Catfish and Mandala is the story of an American odyssey—a solo bicycle voyage around the Pacific Rim to Vietnam—made by a young Vietnamese-American man in pursuit of both his adopted homeland and his forsaken fatherland. Andrew X. Pham was born in Vietnam and raised in California. His father had been a POW of the Vietcong; his family came to America as "boat people." Following the suicide of his sister, Pham quit his job, sold all of his possessions, and embarked on a year-long bicycle journey that took him through the Mexican desert, around a thousand-mile loop from Narita to Kyoto in Japan; and, after five months and 2,357 miles, to Saigon, where he finds "nothing familiar in the bombed-out darkness." In Vietnam, he's taken for Japanese or Korean by his countrymen, except, of course, by his relatives, who doubt that as a Vietnamese he has the stamina to complete his journey ("Only Westerners can do it"); and in the United States he's considered anything but American. A vibrant, picaresque memoir written with narrative flair and an eye-opening sense of adventure, Catfish and Mandala is an unforgettable search for cultural identity.

A canyon earmarked for development as a golf resort. One last hunting trip in a vanishing wilderness. A grandfather, a son, and a grandson—plus one angry bear. Over the course of the weekend, each man will change in sharply contrasting ways.

They live among us. They are our neighbors, our mothers, our lovers. They change. When government agents kick down Claire Forrester's front door and murder her parents, Claire realizes just how different she is. Patrick Gamble was nothing special until the day he got on a plane and hours later stepped off it, the only passenger left alive, a hero. Chase Williams has sworn to protect the people of the United States from the menace in their midst, but he is becoming the very thing he has promised to destroy. So far, the threat has been controlled by laws and violence and drugs. But the night of the red moon is coming, when an unrecognizable world will emerge . . . and the battle for humanity will begin.

In The Oval Hour Kathleen Peirce addresses the vulnerability of language—which is to say the vulnerability of our reality—when we are in extreme states of desire and loss, especially erotic desire and erotic loss. Central to the book is its series of "Confessions, " twenty formally similar poems that contend with the Confessions of Saint Augustine. "Passing through innocence, I came either to experience / or guilt, or they came to me, displacing innocence." These luminous poems explore the generation and overlapping of carnal and metaphysical identities.

Of this book, the poet Jean Valentine has written: "Startling in their mystery, these poems are entirely original: abstract and passionate, sensual and otherworldly, trance-like and exciting. They are told through a 'we,' perhaps all of us human beings, remembering; yet strangely, too, each of us experiencing everything alone. The Ardors is a book that takes us beyond ourselves, beyond our workaday bodies and souls."

Luisa Cantu is a girl from a Sierra Madre mountain village. After being impregnated in a fertility ritual of ancient origin, she leaves Mexico to work in the Rio Grande Valley of Texas as a housemaid for Mrs. Eddie Hatch, a woman with a strong will and a narrow worldview. Their complex relationship—by turns mystical and pragmatic, serious and comic—reveals the many ways human beings can wound one another, the nautre of love and sacrifice, and the possibility of forgiveness. The River Beyond the World is a 1996 National Book Award Finalist for Fiction.

The richly textured stories in Janet Peery's debut collection nearly always depict people caught between two places—literal or figurative—or trying to understand the mysteries of a place in which they have found themselves and to apply that understanding to their lives. Whether the territory is cultural, sexual, or social, its bedrock is the heart.

In "South Padre" an Oklahoma farmer and his wife take a trip to the Texas Gulf Coast where they encounter a test of their marriage and—each in a different way—the limits of their knowledge. Set in 1950s Milwaukee, "Alligator Dance" depicts a fourth grader's sexual awakening as she is attracted and repelled by a Polish boy's totemic words, images, and their mysterious meanings, and by her own confusing desires. Eager to please her lawyer father, a young girl in "The Waco Wego" accompanies him to a meeting with a murderer's mother at a truckstop where she confronts the complexities of blame, morality, knowledge, and compassion. In "Nosotros" the daughter of a Mexican maid in the Rio Grande Valley of South Texas, angered by her mother's subservience, is forced to examine her own relationship with the son of her mother's employer.

With this first book of fiction, a gifted young writer brings together eight superbly crafted stories that peer deeply into the human heart, exploring lives derailed by the loss of a vital connection to the land and to the natural world of which they are a part. "Mule Killers" evokes the end of an era and of a grandfather's dreams when he decides to replace animal power on his farm with tractors. Two restless young girls in "Sweethearts of the Rodeo" live out their last summer of innocence, riding ponies recklessly and spying on their boss and the wealthy women who visit him. In "Phantom Pain," the Tennessee woods are a sliver of what they once were, men now hunt with GPS and cell phones, and the rumor of a dangerous panther on the loose stirs up a small town. An unexpected vision of the beauty and mystery of life redeems the darkest moments in this stellar debut collection, a book that readers will want to read and reread.

Set in present day West Virginia, Ann Pancake’s debut novel, Strange As This Weather Has Been, tells the story of a coal mining family—a couple and their four children—living through the latest mining boom and dealing with the mountaintop removal and strip mining that is ruining what is left of their mountain life. As the mine turns the mountains to slag and wastewater, workers struggle with layoffs and children find adventure in the blasted moonscape craters. Strange As This Weather Has Been follows several members of the family, with a particular focus on fifteen-year-old Bant and her mother, Lace. Working at a “scab” motel, Bant becomes involved with a young miner while her mother contemplates joining the fight against the mining companies. As domestic conflicts escalate at home, the children are pushed more and more outside among junk from the floods and felled trees in the hollows—the only nature they have ever known. But Bant has other memories and is as curious and strong-willed as her mother, and ultimately comes to discover the very real threat of destruction that looms as much in the landscape as it does at home.

Departing from Appalachia's 150-year-old literary legacy of formula and caricature, West Virginia native Ann Pancake uses the texture of language, an intense attention to place, and complexity of characterization to recreate the region—its tragic history and fragile culture, the interior landscapes of its people, and their deep rootedness in a threatened land. Her characters, already marginalized economically and socially, confront what many perceive as an invading outside culture, enduring and at times transcending the loss of their "place," both literally and figuratively. Their stories undermine the assumption that just because people don't articulate what happens inside them, nothing much is happening at all.