The narrator of Where Reasons End writes, “I had but one delusion, which I held on to with all my willpower: We once gave Nikolai a life of flesh and blood; and I’m doing it over again, this time by words.”

Yiyun Li meets life’s deepest sorrows as she imagines a conversation between a mother and child in a timeless world. Composed in the months after she lost a child to suicide, Where Reasons End trespasses into the space between life and death as mother and child talk, free from old images and narratives. Deeply moving, these conversations portray the love and complexity of a relationship

Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear―they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya’s girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky’s long-awaited Deaf Republic confronts our time’s vicious atrocities and our collective silence in the face of them.

A passionate, poetic exploration of humanity’s shared history with the beech tree. Before Wright’s unexpected death in 2016, she was deeply engaged in years of ambling research to better know this tree―she visited hundreds of beech trees, interviewed arborists, and delved into the etymology, folk lore, and American history of the species. Written in Wright’s singular prosimetric style, this “memoir with beech trees” demonstrates the power of words to conserve, preserve, and bare witness.

Honoring Wright’s lifelong fascination with books as objects, this final work is a three-panel hardcover that encloses the body of text, illustrated with striking color photographs of beech trees by artist Denny Moers.

In The Gilded Auction Block, poet Shane McCrae considers the present moment in America on its own terms as well as for what it says about the American project and Americans themselves. In the book’s four sections, McCrae alternately responds directly to Donald Trump and contextualizes him historically and personally, exploding the illusions of freedom of both black and white Americans. A moving, incisive, and frightening exploration of both the legacy and the current state of white supremacy in this country, The Gilded Auction Block is a book about the present that reaches into the past and stretches toward the future.

In The Circuit: A Tennis Odyssey, the award-winning poet―and Paris Review sports columnist―Rowan Ricardo Phillips chronicles 2017 as seen through the unique prism of its pivotal, revelatory, and historic tennis season. The annual tennis schedule is a rarity in professional sports in that it encapsulates the calendar year. And like the year, it’s divided into four seasons, each marked by a final tournament: the Grand Slams.

Phillips charts the year from winter’s Australian Open, where Roger Federer and Rafael Nadal renewed their rivalry in a match for the ages, to fall’s U.S. Open, when Maria Sharapova returned to the game as only she could―by shocking the world. Along the way, Phillips paints a new, vibrant portrait of tennis, one that captures not only the emotions, nerves, and ruthless tactics of the point-by-point game but also the quicksilver movement of victory and defeat on the tour, placing that sense of upheaval within a broader cultural and social context. Tennis has long been thought of as an escapist spectacle: a bucolic, separate bauble of life. The Circuit will convince you that you don’t leave the world behind as you watch tennis―you bring it with you.

In The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigor to the themes―both human and literary―that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird crisis, these pieces contain all the wit and disabused realism that we’ve come to expect from Franzen.

Taken together, these essays trace the progress of a unique and mature mind wrestling with itself, with literature, and with some of the most important issues of our day, made more pressing by the current political milieu. The End of the End of the Earth is remarkable, provocative, and necessary.

Drawing upon Navajo history and enduring tradition, Sherwin Bitsui leads us on a treacherous, otherworldly passage through the American Southwest. Fluidly shape-shifting and captured by language that functions like a moving camera, Dissolve is urban and rural, past and present in the haze of the reservation. Bitsui proves himself to be one of this century’s most haunting, raw, and uncompromising voices.

Powered by an uncompromising but compassionate intelligence and an abiding wonder at the beautiful strangeness of the world, Sidebend World explores with clarity and vividness a wide range of emotions—love to hate, tenderness to brutality; yet, above all, Webb is a poet of praise.  Metaphors of startling aptness and originality, a distinctive voice at once provocative and endearing, high musicality, propulsive energy, wild imaginative leaps, as well as mastery of diction from lyricism to street-speak, create a reading experience of the first order.  These poems go down easy, but pack a wallop.  As Robert Frost said poetry should do, Sidebend World "begins in delight and ends in wisdom."

Like many other eighteen-year-olds, Aden Sawyer is intently focused on a goal: escape from her hometown. Her plan will take her far from her mother’s claustrophobic house, where the family photos have all been turned to face the wall; far from the influence of her domineering father―a professor of Islamic studies―and his new wife.

Aden’s dream, however, is worlds removed from conventional fantasies of teen rebellion: she is determined to travel to Peshawar, Pakistan, to study Islam at a madrasa. To do so, she takes on a new identity, disguising herself as a young man named Suleyman. Aden fully commits to this new life, even burning her passport to protect her secret. But once she is on the ground, she finds herself in greater danger than she could possibly have imagined. Faced with violence, disillusionment, and loss, Aden must make choices that will test not only her faith but also her most fundamental understanding of who she is, and that will set her on a wild, fateful course toward redemption by blood.