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The RevisionistPoemsFrom"America Began in Houses"
Unlike the other countries, this one
Begins in houses, specific houses and the upstairs room
Where constitutions vibrate in the blockfront drawers,
A Queen Anne highboy, or maybe the widow’s walk
On a farmhouse hundreds of miles inland and believed
By the family to be a lookout for Indians though clearly
It was a pioneer’s conceit, fresh as the latest politics
From home: so much for that innocent thesis The Frontier.
The Revisionist : Poems -
The RevisionistPoemsFrom"Toronto Means the Meeting Place"
The frontier moves. We were nostalgic
Because it disappeared but the frontier moves.
It cuts inland, it darts behind a lake, it lies
In wait for us in places where we’ve been.
We will turn someday and we will deal with it.
There are frontiers everywhere. I never
Expected, for instance, to find you here.
It’s a nickel on your dollar, sir. Important,
Important to agree on the medium of exchange.
In a meeting place people decide on the exchange:
The Iroquois needed the furs to give to the Dutch
To get the guns to slaughter the Huron with,
Though this is disputed by modern historians.
The Revisionist : Poems -
The RevisionistPoemsFrom"Whiteout"
Now we account for movement when we can’t:
The plane tree peeled to white – the whiter sky –
The fuselage borne in winter, air or trial.
Is it Bulova where the departure ramp draws near?
Hands hide in their awnings, but the notes are up
And walking in the aisle. I hold you
When nobody lives in another’s world, those millions.
What references can we give, which ones request?
The baggage is trembling in the cold, long distance,
And everything comes from Texas in small amounts.
The future is hardly big enough for the past
Though we stoop into rush hour
Which will have to do. The key goes shining for the lock,
The garage door down behind in the white dark.
The Revisionist : Poems
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Flying the Red EyePoemsFrom"Flying the Red Eye"
Circling slow and dripping like a fat June bug in the rain,
turbos throbbing in the labored
dark over Chicago, the Electra turned, one wing
pivoted up, like an old dog tilted on three legs,
smelling dank, an old heaviness in him, as though
he were about to tumble over toward those glorious,
snowy lights below. There might have been
freezing sleet as well. In any case, I know
I laughed into a glass half filled with bourbon,
glanced again at the two feathered props
out the window, their cowlings charred and smoky.
But freed all at once from months of killing depression,
elated strangely, almost uplifted.
Flying the Red Eye : Poems -
Flying the Red EyePoemsFrom"Travelers"
In Stockholm that icy day
the rain blew from the north and then
by noon the run broke through; by three
the Swedes were outdoors sunning in thin sleeves,
strolling as though it were Easter,
while you and I, like birds of paradise
lost in Lapland, huddled in doorways, bitten through.
Everyone about us smiled at one another; we fought our way
street by street to our hotel, and buried ourselves
under blankets. And sighed at the lonely
displacement. How little we knew then,
newly married, of the cold that finds
the remotest parts of the body to lodge,
that there’s no defense except by slow degrees
to become acclimatized. And for a cold this deep
it would take years of freezing.
Flying the Red Eye : Poems -
Flying the Red EyePoemsFrom"Stroke"
The last of my father’s brothers, that year
(a year before my father died at fifty-seven)
Jack refused to say goodbye to anyone –
instead he’d laugh and only turn away
as if his departing guests were simply
stepping out a moment into his yard
to listen to nightingales or smell the jacaranda
and sweet magnolia thick as constellations.
The brothers seemed to have a clock inside them,
set at fifty-six or so, Jack said.
And the best of them go out face down in the leaves
at home, and the worst in a drunk tank
in borrowed shows. Lucky, he said, the man
who knows the number of his days. Lucky
twice over if it’s autumn and the red leaves
and yellow rain haven’t given all their kisses away.
Flying the Red Eye : Poems
Selected Works
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Out ThereMavericks of Black LiteratureFrom"J.A. Rogers"
The experience of reading Sex and Race is one of embrace and recoil as Rogers indiscriminately loads us down with the provable and the forever dodgy, the serious and the frivolous. Sometimes his footnotes, not always adequate or acceptable, tell when he was at work on a given aspect of his subject, in the way that an itemized credit card bill is a diary, a record of movement. The references go in clusters: in the 1920s, he was reading about Syria, Palestine, Arabia, and Persia; in the 1930s, he was reading the memoirs of English travelers in Africa. Sometimes, he clearly couldn’t go back to a particular library or text to check his facts again. And sometimes Sex and Race reads as though it had threatened to consume him, because the first-person voice breaks through in the book at times of what could be called narrative stress.
