Search All Winners

Name Sort descending Genre Year
John McManus Fiction 2000
James McMichael Poetry 1995
Scott McPherson Drama 1991
Jane Mead Poetry 1992
Suketu Mehta Fiction 1997
Suketu Mehta Nonfiction 1997
Morgan Meis Nonfiction 2013
Ellen Meloy Nonfiction 1997
Michael Meyer Nonfiction 2009
Meg Miroshnik Drama 2012
Albert Mobilio Fiction 2000
Albert Mobilio Poetry 2000
Gothataone Moeng Fiction 2024
C.E. Morgan Fiction 2013
Wright Morris Fiction 1985
Wright Morris Nonfiction 1985
Sylvia Moss Poetry 1988
Thylias Moss Poetry 1991
Brighde Mullins Drama 2001
Nami Mun Fiction 2009
Manuel Muñoz Fiction 2008
Yannick Murphy Fiction 1990
Yxta Maya Murray Fiction 1999
Lawrence Naumoff Fiction 1990
Nana Nkweti Fiction 2022
Howard Norman Fiction 1985
Bruce Norris Drama 2006
Josip Novakovich Fiction 1997
Josip Novakovich Nonfiction 1997
Sigrid Nunez Fiction 1993
Dennis Nurkse Poetry 1990
Antoinette Nwandu Drama 2018
Geoffrey O'Brien Nonfiction 1988
Patrick O'Keeffe Fiction 2006
Chris Offutt Fiction 1996

Selected winners

Nina Marie Martínez
2006
¡Caramba!
A Novel

Javier was crazy about tacos. He loved them the way some men love their women: a nice, hard, firm shell. While many men have fallen to the wayside on account of a woman, it is hard to imagine a taco unraveling a man the way it did Javier. After simple surgery to remove a cyst from his gallbladder, one of Javier’s friends snuck him a couple of hard-shelled tacos. He propped himself up in his bed, the green of his hospital pajamas matching the lettuce in his taco, smiled wide, and dug in. After a good meal, he thanked the Lord for his many blessings, including such good friends, then laid himself down to sleep never to wake again. The taco shell had ripped his stitches as it went down.

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Franz Wright
1991
Entry in an Unknown Hand
Poems

The street deserted. Nobody,

only you and one last

dirt colored robin,

fastened to its branch

against the wind. It seems

you have arrived

late, the city unfamiliar,

the address lost.

And you made such a serious effort –

pondered the obstacles deeply,

tried to be your own critic.

Yet no one came to listen.

Maybe they came, and then left.

After you traveled so far,

just to be there.

It was a failure, that is what they will say.

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Gordon Grice
1999
The Red Hourglass
Lives of the Predators

I decided the caterpillar was too stupid to live. I put it into the carabid beetle’s container. The caterpillar was much larger, but it had no means of defense. The carabid sliced into it and lapped at its leaking blood. Because the caterpillar was so big, the carabid had to repeat his attack eight or ten times. The caterpillar crawled away frantically for the first few wounds, but it was so slow that its movements hardly inconvenienced the beetle drinking from its bleeding flank. After ten minutes or so the caterpillar lay still. Its jade flesh turned black as the beetle chewed and drained it.

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Ada Zhang
2024
The Sorrows of Others: Stories

Prancing down the building’s stairs, Hui concentrated again on the boy who had stopped returning her calls. Acknowledging another’s pain obscured one’s own. Hui wasn’t ready yet to accept that. From the window, Meng watched her granddaughter walk up the tree-lined street. The old woman’s longing was like that of a child, featuring prominently in her eyes, which captured that spirit from her youth. It would have been easy for anyone to picture what she had looked like back then, if anyone had been there.

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Douglas Crase
1985
The Revisionist
Poems

Unlike the other countries, this one

Begins in houses, specific houses and the upstairs room

Where constitutions vibrate in the blockfront drawers,

A Queen Anne highboy, or maybe the widow’s walk

On a farmhouse hundreds of miles inland and believed

By the family to be a lookout for Indians though clearly

It was a pioneer’s conceit, fresh as the latest politics

From home: so much for that innocent thesis The Frontier.

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Sofi Thanhauser
2025
Worn: A People’s History of Clothing

Today, it is no longer cheaper to make your own clothes than to buy them. A task that once fell within the province of the ordinary household is now an esoteric hobby, requiring skills out of reach to most ordinary Americans. It can even be cost prohibitive, since to buy the cloth to make a shirt will often cost more than the price of a new shirt. A curious reversal.

Ralph Tharpe, the former design engineer at Cone Mills in North Carolina, and the man responsible for making denim for Levi’s 501s during the 1970s, put the question to me this way: “Why is it that from 1960 to today the price of a Ford truck has increased ten times over and the price of a pair of dungarees has stayed the same?” This question becomes even more puzzling when one considers that many mass-manufacturing processes have been automated since the 1960s but sewing is not one of them. The process one follows to sew a garment has not changed materially since the advent of the sewing machine. Fabric is a fussy and unpredictable material, unlike sheet metal, that still requires the subtle manipulation of tension that can only be done by a real human hand.

How then, did this happen?

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