A decent, ordinary life jeopardized by a catastrophically extraordinary event: this is the story, mythic in its outline and substance, that Judy Troy—author of two New York Times Notable Books and Whiting Award winner—tells in From the Black Hills.

In Wheatley, South Dakota, during the summer before Mike Newlin is to begin college, his father, an insurance salesman, shoots and kills the young woman who works for him as his receptionist. He disappears, and Mike is left behind in shock and grief. With his future suddenly obscured, Mike finds himself nearly overwhelmed by his present circumstances—not only the emotional damage inflicted by his father's awful crime but also his mother's dismay, the insinuating methods of a criminal investigator named Tom DeWitt, his girlfriend's anxieties, and his longing for an older woman who lives nearby—and the question of whether he will ever see his father again and what will happen if he does. As imposing as the landscape that forms its setting, From the Black Hills conveys with compassionate power the drama of a young man who must try to overcome his father's dark legacy.

Launched by the summer '04 award-winning bestseller Brooklyn Noir, Akashic Books continues its groundbreaking series of original noir anthologies. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book.

Las Vegas provides the classic sophistication and darkness necessary for a deadly noir story. Stylish, sultry, brimming with ambition and greed, the characters that populate this literary Las Vegas are pushed to the extremes of human experience. From the neon glitter of the Strip to the treacherous views of Red Rock Canyon and Boulder City, from the desperation of Naked City to the racial tensions of the Westside, no other location offers so many different avenues leading to serious trouble. Many legendary authors have turned their attention to Vegas to investigate the city's moods and mysteries. Now, the most recent crop of acclaimed writers explore the secret neighborhoods and byways of America's most sinful city, offering readers not only compelling noir tales but also an insider's understanding of this steamy oasis. These authors take readers beneath the surface flash of Freemont Street and the Strip and into the gritty multicultural environs of underground Vegas.

Includes "This Or Any Desert" by Vu Tran.

What does it mean to suffer? What enables some people to emerge from tragedy while others are spiritually crushed by it? Why do so many Americans think of suffering as something that happens to other people—who usually deserve it?

These are some of the questions at the heart of this powerful book. Combining reportage, personal narrative, and moral philosophy, Peter Trachtenberg tells the stories of grass-roots genocide tribunals in Rwanda and tsunami survivors in Sri Lanka, an innocent man on death row, and a family bereaved on 9/11. He examines texts from the Book of Job to the Bodhicharyavatara and the writings of Simone Weil. The Book of Calamities is a provocative and sweeping look at one of the biggest paradoxes of the human condition—and the surprising strength and resilience of those who are forced to confront it.

Sulfurously funny and intellectually provocative, 7 Tattoos is a journey without maps through the labyrinth of a human soul. There are only a few landmarks as guideposts: the ones carved on the author's own flesh.

Each section of this innovative book is the story of one of Peter Trachtenberg's tattoos, as well as a daring, intelligent exploration of the themes that each tattoo evokes: death, sacrilege, primitivism, rebellion, atonement, sadomasochism, and downfall. 7 Tattoos introduces us to a man responding ingeniously and emotionally to the harrowing events of his life: funerary rites in Borneo, heroin addiction on Manhattan's Lower East Side, the deathwatches of both his parents. Though it features deft portraits of famous tattoo artists like Spider Webb, Trachtenberg's book is not about tattoos; rather it is an arsenal of ideas fired off with great emotional power. At once memoir, wild anthropology, and meditation on love, faithlessness, and faith, this stunningly original book redefines what a literary memoir can be.

Fifteen years after the publication of his acclaimed novel Mason’s Retreat, Christopher Tilghman returns to the Mason family and the Chesapeake Bay in The Right-Hand Shore.

It is 1920, and Edward Mason is making a call upon Miss Mary Bayly, the current owner of the legendary Mason family estate, the Retreat. Miss Mary is dying. She plans to give the Retreat to the closest direct descendant of the original immigrant owner that she can find. Edward believes he can charm the old lady, secure the estate and be back in Baltimore by lunchtime. Instead, over the course of a long day, he hears the stories that will forever bind him and his family to the land. He hears of Miss Mary’s grandfather brutally selling all his slaves in 1857 in order to avoid the reprisals he believes will come with Emancipation. He hears of the doomed efforts by Wyatt Bayly, Miss Mary’s father, to turn the Retreat into a vast peach orchard, and of Miss Mary and her brother growing up in a fractured and warring household. He learns of Abel Terrell, son of free blacks who becomes head orchardist, and whose family becomes intimately connected to the Baylys and to the Mason legacy. The drama in this richly textured novel proceeds through vivid set pieces: on rural nineteenth-century industry; on a boyhood on the Eastern Shore of Maryland; on the unbreakable divisions of race and class; and, finally, on two families attempting to save a son and a daughter from the dangers of their own innocent love. The result is a radiant work of deep insight and peerless imagination about the central dilemma of American history.

