With Charity, Mark Richard again secures the distinction of poet laureate of the orphaned poor, the broken, the deceived, and the unrelieved. In stylistic brilliance, he renders their conditions with grace and compassion, and redeems and transports their tragedy with wicked humor. In the much-anthologized "The Birds for Christmas," two hospitalized boys beg a night nurse to let them watch Hitchcock's classic thriller film on television, believing it will relieve their Yuletide loneliness. "Gentleman's Agreement" is a classic father-son story of fear and the violence of love. In "Memorial Day," a bayou boy learns the lessons of living from Death himself, a fortune cookie-eating phantom who claims to be "a people person." From charity ward to outrageous beach bungalow, Richard visits the overlooked corners of America, making them unforgettably visible. Richard has been rightly compared to Faulkner for his language and to Flannery O'Connor for his stark moral vision, but his force and sensibility remain his own. Charity is a powerful reading experience, a true accomplishment in an already stunning literary career.

Through the Insect Theatre collection Tim Edgar provides an eye-opening commentary on the spectacle of the everyday and the insects that we reside with. The photographs are contextualised in the essays by anthropologist Hugh Raffles, who discusses the life and death situations in the cobweb and the chaos in the domestic insect world.

Padgett Powell, author of the acclaimed The Interrogative Mood and “one of the few truly important American writers of our time” (Sam Lipsyte), returns with a hilarious Southern send-up of Samuel Beckett’s classic Waiting for Godot. Truly a master of envelope-pushing, post-postmodern American fiction, in a class with Nicholas Baker and Lydia Davis, Powell brilliantly blends the sublime, the trivial, and the oddball in You & Me, as two loquacious gents on a porch discuss all manner of subjects, from the mundane to the spiritual to the downright ridiculous. At once outrageously funny and profound, You & Me is yet another brilliant, boundary-bursting masterwork, proving once again that, “there are few writers who understand both the beauty and the absurdity of language as well as Padgett Powell” (Kevin Wilson, author of The Family Fang) and that, “Padgett Powell is one of the best writers in America, and one of the funniest, too” (Ian Frazier). You & Me: A Novel won the James Tait Black Prize for Fiction.

Twenty-three surreal fictions—stories, character assassinations, and mini-travelogues—from one of the most heralded writers of the American South. There are many things that repulse "Dr. Ordinary." "Kansas" is notable for its distinct lack of farmland. "Wayne's Fate" is most unfortunate, not merely for Wayne but for the roofer pal who stands by watching his good buddy lose his head. "Miss Resignation" simply cannot win at Bingo. And there is nothing "Typical" about the unemployed steelworker and self-described "piece of crud" who strides through this collection's title story. Welcome to the world of Padgett Powell, one of the most original American literary voices in recent memory. Typical is both a bravura demonstration of Powell's passion for words, and an offbeat, perceptive view of contemporary life—an enthralling work by a one-of-a-kind wordsmith, and a redefinition of what short fiction can be.

A phantasmagoric dream of a novel, exploring the mind of a housewife enamored of historical personages, twisted love stories, and strange conspiracies. Mrs. Hollingsworth sits at her kitchen table, compiling her grocery list. The subject of the list is not foodstuffs, but memories that never happened, inventions of loves, and strange conspiracies peopled by men who appear in the lonely housewife’s head—men infinitely more real to her than her own husband. Confederate general Nathan Bedford Forrest gallops into her story, courtesy of media giant Ted Turner and two shady criminal types named Bundy and Oswald who are engaged in a secret experiment to create “the New Southerner.” Her prying daughters believe Mrs. Hollingsworth is losing her mind. But in truth, their mother is simply looking for love via hand-to-hand combat on the surreal battlefield inside her head. Originally published as Mrs. Hollingsworth’s Men, Padgett Powell’s Hologram is a stunning literary achievement. Strikingly unique, it is a poignant, funny, and unconventional fever dream brought to lyrical life.

