Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection, while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife. Some years into their marriage, the couple invites their families on vacation. At a Cape Cod beach house, and later at a luxury Catskills bungalow, Keru, Nate, and their giant sheepdog navigate visits from in-laws and unexpected guests, all while wondering if they have what it takes to answer the big questions: How do you cope when your spouse and your family of origin clash? How many people (and dogs) make a family? And when the pack starts to disintegrate, what can you do to shepherd everyone back together? Weike Wang offers a portrait of family that is equally witty, incisive, and tender.

We Make Each Other Beautiful focuses on women of color, queer artists of color, and artist collectives who engage in direct political action as a part of their art practice. Defined by public protest, rule-breaking, rebellion, and resistance to governmental and institutional abuse, direct-action "artivism" draws on the aims, radical spirit, and tactics of the civil rights and feminist movements and on the struggles for disability rights, queer rights, and immigrant rights to seek legal and social change. Yxta Maya Murray profiles the work and lives of four contemporary artivists—Carrie Mae Weems, Young Joon Kwak, Tanya Aguiñiga, and Imani Jacqueline Brown—and the artivist collective Drawn Together, combining new oral histories with sharp analyses of how their diverse and expansive artistic practices bear important aesthetic and politicolegal meanings that address a wide range of injustices.

Laura de León is a radar astronomer who studies Potentially Hazardous Objects (PHOs) such as threatening asteroids and comets at NASA's Jet Propulsion Lab in Pasadena, California. In Los Angeles in 2020, several crises are coalescing. The first strain of SARS-CoV-2 triggers the lockdowns, the city roils with protests of Derek Chauvin's murder of George Floyd and the police killing of Breonna Taylor, while the Bobcat Fire sweeps across the San Fernando Valley. In the midst of these emergencies, Laura is struggling to keep her family alive. A story about family, love, risk, and science, A History of Hazardous Objects contemplates how experiencing trauma and pain may help us secure a safer and more just world.

In Roman Year, André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. In this memoir, the author, a genius of "the poetry of the place" (John Domini, The Boston Globe), conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists.

Moving through grief and loss towards a renewal that never sidesteps the wholeness of experience, Gander's new collection discovers an articulate language for the merging of exterior and interior landscapes. Gander, trained as a geologist, walked along much of the 800-mile San Andreas fault toward the desolate town of his birth, and found himself crossing permeable dimensions of time and space, correlating his emotions and the stricken landscape with other divisions: the fractures and folds underlying not only our country, but any self in its relationship with others. The result is this moving new collection that unforgettably describes a spiritual and physical journey. With its confidential tones and candid self-examination, Mojave Ghost is Gander’s most inviting and poignant book yet.

These are stories about working class people who come and go mostly unnoticed or ignored, whose lives are not fodder for literary tropes or cliches. They are neither heroes nor villains, just regular people with their flaws and merits, facing the challenges and questions posed by everyday life. Gilb writes in a distinctive, appealing voice, welcoming the reader in with an easy sense of familiarity, and the effect is spare on the surface, but profound. Deftly capturing the nuances of interpersonal relationships in a simple word or gesture, he peels back the surface of seemingly unremarkable encounters to reveal layers of myth and uncanny surrealism, propelled by the momentum of new, changing times.

The Gulf of Maine is the world's fastest-warming marine ecosystem, and the Long Island Sound has been the site of conservation battles that predict the fights ahead for the Gulf. Eiren Caffall is the inheritor of a family legacy of two hundred years of genetic kidney disease and raising a child who may inherit that legacy also. The Mourner's Bestiary braids environmental research with a memoir of generational healing and details the work it takes to get there for the human and animal lives caught in tides of loss.

In this riveting account, Atossa Abrahamian exposes a parallel universe exempt from the laws of the land, and how the wealthy and powerful benefit from it. Along the way, we meet the shadowy CEOs, visionary statesmen, eccentric theorists, prize-winning economists, and alarming ideologues who are the masterminds of this parallel order. By mapping the hidden geography that increasingly determines who wins and who loses in the new global order--and how it might be otherwise--The Hidden Globe fascinates, enrages, and inspires.

Poetic and devastating, sensuous and politically acute, Frances Ya-Chu Cowhig's China Plays explore the forces of global capital as they explode within the lives of everyday people in contemporary China.

This volume collects together the three plays in the series, including Cowhig's exploration of the human cost of development in China's socialist market economy (The World of Extreme Happiness), of justice and revenge amidst ecological and economic catastrophe (Snow in Midsummer), and the tale of the trade in blood that brought the AIDS crisis to rural China (The King of Hell's Palace).