Search All Winners

Name Sort descending Genre Year
Michael Cunningham Fiction 1995
Charles D'Ambrosio Fiction 2006
Michael Dahlie Fiction 2010
J. D. Daniels Nonfiction 2016
Nathan Alan Davis Drama 2018
Lydia Davis Fiction 1988
Tyree Daye Poetry 2019
Connie Deanovich Poetry 1997
Hannah Dela Cruz Abrams Fiction 2013
Hannah Dela Cruz Abrams Nonfiction 2013
Hernan Diaz Fiction 2019
Jaquira Díaz Nonfiction 2020
LaTasha N. Nevada Diggs Poetry 2016
Trudy Dittmar Nonfiction 2003
Matt Donovan Poetry 2010
Mark Doty Poetry 1994
Marcia Douglas Fiction 2023
Jennifer duBois Fiction 2013
Bruce Duffy Fiction 1988
Steven Dunn Fiction 2021
Anaïs Duplan Nonfiction 2022
Pam Durban Fiction 1987
Stuart Dybek Fiction 1985
Gerald Early Nonfiction 1988
Russell Edson Poetry 1989
Kim Edwards Fiction 2002
Louis Edwards Fiction 1994
Erik Ehn Drama 1997
Gretel Ehrlich Nonfiction 1987
Nancy Eimers Poetry 1998
Deborah Eisenberg Fiction 1987
Thomas Sayers Ellis Poetry 2005
Jeffrey Eugenides Fiction 1993
Roger Fanning Poetry 1992
Anderson Ferrell Fiction 1996

Selected winners

James Robison
1985
Rumor and Other Stories

My mother supports an agency that every week or so sends her a list of the world’s political prisoners who are known to be in immediate danger of their lives. She sits over a chunky Adler typewriter and composes polite pleas to jailors and torturers and killers on behalf of their victims. “In the name of liberty, of decency, Your Excellency…”

 

These petitions for pity and reason, strangled as they are by formality, necessarily without anger, she types on personal stationery of pale yellow or pale tangerine or aqua—the kind got at a pharmacy. Her bursitis makes the typing difficult, and the text is unevenly imprinted, since some of the keys have more bite than others, the way she works them. All the same, her handwriting is impossible.

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Tracy K. Smith
2005
Life on Mars
Poems

Some of the prisoners were strung like beef

From the ceilings of their cells. “Gus”

Was led around on a leash. I mean dragged.

Others were ridden like mules. The guards

Were under a tremendous amount of pleasure.

I mean pressure. Pretty disgusting. Not

What you’d expect from Americans.

Just kidding. I’m only talking about people

Having a good time, blowing off steam.

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Weike Wang
2018
Chemistry
A Novel

Two marriages:

            Clara and Fritz Haber: Clara finishes a doctorate in chemistry. She is the only woman at her school. She is brilliant but reserved. The first time Fritz proposes, she declines. The second time, she agrees. After they marry, he demands that Clara be a housewife and a mother, while he travels for work. When war breaks out in 1918, he proves his patriotism through the development of a new weapon, something invisible to the human eye and absolutely silent. After finding out about the chlorine gas, Clara shoots herself in the family garden.

            Marie and Pierre Curie: Pierre makes several marriage proposals to Marie before she accepts. A commonality then between these women. On her wedding day, she wears a dark blue dress. More practical, she thinks, and afterward, in her dress, goes back to the laboratory with Pierre. The lab is the basement of their home. In three years, they discover polonium and radium. In eight, they are awarded a Nobel. At first the committee will not recognize her (no woman has won before) but Pierre demands it—she is the one who sifted through ten tons of mineral-rich ore to find that tenth of a gram.

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Mindy Aloff
1987
Hippo in a Tutu
Dancing in Disney Animation
Even in a traditional "princess" picture, such as the still-popular 1950 Cinderella, the scene with the most romantic magic—the Fred-and-Ginger buoyancy and sense of brimming anticipation—is not, as we would expect, Cinderella's waltz with the Prince in the ballroom. That we only get to glimpse from behind the courtiers watching it—during those moments when the dance isn't interrupted by comic business for secondary characters or by the couple themselves breaking off the dance merely to drink in each other's shadows. The accent is on their private discovery of their feelings, not on the public celebration of their newfound romance. The real dance energy, rather, surges forth in the designing, cutting, and assembly of the heroine's dress in her lonely bedroom by an exaltation of singing mice and birds: a solitary girl's fantasy. The Disney inspirational artist for Cinderella, as for many animated features of the 1950s, was the brilliant and thoughtful painter Mary Blair. Although Blair was frequently heartbroken by what she viewed as the mistranslation of her concepts in the finished films—a feeling that seems to be embodied in the moment when Cinderella's wicked stepmother and stepsisters tear her dress to shreds—throughout the picture you can still see evidence of Blair's deeply unconventional ideas of how stories can be told through synecdoche (key details made to stand for a larger whole) and emotions represented through color and shifts in proportion.
 
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Douglas Crase
1985
The Revisionist
Poems

Unlike the other countries, this one

Begins in houses, specific houses and the upstairs room

Where constitutions vibrate in the blockfront drawers,

A Queen Anne highboy, or maybe the widow’s walk

On a farmhouse hundreds of miles inland and believed

By the family to be a lookout for Indians though clearly

It was a pioneer’s conceit, fresh as the latest politics

From home: so much for that innocent thesis The Frontier.

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