Search All Winners

Name Sort descending Genre Year
John McManus Fiction 2000
James McMichael Poetry 1995
Scott McPherson Drama 1991
Jane Mead Poetry 1992
Suketu Mehta Fiction 1997
Suketu Mehta Nonfiction 1997
Morgan Meis Nonfiction 2013
Ellen Meloy Nonfiction 1997
Michael Meyer Nonfiction 2009
Meg Miroshnik Drama 2012
Albert Mobilio Poetry 2000
Albert Mobilio Fiction 2000
Gothataone Moeng Fiction 2024
C.E. Morgan Fiction 2013
Wright Morris Fiction 1985
Wright Morris Nonfiction 1985
Thylias Moss Poetry 1991
Sylvia Moss Poetry 1988
Brighde Mullins Drama 2001
Nami Mun Fiction 2009
Manuel Muñoz Fiction 2008
Yannick Murphy Fiction 1990
Yxta Maya Murray Fiction 1999
Lawrence Naumoff Fiction 1990
Nana Nkweti Fiction 2022
Howard Norman Fiction 1985
Bruce Norris Drama 2006
Josip Novakovich Fiction 1997
Josip Novakovich Nonfiction 1997
Sigrid Nunez Fiction 1993
Dennis Nurkse Poetry 1990
Antoinette Nwandu Drama 2018
Geoffrey O'Brien Nonfiction 1988
Patrick O'Keeffe Fiction 2006
Chris Offutt Fiction 1996

Selected winners

Genya Turovskaya
2020
The Breathing Body of This Thought

but we are still at sea     we climbed into the rocking

boat again     the things that we could not afford

to remember in the vernacular      

 

                                                                       sun

                                                            sinking backwards into the world’s

                                                            light industry    Eros in idle hands

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Anaïs Duplan
2022
Blackspace
On the Poetics of an Afrofuture

Adrian Piper took photos of her naked body while reading The Critique of Pure Reason to make sure her body was still there. I don’t want to talk about “the black body.” Where is such a thing? I am not inside of anything. I want the monad. I want integration, but not the kind that requires “white” and “black” to participate. Integration as the move from a dualist Cartesian world to the monist’s world, so that transcendence is a misnomer—there being nothing to get beyond, to get above or around. In this single world-substance, everywhere is home; everything is forever; and everyone is inalienable.

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Alexander Chee
2003
Edinburgh
A Novel

When I was a boy and I sang, my voice felt to me like a leak sprung from a small and secret star hidden somewhere in my chest and whatever there was about me that was fragile disappeared when my mouth opened and I let the voice out. We learned, we were prisons for our voices. You could want to try and make sure the door was always open. Be like a bell, Big Eric would say. But he didn’t know. We weren’t something struck to make a tone. We were strike and instrument both. If you can hold the air and shake it to make something, you learn, maybe you can make anything. Maybe you can walk out of here on this thin, thin air.

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Charif Shanahan
2024
Trace Evidence: poems

It happened inside a single room.

For me. Forgive me

If you feel with this assertion I diminish you

Or the integrity of your story.

 

But it’s true: I was nowhere, there,

On the frayed brown carpet, between two beds—

Mine to the right, my brother’s to the left—

Counting the tiny holes

In the radiator cover, dark eyes

Piercing through painted-white metal.

 

When I looked around, I saw nothing that I was.

Not even other nothings, like me.

Do you think I take from you?

I do not take from you, I am you.

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Esmé Weijun Wang
2018
The Collected Schizophrenias

You are told when to sleep and when to wake up. If you spend too much time in your bedroom, it indicates that you’re being antisocial; if you do sit in the common areas, but don’t interact with the other patients, you’re probably depressed or overly inward or perhaps even catatonic. Humans might all be ciphers to one another, but people with mental illness are particularly opaque because of our broken brains; we cannot be trusted about anything, including our own experiences.

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Amy Herzog
2011
4000 Miles / After the Revolution
Two Plays

VERA: Have I told you about the lesbian who tried to seduce / me?

 

EMMA: Yes.

 

VERA: She showed up at the house, saying she has suck a big, whaddayacallit.

 

EMMA: Clitoris.

 

VERA: Clitoris, right, and she said it would be terrific, and all that. And I said no thank you, and she went away. Nice woman. Very pretty, actually.

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