"Turpin is a poet of unusual gifts . . . a meditative and social poet whose real subject is the connection between one person and another—sometimes, between one person and all others. His material is not local color, but the universal, and the building trades are presented not as exotic but for their likeness to the rest of life." —Robert Pinsky

"This work is so fundamentally substantial and pleasurable that it feels, to me, like an anthem." —Tony Hoagland

Mark Turpin has made his living for the past twenty-five years as a carpenter and construction worker, and his debut collection offers a rare and profound view of manual labor’s laconic, and largely male, world. He lives in San Francisco.

In a series of essays, Jack Turner explores the Greater Yellowstone Ecosystem, venturing on twelve separate trips in all seasons using various modes of travel: hiking, climbing, skiing, canoeing lakes, floating rivers, and driving his way across the landscape. He treks down the Teton Range, picks up the Oregon Trail in the Red Desert, and floats the South Fork of the Snake River. Along the way he encounters a variety of wildlife: moose, elk, trout, and wolves. From the treacherous mountains in the dead of winter to lush river valleys in the height of fishing season, his words and steps trace one of the most American of experiences—exploring the West.

If anything is endangered in America it is our experience of wild nature—gross contact. There is knowledge only the wild can give us, knowledge specific to it, knowledge specific to the experience of it. These are its gifts to us.

How wild is wilderness and how wild are our experiences in it?, asks Jack Turner in the pages of The Abstract Wild. His answer: not very wild. National parks and even so-called wilderness areas fall far short of offering the primal, mystic connection possible in wild places. And this is so, Turner avows, because any managed land, never mind what it's called, ceases to be wild. Moreover, what little wildness we have left is fast being destroyed by the very systems designed to preserve it. Natural resource managers, conservation biologists, environmental economists, park rangers, zoo directors, and environmental activists: Turner's new book takes aim at these and all others who labor in the name of preservation. He argues for a new conservation ethic that focuses less on preserving things and more on preserving process and "leaving things be." He takes off after zoos and wilderness tourism with a vengeance, and he cautions us to resist language that calls a tree "a resource" and wilderness "a management unit."

Eloquent and fast-paced, The Abstract Wild takes a long view to ask whether ecosystem management isn't "a bit of a sham" and the control of grizzlies and wolves "at best a travesty." Next, the author might bring his readers up-close for a look at pelicans, mountain lions, or Shamu the whale. From whatever angle, Turner stirs into his arguments the words of dozens of other American writers including Thoreau, Hemingway, Faulkner, and environmentalist Doug Peacock. We hunger for a kind of experience deep enough to change our selves, our form of life, writes Turner. Readers who take his words to heart will find, if not their selves, their perspectives on the natural world recast in ways that are hard to ignore and harder to forget.

When the murdered body of a young woman is found in a river wash in Black Canyon City, Arizona, deputy sheriff Sam Rush launches an investigation that leads deeper and deeper into the mystery of her death and the psychological complexities of identity. Nate Aspenall, the young man with whom the murdered woman had been involved, is forced to confront the facts of her life, those of his own, and the future with her that he has lost. Travis Aspenall, Nate’s fourteen-year-old stepbrother, must come to grips with what love and sex do to people, the choices people make when threatened with loss, and what you’re left with when what you thought you knew and trusted has been thrown into doubt. As the investigation takes Sam north to Winslow and Holbrook, Arizona, and brings Nate temporarily back to Black Canyon City, solving the mystery becomes more complicated. Additional suspects emerge, and nobody is telling the truth. Sam finds that the victim’s haphazard life was dangerous, and her relationship with Nate anything but straight-forward. As for Nate, his time in Black Canyon City is running out, and his family is no longer certain of his innocence. In the midst of all this, Travis struggles to grow up.

Taking place in gorgeous Winslow, Arizona—a setting that becomes a fully realized character in this beautiful story—The Quiet Streets of Winslow offers a murder mystery interwoven with love stories and unforgettable voices, a masterful return for Judy Troy.

A decent, ordinary life jeopardized by a catastrophically extraordinary event: this is the story, mythic in its outline and substance, that Judy Troy—author of two New York Times Notable Books and Whiting Award winner—tells in From the Black Hills.

In Wheatley, South Dakota, during the summer before Mike Newlin is to begin college, his father, an insurance salesman, shoots and kills the young woman who works for him as his receptionist. He disappears, and Mike is left behind in shock and grief. With his future suddenly obscured, Mike finds himself nearly overwhelmed by his present circumstances—not only the emotional damage inflicted by his father's awful crime but also his mother's dismay, the insinuating methods of a criminal investigator named Tom DeWitt, his girlfriend's anxieties, and his longing for an older woman who lives nearby—and the question of whether he will ever see his father again and what will happen if he does. As imposing as the landscape that forms its setting, From the Black Hills conveys with compassionate power the drama of a young man who must try to overcome his father's dark legacy.

