The story of two estranged sisters who reunited after 18 years after one is diagnosed with leukemia, award-winning Marvin’s Room will premier at Roundabout Theatre Company in June 2017.

In NewCity Lit, Reeves discusses activism as a form of world-building much like writing, and why he believes protest is the “text of the future.”

In The New York Review of Books, Luc Sante remembers the canned food Jean-Michel Basquiat devoured and pieces by the artist Sante was glad he couldn't sell. 

Scroll calls Mehta’s novel about the immigrant experience “delicious” and declares that, “expectations are high, and, let it be said, the breathless prose, so American in its energy, doesn’t let you down.”

In the Village Voice, Alice Sola Kim reviews the Fashion Institute of Technology's "Body Armor" exhibit, an "anti-celebration of the goopy, leaky, tender fragility of bodies."

Whitehead discusses why he couldn’t have written The Underground Railroad in his 20s, and his theory that, in regards to writing fiction, “you’re always putting the good and bad parts of yourself in the characters to make them real.”

“I even photo-/graphed my lust,” begins Corral’s ode to the often brutal ways of love.

The magazine notes the inventive structure of Keene’s nonfiction, writing that Counternarratives “achieves a lasting power.”

WSHU calls Guy Novel “a sensual love story and a nutty adventure tale” and praises Ryan’s use of humor.

In The New Yorker, Aciman on German writer W. G. Sebald and the friendship with two elderly Jewish refugees that inspired and influenced him.