Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny play about a woman bent on reinventing her own destiny—and possibly the world.

In The Low Road, a fable of free market economics and cut-throat capitalism, a young entrepreneur sets out on a quest for wealth with priceless ambition and a purse of gold. Premiered at London's Royal Court in the spring of 2013.

Set in western equitorial Africa on the estate of a wealthy American businessman, The Unmentionables opens with a pugnacious monologue warning the audience to get out now, while they still have a chance to do something really fun, like watch cable television. For those who choose to stay despite the allure of TV, the play follows the intersecting lives of members of the local population with the various Americans who have come to "do good in the world": a young Christian missionary who brings both food and the New Testament to the local children (and whose predecessor met with a grisly fate); a disenchanted Hollywood actress in search of meaning but finding only brutality; and the aging businessman and his wife, a woman simply desperate for conversation. Over the course of one long night their humanitarian notions of themselves are called into question as they come up against the realities of money, politics, and power. As the events escalate from calm to crisis with shocking speed, the worth of one American life is measured against the worth of their so-called American values, as they become the agents of violence against one sixteen-year-old African boy.

Loosely based on a true story, The Infidel tells of a charismatic and well-respected state Supreme Court justice who is faced with disciplinary action after his out-of-control affair with a young Latina junior staffer. He confers with his friend and attorney as he examines the consequences of his behavior and tries to judge the most difficult case of his life—his own. With dark irony and sharp, cutting dialogue, Bruce Norris explores sexual obsession and the legislation of human behavior.

In Purple Heart, Carla, a Vietnam War widow deep in drink and depression, is living with a troubled son and her controlling mother. One day a stranger arrives at the door, a soldier with one hand who is seemingly connected to her late husband and comes to offer condolences to the grieving family. The soldier's mysterious visit is solved in graphic and bloody detail at the end of the play. Norris uses these quirky and flawed characters to provide a humorous yet very dark view of war and the human condition.

In anticipation of her birthday, Shelah’'s family and friends gather at her home in the Head of Passes——the mysterious shifting marshlands at the mouth of the great Mississippi River. As the guests appear, so do ghosts from the past, and Shelah'’s convictions about her life begin to dissolve, along with her home in the Louisiana rain.

When things get a little too hot for him in New York, good-looking, charismatic hustler Pharus escapes the clutches of rap star Jules and moves to London, where he sets up an escort business under the guise of a model agency. American Trade is a funny, uncompromising and outspoken play about survival, which challenges assumptions about racial and sexual identity. It is also a celebration of 21st century London in all its extravagant, confusing and dynamic diversity.

Marcus is sixteen and "sweet." Days before Hurricane Katrina strikes the projects of Louisiana, the currents of his life converge, overflowing into his close-knit community and launching the search for his sexual and personal identity on a cultural landscape infused with mysterious family creeds. The provocative, poignant, and fiercely humorous coming-of-age story of a young gay man in the South, Marcus is the stirring conclusion of The Brother/Sister Plays.

Originally written and performed while McCraney was a student in the Yale master's program, it was first produced in an abridged form as part of the Brother/Sister plays, receiving its premiere as a full-length standalone play at the American Conservatory Theater in San Francisco.

In the sweltering heat of Louisiana, Oya dreams of competing alongside star athletes. She never feels so right as when she's burning up the track. As a girl, she must choose between her dream and caring for her mother. As a woman, she's torn between the man she lives with and the man she can't live without. In the Red and Brown Water, the first play of Tarell Alvin McCraney’'s The Brother/Sister Plays, is an intoxicating story that charts a young girl's thrust into womanhood and her subsequent fall into the murky waters of life.

In the Louisiana bayou, big brother Ogun Size is hardworking and steady. Younger brother Oshoosi is just out of prison and aimless. Elegba, Oshoosi's old prison-mate, is a mysterious complication. A simple circle defines a world that begins in ritual and evolves into a tough and tender drama of what it means to brother and be brothered. Flights of poetry, music, dance and West African mythology combine in a contemporary tale that explores the tenuousness of freedom and the need to belong somewhere, to something, to someone. The Brothers Size is the second play of Tarell Alvin McCraney'’s The Brother/Sister Plays.