A starry night is one of nature's most magical wonders. Yet in our artificially lit world, three-quarters of Americans' eyes never switch to night vision and most of us no longer experience true darkness. In The End of Night, Paul Bogard restores our awareness of the spectacularly primal, wildly dark night sky and how it has influenced the human experience across everything from science to art.

From Las Vegas' Luxor Beam—the brightest single spot on this planet—to nights so starlit the sky looks like snow, Bogard blends personal narrative, natural history, science, and history to shed light on the importance of darkness—what we've lost, what we still have, and what we might regain—and the simple ways we can reduce the brightness of our nights tonight.

When Maricarmen meets Rey el Cantante, beloved small-time Robin Hood and local musician on the rise, she begins to envision a life beyond the tight-knit community of el Caserío, Puerto Rico—beyond cleaning houses, beyond waiting tables, beyond the constant tug of war between the street hustlers and los camarones. But breaking free proves more difficult than she imagined, and she soon finds herself struggling to make a home for herself, for Rey, his young brother Tito, and eventually, their daughter Nena. Until one fateful day changes everything.

Fifteen years later, Maricarmen and Nena find themselves in the middle of a murder investigation as the community that once rallied to support Rey turns against them. Now Nena, a teenager haunted by loss and betrayal and exploring her sexual identity, must learn to fight for herself and her family in a world not always welcoming. For lovers of the Neapolitan novels, This is the Only Kingdom is an immersive and moving portrait of a family—and a community—torn apart by generational grief, and a powerful love letter to mothers, daughters, and the barrios that make them. 

In a near-future Kolkata beset by flooding and famine, Ma, her two-year-old daughter, and her elderly father are just days from leaving the collapsing city behind to join Ma’s husband in Ann Arbor, Michigan. After procuring long-awaited visas from the consulate, they pack their bags for the flight to America. But in the morning they awaken to discover that Ma’s purse, containing their treasured immigration documents, has been stolen.

Set over the course of one week, A Guardian and a Thief tells two stories: the story of Ma’s frantic search for the thief while keeping hunger at bay during a worsening food shortage; and the story of Boomba, the thief, whose desperation to care for his family drives him to commit a series of escalating crimes whose consequences he cannot fathom. With stunning control and command, Megha Majumdar paints a kaleidoscopic portrait of two families, each operating from a place of ferocious love and undefeated hope, each discovering how far they will go to secure their children’s future as they stave off encroaching catastrophe.

In the world of Black radical politics, the name Audley Moore commands unquestioned respect. Across the nine decades of her life, Queen Mother Moore distinguished herself as a leading progenitor of Black Nationalism, the founder of the modern reparations movement, and, from her Philadelphia and Harlem homes, a mentor to some of America's most influential Black activists.

And yet, she is far less remembered than many of her peers and protégés—Marcus Garvey, Malcolm X, and Muhammad Ahmad, to name just a few—and the ephemera of her life are either lost or plundered. In Queen Mother, celebrated writer and historian Ashley D. Farmer restores Moore's faded portrait, delivering the first ever definitive account of her life and enduring legacy.

Deeply researched and richly detailed, Queen Mother is more than just the biography of an American icon. It's a narrative history of 20th-century Black radicalism, told through the lens of the woman whose grit and determination sustained the movement.

Journalist Dom Phillips traveled deep into the Amazon rainforest searching for solutions to the problem of deforestation, a threat to the local ecosystem, native tribes, and the global climate. When he was murdered in the Javari Valley by a group of environmental criminals, a cohort of journalists and activists took up his work to finish his book and share his important message.

During the dark days of the Bolsonaro administration, British journalist Dom Phillips set out to accomplish an ambitious goal: through research, interviews, and site visits deep in the rainforest, he would emerge with a book answering the question—how can we save the Amazon? Traveling with his companion Indigenous expert Bruno Pereira, Dom’s adventure includes trekking through Amazonia to see where ranching, fires, illegal fishing, mining, the drug trade, and urbanization have deforested and degraded millions of acres of important forest, degraded ecosystems, and created dangerous conditions for the Indigenous tribes who have called the Amazon home for thousands of years.

