How Vergil Does Things With Words: Speech Act Theory and the Poetics of Speech in the Aeneid
Lisa Pon
Lisa Pon
Harvard
Art History
1998-1999
An examination of how the concept of the artist as independent genius was inflected by the practice of making prints closely related to other works of art.
Reactionary Cosmopolitanism: Politics and Travel in the French Novel between 1880 and 1940
Cathy L. Popkin
Cathy L. Popkin
Stanford
Comparative Literature
1981-1982
Nicholas Seth Popper
Nicholas Seth Popper
Princeton
History of Science
2005-2006
Sir Walter Ralegh’s History of the World and the Historical Culture of the Late Renaissance
Andrew Port
Andrew Port
Harvard
History
1997-1998
A sturdy of social an political conflict at the grass roots level in the Germanic Democratic Republic; it tries to account for the stability of the socialist regime from 1945 - 1970.
Susan Potters
Susan Potters
Columbia
English, Comparative Literature
1975-1976
Carolyn J. Pouncy
Carolyn J. Pouncy
Stanford
History, Russian
1982-1983
Kirsten H. Powell
Kirsten H. Powell
Columbia
Art History
1981-1982
Eve Marie Troutt Powell
Eve Marie Troutt Powell
Harvard
History, Middle Eastern Studies
1993-1994
The outlook of the colonized colonizer: The issue of the Sudan in Egyptian Nationalism, 1825
Nathan Milton Powers
Nathan Milton Powers
Princeton
Classics
2004-2005
The Kingdom of the Wise: Cosmology and Ethics in Early Stoic Thought
Marcela Prado
Marcela Prado
Stanford
Spanish and Portuguese
1990-1991
Women and History: Ines Echevera Bello and the Struggle for Women's Writing in Chile
Causal Independence and Divine Support in Spinoza and Leibniz
Daniel Garber
Johanna Prins
Johanna Prins
Princeton
Comparative Literature
1987-1988
Paul Raymond Provost
Paul Raymond Provost
Princeton
Art History
1992-1993
Artfully Composed: Winslow Homer's Independent Drawings, ca. 1875
Christina Pugh
Christina Pugh
Harvard
Comparative Literature
1997-1998
A study of the ekphrastic tradition, focusing on lyric poems that describe visual works, and reinterpreting these poems, through the application of genre theory, by viewing them as a particular form of aesthetic response
Carla Puppin
Carla Puppin
Bryn Mawr
Art History
1984-1985
Jason Puskar
Jason Puskar
Harvard
English, American Literature
2003-2004
Underwriting the Accident: Narratives of American Chance, 1817-1933
Mary Quaintace
Mary Quaintace
Yale
Comparative Literature
1990-1991
Waking Dreams: Readings in Shakespeare, Keats and Baudelaire
Sarah Queen
Sarah Queen
Harvard
History, East Asian Studies
1988-1989
Carol E. Quillen
Carol E. Quillen
Princeton
History
1987-1988
William H. Quillian
William H. Quillian
Princeton
English
1974-1975
D. Michael Quinn
D. Michael Quinn
Yale
History
1975-1976
Catherine Quoyeser
Catherine Quoyeser
Stanford
Modern Thought and Literature
1988-1989
Melinda A. Rabb
Melinda A. Rabb
Harvard
English
1976-1977
Intisar A Rabb
Intisar A Rabb
Princeton
Near Eastern Studies
2008-2009
Pamela Radcliffe
Pamela Radcliffe
Columbia
History
1989-1990
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