When Shane McCrae was three years old, his grandparents kidnapped him and took him to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him from his father. In the years that followed, they manipulated and controlled him, refusing to acknowledge his heritage. For their own safety and to ensure the kidnapping remained a success, Shane’s grandparents had to make sure that he never knew the full story, so he was raised to participate in his own disappearance. Despite this, Shane begins to reconstruct his own story and to forge his own identity. Gradually, the truth unveils itself, and with the truth, comes a path to reuniting with his father and finding his own place in the world.

The three sections of Terrance Hayes’ seventh collection explore how we see ourselves and our world, mapping the strange and lyrical grammar of thinking and feeling. On the one hand, these fabulous fables, American sonnets, quarantine quatrains, and ekphrastic do-it-yourself sestinas animate what Toni Morrison called “the writerly imagination of a black author who is at some level always conscious of representing one’s own race.” On the other hand, these urgent, personal poems contemplate fatherhood, history, and longing with remarkable openness and humanity. 

Canonized, overlooked, and forgotten African American poets star in Terrance Hayes's brilliant contemplations of personal, canonical, and allegorical literary development. Illustrated micro-essays, graphic book reviews, biographical prose poems, and nonfiction sketches make reading an imaginative and critical act of watching your language. Hayes has made a kind of poetic guidebook with more questions than answers. "If you don't see suffering's potential as art, will it remain suffering?" he asks in one of the lively mock poetry exam questions of this musing, mercurial collection. Hayes's astonishing drawings and essays literally and figuratively map the acclaimed poet's routes, roots, and wanderings through the landscape of contemporary poetry.

Celia del Pino, the matriarch of a far-flung Cuban family, has watched her descendants spread out across the globe, struggling to make sense of their transnational identities and strained relationships with one another. In Berlin, the charismatic yet troubled Ivanito performs on stage as his drag queen persona; Pilar Puente, adrift in Los Angeles, is a struggling sculptor and the single mother of a young son. In Moscow, Ivanito’s cousin Irina has become the wealthy owner of a lingerie company. Meanwhile, in Havana, Celia prepares to reunite with her lost lover, Gustavo. Cut off from their Cuban roots, yet still feeling the island’s ineluctable pull, Ivanito and his extended family try to reimagine where—and with whom—they belong. 

It’s 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. 1973. The counter-culture has created a new generation, the old ways are being overthrown, but there is one constant, Pepper, Carney’s endearingly violent partner in crime. 1976.  Harlem is burning, block by block, while the whole country is gearing up for Bicentennial celebrations. When a fire severely injures one of Carney’s tenants, he enlists Pepper to look into who may be behind it. Our crooked duo have to battle their way through a crumbling metropolis run by the shady, the violent, and the utterly corrupted.

Becky Nurse is an outspoken, sharp-witted tour guide at the Salem Museum of Witchcraft who’s just trying to get by in post-Obama America. She’s also the descendant of Rebecca Nurse, who was infamously executed for witchcraft in 1692—but things have changed for women since then…haven’t they? After losing her job for calling out The Crucible in front of schoolkids, Becky visits a local witch for help. One spell leads to another, and then everything really goes off the rails. A darkly comic play about a woman coming to terms with her family’s legacy and finding her voice in the “lock her up” era.

In Fat Time and Other Stories, Jimi Hendrix, Francis Bacon, the boxer Jack Johnson, Miles Davis, and a space-age Muhammad Ali find themselves in the otherworldly hands of Jeffery Renard Allen, reimagined and transformed to bring us news of America in the twentieth and twenty-first centuries. Along with them are characters of Allen’s invention, and the two strands are joined by African notions of circular time in which past, present, and future exist all at once. Here the natural and supernatural, the sacred and the profane, the real and fantastical, destruction and creation are held in delicate and tense balance. 

Mick Hardin is back in the hills of Kentucky. He’d planned to touch down briefly before heading to France, marking the end to his twenty-year Army career. In Rocksalt, his sister Linda the sheriff is investigating the murder of Pete Lowe, a sought-after mechanic at the local racetrack. After another body is found, Linda and her deputy Johnny Boy Tolliver wonder if the two murders are related. Linda steps into harm’s way just as a third body turns up and Mick ends up being deputized again, uncovering evidence of illegal cockfighting, and trying to connect all the crimes.

In this volume of poems and lyric prose, A. Van Jordan draws comparisons to Black characters in Shakespearean plays to mourn the deaths of Black people, particularly Black children, at the hands of police officers. Balancing anger and grief with celebration, Jordan employs an elastic variety of poetic forms, including ekphrastic sestinas inspired by the photography of Malick Sidibé, fictional dialogues, and his signature definition poems that break down the insidious power of words.

Kip, Leslie, and Kira are outliers―even in the metal scene they love. In arch-conservative Gulf Coast Florida in the late 1980s, just listening to metal can get you arrested, but for the three of them the risk is well worth it, because metal is what leads them to one another. Together, they make the pilgrimage from Florida's swamp country to the fabled Sunset Strip in Hollywood. But in time, the delicate equilibrium they've found begins to crumble. Kira finds herself drawn to ever darker and more extreme strains of metal, and on a trip to northern Europe for her twenty-second birthday, vanishes. Two years later, the truth about her disappearance reunites Kip with Leslie, who in order to bring Kira home alive must make greater sacrifices than they could ever have imagined.