And So, the third poetry collection by Joel Brouwer, frames and zooms close-up on lovers and strangers as they couple and recoil. Cynical yet energetic, And So is a considered study of the ways we tell the lives we lead. With its poignant lacunae and recurring events, Brouwer offers an unstinting look at how separate our lives together are.

When free spirit Jadranka mysteriously disappears shortly after emigrating to America, her older sister Magdalena must leave their ancestral Croatian island home and follow her to New York City. Magdalena's search begins to unspool the dark history of their family, reaching back three generations to a country torn by war. This haunting and sure-footed first novel explores the legacy of betrayal and loss in a place where beauty is fused with hardship, and where individuals are forced to make wrenching choices as they are swept up in the tides of history.

The war in the Balkans provides the striking backdrop for these emotionally resonant, morally challenging, and uplifting short stories. Brkic’s collection gives voice to people caught in situations beyond their control, as man, woman, and child struggle to survive and understand what it means to live beyond those you love. A man trapped in a cellar; a sniper overlooking a city street; a young woman whose father is convicted of war crimes. Each character challenges the reader’s notions of conflict by living lives of surprising self-awareness, deceit, and courage.

In this extraordinary literary debut third-generation homesteader Judy Blunt describes her hardscrabble life on the prairies of eastern Montana in prose as big and bold as the landscape. On a ranch miles from nowhere, Judy Blunt grew up with cattle and snakes, outhouse and isolation, epic blizzards and devastating prairie fires. She also grew up with a set of rules and roles prescribed to her sex long before she was born, a chafing set of strictures she eventually had no choice but to flee, taking along three children and leaving behind a confused husband and the only life she’d ever known. Gritty, lyrical, unsentimental and wise, Breaking Clean is at once informed by the myths of the West and powerful enough to break them down.

Winner of the 2007 AWP Award for the Novel.

"We Agreed To Meet Just Here is a lyrical mystery about disappearance, told in precise and luminous prose. A young lifeguard in an Austin suburb vanishes one night while returning from a screening of The Third Man. A doctor, ill with cancer, goes missing from his home, and is later seen, bearded and ragged, wandering the aisles of a grocery store. A car is stolen, the unseen consequences tragic. One child is given up to adoption, another is lost up a tree. The absences are so keenly felt, in the drifting lucidity of the author's sentences, that every reappearance reads like a small miracle." — Robert Eversz, judge 2007 AWP Award for the Novel

One late autumn evening in a Texas town, two strangers walk into an ice cream shop shortly before closing time. They bind up the three teenage girls who are working the counter, set fire to the shop, and disappear. See How Small tells the stories of the survivors—family, witnesses, and suspects—who must endure in the wake of atrocity. Justice remains elusive in their world, human connection tenuous. Hovering above the aftermath of their deaths are the three girls. They watch over the town and make occasional visitations, trying to connect with and prod to life those they left behind. "See how small a thing it is that keeps us apart," they say. A master of compression and lyrical precision, Scott Blackwood has surpassed himself with this haunting, beautiful, and enormously powerful new novel.

In words drawn from urban and Navajo perspectives, Sherwin Bitsui articulates the challenge a Native American person faces in reconciling his or her inherited history of lore and spirit with the coldness of postmodern civilization. Shapeshift is a collection of startling new poetry that explores the tensions between the worlds of nature and man. Through brief, imagistic poems interspersed with evocative longer narratives, it offers powerful perceptions of American culture and politics and their lack of spiritual grounding. Linking story, history, and voice, Shapeshift is laced with interweaving images—the gravitational pull of a fishbowl, the scent of burning hair, the trickle of motor oil from a harpooned log—that speak to the rich diversity of contemporary Diné writing.

Native traditions scrape against contemporary urban life in Flood Song, an interweaving painterly sequence populated with wrens and reeds, bricks and gasoline. Poet Sherwin Bitsui is at the forefront of a new generation of Native writers who resist being identified solely by race. At the same time, he comes from a traditional indigenous family and Flood Song is filled with allusions to Diné (Navajo) myths, customs, and traditions. Highly imagistic and constantly in motion, his poems draw variously upon medicine song and contemporary language and poetics. “I map a shrinking map,” he writes, and “bite my eyes shut between these songs.” An astonishing, elemental volume.

The Sphere of Birds, Ciaran Berry’s debut collection of poems, effortlessly moves back and forth between here and there, then and now, the personal and the historic, the modern and the mythic. Berry imagines the transatlantic journeys of John James Audubon and reveals his own heartfelt experience moving from his first house. The poems take as their subject such varied experiences as an eye exam in Manhattan and chasing rabbits around a beach in Donegal. These poems have a strong sense of place, whether it’s the imagined space of Coney Island in 1903 or the playground of Berry’s childhood convent school. The Sphere of Birds delights in forging unlikely links, earthed in the stuff of paintings and in the lives of poets, artists, and the occasional saint.

Drawing on the poet’s life in Ireland and the United States, the poems explore the joy and grief found in those places. Moving from rural Ireland to the heart of New York City, from local detail to historical specifics, and from the experienced occasion to the imagined or interpreted event, Berry’s poems effectively master shifts in both time and space. Berry delves into the lives of artists, obscure historical figures, and other poets for inspiration. He embraces elements of both Irish and American poetry, paying tribute as much to the spirit of Larry Levis as to that of W. B. Yeats. Accessible, immediate, and visceral, The Sphere of Birds offers a musicality that is increasingly rare in contemporary poetry.

Reading Ovid on a transatlantic flight while registering concerns for his new-born son (‘How can we keep him from the harm this world can be . . .’), conjuring a mirage in the West of Ireland a century ago, and evoking teenage longing and lusts in recreations of ‘the morning after the night before’, Ciaran Berry’s powerfully resonant second collection focuses also on Nero’s circus in full swing and the thoughts of St Augustine, the pathologist who kept Einstein’s brain, Darwin’s expeditions and discoveries, a Japanese ghost ship adrift after a tsunami, and the ‘Beltway’ sniper attacks of 2002.