Search All Winners

Name Sort descending Genre Year
Jesse McCarthy Nonfiction 2022
Shane McCrae Poetry 2011
Tarell Alvin McCraney Drama 2007
Alice McDermott Fiction 1987
Reginald McKnight Fiction 1995
John McManus Fiction 2000
James McMichael Poetry 1995
Scott McPherson Drama 1991
Jane Mead Poetry 1992
Suketu Mehta Fiction 1997
Suketu Mehta Nonfiction 1997
Morgan Meis Nonfiction 2013
Ellen Meloy Nonfiction 1997
Michael Meyer Nonfiction 2009
Meg Miroshnik Drama 2012
Albert Mobilio Fiction 2000
Albert Mobilio Poetry 2000
Gothataone Moeng Fiction 2024
Lara Mimosa Montes Fiction 2026
C.E. Morgan Fiction 2013
Wright Morris Fiction 1985
Wright Morris Nonfiction 1985
Thylias Moss Poetry 1991
Sylvia Moss Poetry 1988
Brighde Mullins Drama 2001
Nami Mun Fiction 2009
Manuel Muñoz Fiction 2008
Yannick Murphy Fiction 1990
Yxta Maya Murray Fiction 1999
Lawrence Naumoff Fiction 1990
Nana Nkweti Fiction 2022
Howard Norman Fiction 1985
Bruce Norris Drama 2006
Josip Novakovich Fiction 1997
Josip Novakovich Nonfiction 1997

Selected winners

Lewis Robinson
2003
Officer Friendly and Other Stories

“Now, because it’s his birthday and he wasn’t supposed to make it this far, he asked that we throw him a bash, like the old Augusta blowouts, and he asked that at midnight we shoot him dead.”

 

I stared at him. He didn’t waver.

 

“We figure you’re the best guy to do it,” he said, slapping a hand on my shoulder.

 

“I’ve never even shot a gun,” I said.

 

He pulled up my shirt and took the gun from the back of my pants. “It’s pretty basic. Point and pull. You’ve seen the movies.” He aimed the pistol at the portrait of the old man, said “Bang” and faked the recoil, then blew imaginary smoke from the barrel.

Read More >
Rebecca Goldstein
1991
The Late Summer Passion of A Woman of Mind
A Novel

It was true that Eva’s male colleagues had by now ceased to joke among themselves that a hopeless crush on Professor Mueller ought to be included among the requirements for the major in philosophy, but this was not because the students no longer fell in love with her. They did, at a rate which had of course slackened over the years but was still not inconsiderable. It was an irony—of course quite lost on Eva, who was steadfastly oblivious to the dramas in which she figured—that many who sat raptly listening to their professor’s lectures on the “futility of the passions,” on the need to transform the passive emotions directed towards objects and people outside ourselves into the active emotions of the intellect, were swollen with an advanced case of that same passive desire whose elimination was being eloquently, even passionately, urged upon them.

Read More >
Vu Tran
2009
Las Vegas Noir

Six months ago, before all this, I drove into Las Vegas on a hot August twilight. My first time in the city. From the highway, I could see the Strip in the far distance, but also a lone dark cloud above it, flushed on a bed of light, glowing alien and purplish in the sky. My tired, pulpy brain at the time, I thought it was a UFO or something and nearly hit the truck ahead of me. Fifteen minutes later, at a gas station, I was told about the beam of light from atop that pyramid casino and how you can even see the beam from space, given no clouds were in the way. My disappointment surprised me.

Read More >
James Ijames
2017
WHITE
A Play

VANESSA: Have you ever met a black woman…you know…in like, real life that talks like that?

 

GUS: I’m sure I have.

 

VANESSA: I see.

 

GUS: That’s why I think this matters so much. My work is really interrogating my own interiority. But having you present my work, I’m being more true to myself by exposing my inner self through you. Creating a real life version of …the black woman inside me. To be enjoyed by all. I want her voice to be heard. I want to create her with you.

 

VANESSA: Oh my god. I just read an article about this in The Atlantic. What did they call it? Uhph—Racial Tourism! That’s it!

 

GUS: That’s a new one.

 

VANESSA: No it’s like…“Let me play double-dutch with the black girls on the playground cause they make me feel all empowered and fierce. They can teach me fun comebacks and how to wag my finger and I can be just as fierce and fabulous as them, but without the burden of actually being a black girl.” I got that right?

 

GUS: Whoa…You don’t know me.

 

VANESSA: I don’t.

 

GUS: I’m not a racist.

 

VANESSA: This is really awkward for you.

Read More >
Salvatore Scibona
2009
The End
A Novel

At times you could not fully expand your chest to take in breath, such was the push of the bodies on your body. And the kids in the trees throwing spiny sweet-gum monkey balls at your head. There were moments you felt you might be crushed. It had happened, in 1947. A Slovak woman and her babe in arms were crushed right here. Imagine killing somebody with your chest, a pair of hot corpses borne along by the pressing of your body and other people’s bodies—and still you came, out of this instinct to cram into the streets, because the body, despite reason, insisted on satisfying an urge that nothing in your brittle, private, homebound individual interior could satisfy.

Read More >
Daniel Hall
1998
Strange Relation
Poems

He sent this key from Florida.

I think. A key to what?

I tried the car, the trucks,

tried every door – nothing fit.

My wife thought it was his idea

of a joke. I never got his jokes.

 

Not a word from him, just things:

a blank postcard from Colorado Springs;

a snapshot of himself from Aspen,

arm in arm with somebody, but

both faces had been scissored out.

A sign above the bar said SHIT HAPPENS.

 

Eugene, Spokane… He’s telephone,

collect, and I knew it was him,

though he always used a different name.

At times enough to make you laugh:

Call from Hans, Ricardo, Jeff,

will you accept? Yes. Dial tone.

Read More >