Out There : Mavericks of Black Literature -
Out ThereMavericks of Black LiteratureFrom"Vincent O. Carter"
An unpublished manuscript is a like a message in a bottle, floating, floating, waiting to be found. A forgotten book is much the same, lost in the strong current. Vincent O. Carter is the author of both—the unpublished and the long out of print. Some thirty years ago, in 1970, the John Day Company of New York published The Bern Book: A Record of A Voyage of the Mind by Vincent O. Carter, a strange, disquieting, sometimes gorgeous account of what it was like for him to be the only black man living in Bern, Switzerland, between the years 1953 and 1957. Why Bern? Carter claims the Bernese themselves want to know, and this work is his attempt to answer them.
Out There : Mavericks of Black Literature -
Out ThereMavericks of Black LiteratureFrom"Caryl Phillips"
When Phillips published The European Tribe, Britain did not have a single black member of Parliament. He grew up hearing and not responding to jokes in Leeds about Pakis singing “We Shall Overcome.” It was the Britain of Enoch Powell. Yet it was also the time of Bob Marley and the Wailers and Linton Kwesi Johnson. Phillips describes his efforts to get in touch with that black Britain in the 1970s, how he left the “Nigger go home” scrawled next to his name on the notice board at his college, left the handful of blacks he could find university-wide, a Nigerian mathematics student here, a Rhodes scholar there, and took the train to London, where he would go from pub to pub in Brixton, trying to learn, to pick up something. Sometimes on these vague, sad trips to black London he would miss the last train back to Oxford and spend the night in a lounge at Heathrow. But he was always on time for his 9:30 A.M. class in lyric poetry.
Out There : Mavericks of Black Literature
Selected Works
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AngelsA Novel
In the Oakland Greyhound all the people were dwarfs, and they pushed and shoved to get on the bus, even cutting in ahead of the two nuns, who were there first. The two nuns smiled sweetly at Miranda and Baby Ellen and played I-see-you behind their fingers when they’d taken their seats. But Jamie could sense that they found her make-up too thick, her pants too tight. They knew she was leaving her husband, and figured she’d turn for a living to whoring. She wanted to tell them what was what, but you can’t talk to a Catholic. The shorter nun carried a bright cut rose wrapped in her two hands.
Angels : A Novel -
AngelsA Novel
She’d discussed killing herself, she confessed, with Sarah Miller, her best friend, who’d gone to the same high school in West Virginia. Discussed how she’d do it in the style of Marilyn Monroe. She’d clean the trailer completely, and dress up in her black negligee. She’d use Sarah’s ex-husband’s revolver, and Sarah would listen in the night for the shot, and then listen in case the kids woke up. She’d stand right in the doorway when she did it, so she’d be the first thing he found when he came home late from running around on her, stretched out on the floor like a dark Raggedy Ann doll with her brains in the kitchen. Because already he’d stayed out two nights in a row. That was that, that was all, so long. The note would go like this: No Thanks.
Angels : A Novel -
AngelsA Novel
Now that the shooting was started, Bill Houston wanted it to go on forever. Holding his gun out toward the guard and firing was something like spraying paint—trying to get every spot covered. He wanted to make sure that no life was showing through. He didn’t want the guard to have any life left with which he might rise up and kill Bill Houston is return. When the guard was still, lying there at the open mouth of his C-shaped desk with his jaw hanging off to one side and the blood running down his neck and also back into his hair and his ear, Bill shot him twice more in the chest, and would have emptied his shotgun into the guard but caught himself up short, feeling he didn’t want to spend his shells, because shells were more precious than all the money that surrounded them now. The smoke of gunfire lay in sheets along the air around his head, where light played off the fountain’s pond and gave it brilliance. In the center of his heart, the tension of a lifetime dissolved into honey. He heard nothing above the ringing in his ears.
Angels : A Novel
Selected Works
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The Broom of the SystemA Novel
I have a truly horrible dream which invariably occurs on the nights I am Lenoreless in my bed. I am attempting to stimulate the clitoris of Queen Victoria with the back of a tortoise-shell hairbrush. Her voluminous skirts swirl around her waist and my head. Her enormous cottage-cheese thighs rest heavy on my shoulders, spill out in front of my sweating face. The clanking of pounds of jewelry is heard as she shifts to offer herself at best advantage. There are odors. The Queen’s impatient breathing is thunder above me as I kneel at the throne. Time passes. Finally her voice is heard, overhead, metalled with disgust and frustration: “We are not aroused.” I am punched in the arm by a guard and flung into a pit at the bottom of which boil the figures of countless mice. I awake with a mouth full of fur. Begging for more time. A ribbed brush.
