Jimmy Luntz is an innocent man, more or less. He's just leaving a barbershop chorus contest in Bakersfield, California, thinking about placing a few bets at the track, when he gets picked up by a thug named Gambol and his life takes a calamitous turn. Turns out Jimmy owes Gambol's boss significant money, and Gambol's been known to do serious harm to his charges. Soon enough a gun comes out, and Jimmy's on the run. While in hiding he meets up with a vengeful, often-drunk bombshell named Anita, and the two of them go on the lam together, attracting every kind of trouble. The latest from National Book Award-winning author Denis Johnson, Nobody Move "does exactly what noir should do—propel the reader downhill, with its cast of losers, louts and toughs as they cheat, shoot, and exploit one another into fast-talking oblivion" (Jess Walker, The Boston Globe).

Hailed by The New York Times as "wildly ambitious" and "the sort of book that a young Herman Melville might have written had he lived today and studied such disparate works as the Bible, 'The Wasteland,' Fahrenheit 451, and Dog Soldiers, screened Star Wars and Apocalypse Now several times, dropped a lot of acid and listened to hours of Jimi Hendrix and the Rolling Stones," Fiskadoro is a stunning novel of an all-too-possible tomorrow. Deeply moving and provacative, Fiskadoro brilliantly presents the sweeping and heartbreaking tale of the survivors of a devastating nuclear war and their attempts to salvage remnants of the old world and rebuild their culture.

The most critically acclaimed, and first, of Denis Johnson's novels, Angels puts Jamie Mays—a runaway wife toting along two kids—and Bill Houston—ex-Navy man, ex-husband, ex-con—on a Greyhound Bus for a dark, wild ride cross country. Driven by restless souls, bad booze, and desperate needs, Jamie and Bill bounce from bus stations to cheap hotels as they ply the strange, fascinating, and dangerous fringe of American life. Their tickets may say Phoenix, but their inescapable destination is a last stop marked by stunning violence and mind-shattering surprise. Denis Johnson, known for his portraits of America's dispossessed, sets off literary pyrotechnics on this highway odyssey, lighting the trek with wit and a personal metaphysics that defiantly takes on the world.

A contemporary noir, Already Dead is the tangled story of Nelson Fairchild Jr., disenfranchised scion to a northern California land fortune. A relentless failure, Nelson has botched nearly every scheme he's attempted to pull off. Now his future lies in a potentially profitable marijuana patch hidden in the lush old-growth redwoods on the family land. Nelson has some serious problems. His marriage has fallen apart, and he may lose his land, cash and crop in the divorce. What's more, in need of some quick cash, he had foolishly agreed to smuggle $90,000 worth of cocaine through customs for Harry Lally, a major player in a drug syndicate. Chickening out just before bringing the drugs through, he flushed the powder. Now Lally wants him dead, and two goons are hot on his trail. Desperate, terrified and alone, for Nelson, there may be only one way out. This is Denis Johnson's biggest and most complex book to date, and it perfectly showcases his signature themes of fate, redemption and the unraveling of the fabric of today's society. Already Dead, with its masterful narrative of overlapping and entwined stories, will further fuel the acclaim that surrounds one of today's most fascinating writers.

In his acclaimed first novel, Parasites Like Us, Johnson takes us on an enthralling journey through memory, time, and the cost of mankind's quest for its own past. Anthropologist Hank Hannah has just illegally exhumed an ancient American burial site and winds up in jail. But the law will soon be the least of his worries. For, buried beside the bones, a timeless menace awaits that will set the modern world back twelve thousand years and send Hannah on a quest to save that which is dearest to him. A brilliantly evocative apocalyptic adventure told with Adam Johnson's distinctive dark humor, Parasites Like Us is a thrilling tale of mankind on the brink of extinction.

The "remarkable" (The New Yorker) debut story collection by the author of The Orphan Master's Son, winner of the 2013 Pulitzer Prize in Fiction. An ATF raid, a moonshot gone wrong, a busload of female cancer victims determined to live life to the fullest—these are the compelling terrains Adam Johnson explores in his electrifying debut collection. A lovesick teenage Cajun girl, a gay Canadian astrophysicist, a teenage sniper on the LAPD payroll, a post-apocalyptic bulletproof-vest salesman—each seeks connection and meaning in landscapes made uncertain by the voids that parents and lovers should fill. With imaginative grace and verbal acuity, Johnson is satirical without being cold, clever without being cloying, and heartbreaking without being sentimental. He shreds the veneer of our media-saturated, self-help society, revealing the lonely isolation that binds us all together.

An elegant addition to Citadel's enormously successful Pride series, this beautiful book celebrates the achievments of African-Americans from Colonial and Pre-Civil war America to today. Included are pioneers of Civil Rights; award-winning writers; brilliant inventors; incomprable singers and ground-breaking actors. Also, celebrates the great places and events that have become an integral part of American history.

Leaving Saturn, chosen by Al Young as the winner of the Cave Canem Poetry Prize, is an ambitious and honest collection. Major Jackson, through both formal and free verse poems, renders visible the spirit of resilience, courage, and creativity he witnessed among his family, neighbors, and friends while growing up in Philadelphia. His poems hauntingly reflect urban decay and violence, yet at the same time they rejoice in the sustaining power of music and the potency of community. Jackson also honors artists who have served as models of resistance and maintained their own faith in the belief of the imagination to alter lives. The title poem, a dramatic monologue in the voice of the American jazz composer and bandleader Sun Ra, details such a humane program and serves as an admirable tribute to the tradition of African American art. Throughout, Jackson unflinchingly portrays our most devastated landscapes, yet with a vividness and compassion that expose the depth of his imaginative powers.

In these poems of broken unions and acute longing, Major Jackson explores art, literature, and music as seductive forces in our lives.

A bear climbs onto a cabin’s deck, presses his nose to the sliding door. Inside, a young woman stands to face him. She comes closer, and closer yet, until only the glass stands between them . . .

The year is 1981, Reagan is in the White House, and the country is stalled in a recession. Cressida Hartley, a gifted Ph.D. student in economics, moves into her parents' shabby A-frame cabin in the Sierras to write her dissertation. In her most intimate and emotionally compelling novel to date, Michelle Huneven—author of Blame, which was a finalist for the National Book Critics Circle Award—returns with her signature mix of fine-grained storytelling, unforgettable characters, and moral complexity.

Cress, increasingly resistant to her topic (art in the marketplace), allows herself to be drawn into the social life of the small mountain community. The exuberant local lodge owner, Jakey Yates, with his big personality and great animal magnetism, is the first to blur Cress' focus. The builder Rick Garsh gives her a job driving up and down the mountain for supplies. And then there are the two Morrow brothers, skilled carpenters, who are witty, intriguing, and married. As Cress tells her best friend back home in Pasadena, being a single woman on the mountain amounts to a form of public service. Falling prey to her own perilous reasoning, she soon finds herself in dark new territory, subject to forces beyond her control from both within and without.

Unsentimental, immersive, and beautifully written—"Huneven's prose is flawless," according to The New Yorker—Off Course evokes the rapture of new love, the addictive draw of an intense, impossible connection, and what happens when two people simply can't let go of each other or of their previous commitments. As her characters struggle with and delight in one another, Huneven subtly exposes the personal and social forces at play: issues of class, money, and family, as well as the intricate emotional and economic transactions between parents and children, between husbands and wives, between lovers, and between friends. Michelle Huneven is one of our most searching, elegant novelists—Richard Russo has called her "a writer of extraordinary and thrilling talent." In Off Course, she introduces us to an intelligent young woman who discovers that love is the great distraction, and impossible love the greatest distraction of all.