In these ten stories, Mark Richard, winner of the 1990 PEN/Ernest Hemingway Foundation Award, emerges as the heir apparent to Mark Twain, Flannery O'Connor, and William Faulkner.
In the brilliant idiom of a modern Melville or Conrad, an odyssey of discovery by a bold and outrageous talent—the PEN/Hemingway Award-winning author of The Ice At The Borrom of the World. Fishboy, Richard's first novel, tells of a young boy who believes he has committed a murder. He stows away on a trawler that is crewed by criminals and freaks. To reclaim his innocence, Fishboy returns to the origins of his short life.
A finalist for the 2011 National Book Critics Circle Award in Autobiography, and a New York Times Notable Book of the Year.
For a century Harlem has been celebrated as the capital of black America, a thriving center of cultural achievement and political action. At a crucial moment in Harlem's history, as gentrification encroaches, Sharifa Rhodes-Pitts untangles the myth and meaning of Harlem's legacy. Examining the epic Harlem of official history and the personal Harlem that begins at her front door, Rhodes-Pitts introduces us to a wide variety of characters, past and present. At the heart of their stories, and her own, is the hope carried over many generations, hope that Harlem would be the ground from which blacks fully entered America's democracy. Rhodes-Pitts is a brilliant new voice who, like other significant chroniclers of places—Joan Didion on California, or Jamaica Kincaid on Antigua—captures the very essence of her subject.
A moving, subtle sequence of narrative poems, from a sharp new poetic voice. Two strangers walk toward Emmaus. Christ has just been crucified, and they are heartbroken—until a third man joins them on the road and comforts them. Once they reach Emmaus and break bread, the pair realizes they have been walking with Christ himself. But in the moment they recognize him, he disappears. Spencer Reece draws on this tender story in his mesmerizing collection—one that fearlessly confronts love and its loss, despair and its consolation, and faith in all of its various guises. Reece’s central figure in The Road to Emmaus is a middle-aged man who becomes a priest in the Episcopal Church; these poems follow him to New York City, to Honduras, to a hospital where he works as a chaplain, to a prison, to an Alcoholics Anonymous meeting.
With language of simple, lyrical beauty that gradually accrues weight and momentum, Reece spins compelling dramas out of small moments: the speaker, living among a group of orphans, wondering "Was it true, what they said, that a priest is a house lit up?"; two men finding each other at a Coming Out Group; a man trying to become visible after a life that had depended on not being seen. A yearning for connection, an ache of loneliness, and the instant of love disappearing before our eyes haunt this long-awaited second collection from Spencer Reece.
In a recent double fiction issue, The New Yorker devoted the entire back page to a single poem, "The Clerk's Tale," by Spencer Reece. The poet who drew such unusual attention has a surprising background: for many years he has worked for Brooks Brothers, a fact that lends particular nuance to the title of his collection. The Clerk's Tale pays homage not only to Chaucer but to the clerks' brotherhood of service in the mall, where "the light is bright and artificial, / yet not dissimilar to that found in a Gothic cathedral." The fifty poems in The Clerk's Tale are exquisitely restrained, shot through with a longing for permanence, from the quasi-monastic life of two salesmen at Brooks Brothers to the poignant lingering light of a Miami dusk to the weight of geography on an empty Minnesota farm.
A stunningly original exploration of the ties that bind us to the beautiful, ancient, astoundingly accomplished, largely unknown, and unfathomably different species with whom we share the world. For as long as humans have existed, insects have existed, too. Wherever we’ve traveled, they’ve traveled, too. Yet we hardly know them, not even the ones we’re closest to: those that eat our food, share our beds, and live in our homes.
Organizing his book alphabetically with one entry for each letter, weaving together brief vignettes, meditations, and extended essays, Hugh Raffles embarks on a mesmerizing exploration of history and science, anthropology and travel, economics, philosophy, and popular culture to show us how insects have triggered our obsessions, stirred our passions, and beguiled our imaginations. Raffles offers us a glimpse into the high-stakes world of Chinese cricket fighting, the deceptive courtship rites of the dance fly, the intriguing possibilities of queer insect sex, the vital and vicious role locusts play in the famines of west Africa, how beetles deformed by Chernobyl inspired art, and how our desire and disgust for insects has prompted our own aberrant behavior. Deftly fusing the literary and the scientific, Hugh Raffles has given us an essential book of reference that is also a fascination of the highest order.
The Amazon is not what it seems. As Hugh Raffles shows us in this captivating and innovative book, the world's last great wilderness has been transformed again and again by human activity. In Amazonia brings to life an Amazon whose allure and reality lie as much, or more, in what people have made of it as in what nature has wrought. It casts new light on centuries of encounter while describing the dramatic remaking of a sweeping landscape by residents of one small community in the Brazilian Amazon.
Combining richly textured ethnographic research and lively historical analysis, Raffles weaves a fascinating story that changes our understanding of this region and challenges us to rethink what we mean by "nature." Raffles draws from a wide range of material to demonstrate—in contrast to the tendency to downplay human agency in the Amazon—that the region is an outcome of the intimately intertwined histories of humans and nonhumans. He moves between a detailed narrative that analyzes the production of scientific knowledge about Amazonia over the centuries and an absorbing account of the extraordinary transformations to the fluvial landscape carried out over the past forty years by the inhabitants of Igarapé Guariba, four hours downstream from the nearest city. Engagingly written, theoretically inventive, and vividly illustrated, the book introduces a diverse range of characters—from sixteenth-century explorers and their native rivals to nineteenth-century naturalists and contemporary ecologists, logging company executives, and river-traders. A natural history of a different kind, In Amazonia shows how humans, animals, rivers, and forests all participate in the making of a region that remains today at the center of debates in environmental politics.
This stunning debut novel—drawn from the author's own life experience—tells the moving story of a family of eleven in the American Midwest, bound together and torn apart by their faith. The Rovaniemis and their nine children belong to a deeply traditional church (no drinking, no dancing, no TV) in modern-day Michigan. A normal family in many ways, the Rovaniemis struggle with sibling rivalry, parental expectations, and forming their own unique identities in such a large family. But when two of the children venture from the faith, the family fragments and a haunting question emerges: Do we believe for ourselves, or for each other? Each chapter is told from the distinctive point of view of a different Rovaniemi, drawing a nuanced, kaleidoscopic portrait of this unconventional family. The children who reject the church learn that freedom comes at the almost unbearable price of their close family ties, and those who stay struggle daily with the challenges of resisting the temptations of modern culture. With precision and potent detail, We Sinners follows each character on their journey of doubt, self-knowledge, acceptance, and, ultimately, survival.
Playful and profound, The Interrogative Mood is a bebop solo of a book in which every sentence is a question. In it acclaimed novelist Padgett Powell—a writer once touted as the best of his generation by Saul Bellow—forces us to consider our core beliefs, our most cherished memories, our final views on life, liberty, and the pursuit of happiness. In fiction as in life, there may be no easy answers—but The Interrogative Mood is an exuberant book that leaves the reader feeling more alive.
A novel that has drawn comparisons with the work of J. D. Salinger, Truman Capote, and Flannery O’Connor, Edisto centers on one Simons Everson Manigault, a twelve-year-old possessed of a vocabulary and sophistication way beyond his years and a preadolescent bewilderment with the behavior of adults. These include his mother, who is known as the Duchess, and his enigmatic father-surrogate, Taurus. Imbued with a strong sense of place—an isolated strip of South Carolina coast called Edisto—Padgett Powell’s novel is “truly remarkable . . . both as a narrative and in its extraordinary use of language” (Walker Percy).