The Broom of the System : A Novel -
The Broom of the SystemA Novel
Clarice distributed masks. There was a Clarice-mask for Clarice, an Alvin-mask for Alvin, a Stonecipher-mask for Stonecipher, a Spatula-mask for Spatula. The masks were very good and very lifelike. Clarice made them out of plaster molds and papier-mâché and Reynolds Wrap, in a workshop in the basement. Clarice was in many ways an artist, Lenore thought, CabanaTan notwithstanding. She was particularly good at making things with people’s faces on them. Every year she gave her father, Lenore’s father, cans of tennis balls in which every ball was an eerie likeness of the head of Bob Gerber or Erv Beechnut. Stonecipher Beadsman III loved to play tennis with these balls. Clarice also on the sly made some Stonecipher-Beadsman-III-head balls that she and Alvin batted around from time to time. During a dark period, about a year before, there had appeared a can of Alvin-head balls.
The Broom of the System : A Novel -
The Broom of the SystemA Novel
We moved, and I was suddenly beside her, talking to her, good heavens hello, pretending it be by accident lest all dissolve, one or two of her friends standing with towering hairdos off to the side, wary lest they be caught in the ropes of sexual tension that snapped and crackled in the air between Janet and me, the friends watching us, me, for the tiniest error, the Beatles on the record player playing “Eight Days a Week,” and my hands prepared some sort of hors d’oeuvre, what do I mean some sort, a fastened cylinder of bologna on a Ritz cracker, and she declined it, and stared at me kindly, telling me with her eyes that she was willing to play the elaborate and exhausting game, that it was all right, and I put the hors d’oeuvre into my mouth, and the cracker seemed to explode into deserts of dust, and there was meat, and I recall she was talking about the upcoming election, and the unavoidable and untalkaboutably horrible invitation to dance began its salmon’s migration from my intestine up toward the brain, and my hand was in the pocket of my slacks, soaking through the wool, and in a disastrous flash I thought of something witty to say, to delay the invitation, and my heart leapt, and my throat constricted, and I turned convulsively from myself to say the thing to Janet Dibdin, as she stared with undeserved trust into my eyes, and I tried to say the thing, and as I opened my mouth there somehow flew out of my mouth an enormous glob of the chewed hors d’oeuvre, the Ritz cracker and bologna, chewed, with saliva in it, with shocking force, and it flew out and landed on the fleshy part of Janet Dibdin’s nose, and stayed there.
The Broom of the System : A Novel
Selected Works
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New and Selected PoemsFrom"Letters From An Institution"
I have a garden in my brain
shaped like a maze
I lose myself
in, it seems. They only look for me
sometimes. I don’t like my dreams.
The nurses quarrel over where I am
hiding. I hear from inside
a bush. One is crisp
and cuts; one pinches. I’d like to push
them each somewhere.
They both think it’s funny
here. The laughter sounds like diesels.
I won’t come out because I’m lazy.
You start to like the needles.
You start to want to crazy.
New and Selected Poems -
New and Selected PoemsFrom"When I Was Conceived"
It was 1945, and it was May.
White crocus bloomed in St. Louis.
The Germans gave in but the war shoved on,
and my father came home from work that evening
tired and washed his hands
not picturing the black-goggled men
with code names fashioning an atomic bomb.
Maybe he loved his wife that evening.
Maybe after eating she smoothed his jawline
in her palm as he stretched out
on the couch with his head in her lap
while Bob Hope spoofed Hirohito on the radio
and they both laughed. My father sold used cars
at the time, and didn’t like it,
so if he complained maybe she held him
an extra moment in her arms,
the heat in the air pressing between them,
so they turned upstairs early that evening,
arm in arm, without saying anything.
New and Selected Poems -
New and Selected PoemsFrom"The Past"
It shows up one summer in a greatcoat,
storms through the house confiscating,
says it must be paid and quickly,
says it must take everything.
Your children stare into their cornflakes,
your wife whispers only once to stop it,
because she loves you and she sees it
darken the room suddenly like a stain.
