This poetry collection delivers an exploration of the vagaries, ironies and responsibilities of familial and romantic relationships. It probes the evolution of self, self-consciousness, and the interior psychological landscape—the effects of our past patterns and influences on the present.

Death haunts the pages of Natural Causes, but so does compassion and love. There is little darkness here, and less despair, despite the abundance of cemeteries, loss, and ghosts—both real and imagined. Mark Cox’s youthful bravado has given way in these poems to an assured sense of understatement. The weight of fatherhood, the loss of a grandmother, the fear of loneliness—these are the details around which Cox plumbs the depths of mortality and memory. Fully comfortable with the domestic tableau from which he writes, this is a poet never complacent. The penchants for metaphor and the resonant turn of phrase that informed Cox’s earlier work remain as vibrant as ever, indeed are heightened, as he masterfully affirms and celebrates the range of familial complexity and human connectedness.

Seamlessly braiding English and Spanish, Corral's poems hurtle across literary and linguistic borders toward a lyricism that slows down experience. He employs a range of forms and phrasing, bringing the vivid particulars of his experiences as a Chicano and gay man to the page.

At once intimate and epic, The Orchardist is historical fiction at its best, in the grand literary tradition of William Faulkner, Marilynne Robinson, Michael Ondaatje, Annie Proulx, and Toni Morrison. In her stunningly original and haunting debut novel, Amanda Coplin evokes a powerful sense of place, mixing tenderness and violence as she spins an engrossing tale of a solitary orchardist who provides shelter to two runaway teenage girls in the untamed American West, and the dramatic consequences of his actions.

A prizewinning poet and nature writer weaves together natural history, biology, sociology, and personal narrative to tell the story of the lives, habitats, and deaths of six extinct bird species.

In this brooding and daring collection of lyric prose set on the lush prairie of eastern Kansas, writer and naturalist Christopher Cokinos explores the dangers of falling too much in love with the outer world as a way of escaping a deeply fraught marriage. In landscapes both broken and bountiful, he considers the sustainable environment and the sustainable psyche while uncovering secrets and fears in order to find a hopeful, balanced self. Moving to the mountains of the West, Cokinos muses on the role of art itself in making a life worth living, discovering that art can move us as much as lovers and the land. This book grounds the whole of the self in nature, in time, and in bodies both sexual and contemplative.

Acclaimed, award-winning novelist Robert Cohen delivers a bold, provocative exploration of the panic of midlife, follow- ing two men plateaued on either side of their forties and the unexpected consequences of changing course. Teddy Hastings is a New England middle school principal desperate for transcendence. Unmoored by his brother's death and a health scare of his own, he tries to broaden his ordinary life and winds up unemployed and on the wrong side of the law. Meanwhile, Oren Pierce, a perpetual grad student from New York, abandons, somewhat to his own surprise, his search for the extraordinary and begins settling into the humble existence that Teddy seeks to escape. What comforts Oren alarms Teddy, and their paths overlap as Teddy's quest for the unknown and unfamiliar experience takes him on a rash trip to Africa, leaving Oren to assume the trappings of his life, including Teddy's wife Gail.

Amateur Barbarians showcases a writer at the peak of his powers, tracing domestic ambivalence, the comic perils of introspection and desire, and the terror of an unlived life with Cohen's signature wit and uncanny perception, proving yet again why he was touted by The New York Times Book Review as the "heir to Saul Bellow and Philip Roth."

These days, Bonnie Saks is lucky to get four consecutive hours of shut-eye, what with her bed-wetting young son, her unfinished doctoral thesis, her meager teaching salary, and the fact that she’s pregnant by a lover about as reliable as her ex-husband. Meanwhile, Ian Ogelvie, an ambitious young research scientist, is setting up a study of a promising new sleep aid. Their chance encounter forms the backdrop for this richly exuberant portrait of contemporary America, encompassing everything from the slippery evasions of love to the intricate network that binds together the pharmaceutical industry, managed care, and a shadow population of lost, sleepless souls. At once entertaining and philosophic, Inspired Sleep heralds a major voice in American fiction.

An elegy—angry, funny, and powerfully detailed—about the slow death of a Detroit auto plant and an American way of life. How does a country dismantle a century’s worth of its industrial heritage? To answer that question, Paul Clemens investigates the 2006 closing of one of America’s most potent symbols: a Detroit auto plant. Prior to its closing, the Budd Company stamping plant on Detroit’s East Side, built in 1919, was one of the oldest active auto plants in America’s foremost industrial city—one whose history includes the nation’s proudest moments and those of its working class. Its closing also reflects the character of the country in a new era—the sad, brutal process of picking it apart and sending it, piece by piece, to the countries that now have use for its machines. Punching Out is an up-close report, at once tender and angry, from the meanest, sharpest edge of America’s deindustrializa­tion, and a lament for a working-class culture that once defined a prosperous America—and that is now on the verge of eco­nomic extinction.

A powerfully candid memoir about growing up white in Detroit and the conflicted point of view it produced.

Raised in Detroit during the ‘70s, ‘80s, and ‘90s, Paul Clemens saw his family growing steadily isolated from its surroundings: white in a predominately black city, Catholic in an area where churches were closing at a rapid rate, and blue-collar in a steadily declining Rust Belt. As the city continued to collapse—from depopulation, indifference, and the racial antagonism between blacks and whites—Clemens turned to writing and literature as his lifeline, his way of dealing with his contempt for suburban escapees and his frustration with the city proper. Sparing no one—particularly not himself—this is an astonishing examination of race and class relations from a fresh perspective, one forged in a city both desperate and hopeful.