

 

ROBERTA

Such a rush.

 

THERESA

My brain’s exploded.

 

ROBERTA

I knew it: how far gone is she?

 

Note: A male actor plays the roles of both THERESA and her son TIM. A second male actor plays the roles of both ROBERTA and her son ROBBIE.

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Josip Novakovich
1997
Apricots from Chernobyl
Essays

The police ask me to empty my pockets. I turn them inside out and lay my miserabilia on the table. Two policemen quite unashamedly feel my thighs and ass, which tickles me. With clinical concentration they examine the stuff on the table. It is an obscene invasion of my privacy, more so than if they had turned my asshole inside out and inspected it under a microscope—any microbiologist could tell you that there we are remarkably similar. In pockets turned inside out you can see how we differ.

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