What did you do to deserve it,
ruining breakfast on a balmy day?
Kiss your loved ones. Night is coming.
There was no life without it anyway.
New and Selected Poems
Selected Works
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Transactions in a Foreign CurrencyStoriesFrom"What It Was Like, Seeing Chris"
While I sit with all the other patients in the waiting room, I always think that I will ask Dr. Wald what exactly is happening to my eyes, but when I go into his examining room alone it is dark, with a circle of light on the wall, and the doctor is standing with his back to me arranging silver instruments on a cloth. The big chair is empty for me to go sit in, and each time I feel as if I have gone into a dream straight from being awake, the way you do sometimes at night, and I go to the chair without saying anything.
Transactions in a Foreign Currency : Stories -
Transactions in a Foreign CurrencyStoriesFrom"Flotsam"
“Charlotte!” Cinder said. “I know what this looks like, but I was an absolute wreck when Mitchell got here – wasn’t I, Mitchell? – and he literally glued me back together. You know what we should do, though. I’m absolutely starving. We should get some pirogi. Hey, I’ve learned this interesting new fact about men. The more weight they make you gain, the more attractive it means they are. God. Why can’t I be one of those little twitching things who shred their food when something goes wrong? I wish I were willowy and thin like you, Charlie.”
“You are willowy and thin,” I said. “I’m bony and big, like a dinosaur skeleton in a museum.”
“Dinosaur skeleton.” Mitchell centered me slowly in his gaze, and I faltered. “It’s been a long, long time since I thought about one of those,” he said.
“Mitchell, darling,” Cinder said, straddling him to massage his shoulders, “how could I get you to go next door and get us some pirogi? Like three orders, with extra sour cream. I am ravenous.”
“That stuff I glued you together with sort of absorbed my liquid assets,” he said.
“I have money,” I said, handing him a ten.
Transactions in a Foreign Currency : Stories -
Transactions in a Foreign CurrencyStoriesFrom"A Lesson in Traveling Light"
“Where do they live?” I said.
Lee took out a big U.S. road map. “They’re over here, in Baltimore.”
“That’s so far,” I said, following his finger.
“In a sense,” he said. “But on the other hand, look at, say, Pittsburgh.” His finger alighted inches from where we were. “Or Columbus.”
“Or Louisville!” I said. “Look how far that is – to Louisville!”
“You think that’s far?” Lee said. “Well, listen to this – ready? Poplar Bluff!”
“Tulsa!” I said. “Wait – Oklahoma City!”
We both started to shout.
“Cheyenne!”
“Flagstaff!”
“Needles, Barstow, Bishop!”
“Eureka!” we both yelled at once.
We sat back and eyed the map. “That was some trip,” Lee said.
Transactions in a Foreign Currency : Stories
Selected Works
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The Solace of Open SpacesEssaysFrom"The Solace of Open Spaces"
It’s May and I’ve just awakened from a nap, curled against sagebrush the way my dog taught me to sleep—sheltered from wind. A front is pulling the huge sky over me, and from the dark a hailstone has hit me on the head. I’m trailing a band of two thousand sheep across a stretch of Wyoming badlands, a fifty-mile trip that takes five days because sheep shade up in hot sun and won’t budge until it’s cool. Bunched together now, and excited into a run by the storm, they drift across dry land, tumbling into draws like water and surge out again onto the rugged, choppy plateaus that are the building blocks of this state.
The Solace of Open Spaces : Essays -
The Solace of Open SpacesEssaysFrom"The Smooth Skull of Winter"
On the winter solstice it is thirty-four degrees below zero and there is very little in the way of daylight. The deep ache of this audacious Arctic air is also the ache in our lives made physical. Patches of frostbite show up on our noses, toes, and ears. Skin blisters as if cold were a kind of radiation to which we’ve been exposed. It strips what is ornamental in us. Part of the ache we feel is also a softness growing. Our connections with neighbors—whether strong or tenuous, as lovers or friends—become too urgent to disregard. We rub the frozen toes of a stranger whose pickup has veered off the road; we open water gaps with a tamping bar and an ax; we splice a friend’s frozen water pipe; we take mittens and blankets to the men who herd sheep. Twenty or thirty below makes the exchange of breath visible: all of mine for all of yours. It is the tacit way we express the intimacy no one talks about.
