In this panoramic social history, Sofi Thanhauser brilliantly tells five stories—Linen, Cotton, Silk, Synthetics, Wool—about the clothes we wear and where they come from, illuminating our world in unexpected ways. Thanhauser makes clear how the clothing industry has become one of the planet’s worst polluters and how it relies on chronically underpaid and exploited laborers. But she also shows us how micro-communities, textile companies, and clothing makers in every corner of the world are rediscovering ancestral and ethical methods for making what we wear. Drawn from years of intensive research and reporting from around the world, and brimming with fascinating stories, Worn reveals to us that our clothing comes not just from the countries listed on the tags or ready-made from our factories. It comes, as well, from deep in our histories.

Told as a series of conversations, Optional Practical Training follows Pavitra, a young Indian woman who came to the US for college from Bangalore, India, and graduates in 2006 with a degree in physics. Her student visa grants her an extra twelve months in the country for work experience―a period known as Optional Practical Training―so she takes a position as a math and physics teacher at a private high school near Cambridge, Massachusetts.

What Pavitra really wants, though, is the time and space to finish a novel―to diverge from what’s expected of her within her family of white-collar professionals and to build a life as a writer. Navigating her year of OPT―looking for a room to rent, starting her job―she finds that each person she encounters expects something from her too. As her landlord, colleagues, students, parents of her students, friends of her family, and neighbors talk to and at her, they shape her understanding of race, immigration, privilege, and herself.

Throughout the book, Pavitra seems to speak very rarely; and yet, as she responds to the assumptions, insights, projections, and observations of those around her, a subtle and sophisticated portrait emerges of a young woman and aspiring artist defining a place for herself in the world.

This collection of innovative, penetrating, and lively essays features swimming pools and poets, road trips and museums, family dinners and celebrity sightings. In a voice that is at once piercing, mournful, and slyly comic, Aisha Sabatini Sloan inhabits several roles: she is an art enthusiast in Los Angeles during a city-wide manhunt; a daughter on a road trip with her father; a professor playing with puppets in the wilds of Vermont; an interloper on a police ride-along in Detroit; a collector of the dreams of scientists at a biostation. As she watches cell phone video recordings of murder and is haunted in her sleep by the news, she reflects on her formative experiences with aesthetic and spiritual discovery, troubling those places where Blackness has been conflated with death.

Sabatini Sloan’s lively style is perfectly suited to the way she circles a subject or an idea before cinching it tight. The curiosity that guides each essay, focusing on the period between the 2016 election and the onset of the pandemic, is rooted in the supposition that there is an intrinsic relationship between the way we conceptualize darkness and our collective opportunity for awakening.

Karisma Price’s stunning debut collection is an extended meditation on Blackness, on family, on loss. Anchored in New Orleans and New York City, these poems braid personal and public histories into a cultural reckoning of past and present. James Booker speaks to Ringo Starr, a phone “Autocorrects ‘Nigga’ to Night,'” If Beale Street Could Talk is recast with characters from The Odyssey. In these pages there is grief, there is absence, there is violence—“We know that mostly everything around us / is measured in blood.”—but there is also immense love and truth. Karisma Price has created a serious masterpiece, a book “so dark you have no other option but to call it / precious.”

Agatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life.

But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They take over the care of a halfway house, where they live alongside their charges, such as the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone to teach math at a local all-girls high school, where for the first time in years she has to reckon all on her own with what she sees and feels. Who will she be if she isn’t with her sisters? These women, the church, have been her home. Or has she just been hiding?

Disarming, delightfully deadpan, and full of searching, Claire Luchette’s Agatha of Little Neon offers a view into the lives of women and the choices they make.

Able God works for low pay at a four-star hotel where he must flash his “toothpaste-white smile” for wealthy guests. When not tending to the hotel’s overprivileged clientele, he muses over self-help books and draws life lessons from the game of chess.

But Able’s ordinary life is upended when an early morning room service order leads him to interfere with Akudo, a sex worker involved with a powerful but dangerous hotel guest. Suddenly caught in a web of violence, guilt, and fear, Able must run to save himself—a journey that leads him into the desert with a group of drug-addled migrants, headed by a charismatic religious leader calling himself Ben Ten. The travelers’ dream of reaching Europe—and a new life—is shattered when they fall prey to human traffickers, suffer starvation, and find themselves on the precipice of death, fighting for their lives and their freedom.

As Able God moves into the treacherous unknown, his consciousness becomes focused on survival and the foundations of his beliefs—his ideas about betterment and salvation—are forever altered. Suspenseful, incisive, and illuminating, The Road to the Salt Sea is a story of family, fate, religion, survival, the failures of the Nigerian class system, and what often happens to those who seek their fortunes elsewhere.

Set against the tumultuous political backdrop of late '60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen's investigation takes us back to Anka's life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.

An irresistibly unnerving collection of stories that explore the anxieties of living while Black—a high-wire act of literary-fantastical hybrid fiction. In each of the seven stories in this collection, characters pursue their obsessions on paths to glory and destruction while around them their worlds twist and warp, oscillating between reality and impossibility. On display throughout is Cotman’s ability to reveal truths about the human experience—about friendship, love, betrayal, bitterness—through whimsy, horror, and fantasy. Elegiac in tone, imaginative and humorous in their execution, the character-driven stories in Weird Black Girls challenge, incite, and entertain.

Shane McCrae, one of the most prophetic and powerful poetic voices of our time, has created a twenty-first-century epic in New and Collected Hell. As David Woo wrote in Poetry, “McCrae’s poems allude to literary precursors like Dante, Milton, and the Bible, but the voice is unabashedly of our time . . . By seeking to heal the rift in his own identity, McCrae has listened intently to the literary echoes emanating from the English language and transmuted them through his own dynamic voice.” Here, he gathers new and previous work as a culmination of his long-standing poetic project: a new and unforgettable journey through Hell. McCrae’s work is indelible, and this collection brings his searing vision to new depths.

Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal, and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect “Life Ruiners”.

Bibliophobia is an alternately searing and darkly humorous story of breakdown and survival told through books. Delving into texts such as Anne of Green Gables, Possession, A Tale for the Time Being, The Last Samurai, Chihaya interrogates her cultural identity, her relationship with depression, and the intoxicating, sometimes painful, ways books push back on those who love them.