Anywhere But Here is a moving, often comic portrait of wise child Ann August and her mother, Adele, a larger-than-life American dreamer. As they travel through the landscape of their often conflicting ambitions, Ann and Adele bring to life a novel that is a brilliant exploration of the perennial urge to keep moving, even at the risk of profound disorientation. Simpson's first novel is ultimately a heart-rendering tale of a mother and daughter's invaluable relationship.

Julie Sheehan's Thaw is the second winner of the annual Poets Out Loud Prize for a book of poetry published each year by Fordham University Press in coordination with Fordham's Poets Out Loud program. The landscape of Thaw is America but the vast field of language is bravely Shakespearian. Sheehan's poems roil through catalpa, maurade through familial and domestic brakes, and, ultimately, brim to the top of the old earthen pot. Everywhere the poems remind that the endless—were we truly able to grasp it—would astonish. Each poem celebrates the ingredients, practice, and serving up of the fugitive mortal banquet, from pudding to bone.

Nets woven of bird guides and self-help books, legal argot and street slang, Whitman's long-lined grass, and the sway, jangle, juxtaposition, joy, and far-flung syntax of the vast field of English—going back to its gnarly old roots in Chaucer—all populate Julie Sheehan's exuberant poems. Sheehan's poems are concerned with navigation and with choice; with how to live in an increasingly urbanized, global, technological world; with how to orient oneself as, for example, a woman in a still largely patriarchal society; and with how to make moral choices when the options seem either rich to embarassment or shamefully narrow. In Sheehan's world, hip-hop reverberates throughout Southern swamps and "men / have left their honeysuckle sows for yields / of telemarketing." Yet there are coyotes in Greenwich, Connecticut, where "our sinks back up, our toilets will not drain, / our nature disobediently tends toward nature." Orient Point seeks balance between the boundless joy and the tragic irony of today's existence, asking essentially, Do we make our way througn abundance or debris?

For two young girls in the 1960s, the family backyard is both playground and prison. Among the bushes and brambles, it offers places to hide from the rages of their war-scarred father, places that also become secret gardens of the imagination. Told over the course of two hot Virginia summers, Hula presents a child's-eye view of a family drama played out to a chilling climax. The younger sister narrates, introducing us to her older sister's ritual taunts, her mother's dreamy distance, her father's escalating temper. Lisa Shea's haunting first novel probes the dark place where adolescent fantasies and real terrors collide.

Hailed as a "supreme storyteller" (Philadelphia Inquirer) for his "cunning, dismaying and beautifully conceived" fiction (The New York Times), Akhil Sharma is possessed of a narrative voice "as hypnotic as those found in the pages of Dostoyevsky" (The Nation). In his highly anticipated second novel, Family Life, he delivers a story of astonishing intensity and emotional precision. We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family’s younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family’s new life. Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival.

Family Life was one of the books chosen for the We Second That list of second novels compiled by Whiting and Slate in 2014.

Ram Karan, a corrupt official in New Delhi, lives with his widowed daughter and his little granddaughter. Bumbling, sad, ironic, Ram is also a man corroded by a terrible secret. Taking the reader down into a world of feuding families and politics, An Obedient Father is a work of rare sensibilities that presents a character as formulated, funny, and morally ambiguous as any of Dostoevsky’s antiheroes.

Arabesques is a classic, complex novel of identity, memory, and history in the Middle East and points beyond—including Iowa and New York City. Anton Shammas, the first Arab to write a novel in Hebrew, has given us a riveting look at a people we hear too little about: Palestinian Christians. Arabesques was chosen as one of the best books of 1988 by the editors of The New York Times Book Review.

A young woman moves to New York City for what promises to be a dream job. Displaced, she feels unsure of her fit in the world. Then comes a look of recognition, a gesture of friendship from an older woman named Greta who shares the same difficult-to-place color of skin. On common ground, a tenuous alliance grows between two women in racial limbo. So too, does the older woman's unnerving obsession, leading to a collision of two lives spiraling out of control. A beautifully written novel, at once suspenseful, erotic, and tantalizingly clever, Symptomatic is a groundbreaking contribution to the literature of racial identity.

In Caucasia—Danzy Senna's extraordinary debut novel and national bestseller—Birdie and Cole are the daughters of a black father and a white mother, intellectuals and activists in the Civil Rights Movement in 1970s Boston. The sisters are so close that they have created a private language, yet to the outside world they can't be sisters: Birdie appears to be white, while Cole is dark enough to fit in with the other kids at the Afrocentric school they attend. For Birdie, Cole is the mirror in which she can see her own blackness.

Then their parents' marriage falls apart. Their father's new black girlfriend won't even look at Birdie, while their mother gives her life over to the Movement: at night the sisters watch mysterious men arrive with bundles shaped like rifles. One night Birdie watches her father and his girlfriend drive away with Cole—they have gone to Brazil, she will later learn, where her father hopes for a racial equality he will never find in the States. The next morning—in the belief that the Feds are after them—Birdie and her mother leave everything behind: their house and possessions, their friends, and—most disturbing of all—their identity. Passing as the daughter and wife of a deceased Jewish professor, Birdie and her mother finally make their home in New Hampshire. Desperate to find Cole, yet afraid of betraying her mother and herself to some unknown danger, Birdie must learn to navigate the white world—so that when she sets off in search of her sister, she is ready for what she will find.

At once a powerful coming-of-age story and a groundbreaking work on identity and race in America, "Caucasia deserves to be read all over" (Glamour).

It is August 15, 1953, the day of a boisterous and unwieldy street carnival in Elephant Park, an Italian immigrant enclave in northern Ohio. As the festivities reach a riotous pitch and billow into the streets, five members of the community labor under the weight of a terrible secret. As these floundering souls collide, one day of calamity and consequence sheds light on a half century of their struggles, their follies, and their pride. And slowly, it becomes clear that buried deep in the hearts of these five exquisitely drawn characters is the long-silenced truth about the crime that twisted each of their worlds. Cast against the racial, spiritual, and moral tension that has given rise to modern America, this first novel exhumes the secrets lurking in the darkened crevices of the soul of our country. Inventive, explosive, and revelatory, The End introduces Salvatore Scibona as an important new voice in American fiction.