One fall night, an innkeeper on a remote island in Nova Scotia watches an airplane plummet to the sea. As the search for survivors envelops the island, the mourning families gather at the inn, waiting for news of those they have lost. Here among strangers, they form an unusual community, struggling for comfort and consolation. A Taiwanese couple sets out fruit for their daughter's ghost. A Bulgarian man plays piano in the dark, sending the music to his lost wife. Two Dutch teenagers rage against their parents' death. An Iranian exile, mourning his niece, recites the Persian tales that carry the wisdom of centuries. At the center of this striking novel is Ana Gathreaux, an ornithologist who specializes in bird migration, and whose husband perished on the flight. What unfolds is the story of how these families unite and disperse in the wake of the tragedy, and how their interweaving lives are ultimately transformed. Brad Kessler's knowledge of the natural world, music, and myth enriches every page.

Folk in the eastern North Carolina town of Tims Creek are pretty much like folk anywhere else, only more interesting—at least when Randall Kenan tells their stories. Here are tales about blacks and whites, young and old, rich and poor, rural and sophisticated—stories at once grittily down to earth and soaringly fantastical. Named a New York Times Notable Book of the Year, nominated for the 1992 National Book Critics Circle Award, and given the Lambda Award.

Randall Kenan's daring and innovative first novel weaves a vivid and horrific tale through the generations of a black Southern family.

Sixteen-year old Horace Cross is plagued by issues that hover in his impressionable spirit and take shape in his mind as loathsome demons, culminating in one night of horrible and tragic transformation. In the face of Horace's fate, his cousin Reverend James "Jimmy" Green questions the values of a community that nourishes a boy, places their hopes for salvation on him, only to deny him his destiny. Told in a montage of voices and memories, A Visitation of the Spirits shows just how richly populated a family's present is with the spirits of the past and the future.

Richly allusive, the poems in Brigit Pegeen Kelly’s The Orchard evoke elements of myth in distinctive aural and rhythmic patterns. Her poetic strength lies in her ability to cast poems as modern myths and allegories. Propelled by patterned repetitions and lush cadences, the poems move the reader through a landscape where waking and dream consciousness fuse.

Winner of the 1994 Lamont Poetry selection of The Academy of American Poets. "Kelly has a talent for coaxing out the world's ghosts and then fixing them in personal landscapes of fear and uncertainty . . . Smoothed by nuances of sound and rhythm, her poems exude an ambiguous wisdom, an acceptance of the sad magic that returns us constantly to the lives we might have led." —Library Journal

An experimental first novel of poem-like compression, Annotations has a great deal to say about growing up Black in St. Louis. Reminiscent of Jean Toomer's Cane, the book is in part a meditation on African-American autobiography. Keene explores questions of identity from many angles—from race to social class to sexuality (gay and straight). Employing all manner of textual play and rhythmic and rhetorical maneuvers, he (re)creates his life story as a jazz fugue-in-words.

"Douglas Kearney's innovative new collection makes me tremble like a 'mouth and mind full of fish hooks.' . . . These poems literally vibrate with Kearney's precocious intellect and passion. They hum, they bang, they bite. What else can I say? I have never encountered poetry like this before." —Terrance Hayes

For a couple struggling with infertility, conception is a war against their bodies. Blood and death attend. But when the war is won, and life stares, hungry, in the parents’ faces, where does that violence, anxiety, and shame go? The poems in Patter re-imagine miscarriages as minstrel shows, magic tricks, and comic strips; set Darth Vader against Oedipus’s dad in competition for “Father of the Year;” and interrogate the poet’s family’s stint on reality TV. In this, his third collection, award-winning poet Douglas Kearney doggedly worries the line between love and hate, showing how it bleeds itself into “fatherhood.”

The dazzling, prizewinning, wickedly funny tale of Mary Karr’s hardscrabble Texas childhood—the book that sparked a renaissance in memoir. When it was published in 1995, Mary Karr’s The Liars’ Club took the world by storm and raised the art of the memoir to an entirely new level, as well as bringing about a dramatic revival of the form. Karr’s comic childhood in an east Texas oil town brings us characters as darkly hilarious as any of J. D. Salinger’s—a hard-drinking daddy, a sister who can talk down the sheriff at twelve, and an oft-married mother whose accumulated secrets threaten to destroy them all. Now with a new introduction that discusses her memoir’s impact on her family, this unsentimental and profoundly moving account of an apocalyptic childhood is as “funny, lively, and un-put-downable” (USA Today) today as it ever was.

In her fourth collection of poems, self-described black-belt sinner Mary Karr traces her improbable journey from the inferno of a tormented childhood into a resolutely irreverent Catholicism. Not since Saint Augustine wrote "Give me chastity, Lord—but not yet!" has anyone brought such smart-assed hilarity to a conversion story.