Launched by the summer '04 award-winning bestseller Brooklyn Noir, Akashic Books continues its groundbreaking series of original noir anthologies. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book.

Las Vegas provides the classic sophistication and darkness necessary for a deadly noir story. Stylish, sultry, brimming with ambition and greed, the characters that populate this literary Las Vegas are pushed to the extremes of human experience. From the neon glitter of the Strip to the treacherous views of Red Rock Canyon and Boulder City, from the desperation of Naked City to the racial tensions of the Westside, no other location offers so many different avenues leading to serious trouble. Many legendary authors have turned their attention to Vegas to investigate the city's moods and mysteries. Now, the most recent crop of acclaimed writers explore the secret neighborhoods and byways of America's most sinful city, offering readers not only compelling noir tales but also an insider's understanding of this steamy oasis. These authors take readers beneath the surface flash of Freemont Street and the Strip and into the gritty multicultural environs of underground Vegas.

Includes "This Or Any Desert" by Vu Tran.

What does it mean to suffer? What enables some people to emerge from tragedy while others are spiritually crushed by it? Why do so many Americans think of suffering as something that happens to other people—who usually deserve it?

These are some of the questions at the heart of this powerful book. Combining reportage, personal narrative, and moral philosophy, Peter Trachtenberg tells the stories of grass-roots genocide tribunals in Rwanda and tsunami survivors in Sri Lanka, an innocent man on death row, and a family bereaved on 9/11. He examines texts from the Book of Job to the Bodhicharyavatara and the writings of Simone Weil. The Book of Calamities is a provocative and sweeping look at one of the biggest paradoxes of the human condition—and the surprising strength and resilience of those who are forced to confront it.

Sulfurously funny and intellectually provocative, 7 Tattoos is a journey without maps through the labyrinth of a human soul. There are only a few landmarks as guideposts: the ones carved on the author's own flesh.

Each section of this innovative book is the story of one of Peter Trachtenberg's tattoos, as well as a daring, intelligent exploration of the themes that each tattoo evokes: death, sacrilege, primitivism, rebellion, atonement, sadomasochism, and downfall. 7 Tattoos introduces us to a man responding ingeniously and emotionally to the harrowing events of his life: funerary rites in Borneo, heroin addiction on Manhattan's Lower East Side, the deathwatches of both his parents. Though it features deft portraits of famous tattoo artists like Spider Webb, Trachtenberg's book is not about tattoos; rather it is an arsenal of ideas fired off with great emotional power. At once memoir, wild anthropology, and meditation on love, faithlessness, and faith, this stunningly original book redefines what a literary memoir can be.

Fifteen years after the publication of his acclaimed novel Mason’s Retreat, Christopher Tilghman returns to the Mason family and the Chesapeake Bay in The Right-Hand Shore.

It is 1920, and Edward Mason is making a call upon Miss Mary Bayly, the current owner of the legendary Mason family estate, the Retreat. Miss Mary is dying. She plans to give the Retreat to the closest direct descendant of the original immigrant owner that she can find. Edward believes he can charm the old lady, secure the estate and be back in Baltimore by lunchtime. Instead, over the course of a long day, he hears the stories that will forever bind him and his family to the land. He hears of Miss Mary’s grandfather brutally selling all his slaves in 1857 in order to avoid the reprisals he believes will come with Emancipation. He hears of the doomed efforts by Wyatt Bayly, Miss Mary’s father, to turn the Retreat into a vast peach orchard, and of Miss Mary and her brother growing up in a fractured and warring household. He learns of Abel Terrell, son of free blacks who becomes head orchardist, and whose family becomes intimately connected to the Baylys and to the Mason legacy. The drama in this richly textured novel proceeds through vivid set pieces: on rural nineteenth-century industry; on a boyhood on the Eastern Shore of Maryland; on the unbreakable divisions of race and class; and, finally, on two families attempting to save a son and a daughter from the dangers of their own innocent love. The result is a radiant work of deep insight and peerless imagination about the central dilemma of American history.

The year is 1936, and the world is on the brink of war. American expatriot Edward Mason, owner of a failing machine factory, is fighting more private battles. In the face of defeat, he abandons his adopted home in England in order to reclaim his inheritance on Maryland’s Eastern Shore—a ruinous, thousand-acre estate known ominously as Mason’s Retreat. Edward, his wife, Edith, and their two young sons struggle to adjust to life in this strange and storied place. But with war drawing closer, England’s hasty rearmament offers Edward a chance to revive the factory, and he returns alone to lead his company. Meanwhile, his wife and sons are left to make their own fortunes. When an unsigned letter informs Edward of where those fortunes have led, he hastens back, an ill-fated move that will have devastating consequences for everyone involved.

Haunted, moving, and masterfully written, "Christopher Tilghman’s deeply remembered novel is a loyal testament to history—to the lure and bind of family, to the earth that spat us out and receives us unquestionably again" (Gail Caldwell, The Boston Sunday Globe).