Moving through grief and loss towards a renewal that never sidesteps the wholeness of experience, Gander's new collection discovers an articulate language for the merging of exterior and interior landscapes. Gander, trained as a geologist, walked along much of the 800-mile San Andreas fault toward the desolate town of his birth, and found himself crossing permeable dimensions of time and space, correlating his emotions and the stricken landscape with other divisions: the fractures and folds underlying not only our country, but any self in its relationship with others. The result is this moving new collection that unforgettably describes a spiritual and physical journey. With its confidential tones and candid self-examination, Mojave Ghost is Gander’s most inviting and poignant book yet.

These are stories about working class people who come and go mostly unnoticed or ignored, whose lives are not fodder for literary tropes or cliches. They are neither heroes nor villains, just regular people with their flaws and merits, facing the challenges and questions posed by everyday life. Gilb writes in a distinctive, appealing voice, welcoming the reader in with an easy sense of familiarity, and the effect is spare on the surface, but profound. Deftly capturing the nuances of interpersonal relationships in a simple word or gesture, he peels back the surface of seemingly unremarkable encounters to reveal layers of myth and uncanny surrealism, propelled by the momentum of new, changing times.

The Gulf of Maine is the world's fastest-warming marine ecosystem, and the Long Island Sound has been the site of conservation battles that predict the fights ahead for the Gulf. Eiren Caffall is the inheritor of a family legacy of two hundred years of genetic kidney disease and raising a child who may inherit that legacy also. The Mourner's Bestiary braids environmental research with a memoir of generational healing and details the work it takes to get there for the human and animal lives caught in tides of loss.

In this riveting account, Atossa Abrahamian exposes a parallel universe exempt from the laws of the land, and how the wealthy and powerful benefit from it. Along the way, we meet the shadowy CEOs, visionary statesmen, eccentric theorists, prize-winning economists, and alarming ideologues who are the masterminds of this parallel order. By mapping the hidden geography that increasingly determines who wins and who loses in the new global order--and how it might be otherwise--The Hidden Globe fascinates, enrages, and inspires.

Poetic and devastating, sensuous and politically acute, Frances Ya-Chu Cowhig's China Plays explore the forces of global capital as they explode within the lives of everyday people in contemporary China.

This volume collects together the three plays in the series, including Cowhig's exploration of the human cost of development in China's socialist market economy (The World of Extreme Happiness), of justice and revenge amidst ecological and economic catastrophe (Snow in Midsummer), and the tale of the trade in blood that brought the AIDS crisis to rural China (The King of Hell's Palace).

In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. At the collection's center sits "On the Overnight from Agadir," a poem that chronicles Shanahan's survival of a devastating bus accident in Morocco, his mother's birth country, and ruminates on home, belonging, and the mysteries of fate. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives. In a language yoked equally to the physical and metaphysical worlds, the poet articulates the need we all share for real intimacy and connection, and proves, time and again, that the true cost of our separateness is the love that our survival requires.

In this affecting poetry debut, Charif Shanahan explores what it means to be fully human in our wounded and divided world. In poised yet unrelenting lyric poems, Shanahan--queer and mixed-race--confronts the challenges of a complex cultural inheritance, informed by colonialism and his mother's immigration to the United States from Morocco, navigating racial constructs, sexuality, family, and the globe in search of "who we are to each other . . . who we are to ourselves."

Inheritance is a black sensorium, a chapel of color and sound that speaks to spaciousness, surveillance, identity, desire, and transcendence. Influenced by everyday moments of Washington, DC living, the poems live outside of the outside and beyond the language of categorical difference, inviting anyone listening to listen a bit closer. Inheritance is about the self's struggle with definition and assumption.

Grand Tour, the debut collection of poetry by Elisa Gonzalez, dramatizes the mind in motion as it grapples with something more than an event: she writes of a whole life, to transcendent effect. By the end, we feel we have been witness to a poet remaking herself.

Gonzalez's poetry depicts the fullness of living. There are the small moments: "white wine greening in a glass," trumpet blossoms "panicking across the garden." Some poems adopt the oracular quality of a parable but invariably refuse a clear moral. The poet moves through elegy, romantic and sexual encounters, family history, and place--Cyprus, Puerto Rico, Poland, Ohio--all constellated in "a chaos of faraway." The collection is held together less by answers than by a persistent question: How doe you reconcile a hatred for the world's pain with a love for that same world, which is indivisible from its worst aspects? Gonzalez's poems draw us nearer to our own aliveness, its fragility and sustaining questions. "Since I do love the world," she says, she keeps writing, inviting us to accompany her as she searches.