Twenty-three years in the making, Rising Up and Rising Down (the original, published by McSweeney's in October 2003, spans seven volumes) is a rich amalgam of historical analysis, contemporary case studies, anecdotes, essays, theory, charts, graphs, photographs and drawings. Convinced that there is "a finite number of excuses" for violence and that some excuses "are more valid than others," Vollmann spent two decades consulting hundreds of sources, scrutinizing the thinking of philosophers, theologians, tyrants, warlords, military strategists, activists and pacifists. He also visited more than a dozen countries and war zones to witness violence firsthand—sometimes barely escaping with his life. Vollmann makes deft use of these tools and experiences to create his Moral Calculus, a structured decision-making system designed to help the reader decide when violence is justifiable and when it is not. This abridged version is published in one volume.

A relentlessly curious, endlessly sensitive, and unequivocally adventurous examiner of human existence, William T. Vollmann now takes to the rails. In the company of experienced fellow train-hopper Steve, Vollmann trawls the secretive waters of a unique underground lifestyle—subjecting both our national romance with and skepticism about the hobo life to his finely tuned, analytical eye. Carrying on in the footloose tradition of Huckleberry Finn, he offers a moving, strikingly modern vision of the American dream, brilliantly exploring both our deeply ingrained romanticizing of "freedom" and the myriad ways we restrict the very freedoms we profess to admire.

Poor People struggles to confront poverty in all its hopelessness and brutality, its pride and abject fear, its fierce misery and quiet resignation, allowing the poor to explain the causes and consequences of their impoverishment in their own cultural, social, and religious terms. With intense compassion and a scrupulously unpatronizing eye, Vollmann invites his readers to recognize in our fellow human beings their full dignity, fallibility, pride, and pain, and the power of their hard-fought resilience.

In this magnificent new work of fiction, his first in nine years, celebrated author William T. Vollmann offers a collection of ghost stories linked by themes of love, death, and the erotic. A Bohemian farmer’s dead wife returns to him, and their love endures, but at a gruesome price. A geisha prolongs her life by turning into a cherry tree. A journalist, haunted by the half-forgotten killing of a Bosnian couple, watches their story, and his own wartime tragedy, slip away from him. A dying American romances the ghost of his high school sweetheart while a homeless salaryman in Tokyo animates paper cutouts of ancient heroes. Are ghosts memories, fantasies, or monsters? Is there life in death? Vollmann has always operated in the shadowy borderland between categories, and these eerie tales, however far-flung their settings, all focus on the attempts of the living to avoid, control, or even seduce death. Vollmann’s stories will transport readers to a fantastical world where love and lust make anything possible.

What is a woman? To what extent is femininity a performance? Writing with the extraordinary awareness and endless curiosity that have defined his entire oeuvre, William T. Vollmann takes an in-depth look into the Japanese craft of Noh theater, using the medium as a prism to reveal the conception of beauty itself. Sweeping readers from the dressing room of one of Japan's most famous Noh actors to a transvestite bar in the red-light district of Kabukicho, Kissing the Mask explores the enigma surrounding Noh theater and the traditions that have made it intrinsic to Japanese culture for centuries. Vollmann then widens his scope to encompass such modern artists of attraction and loss as Mishima, Kawabata and even Andrew Wyeth. From old Norse poetry to Greek cult statues, from Japan's most elite geisha dancers to American makeup artists, from Serbia to India, Vollmann works to extract the secrets of staged femininity and the mystery of perceived and expressed beauty, including explorations of gender at a transgendered community in Los Angeles and with Kabuki female impersonators.

Kissing the Mask is illustrated with many evocative sketches and photographs by the author.

Just weeks after multiple disasters struck Japan, National Book Award winner William T. Vollmann ventures into the nuclear hot zone, outfitted only with rubber kitchen gloves, a cloth facemask, and a capricious radiation detector. In this Byliner Original from the digital publisher Byliner, Vollmann emerges with a haunting report on daily life in a now-ravaged Japan—a country he has known and loved for many years. And in the cities and towns hit hardest by the earthquake, tsunami, and radioactive contamination, Vollmann finds troubling omens of a future heading toward us all.

From the author of Europe Central, a journalistic tour de force along the Mexican-American border.

For generations of migrant workers, Imperial Country has held the promise of paradise and the reality of hell. It sprawls across a stirring accidental sea, across the deserts, date groves and labor camps of Southeastern California, right across the border into Mexico. In this eye-opening book, William T. Vollmann takes us deep into the heart of this haunted region, exploring polluted rivers and guarded factories and talking with everyone from Mexican migrant workers to border patrolmen. Teeming with patterns, facts, stories, people and hope, this is an epic study of an emblematic region.

With the same panoramic vision and mythic sensibility he brought to The Ice-Shirt, William T. Vollmann continues his hugely original fictional history of the clash of Indians and Europeans in the New World. It is 400 years ago, and the Black Gowns, French Jesuit priests, are beginning their descent into the forests of Canada, eagerly seeking to convert the Huron—and courting martyrdom at the hands of the rival Iroquois. Through the eyes of these vastly different peoples—particularly through those of the grimly pious Father Jean de Brebeuf and the Indian prophetess Born Underwater—Vollmann reconstructs America's past as tragedy, nightmare, and bloody spectacle. In the process, he does nothing less than reinvent the American novel as well. Volume 2 of the Seven Dreams series.

William T. Vollmann is one of our greatest living writers. Masterworks such as You Bright and Risen Angels, The Royal Family, and Rising Up and Rising Down—his latest work, a stunning 3,300-page tour-de-force—have launched him into the literary stratosphere. He stands today as one of America's leading contenders for a future Nobel Prize in literature. Here is his long-awaited "best-of" collection, intended both as an introduction for the curious reader, and as a necessary addition to the existing fan's collection. With excerpts from all of Vollmann's novels (including several not yet published), journalistic pieces, essays, correspondence, and poetry, Expelled from Eden creates a unique, kaleidoscopic portrait of one of America's most notorious, protean, devastating, and necessary writers.

Butterfly Stories follows a Henry Miller-esque narrator in a dizzying cradle-to-grave hunt for love that takes him from the comfortable confines of suburban America to the blood-stained killing fields of modern Cambodia. The object of abuse and ridicule as a child, the "Butterfly boy" finds his only connection is with those outside of society, the untouchables. It is here that he meets up with Ulrich, the psychopathic son of a former S.S. officer; befriends a hedonistic photographer who travels with him to Southeast Asia; visits Thailand, where Benadryl and prostitutes with AIDS are his ever-present companions; and, finally, falls in love with Vanna, a waif-like hooker plying her wares in post-Khmer Rouge Phnom Penh. With Vanna he will engage in a monumental search for wisdom that will take him to the precipice of hell. Vollmann's most accessible work to date, this exotic, erotic, evocative tale will surely add to the legions of admirers who proclaim him as one of today's most arresting, provocative, and inventive writers.