In the sequel to Powell's acclaimed debut, Edisto, Simons Manigault is older—if not particularly wiser—and searching for the cure to his restlessness in memory, travel, and forbidden love. Fourteen years after we first met Simons Manigault, our protagonist is newly graduated from Clemson University, bored, unfocused, and idling his summer away at his mother's home in Edisto, South Carolina. Not yet ready to fully embrace adulthood, Simons finds himself surrendering to cynicism, as well as to the temptations of his "turned-out-well" first cousin, Patricia. To avoid sinking further into his rut, Simons embarks on a road trip through the South. After a disastrous stint as a Corpus Christi fisherman, he exits the Lone Star State, doubling back to the Louisiana bayou to spend some quality time with his former friend and mentor—and his mother's ex-lover—Taurus. But as even Taurus's once sought-after wisdom wears thin, Simons begins to suspect that the grass is not greener on the other side—it may be burnt, brown, and dead wherever he goes. Padgett Powell's literary return to Edisto is as outrageous, witty, and bitingly sharp as its predecessor.

The idiosyncratic genius of Padgett Powell shines through in nine stories that bend the conventions of short fiction. Padgett Powell's literary stage is a blurred vision of the American South. His characters are bored, sad, assured, confused, deluded, and often just one step away from madness. The stories they populate are madder still, delivered by a voice enthralling and distinctive. Whether he's chronicling a housewife's encouragement of adolescent lust, following two good ol' boys on their search for a Chinese healer, or delving into the mind of an unstable moped accident survivor as he awaits a hefty settlement check, Powell revels in the irregularities of the mundane. His people occupy bar stools and strip clubs, pickup truck cabs and mental health clinics, looking for love, drugs, answers.

Powell's second novel takes its narrator on a quiet romp of seeming dissipation through the South—from Knoxville, Tennessee, to remote parts of Florida and his home in Lafayette, Louisiana.

Through presidential administrations Democratic and Republican, Katha Pollitt has observed and exposed the inconsistencies and illogic of those who stand in the way of progress solely to hold on to their power. In defense of human rights and equality, she assails the corrupt and educates the misguided with compassion, Swiftian wit, and complete literary authority. In this compelling collection, Pollitt skewers one hypocrite after another. She suggests, for example, that creationists be permitted to oppose the teaching of evolution only so long as they agree to forgo the benefits of the theory—such as flu vaccines. She gently wonders if those who denounced the decision to allow Terri Schiavo to die in peace would themselves be satisfied to be video-diagnosed by Senator Bill Frist. And in the title essay about fundamentalists’ antagonism toward sex education and STD prevention, she asks, “What is it with these right-wing Christians? Faced with a choice between sex and death, they choose death every time.” Pollitt is one of the most eloquent and persuasive voices in American political conversation of this or any other era, and Virginity or Death! Is a marvelous demonstration of her keen insight, mordant humor, and sense of justice.

In The Mind-Body Problem, Katha Pollitt takes the ordinary events of life—her own and others’—and turns them into brilliant, poignant, and often funny poems that are full of surprises and originality. Pollitt’s imagination is stirred by conflict and juxtaposition, by the contrast (but also the connection) between logic and feeling, between the real and the transcendent, between our outer and inner selves: Jane Austen slides her manuscript under her blotter, bewildered young mothers chat politely on the playground, the simple lines of a Chinese bowl in a thrift store remind the poet of the only apparent simplicities of her childhood. The title poem hilariously and ruefully depicts the friction between passion and repression (“Perhaps / my body would have liked to make some of our dates, / to come home at four in the morning and answer my scowl / with ‘None of your business!’ ”). In a sequence of nine poems, Pollitt turns to the Bible for inspiration, transforming some of the oldest tales of Western civilization into subversive modern parables: What if Adam and Eve couldn’t wait to leave Eden? What if God needs us more than we need him? With these moving, vivid, and utterly distinctive poems, Katha Pollitt reminds us that poetry can be both profound and accessible, and reconfirms her standing in the first rank of modern American poets.