Name | Name | School Sort descending | Subject | Year | Undergraduate College | Dissertation Title | Faculty Advisers |
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Douglas Ehring | Douglas Ehring | Columbia | Philosophy | 1980-1981 | |||
Joshua E. Hanft | Joshua E. Hanft | Columbia | English | 1981-1982 | |||
Susan Klaiber | Susan Klaiber | Columbia | Art History | 1992-1993 | Guarino Guarini's Theatine Architecture |
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Daniel Viehoff | Daniel Viehoff | Columbia | Philosophy | 2008-2009 | The Claims of Disagreement: A Theory of Democratic Authority |
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Edward Wendt | Edward Wendt | Columbia | Art History and Architecture | 1996-1997 | Constructing the Sublime--Architecture, Industry, and Aesthetics in Nineteenth-Century Britain |
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Rachel Tamar Van | Rachel Tamar Van | Columbia | History | 2009-2010 | Free Trade and Family Values: Kinship Networks and the Culture of Early American Capitalism in the 19th century |
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Mary Kate Hurley | Mary Kate Hurley | Columbia | English, Comparative Literature, Medieval Studies | 2010-2011 | Translation, Identity and Collectivity in Medieval England |
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Zsuzsanna Varhelyi | Zsuzsanna Varhelyi | Columbia | History | 2000-2001 | The Religion of the Senatorial and Cultural Elite in the Roman Empire, AD 69-235 |
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Douglas Scott Pfeiffer | Douglas Scott Pfeiffer | Columbia | English, Comparative Literature | 2002-2003 | "A life beyond life": Textual and Ethical Hermeneutics in Early Modern English Literary Biography |
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Laura Lomas | Laura Lomas | Columbia | English, American Literature | 1999-2000 | Jose Marti's North American Scenes: Modernization and Literary Form in the Gilded Age |
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R. Darren Gobert | R. Darren Gobert | Columbia | English | 2002-2003 | Six Riddles for Katharsis in the Philosophy of Emotion |
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Katherine Swett | Katherine Swett | Columbia | English, Comparative Literature, American Literature | 1992-1993 | Scenery Fiction: Travel Literature in the American Novel 1860 |
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Mark J. Schenker | Mark J. Schenker | Columbia | English | 1980-1981 | |||
Christina Root | Christina Root | Columbia | English | 1987-1988 | |||
Elizabeth A. Robertson | Elizabeth A. Robertson | Columbia | English, Comparative Literature | 1980-1981 | |||
Abraham Marcus | Abraham Marcus | Columbia | History | 1978-1979 | |||
Eriko Amino | Eriko Amino | Columbia | Medieval Studies, Comparative Literature | 1979-1980 | |||
Sandra L. Bermann | Sandra L. Bermann | Columbia | Italian | 1974-1975 | |||
C. Treat Davidson | C. Treat Davidson | Columbia | Art History | 1975-1976 | |||
Michael Collins | Michael Collins | Columbia | English | 1994-1995 | Towards Universality: The Poetry of Robert Hayden |
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Maria De Santis | Maria De Santis | Columbia | English, Comparative Literature | 1990-1991 | Projecting a New Science: Restoration and Early 18th Century Scientific Discourse |
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Joseph P. Lawrence | Joseph P. Lawrence | Columbia | History | 1978-1979 | |||
Dean Vuletic | Dean Vuletic | Columbia | History | 2008-2009 | The Poser of Nonalignment: Popular Music and the Cultural Cold War in Yugoslavia |
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Michele Bassett | Michele Bassett | Columbia | Art History and Archaeology | 1996-1997 | Catherine de Medici and Paris: Architectural Patronage and Politics |
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Sagi Schaefer | Sagi Schaefer | Columbia | History | 2009-2010 | Ironing the Curtain: Border and Identity Construction in Cold War Rural Germany |
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Emma Lieber | Emma Lieber | Columbia | Slavic Languages and Literatures | 2010-2011 | On the Distinctiveness of the Russian Novel.• Form and Body in the Russian Tradition |
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Leila R. Wice | Leila R. Wice | Columbia | East Asian Studies | 2001-2002 | Dress Codes; Breaking Rules and Making Meanings in Nineteenth-Century Japan |
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Chenxi Tang | Chenxi Tang | Columbia | German | 1998-1999 | Writing World History: The Origin of Modern Global Consciousness in the Late Eighteenth Century |
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Ziv Neeman | Ziv Neeman | Columbia | English, Comparative Literature | 2001-2002 | Cultural Responses to the Early Computer |
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Farina Mir | Farina Mir | Columbia | History | 2000-2001 | The Social Space of Language: Punjabi Popular Narrative in Colonial India, c. 1850-1900 |
Please choose a Dissertation Fellow on the left to see details.