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Held As Earth
Poems

A poetry chapbook.

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  • Finishing Line Press
Our Souls At Night
A Novel

In the familiar setting of Holt, Colorado, home to all of Kent Haruf's fiction, Addie Moore pays an unexpected visit to a neighbor, Louis Waters. Her husband died years ago, as did his wife, and in such a small town they naturally have long been aware of each other, if not exactly friends; in fact, Addie was quite fond of Louis's wife. His daughter, Holly, lives hours away in Colorado Springs; her son, Gene, even farther away in Grand Junction. What Addie has come to ask—since she and Louis have been living alone for so long in houses now empty of family, and the nights are so terribly lonely—is whether he might be willing to spend them with her, in her bed, so they can have someone to talk with.

Louis is surprised, even shocked, that she would've thought of him, though he soon is brave enough to try, impressed by the courage of her proposal. And so their lives now find a new rhythm and their conversations range freely, if sometimes haltingly, through their personal histories: his work as a high school English teacher; the loss of her teenage daughter, and the harm this did to her marriage as well as their son; his brief affair, as a young husband and father, which Addie had heard about; their youthful aspirations and middle-age disappointments and compromises; the joy both feel in at last being able to express the woof and weave of their experiences. This unusual arrangement, as Addie predicted, provokes local comment, and then the disapproval of their children, and their nightly pattern is further disrupted when her son, whose wife has departed for California, asks Addie to take in his six-year-old son, Jamie, for the summer while he tries to solve his various troubles.

Jamie is confused and hurt, of course, but gradually finds comfort in the company of his grandmother and her friend Louis, neither of whom has spent much time with kids in years but in turn learn how to all over again. Teaching the boy to play catch. Adopting a dog from the local shelter. A camping trip in the mountains, a trip to the county fair, simple pleasures that are a hallmark of Haruf's fiction. As are the things that jeopardize them, from the death of a mutual friend to family tensions that suddenly test Addie and Louis's ability to withstand them. And the subtle denouement then sweeps both of these amazing people forward—heartbreakingly, hearteningly into the unknown.

 

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Jefferson's Garden

America, 1776.

Christian is a Quaker. His family came to America to live in peace, but he is a young man fired up by dreams of revolution. Should he defy his community and pick up a gun? Thomas Jefferson is an idealist, with a vision of liberty for all, but America is a fractured coalition of states in a bloody war for independence. How will he balance the ideal with the reality? Susanna was born a slave, but the British promise to liberate any slave who joins their fight against the revolution. Where does true freedom lie?

Powell'sAlibrisAbe BooksKobo
Premiere Year
2015
Premiere Theater
Watford Palace Theatre
Premiere City
Watford, UK
Premiere Creative

Cast: David Burnett, Burt Caesar, Gregory Gudgeon, William Hope, Carlyss Peer, Joseph Prowen, Julia St John, Anna Tierney, and Mimi Ndiweni
Director: Brigid Larmour

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Brain Camp
Poems
Powered by a fierce, compassionate intelligence, Brain Camp explores with clarity and vividness a wide spectrum of emotions—love to hate, tenderness to brutality—all from a perspective both universal yet distinctly Webb's. Metaphors of startling aptness and originality, a voice at once endearing and provocative, high musicality, propulsive energy, wild imaginative leaps, as well as a mastery of diction from lyricism to street-speak, create a reading experience of the first order. These poems go down easy, but pack a wallop. As Robert Frost said poetry should do, Brain Camp "begins in delight and ends in wisdom."
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  • University of Pittsburgh Press
Water Stories
Poems

Mullins's first book of poetry.

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  • Hudson Valley Writers Center
Blue Fasa
Poems

Nathaniel Mackey’s sixth collection of poems, Blue Fasa, continues what The New Yorker has described as the “mythological conception” and “descriptive daring” of his two intertwined serial poems—where, however, “no prior knowledge is required” for readers new to this poet’s visionary work. This collection takes its title from two related black musical traditions, a West African griot epic as told by the Fasa, a clan in ancient Ghana, and trumpeter Kenny Dorham’s hard bop classic “Blue Bossa,” influenced by the emergence of Brazilian bossa nova. In two sections Blue Fasa opens with the catch of the heart and the call of romance, as it follows a band of travelers, refugees from history, on their incessant migrations through time, place, and polity, toward renewal.

