Name | Name | School Sort descending | Subject | Year | Undergraduate College | Dissertation Title | Faculty Advisers |
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Philip Stoffregen | Philip Stoffregen | Chicago | Philosophy | 1978-1979 | |||
Pamela Loos-Noji | Pamela Loos-Noji | Chicago | Art History | 1990-1991 | The Parable of the Wise and Foolish Virgins in nth Century Art: Alternative Approaches to Visual Imagery |
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John Gregory McMahon | John Gregory McMahon | Chicago | Near Eastern Studies | 1987-1988 | |||
Stephen W Melville | Stephen W Melville | Chicago | Comparative Literature | 1980-1981 | |||
Julia Louise Bernard | Julia Louise Bernard | Chicago | Art History | 1991-1992 | Christ Imagery in Late 19th and Early 20th Century Self-Portraiture: Modern Conceptions of the Role of the Artist in Society |
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Thomas Honierin | Thomas Honierin | Chicago | Near Eastern Studies | 1985-1986 | |||
Claudia U. Mesch | Claudia U. Mesch | Chicago | Art History | 1996-1997 | Problems of Remembrance in Postwar German Performance Art |
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Lisa Barca | Lisa Barca | Chicago | Romance Languages, Comparative Literature | 2009-2010 | Writing the Veil:. Gender and the Poetics of Apophasis in Giovanni Pascoli and Emily Dickinson |
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Virginia Rimmer | Virginia Rimmer | Chicago | Near Eastern Studies | 2009-2010 | The Empire in the House, the House in the Empire: The Impact of Assyrian Imperial Incorporation on Households at Sam 'al (Zincirli Hoyuk) |
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Christopher Straughn | Christopher Straughn | Chicago | Linguistics | 2010-2011 | Evidentiality in Kazakh and Uzbek |
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Rachel Elizabeth Zuckert | Rachel Elizabeth Zuckert | Chicago | Philosophy | 1998-1999 | Time, Purposes, and Unity in Kant's Critical Philosophy |
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Judith Pfeiffer | Judith Pfeiffer | Chicago | Near Eastern Studies, Islamic Studies | 2000-2001 | Conversion to Islam among the Ilkhan's in Muslim Narrative Traditions |
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John McGrath | John McGrath | Chicago | East Asian Studies | 2003-2004 | Ideologies of Popular Culture in 1990s China |
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Ana Vilacy Galucio | Ana Vilacy Galucio | Chicago | Linguistics | 1999-2000 | Mekens (Tupi) Morphosyntax |
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Eugene Henry Adam | Eugene Henry Adam | Chicago | Classics | 1997-1998 | Tense, Aspect and Temporality in Latin Historiographic Narrative |
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Richard Zettler | Richard Zettler | Chicago | Middle Eastern Studies | 1982-1983 | |||
Daniel N. Tiffany III | Daniel N. Tiffany III | Chicago | English | 1988-1989 | |||
Sheila Sullivan | Sheila Sullivan | Chicago | English | 1990-1991 | Criminal Genres: Cultural Authority and Transformation of Transgression in High Victorian England |
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Margareth Owens | Margareth Owens | Chicago | Music | 1985-1986 | |||
Akeel Bilgrami | Akeel Bilgrami | Chicago | Philosophy | 1980-1981 | |||
Rosemary Camilleri | Rosemary Camilleri | Chicago | Comparative Literature | 1985-1986 | |||
Martin Cox | Martin Cox | Chicago | Philosophy | 1987-1988 | |||
Ikumi Kaminishi | Ikumi Kaminishi | Chicago | Art History | 1994-1995 | Etoki: The Art and Rhetoric of Pictorial Exegesis |
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Tamar Chana Reich | Tamar Chana Reich | Chicago | South Asian Languages and Civilizations | 1996-1997 | A Battlefield of a Text: A Study of Mahabharata Textuality |
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Anthony Mahler | Anthony Mahler | Chicago | German | 2013-2014 | University of Pennsylvania | The Temperance of Form: Reading Regimens and Writing Diets in the Late German Enlightenment |
Christopher Wild, David Wellbery, Frauke Berndt |
Toufoul Abou-Hodeib | Toufoul Abou-Hodeib | Chicago | History of Culture | 2009-2010 | American University of Beirut | Authentic Modern: Domesticity and the Emergence of a Middle Class Culture in Late Ottoman Beirut |
Martin Stokes, Bill Brown, Lisa Wedeen |
Sunil Sharma | Sunil Sharma | Chicago | Near Eastern Studies | 1997-1998 | Poetics of Court and Prison in the Divan of Mas`us-e Sa`d |
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Joshua Schwartz | Joshua Schwartz | Chicago | Philosophy | 2007-2008 | |||
Christopher Rockwell | Christopher Rockwell | Chicago | Music | 2005-2006 | Drive, Lonesomeness, and Genre in Bluegrass Music |
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Eduardo Ribeiro | Eduardo Ribeiro | Chicago | Linguistics | 2003-2004 | A Grammar of Karaja |
Please choose a Dissertation Fellow on the left to see details.