When asked why she writes, Lydia Davis confesses that the question makes her uncomfortable. Maybe she would rather not know. Instead, Davis considers how she writes her stories, how other writers write, and what insights the how might provide into the why.

In this free-ranging exploration, Davis discovers that one reason she writes is for pleasure: the pleasure of encountering something that demands to be treated in language, of handling and manipulating the language into the form it ought to take, and, finally, of seeing a story exist where it didn’t exist before. As she observes the processes of some of the authors who interest her the most, she finds that there seem to be as many reasons to write as there are writers: to relive an experience, to share an experience, to articulate something one has not quite comprehended.

Reflecting on an eclectic mix of thinkers, including James Baldwin, Kate Briggs, Walter Raleigh, Christina Sharpe, Knut Hamsun, Grace Paley, Josep Pla, John Ashbery, and John Clare, Davis undertakes a clear-eyed, patient inquiry into the manifold reasons we choose to put pen to paper and begin something new.

When Rickey Laurentiis debuted in 2015 with Boy with Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. “Call Rickey Laurentiis’ stylistic range virtuosity or call it correctly, necessity,” Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lives. This staggering, irreverent, gentle, and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis’s poetics—from Greek odes and early Black Spirituals to the work of Whitman and Dickinson and the mid-century cinematic icon The Lady Chablis. 

In a world where what one is, and how one looks, or even just the idea of a person can get one killed, this is transformative work. This collection does not stump for its humanity, nor does it compromise its art in order to speak in its own voice. Sprung to its own sound, celebratory without apology, this is a book which reclaims the act of poetry itself, too, for the way it can reshape the writer, the mind, the body, the story we choose, and the images the world can imprint on us. (Can poetry do that?) Approaching from every angle and expanding in every direction as we read, Death of the First Idea probes every aspect of transformation. Celebratory, interrogatory, reclamatory, full of rage and range, these are poems for the storms of our time.

In Elements of Los Angeles: Earth, Water, Fire, Air, D.J. Waldie continues his singular meditation on Los Angeles: a place of contradictions, dreams, and disquiet. With uncommon clarity and emotional depth, Waldie considers Los Angeles as a place of both promise and disillusionment, of civic memory and strategic forgetting, of natural beauty and environmental fragility. Each of the four classical elements forms the basis for a profound and poetic reassessment of the city’s image, exploring topics as diverse and resonant as the unlikely history of the Hass avocado, the St. Francis Dam disaster, an endurance contest that saw a young woman buried alive, and the sound of Vin Scully’s voice carried across the summer air.

Grounded in the physical and emotional geography of Los Angeles—its earth, its water, its fires, its air—this collection is a portrait of a city always in flux, and of those who try to make a life within it. For anyone who has ever lived in Los Angeles, or simply wondered what lies beneath its glittering surface, Elements of Los Angeles is a guide to seeing the city anew.

The short fictions in Room on the Sea deal with the heart-wrenching vicissitudes of amorous ambivalence, in André Aciman's inimitably nostalgic, lyric style.

"The Gentleman from Peru" tells the story of the life-changing encounter of a group of friends with an enigmatic solitary guest in a hotel on the Amalfi Coast. "Room on the Sea" is a dialogue between a man and a woman who meet on jury duty and embark on a complex relationship. "Mariana" is a modern retelling of a famous seventeenth-century novel about a love affair between a nun and a swashbuckling, unreliable aristocrat.

Spanning four decades of writing—and including never-before-seen poems—The Essential C.D. Wright carries the reverence and wisecracking lyricism of poems that reshaped American poetry.
The Essential C.D. Wright gathers rare selections across the famed poet’s entire oeuvre—from the first book, Alla Breve Loving (1976), through to ShallCross, which was in production at the time of her unexpected death in 2016. Tracing a writing life that spans more than four decades, this essential collection illuminates works that remain empowered by an unrelenting independence, a reverence for mentors, and wry, wisecracking lyricism. With a moving introduction by Forrest Gander, this volume cements C.D. Wright’s place in the literary canon.