For over thirty years, Eiko & Koma, the Japanese-born choreographers and dancers, have created an influential theatre of movement out of stillness, shape, light, and sound. In tribute and collaboration, the acclaimed American poet Forrest Gander has written a mesmerizing series of poems hinging around a dance schematic that captures and extends the dancers performance with lyrical intensity and vividness.

A haunting and peculiar travelogue, Deeds of the Utmost Kindness employs forms as diverse as haiku and prose poetry in settings that range from Japan to the rural Ozarks to contemporary Moscow. The compelling strangeness of the poems' precise details exposes varied rhythms of thought and illustrates how different logics work in the metaphoric structures of changing places. Yet behind the uneasy sense of dislocation felt by the constant traveler lies the personal, essentially moral, voice of the poet as observer.

Forrest Gander's Core Samples from the World is a magnificent compendium of poetry, photography, and essay (a form of Japanese haibun). Collaborating with three acclaimed photographers, Gander explores tensions between the familiar and foreign. His eloquent new work voices an ethical concern for others, exploring empathic relations in which the world itself is fundamental. Taking us around the globe to China, Mexico, Bosnia-Herzegovina, and Chile, Core Samples shows how Gander's "sharp sense of place has made him the most earthly of our avant-garde, the best geographer of fleshly sites since Olson (Donald Revell, The Colorado Review)."

"Heroism is a secondary virtue," Albert Camus noted, "but friendship is primary." In his gem-like first novel, Forrest Gander writes of friendship, envy, and eros as a harmonic of charged overtones. Set in a rural southern landscape as vivid as its indelible characters, As a Friend tells the story of Les, a gifted man and land surveyor, whose impact on those around him (his friend Clay, his girlfriend Sarah) provokes intense self-examination and an atmosphere of dangerous eroticism. With poetic insight, Gander explores the nature of attraction, betrayal, and loyalty. What he achieves is brilliant in style and powerfully unsettling.

A first collection of essays by the award-winning poet explores what it means to be faithful in the act of translation, in scientific and spiritual inquiry, in friendship, and in other arenas, in a volume that pays homage to the American South, writers from various parts of the world, and snapping turtles.

From the PEN/Malamud Award-winning author of Lucky Girls comes an intricately woven novel about secrets, love, art, identity, and the shining chaos of everyday American life. Yuan Zhao, a celebrated Chinese performance artist and political dissident, has accepted a one-year artist's residency in Los Angeles. He is to be a Visiting Scholar at the St. Anselm's School for Girls, teaching advanced art, and hosted by one of the school's most devoted families: the wealthy if dysfunctional Traverses. The Traverses are too preoccupied with their own problems to pay their foreign guest too much attention, and the dissident is delighted to be left alone—his past links with radical movements give him good reason to avoid careful scrutiny. The trouble starts when he and his American hosts begin to view one another with clearer eyes.

In this astonishing new work from one of our greatest and most entertaining storytellers, Ian Frazier trains his perceptive, generous eye on Siberia. With great passion and enthusiasm, he reveals Siberia’s role in history—its science, economics, and politics—and tells the stories of its most famous exiles, such as Dostoyevsky, Lenin, and Stalin. At the same time, Frazier draws a unique portrait of Russia since the end of the Soviet Union, and gives a personal account of adventure among Russian friends and acquaintances. A unique, captivating, totally Frazierian take on what he calls the “amazingness” of Russia—Travels in Siberia is “a masterpiece of nonfiction writing—tragic, bizarre, and funny” (San Francisco Chronicle).

In The Fish’s Eye: Essays About Angling and the Outdoors, Ian Frazier explores his lifelong passion for fishing, fish, and the aquatic world. He sees the angler’s environment all around him—in New York’s Grand Central Station, in the cement-lined pond of a city park, in a shimmering bonefish flat in the Florida Keys, in the trout streams of the Rocky Mountains. He marvels at the fishing in the turbid Ohio River by downtown Cincinnati, where a good bait for catfish is half a White Castle french fry. The incidentals of the angling experience, the who and the where of it, interest him as much as what he catches and how. The essays contain sharply focused observations of the American outdoors, a place filled with human alterations and detritus that somehow remain defiantly unruined. Frazier’s simple love of the sport lifts him to a straight-ahead angling description that’s among the best contemporary writing on the subject. The Fish’s Eye brings together twenty years of heartfelt, funny, and vivid essays on a timeless pursuit where so many mysteries, both human and natural, coincide.

Based on his widely read columns for The New Yorker, Ian Frazier’s uproarious first novel, The Cursing Mommy’s Book of Days, centers on a profoundly memorable character, sprung from an impressively fertile imagination. Structured as a daybook of sorts, the book follows the Cursing Mommy—beleaguered wife of Larry and mother of two young boys—as she offers tips on how to do various tasks around the home, only to end up on the ground, cursing, surrounded by broken glass. Her voice is somewhere between Phyllis Diller’s and Sylvia Plath’s: a hilariously desperate housewife with a taste for swearing and large glasses of red wine, who speaks to the frustrations of everyday life. In The Cursing Mommy’s Book of Days, Frazier colors his fiction with grace and aplomb, as well as an extra helping of his trademark wicked wit. The Cursing Mommy’s failures and weaknesses are our own—and Frazier gives them a loving, satirical spin that is uniquely his own.

On the Rez is a sharp, unflinching account of the modern-day American Indian experience, especially that of the Oglala Sioux, who now live on the Pine Ridge Indian Reservation in the plains and badlands of the American West. Crazy Horse, perhaps the greatest Indian war leader of the 1800s, and Black Elk, the holy man whose teachings achieved worldwide renown, were Oglala; in these typically perceptive pages, Frazier seeks out their descendants on Pine Ridge—a/k/a "the rez"—which is one of the poorest places in America today. Along with his longtime friend Le War Lance (whom he first wrote about in his 1989 bestseller, Great Plains) and other Oglala companions, Frazier fully explores the rez as they visit friends and relatives, go to pow-wows and rodeos and package stores, and tinker with a variety of falling-apart cars. He takes us inside the world of the Sioux as few writers ever have, writing with much wit, compassion, and imagination. In the career of SuAnne Big Crow, for example, the most admired Oglala basketball player of all time, who died in a car accident in 1992, Frazier finds a contemporary reemergence of the death-defying, public-spirited Sioux hero who fights with grace and glory to save her followers. On the Rez vividly portrays the survival, through toughness and humor, of a great people whose culture has helped to shape the American identity.