Publishers Weekly gives Sinclair’s debut collection a starred review, calling the work “stunning” and praising Sinclair’s depiction of the dangers of white supremacy. 

Chee remembers the girlfriend who taught him about street style, "a way to not be serious about fashion that was also so very serious about fashion," for Elle. 

In The Bennington Review, Sinclair's poem is a portrait of a young girl who had “known what it was to be nothing.”

In The New Yorker, Batuman reflects on a century of psychological testing and "how impossible it is to categorize the human mind." 

Core discusses how watching television has influenced her writing process and why she feels “my first love is for people, and writing is really just an extension of that love, a place to put it.”

On the Center for Fiction blog, Chee dives into the importance of treating one’s own life as a research project, even when writing fiction.

Keene received the Award from the Before Columbus Foundation for his book Counternarratives. The American Book Awards, given each year, recognize “literary excellence without limitations or restrictions.”

In The New York Times, Sayrafiezadeh illustrates how to find the deeper meaning in painful experience and explains why “sometimes trauma alone does not a story make.”

In The California Sunday Magazine, Daniel Alarcón profiles two men in Stockton street gangs to investigate why “life has a way of making brave boys punish themselves."

On Literary Hub, a story from Core’s collection When Watched depicts the interaction between two former lovers in a grocery store, and a narrator who can’t help thinking filthy, lonely thoughts.