When X—an iconoclastic artist, writer, and polarizing shape-shifter—falls dead in her office, her widow, wild with grief and refusing everyone’s good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM, her wife, knew where X had been born, and in her quest to find out, she opens a Pandora’s box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, as it is finally, in the present day, forced into an uneasy reunification. When she finally understands the scope of X’s defining artistic project, CM realizes her wife’s deceptions were far crueler than she imagined.

In propulsive and formally inventive verse, LaTasha N. Nevada Diggs examines how trauma reshapes lineage, language, and choice, disrupting attempts at reconciliation across generations. Questioning who is deemed worthy of public memorialization, Diggs raises new monuments, tears down classist tropes, offers detailed instructions for her own international funeral celebrations, and makes visible the hidden labors of care and place. From corners in Harlem through North Carolina back roads, Diggs complicates the concept of “survivor,” getting to the truth of living in the dystopia of poverty.

Aloff takes us on a journey through various forms of dance—rituals, religious observances, storytelling, musical interpretations—to show why dance matters to human beings. Interlaced with personal experiences, this book builds on analysis to reveal the intimate relationship we have with dance—personal, spiritual, soul-searching, medicinal, and entertaining.

Sam is seven years old and living in Beverley, Massachusetts. She adores her father, though he isn’t around much. Her mother struggles to make ends meet, and never fails to remind Sam that if she studies hard and acts responsibly, adulthood will be easier—more secure and comfortable. But comfort and security are of little interest to Sam. As a teenager, Sam begins to doubt herself. She yearns to be noticed, even as she wants to disappear. When her climbing coach takes an interest in her, his attention is more complicated than she anticipated. And she resists her mother’s attempts to plan for her future, even as that future draws closer.

Matt Donovan’s The Dug-Up Gun Museum confronts our country’s obsession with guns to explore America’s deep-seated political divisions and issues linked to violence, race, power, and privilege. Taking its title from an actual museum located in Wyoming, this collection of poems interrogates our country’s history of gun violence, asking questions about our fetishization of weapons, how mass shootings and the killing of unarmed civilians by police have become normalized, and the multitudinous ways in which firearms are ingrained in our country’s culture. 

A writer navigates shady—and potentially deadly—political campaigns in this vibrant graphic novel about unconscious bias and how the cynical exploit it.

In this picaresque novel set in the early 2000s, David, an investment banker with Eastern European roots, goes bankrupt from the Enron fiasco, and moves to Russia to do some soul-searching. In the shadow of the Khazan cathedral, he’s arrested for the murder of two Georgian wine-importers. David is imprisoned at Kresty, bewildered and alone. One day, Putin himself visits, with a modest proposal for David: to travel to Georgia and slip plutonium into the president’s wine. This is the price of freedom: to assassinate a president.

In Come Back in September, Pinckney recalls his introduction to New York and to the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only his link to the intellectual heart of New York but also a source of continuous support and of inspiration―in the way she worked, her artistry, the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself as a writer.

A magnificent, beguiling tale winding from the postwar rural provinces to Paris, from an English boarding school to the quiet Pennsylvania home where a woman can live without her past, The Book of Goose is a story of disturbing intimacy and obsession, of exploitation and strength of will, by the celebrated author Yiyun Li.

In this strongly visual and environmentally engaged collection, award-winning poet and translator Jody Gladding explores landscape as a source of language in lyrics that operate as physical acts in three-dimensional space.