The Solace of Open Spaces : Essays -
The Solace of Open SpacesEssaysFrom"A Storm, the Cornfield, and Elk"
Today the sky is a wafer. Placed on my tongue, it is a wholeness that has already disintegrated; placed under the tongue, it makes my heart beat strongly enough to stretch myself over the winter brilliances to come. Now I feel the tenderness to which this season rots. Its defenselessness can no longer be corrupted. Death is its purity, its sweet mud. The string of storms that came across Wyoming like elephants tied tail to trunk falters now and bleeds into a stillness.
There is neither sun, nor wind, nor snow falling. The hunters are gone; snow geese waddle in grainfields. Already, the elk have started moving out of the mountains toward sheltered feed-grounds. Their great antlers will soon fall off like chandeliers shaken from ballroom ceilings. With them the light of these autumn days, bathed in what Tennyson called “a mockery of sunshine,” will go completely out.
The Solace of Open Spaces : Essays
Selected Works
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Hippo in a TutuDancing in Disney AnimationEven in a traditional "princess" picture, such as the still-popular 1950 Cinderella, the scene with the most romantic magic—the Fred-and-Ginger buoyancy and sense of brimming anticipation—is not, as we would expect, Cinderella's waltz with the Prince in the ballroom. That we only get to glimpse from behind the courtiers watching it—during those moments when the dance isn't interrupted by comic business for secondary characters or by the couple themselves breaking off the dance merely to drink in each other's shadows. The accent is on their private discovery of their feelings, not on the public celebration of their newfound romance. The real dance energy, rather, surges forth in the designing, cutting, and assembly of the heroine's dress in her lonely bedroom by an exaltation of singing mice and birds: a solitary girl's fantasy. The Disney inspirational artist for Cinderella, as for many animated features of the 1950s, was the brilliant and thoughtful painter Mary Blair. Although Blair was frequently heartbroken by what she viewed as the mistranslation of her concepts in the finished films—a feeling that seems to be embodied in the moment when Cinderella's wicked stepmother and stepsisters tear her dress to shreds—throughout the picture you can still see evidence of Blair's deeply unconventional ideas of how stories can be told through synecdoche (key details made to stand for a larger whole) and emotions represented through color and shifts in proportion.Hippo in a Tutu : Dancing in Disney Animation
Selected Works
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You Bright and Risen AngelsA Cartoon
The following day, Pablo set the beetle loose, out of “pity,” he told me. (I believe that he was in Mr. White’s employ.) This had terrible consequences for us and our secret files, for that very night the bugs came rolling out of the jungle in a horrible unstoppable scuttling attack and seized me and carried me off down dim dizzy depths and under mountains and along the bottoms of warm shallow seas like my zombies with only a hollow reed in my mouth to keep air passages in working trim, and through sticky ferns and egg caches and incubators and subterranean cockroach classrooms of strategy and along abandoned mine shafts and eaten-away tunnels in hollowed-out documents in unused stacks in an obscure wing of a forgotten branch of a sealed-off area of the very Library of Congress…
You Bright and Risen Angels : A Cartoon -
You Bright and Risen AngelsA Cartoon
The bartender was a fine distinguished mantis standing thin and alert and flexible with all the green grace of his species; it was very dark in there, and he never said anything, and the previous bartender (whom Mantis had killed and devoured) had never said anything, either, just pointed dryly to the cash register to indicate the amount owed for prior happiness; so nobody noticed the transition to new management; and anyhow Mantis conveyed an impression of sympathetic as opposed to apathetic acceptance and knew what was wanted and mixed very adequate drinks. The whores were nervous around him because he never pawed them or gestured for freebies like his predecessor when they gave him his share of their take (which the bugs used to buy anti-insecticide chemicals), just stared at them with his piercing bulgy eyes on either side of his green head. So the ceiling creaked and the toiled flushed and the cistern overflowed out back and life went on.
You Bright and Risen Angels : A Cartoon -
You Bright and Risen AngelsA Cartoon
These bugs have the advantage. Not only do they outnumber us a million to one, not only do they live by alien insect creeds that attach no value to individual life, but they also retain the rectitude and purity of the underdog. And so it is that they have insidiously debauched the public mind, though we still control the larger cities. I myself have killed many bugs in my time, though of course I have never slain wantonly, only in self-defense, when no compromise could be a cure.
Well, what the hell. The situation is the same. While we have life, we have hope. While we have hope, we have courage. While we have courage, we have ingenuity. While we have ingenuity, we have flame-throwers. A state of war now exists between us and the bugs.
You Bright and Risen Angels : A Cartoon