Nobody Better, Better Than Nobody is a collection of five extended essays that appeared in The New Yorker from 1978 to 1986. In the tradition of A. J. Liebling and Joseph Mitchell, Ian Frazier raises journalism to high literary art. His vivid stories showcase a strange and wonderful parade of American life, from portraits of Heloise, the syndicated household-hints columnist, and Jim Deren, the urban fly-fisher’s guru, to small-town residents in western Kansas preparing to celebrate a historic, mutual massacre, to which they invite the Cheyenne Indians’ descendants with the promise of free bowling.

Ian Frazier is unquestionably one of America's greatest living humorists, a writer with a distinct, generous sensibility and a thousand different voices. His work is hilarious, elegant, and piercing, drawing on high and low culture to expose the warped line of thought running beneath our public selves. When The Atlantic Monthly published four humorists among the best writing ever to appear in the magazine, they chose essays by Mark Twain, James Thurber, Kurt Vonnegut, and Ian Frazier's "Lamentations of the Father." This collection, 33 pieces gathered from the past fourteen years of his career, once again proves him worthy of that great company.

Welcome to Ian Frazier's New York, where every block is an event, and where the denizens are larger than life. Meet landlord extraordinaire Zvi Hugo Segal, and the man who scaled the World Trade Center. Learn the location of Manhattan's antipodes, and meander the length of Route 3 to New Jersey. Like his literary forebears Joseph Mitchell and A. J. Liebling, Frazier makes us fall in love with America's greatest city all over again.

Using letters and other family documents, Frazier reconstructs two hundred years of middle-class life, visiting small towns his ancestors lived in, reading books they read, and discovering the larger forces of history that affected them. He observes some of them during the British raid on Danbury, Connecticut, in the Revolutionary War; he follows others west as they pioneer in the wilderness of Ohio and Indiana; he visits the battlefields where they fought the Civil War. Frazier interviews old-timers, uncles, aunts, cousins, maids, and a beer-store owner who knew his dad. He pursues the family saga in aspect from trivial to grand, hoping for "a meaning that would defeat death." Family is a poetic epic of facts, a chronicle of Protestant culture's rise and fall, a memorial, and a revised view of American history as romantic as it is cold-eyed.

From the opening essay, “The Bloomsbury Group Live at the Apollo (Liner Notes from the New Best-Selling Album)” to the title piece that discusses ways in which you might begin a romance with your mother (“In today’s fast-moving, transient, rootless society, where people meet and make love and part without ever really touching, the relationship every guy already has with his own mother is too valuable to ignore...”) to a parody that features Samuel Beckett as a pilot giving an existential in-flight speech to the passengers, the twenty-five comic essays in this delightful collection are nothing short of brilliant. Ian Frazier, long considered one of our most treasured humorists, proves that comedy can be just as smart as it is entertaining.

Published in 1988, Jonathan Franzen's The Twenty-Seventh City is the debut novel of a writer who would come to define our times. St. Louis, Missouri, is a quietly dying river city until it hires a new police chief: a charismatic young woman from Bombay, India, named S. Jammu. No sooner has Jammu been installed, though, than the city's leading citizens become embroiled in an all-pervasive political conspiracy. Set in mid-1980s, The Twenty-Seventh City predicts every unsettling shift in American life for the next two decades: suburban malaise, surveillance culture, domestic terrorism, paranoia. A classic of contemporary fiction, The Twenty-Seventh City shows us an ordinary metropolis turned inside out, and the American Dream unraveling into terror and dark comedy.

A hundred years ago, the Viennese satirist Karl Kraus was among the most penetrating and prophetic writers in Europe: a relentless critic of the popular media’s manipulation of reality, the dehumanizing machinery of technology and consumerism, and the jingoistic rhetoric of a fading empire. But even though his followers included Franz Kafka and Walter Benjamin, he remained something of a lonely prophet, and few people today are familiar with his work. Thankfully, Jonathan Franzen is one of them.

In The Kraus Project, Franzen not only presents his definitive new translations of Kraus but also annotates them spectacularly, with supplementary notes from the Kraus scholar Paul Reitter and the Austrian writer Daniel Kehlmann. Kraus was a notoriously cantankerous and difficult author, and in Franzen he has found his match: a novelist unafraid to voice unpopular opinions strongly, a critic capable of untangling Kraus’s often dense arguments to reveal their relevance to contemporary America. Interwoven with Franzen’s survey of today’s cultural and technological landscape is an intensely personal recollection of the author’s first year out of college, when he fell in love with Kraus. Painstakingly wrought, strikingly original in form, The Kraus Project is a feast of thought, passion, and literature.

The Discomfort Zone is Jonathan Franzen’s tale of growing up, squirming in his own über-sensitive skin, from a “small and fundamentally ridiculous person,” into an adult with strong inconvenient passions. Whether he’s writing about the explosive dynamics of a Christian youth fellowship in the 1970s, the effects of Kafka’s fiction on his protracted quest to lose his virginity, or the web of connections between bird watching, his all-consuming marriage, and the problem of global warming, Franzen is always feelingly engaged with the world we live in now. The Discomfort Zone is a wise, funny, and gorgeously written self-portrait by one of America’s finest writers.

Strong Motion is the brilliant, bold second novel from the bestselling and critically acclaimed author of The Corrections and Freedom. Louis Holland arrives in Boston in a spring of strange happenings—earthquakes strike the city, and the first one kills his grandmother. During a bitter feud over the inheritance, Louis falls in love with Renee Seitchek, a passionate and brilliant seismologist, whose discoveries about the origin of the earthquakes complicate everything. Potent and vivid, Strong Motion is a complex story of change from the forceful imagination of Jonathan Franzen.

Passionate, independent-minded nonfiction from the international bestselling author of The Corrections.How to be Alone is a collection of the personal essays and painstaking, often humorous reportage that have earned Franzen a wide and loyal readership, including what has come to be known as "The Harper's Essay," Franzen's controversial 1996 look at the fate of the novel. From the sex-advice industry to the way a supermax prison works, from his father's struggle with Alzheimer's disease to a rueful account of Franzen's brief tenure as an Oprah Winfrey author, each piece wrestles with Franzen's familiar themes: the erosion of civic life and private dignity, and the hidden persistence of loneliness, in postmodern imperial America. These collected essays record what Franzen calls "a movement away from an angry and frightened isolation toward an acceptance—even a celebration—of being a reader and a writer." They voice a wry distrust of the claims of technology and psychology, the love-hate relationship with consumerism, and the subversive belief in the tragic shape of the individual life that help make Franzen one of the sharpest, toughest-minded, and most entertaining social critics at work today.