 
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Musica Humana
A Poetry Chapbook

A limited-edition chapbook. “Passionate, daring to laugh and weep, direct yet unexpected, Ilya Kaminsky’s poetry has a glorious tilt and scope. His art is worthy of his two countries, and of the poet who is his subject as well as his guiding spirit in Musica Humana.” —Robert Pinsky

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  • Chapiteau Press
Pocatello
Eddie manages an Italian chain restaurant in Pocatello—a small, unexceptional American city that is slowly being paved over with strip malls and franchises. But he can’t serve enough Soup, Salad and Breadstick Specials to make his hometown feel like home. Against the harsh backdrop of Samuel D. Hunter’s Idaho, this heartbreaking comedy is a cry for connection in an increasingly lonely American landscape.
Powell'sBarnes & NobleAlibrisAbe BooksSamuel French (Acting Edition)
Premiere Year
2014
Premiere Theater
Playwrights Horizons
Premiere City
New York
Premiere Creative

Cast: Jessica Dickey, Jonathan Hogan, Crystal Finn, Brian Hutchison, Leah Karpel, T.R. Knight, Cameron Scoggins, Brenda Wehle, Danny Wolohan, and Elvy Yost
Director: Davis McCallum

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Ma Rainey's Black Bottom (wilmarai)

The time is 1927. The place is a run-down recording studio in Chicago. Ma Rainey, the legendary blues singer, is due to arrive with her entourage to cut new sides of old favorites. Waiting for her are her black musician sidemen, the white owner of the record company, and her white manager. What goes down in the session to come is more than music. It is a riveting portrayal of black rage . . . of racism, of the self-hate that racism breeds, and of racial exploitation . . .

Powell'sBarnes & NobleAlibrisAbe BooksSamuel French (Acting Edition)
Premiere Year
1984
Premiere Theater
Yale Rep/Broadway (Cort Theatre)
Premiere City
New Haven/New York
Premiere Creative

Cast: Steven R. Blye (Yale Rep), John Carpenter (Broadway), Lou Criscuolo, Scott Davenport-Richards (Broadway), Richard M. Davidson (Yale Rep), Charles S. Dutton, Leonard Jackson, Robert Judd, Christopher Loomis (Broadway), Theresa Merritt, Aleta Mitchell (Broadway), Sharon Mitchell (Yale Rep), David Wayne Nelson (Yale Rep), and Joe Seneca
Director: Lloyd Richards

Major Production Year
1989
Major Production Theater
National Theatre
Major Production City
London
Major Production Creative

Cast: Tom Chadbon, Jacqueline De Peza, Tommy Eytle, Sean Gascoine, George Harris, William Hoyland, Lennie James, Clarke Peters, Hugh Quarshie, and Carol Woods-Coleman Director: Howard Davies

Major Production 2 Year
2003
Major Production 2 Theater
Broadway(Royale Theatre)
Major Production 2 City
New York
Major Production 2 Creative

Cast: Thomas Jefferson Byrd, Tony Cucci, Jack Davidson, Charles S. Dutton, Whoopi Goldberg, Carl Gordon, Stephen McKinley Henderson, Anthony Mackie, Heather Alicia Simms, and Louis Zorich Director: Marion McClinton

Major Production 2 Date
6-Feb-03
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Radio Golf (wilradio)

Radio Golf is August Wilson's final play. Set in 1990 Pittsburgh, it is the conclusion of his Century Cycle—Wilson's ten-play chronicle of the African American experience throughout the twentieth century—and is the last play he completed before his death. With Radio Golf Wilson's lifework comes full circle as Aunt Ester's onetime home at 1839 Wylie Avenue (the setting of the cycle's first play) is slated for demolition to make way for a slick new real estate venture aimed to boost both the depressed Hill District and Harmond Wilks' chance of becoming the city's first black mayor. A play in which history, memory, and legacy challenge notions of progress and country club ideals.

Powell'sBarnes & NobleAlibrisAbe Books
Premiere Year
2005
Premiere Theater
Yale Rep
Premiere City
New Haven
Premiere Creative

Cast: Richard Brooks, Anthony Chisholm, John Earl Jelks, Michele Shay, and James A. Williams
Director: Timothy Douglas

Major Production Year
2005
Major Production Theater
Mark Taper Forum/Seattle Rep/CENTERSTAGE/Huntington/Goodman
Major Production City
Los Angeles/Seattle/Baltimore/Boston/Chicago
Major Production Creative

Cast (Mark Taper Forum/Seattle Rep/CENTERSTAGE): Denise Burse, Rocky Carroll, Anthony Chisholm, John Earl Jelks, and James A. Williams Cast (Huntington/Goodman): Hassan El-Amin, Anthony Chisholm, John Earl Jelks (Goodman), Eugene Lee (Huntington), Michole Briana White, and James A. Williams Director: Kenny Leon

Major Production 2 Year
2007
Major Production 2 Theater
McCarter Theatre/Broadway(Cort Theatre)
Major Production 2 City
Princeton, NJ/New York
Major Production 2 Creative

Cast: Anthony Chisholm, John Earl Jelks, Harry Lennix, Tonya Pinkins, and James A. Williams Director: Kenny Leon

Major Production 2 Date
18-Mar-07
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Pagination

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