It’s 1918. In the small fishing village of Parrsboro, Nova Scotia, Elizabeth Frame murders her husband hours after their wedding and thrusts the revolver into the blowhole of a beached whale. Crime reporter Toby Havenshaw is dispatched by the Halifax Evening Mail to cover the hearing, and his diary subsequently follows the surprising twists and turns of Elizabeth Frame’s flight from the law, accompanied as she is by a love-besotted court stenographer. But Toby’s diary also paints a vivid and deeply affecting portrait of his marriage to Amelia, a surgeon just returned from the front lines in France and Belgium. When a child is born to Elizabeth Frame on the lam, Amelia is drawn into events in ways she could never have imagined. And then everything changes.

Conor O’Toole has never been anywhere as casually glamorous as Cutters Neck, a gated community near Cape Cod. It’s a sweet deal for the summer: free lodging in a guest cottage in exchange for tennis lessons. In this oceanfront paradise, however, new clients prove hard to come by, and Conor has bills to pay. Then a sharp-tongued divorcée appears, offering him double his usual rate. Soon he realizes Catherine is expecting additional, off-the-court services for her money, and Conor tumbles into a secret erotic affair unlike anything he’s experienced before. Despite his steamy flings with a woman twice his age, he simultaneously finds himself falling for the artsy, outspoken girl he met on the beach. Conor somehow finds a way to manage this tangled web—until he makes one final, irreversible mistake.

In New York City, an art student finds an unexpected subject when she moves in with a grandmother from Xi'an, and boundaries are put into question. When a newlywed couple moves to Arizona, adapting to unfamiliar customs keeps their marriage from falling apart. A woman grapples with what it means to care for another, and the limits of that care, when her dying husband returns from Beijing years after abandoning her. And during a rainy summer in Texas, a visitor exposes the unspoken but unburiable history that binds two families together. Ada Zhang writes with startling honesty and love about lives young and old, in a stunning debut that explores what happens when we leave home and what happens when we stay, and the selves we meet and shed in the process of becoming.

A young widow adheres to the expectations of wearing mourning clothes for nearly a year, though she's unsure what the traditions mean or whether she is ready to meet the world without their protection. An older sister returns home from a confusing time in America, only to explain at every turn why she's left the land of opportunity. A younger sister hides her sexual exploits from her family, while her older brother openly flaunts his infidelity.

The stories collected in Call and Response are strongly anchored in place - in the village of Serowe, where the author is from, and in Gaborone, the capital city of Botswana - charting the emotional journeys of women seeking love and opportunity beyond the barriers of custom and circumstance.

Through an indelible array of lives, Yoon Choi explores where first and second generations either clash or find common ground, where meaning falls in the cracks between languages, where relationships bend under the weight of tenderness and disappointment, where displacement turns to heartbreak. Skinship is suffused with a profound understanding of humanity and offers a searing look at who the people we love truly are.

In Temple Folk, Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America. The ten stories in this collection contribute to the bounty of diverse narratives about Black life by intimately portraying the experiences of a community that resists the mainstream culture to which they are expected to accept and aspire to while functioning within the country in which they are born. With an unflinching eye for the contradictions between what these characters profess to believe and what they do, Temple Folk accomplishes the rare feat of presenting moral failures with compassion, nuance, and humor to remind us that while perfection is what many of us strive for, it’s the errors that make us human.

Enter a world where time stands still and summer never ends. In the enchanted town of Tannery Bay, it’s July 37, and then July 2 again, but the year is a mystery. Trapped in an eternal loop, the residents embark on an extraordinary journey of self-discovery, unity, and defiance against the forces that seek to divide them.

April 5, 2019: In a cozy brownstone in Brooklyn, Dan and Isabel are slowly drifting apart—and both, it seems, are a little bit in love with Isabel’s younger brother, Robbie.
April 5, 2020: As the world goes into lockdown, the cozy brownstone is starting to feel more like a prison. Isabel and Dan communicate mostly in veiled sleights and frustrated sighs. And Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts—and his secret Instagram life—for company.
April 5, 2021: Emerging from the worst of the crisis, the family reckons with a new, very different reality—and with what they’ve learned, what they’ve lost, and how they might go on.

It is the Fourth of July 2019, and the Mason family is gathering for its annual celebration at the family’s historic Chesapeake farm, Mason’s Retreat. Once again, Harry Mason has once again goaded his wife, Kate, and their children into participating. Their oldest, Rosalie, is having trouble with her marriage; the youngest, Ethan, is in the throes of a fitful first relationship. In between, Eleanor despairs over her stalled novel. Kate, recovering from a second round of chemotherapy, is at the center of this ritual of remembrance. Tart and candid, she asks her husband, “What crimes against humanity did your family not commit on this farm?” And so it happens that when the family, joined by a cast of neighbors and cousins from France, sits down for dinner, the question of how they should regard their past comes to the fore.

From a tiny volcanic island, a biologist obsessed with saving coral reefs sends her teenage daughter to live with her ex-husband. Intellectually precocious and moving between cultures with seeming ease, Pia arrives in New York poised for a rebellion, just as COVID sends her and her schoolteacher stepmother, Kate, together into near total isolation. Even as Kate fails to parent Pia—and questions her own ability to become a mother—one of her sixteen-year-old students, Athyna, is already caring for a toddler full time and finding herself more anxious every time she leaves the house. Just as her fear of what is waiting for her outside her Staten Island community feels insupportable, an incident at home makes her desperate to leave. When their lives collide, Pia and Athyna spiral toward parallel but inescapably different tragedies.