Patsy MacLemoore, a twenty-eight-year-old history professor with a brand-new Ph.D. and a wild streak, wakes up in jail—yet again—after another epic alcoholic blackout. This time, though, a mother and daughter are dead, run over in Patsy’s driveway. Patsy will spend the next decades of her life atoning for this unpardonable act. She goes to prison, sobers up, marries a much older man she meets in AA, and makes ongoing amends to her victims' family. Then, another piece of news turns up, casting her crime, and her life, in a different and unexpected light. Brilliant, morally complex, and often funny, Blame is a breathtaking story of contrition and what it takes to rebuild a life from the bottom up.

Jay Hopler's Green Squall is the winner of the 2005 Yale Series of Younger Poets competition. As Louise Glück observes in her foreword, “Green Squall begins and ends in the garden”; however, Hopler’s gardens are not of the seasonal variety evoked by poets of the English lyric—his gardens flourish at lower, fiercer latitudes and in altogether different mindscapes. There is a darkness in Hopler’s work as deep and brutal as any in American poetry. Though his verbal extravagance and formal invention bring to mind Wallace Stevens’s tropical extrapolations, there lies beneath Green Squall’s lush tropical surfaces a terrifying world in which nightmare and celebration are indistinguishable, and hope is synonymous with despair.

Mary Hood's lyrical, humorous, and down-to-earth novel lays bare marriage with all its intangible dreams and mysteries and reveals the subtle web of personalities and events that characterize a small town. When a brutal accident leaves Faye Parry with permanent amnesia, her new husband, Vic Rios—a sea captain and reformed rake—reverts to his old ways, resulting in an estrangement that seems irreparable.

In his remarkable debut collection, John Holman probes the slightly surreal lives of blacks in the New South. Although his polished and restrained prose recalls Raymond Carver and Frederick Barthelme, with whom he studied, the coolness of Holman's approach only heightens the untoward possibilities simmering in the situations about which he writes. Holman has devised a mixture designed to startle—subtly.

Amid the banality and strangeness of their lives, Holman's men and women reach out for personal connections, dodging and challenging the obstacles. Humor and language are their only weapons. Hence the title: for here, too, is a world where they speak squabble—a tongue both passing strange and strangely familiar. Squabble introduces a fresh and arresting voice to American letters which is sure to make itself heard.

An episodic novel set somewhere in the New South, Luminous Mysteries traces the lives of Grim Power and his sister, Rita, from their youth to early middle age. In powerful prose that has been compared to that of his writing mentor, Raymond Carver, Holman tellingly paints a portrait of the lives of middle-class African Americans today. Grim, who worked as a race-car driver and a show-business cowboy before returning home to run a car restoration business, and Rita, a math teacher, are enriched by their friends, their family, and the small beautiful moments of everyday life. In penetrating language Holman exposes the uniqueness of each person's soul that always lies just beneath a quotidian surface.

A compulsively readable narrative of whimsy and curiosity—"adventurous, inquisitive, and brightly illuminating" (Janet Maslin, The New York Times). When the writer Donovan Hohn heard of the mysterious loss of thousands of bath toys at sea, he figured he would interview a few oceanographers, talk to a few beachcombers, and read up on Arctic science and geography. But questions can be like ocean currents: wade in too far, and they carry you away. Hohn's accidental odyssey pulls him into the secretive arena of shipping conglomerates, the daring work of Arctic researchers, the lunatic risks of maverick sailors, and the shadowy world of Chinese toy factories. Moby-Duck is a journey into the heart of the sea and an adventure through science, myth, the global economy, and some of the worst weather imaginable.

Iris Surrey has a secret. Iris Surrey is a secret. An only child, Iris lives with her mother in a rambling house in a small midwestern town. Her mother is everything: provider, confidante, friend. But at seventeen, Iris begins to question their nearly symbiotic relationship—and the noticeable lack of others in their sheltered world. Where is Iris’s father? Where are her grandparents? What is her mother keeping from her? When she stumbles upon the explosive truth, Iris begins a monumental journey of self-discovery—one that will throw everything she has ever known into turmoil.

In 1959 13-year-old Eva Hoffman left her home in Cracow, Poland for a new life in America. This memoir evokes with deep feeling the sense of uprootendess and exile created by this disruption, something which has been the experience of tens of thousands of people this century. Her autobiography is profoundly personal but also tells one of the most universal and important narratives of twentieth century history: the story of Jewish post-war experience and the tragedies and discoveries born of cultural displacement.

The name of the title poem—“Brother Salvage: a genizah,” provides a skeleton key to unlock the powerful forces that bind Rick Hilles’s collection. A genizah is a depository, or hiding place, for sacred texts. It performs a double function: to keep hallowed objects safe and to prevent more destructive forces from circulating and causing further harm. Brother Salvage serves exactly this purpose. The poems are heartrending and incisive, preserving stories and lives that should not be forgotten. Yet, through the poet’s eloquent craft, painful histories and images are beautifully and luminously contained. Like scholars sifting through ancient genizahs in search of spiritual and historical insights, readers immersed in Brother Salvage will find, at the heart of the book, the most sacred entity: hope.

"Always a poet of authentic promise, with A Map of the Lost World, Rick Hilles emerges into an importance that may rival such poets as Henri Cole and Rosanna Warren. I find it immensely moving that he evokes dead poets for whom I cared personally as well as critically, including James Wright and James Merrill. Beyond that he adds what may be a new dimension to our poetry by evoking the shade of Walter Benjamin and with it the tragedy of European Jewry. I emerge from this book somber yet fortified because like Kafka it reminds us of a kind of indestructibility of the human spirit." —Harold Bloom