The year is 1936, and the world is on the brink of war. American expatriot Edward Mason, owner of a failing machine factory, is fighting more private battles. In the face of defeat, he abandons his adopted home in England in order to reclaim his inheritance on Maryland’s Eastern Shore—a ruinous, thousand-acre estate known ominously as Mason’s Retreat. Edward, his wife, Edith, and their two young sons struggle to adjust to life in this strange and storied place. But with war drawing closer, England’s hasty rearmament offers Edward a chance to revive the factory, and he returns alone to lead his company. Meanwhile, his wife and sons are left to make their own fortunes. When an unsigned letter informs Edward of where those fortunes have led, he hastens back, an ill-fated move that will have devastating consequences for everyone involved.

Haunted, moving, and masterfully written, "Christopher Tilghman’s deeply remembered novel is a loyal testament to history—to the lure and bind of family, to the earth that spat us out and receives us unquestionably again" (Gail Caldwell, The Boston Sunday Globe).

A fusion of family myth with American History, Sweet Hearts is set in the wild and beautiful plains and forests of Montana and recounts the searing story of a brother and sister haunted by their family's turmoil and half-forgotten heritage. At sixteen, Flint has already spent eight years in detention. Part child, part full-grown criminal, he comes home to the one person he loves, his little sister, Cecile. Together they carry out petty thefts, steal their mother's car, and head south to the Crow Reservation. On ancestral land, Flint commits an act of violence that brings down the world around them. Is Cecile Flint's accomplice, or is she his hostage? Only the narrator, the children's deaf aunt, understands the strange logic of their crimes.

The novel is set in Washington, D.C., in 1979 and focuses on the Hobbs family. Lester Hobbs, nineteen years old, is mentally retarded and mute until the day he suddenly begins to rap at the top of his lungs about life with his parents and older siblings. That development has a profound effect on the rest of the family, whose members struggle to figure out what it means, for Lester and themselves. Lester's wise-cracking brother, Greg, the middle child, who has long alternated between being protective of Lester and being jealous of the attention Lester receives, tries with a spectacular lack of success to profit from his brother's new ability. Lester and Greg's sister, Sherrie, bright, pretty, responsible, and aloof tries to learn the medical explanation for Lester's condition, which leads her to an affair with George Greer, a brilliant, married, womanizing neurologist. Meanwhile, Lester's mother, Maddie, tries to adjust emotionally to the change in her son, and Pat, the father, works to figure out the right course of action once the cause of Lester's rapping is revealed.

"The triumph of this deeply satisfying essay collection is its presentation of a whole human being: immensely cultivated, likable because unfailingly honest, reasonable, mature, witty, and never less than eloquent. Clifford Thompson’s perspective is that of a humane African-American male who is wary of any condescending sentimentality or group-rant, who loves jazz, movies, books, and the oddities of daily life. His prose style is consistently thoughtful, surprising and unobtrusively elegant, and the voice navigates with remarkable smoothness between personal experience and critical analysis. With this selection, he vaults to the front ranks of essayists of his generation." —Phillip Lopate

Monstress introduces a bold new writer who explores the clash and meld of disparate cultures. In the National Magazine Award-nominated title story, a has-been movie director and his reluctant leading lady travel from Manila to Hollywood for one last chance at stardom, unaware of what they truly stand to lose. In "Felix Starro," a famous Filipino faith healer and his grandson conduct an illicit business in San Francisco, though each has his own plans for their earnings. And after the Beatles reject an invitation from Imelda Marcos for a Royal Command Performance, an aging bachelor attempts to defend her honor by recruiting his three nephews to attack the group at the Manila International Airport in "Help." Lysley Tenorio reveals the lives of people on the outside looking in with rare skill, humor, and deep understanding, in stories framed by tense, fascinating dichotomies—tenderness and power, the fantastical and the realistic, the familiar and the strange. Breathtakingly original, Monstress marks the arrival of a singular new voice in American fiction.