At Banneker Terrace, everybody knows everybody, or at least knows of them. Longtime tenants' lives are entangled together in the ups and downs of the day-to-day, for better or for worse. The neighbors in the unit next door are friends or family, childhood rivals or enterprising business partners. In other words, Harlem is home. But the rent is due, and the clock of gentrification—never far from anyone's mind—is ticking louder now than ever. In eight interconnected stories, Sidik Fofana conjures a residential community under pressure. 

Carribean Fragoza's imperfect characters are drawn with a sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them. Victories are excavated from the rubble of personal hardship, and women's wisdom is brutally forged from the violence of history that continues to unfold on both sides of the US-Mexico border. Eat the Mouth That Feeds You resides in the domestic surreal, featuring an unusual gathering of Latinx and Chicanx voices from both sides of the U.S./Mexico border, and universes beyond.

Charlene is a divorced mom, has a young son named Brandon, and works full-time as a nurse while also caring for her infirm father. She is barely holding their lives together when tragedy strikes and leaves Charlene and Brandon on their own. Charlene, who has put everyone but herself first for years, sees it as an opportunity for a new start of sorts. That is, at least, until her easy-come, easy-go brother, Robbie — a well-intentioned but unserious semi-professional musician — rolls back into town after a long absence. No One Else is a graphic novel of great tender truth, as Charlene, Brandon, and Robbie learn to navigate life day to day with their plans, fears, and desires.

First-rate prep school, SUV, and a dream house in the heights — an island paradise was handed to Loren Foster when he moved to Hawaii with his father six years ago. Now, with the end of high school just around the corner, his best friend, Shane, has grown distant. Rumors abound. Loren suspects that Shane has left him behind for a new group of friends. Their friendship is put to the test when they get mixed up in a petty crime. Johnson has a naturalistic ease in exploring these relationships, which sets this drama apart. This graphic novel debut is at once an unsentimental portrait of that most awkward period between adolescence and young adulthood and that rarest of things — a mature depiction of immature lives.

A poetic novel melds the past and the present of the author's native Jamaica through the voices of a series of women, both real and mythological, whose lives embody the country's mythology, colonial history, and matrilineal traditions.

Flamingo, a young writer in Jamaica, finds herself enmeshed in the world of her fictional characters in this inspiring and poetic novel about hope and the ravages of recent Jamaican economic and social upheavals. When poverty, emigration, and political turmoil in the fictional world oblige Flamingo's characters to disperse, the one-eyed protagonist Alva solicits Flamingo's help to bring them back together. The innovative novel is organized as a writers' notebook and sprinkled with recipes, herbal remedies, dream interpretations, and various other interjections evoking the culture and traditions of Jamaica.

“Is me—Bob. Bob Marley.” Reincarnated as homeless Fall-down man, Bob Marley sleeps in a clock tower built on the site of a lynching in Half Way Tree, Kingston. The ghosts of Marcus Garvey and King Edward VII are there too, drinking whiskey and playing solitaire. No one sees that Fall-down is Bob Marley, no one but his long-ago love, the deaf woman, Leenah, and, in the way of this otherworldly book, when Bob steps into the street each day, five years have passed. Jah ways are mysterious ways, from Kingston’s ghettoes to London, from Haile Selaisse’s Ethiopian palace and back to Jamaica, Marcia Douglas’s mythical reworking of three hundred years of violence is a ticket to the deep world of Rasta history. This amazing novel—in bass riddim—carries the reader on a voyage all the way to the gates of Zion.

God Went Like That follows federal agent Reyna Rodriguez as he reports on a real-life nuclear reactor meltdown and accidents that occurred in 1959, 1964, and 1968 at the Santa Susana Field Laboratory. An infamous research and development complex in California’s Simi Valley, the lab was eventually dismantled by the US government—but not before it created a toxic legacy of contamination and numerous cancer clusters. With imagination and artistry, Murray brings to life an actual 2011 Department of Energy dossier that detailed the catastrophes and the ensuing public health fallout and highlights the high costs of governmental malfeasance and environmental racism.

For fifteen years, the Wilcoxes have been a family in name only. Though never the picture of happiness, they once seemed like a typical white Jewish clan from the Upper West Side. But in the early 2000s, two events ruptured the relationships between them. First, Naomi revealed to her children that her biological father was Black. In the aftermath, college-age daughter Bering left home to become a radical peace activist in Palestine’s West Bank, where she was killed by an Israeli Army sniper. Now, in 2018, Winter Wilcox is getting married, and her only demand is that her mother, father, and brother emerge from their self-imposed isolations and gather once more. After decades of neglecting personal and political wounds, each remaining family member must face their fractured history and decide if they can ever reconcile.

In 1851, at a remote village in the Scandinavian tundra, a Lutheran minister known as Mad Lasse tries in vain to convert the native Sámi reindeer herders to his faith. But when one of the most respected herders has a dramatic awakening and dedicates his life to the church, his impetuous son, Ivvár, is left to guard their diminishing herd alone. By chance, he meets Mad Lasse’s daughter Willa, and their blossoming infatuation grows into something that ultimately crosses borders―of cultures, of beliefs, and of political divides―as Willa follows the herders on their arduous annual migration north to the sea.