A fusion of family myth with American History, Sweet Hearts is set in the wild and beautiful plains and forests of Montana and recounts the searing story of a brother and sister haunted by their family's turmoil and half-forgotten heritage. At sixteen, Flint has already spent eight years in detention. Part child, part full-grown criminal, he comes home to the one person he loves, his little sister, Cecile. Together they carry out petty thefts, steal their mother's car, and head south to the Crow Reservation. On ancestral land, Flint commits an act of violence that brings down the world around them. Is Cecile Flint's accomplice, or is she his hostage? Only the narrator, the children's deaf aunt, understands the strange logic of their crimes.

The novel is set in Washington, D.C., in 1979 and focuses on the Hobbs family. Lester Hobbs, nineteen years old, is mentally retarded and mute until the day he suddenly begins to rap at the top of his lungs about life with his parents and older siblings. That development has a profound effect on the rest of the family, whose members struggle to figure out what it means, for Lester and themselves. Lester's wise-cracking brother, Greg, the middle child, who has long alternated between being protective of Lester and being jealous of the attention Lester receives, tries with a spectacular lack of success to profit from his brother's new ability. Lester and Greg's sister, Sherrie, bright, pretty, responsible, and aloof tries to learn the medical explanation for Lester's condition, which leads her to an affair with George Greer, a brilliant, married, womanizing neurologist. Meanwhile, Lester's mother, Maddie, tries to adjust emotionally to the change in her son, and Pat, the father, works to figure out the right course of action once the cause of Lester's rapping is revealed.

"The triumph of this deeply satisfying essay collection is its presentation of a whole human being: immensely cultivated, likable because unfailingly honest, reasonable, mature, witty, and never less than eloquent. Clifford Thompson’s perspective is that of a humane African-American male who is wary of any condescending sentimentality or group-rant, who loves jazz, movies, books, and the oddities of daily life. His prose style is consistently thoughtful, surprising and unobtrusively elegant, and the voice navigates with remarkable smoothness between personal experience and critical analysis. With this selection, he vaults to the front ranks of essayists of his generation." —Phillip Lopate

Monstress introduces a bold new writer who explores the clash and meld of disparate cultures. In the National Magazine Award-nominated title story, a has-been movie director and his reluctant leading lady travel from Manila to Hollywood for one last chance at stardom, unaware of what they truly stand to lose. In "Felix Starro," a famous Filipino faith healer and his grandson conduct an illicit business in San Francisco, though each has his own plans for their earnings. And after the Beatles reject an invitation from Imelda Marcos for a Royal Command Performance, an aging bachelor attempts to defend her honor by recruiting his three nephews to attack the group at the Manila International Airport in "Help." Lysley Tenorio reveals the lives of people on the outside looking in with rare skill, humor, and deep understanding, in stories framed by tense, fascinating dichotomies—tenderness and power, the fantastical and the realistic, the familiar and the strange. Breathtakingly original, Monstress marks the arrival of a singular new voice in American fiction.

Using the life and career of her father, an early Hollywood actor, New Yorker writer Margaret Talbot tells the thrilling story of the rise of popular culture through a transfixing personal lens.

The arc of Lyle Talbot’s career is in fact the story of American entertainment. Born in 1902, Lyle left his home in small-town Nebraska in 1918 to join a traveling carnival. From there he became a magician’s assistant, an actor in a traveling theater troupe, a romantic lead in early talkies, then an actor in major Warner Bros. pictures with stars such as Humphrey Bogart and Carole Lombard, then an actor in cult B movies, and finally a part of the advent of television, with regular roles on The Adventures of Ozzie and Harriet and Leave It to Beaver. Ultimately, his career spanned the entire trajectory of the industry. In her captivating, impeccably researched narrative—a charmed combination of Hollywood history, social history, and family memoir—Margaret Talbot conjures warmth and nostalgia for those earlier eras of ’10s and ’20s small-town America, ’30s and ’40s Hollywood. She transports us to an alluring time, simpler but also exciting, and illustrates the changing face of her father’s America, all while telling the story of mass entertainment across the first half of the twentieth century.

When a life-threatening allergic illness demanded that she eat only organically grown food, writer and professor Mary Swander built a new life in a former one-room Iowa schoolhouse in the middle of the largest Amish community west of the Mississippi. In this rich and engaging memoir, which follows the course of a farmer’s year, she writes from the well-named Fairview School to share the radical transformation of her life. From her perch in rural Kalona, Iowa, Swander discovers new strength and self-reliance along with a community of hardworking and hospitable neighbors. Raising goats and poultry, participating in barn raisings and auctions, protecting her garden from a plague of grasshoppers, creating a living crèche at Christmastime, all the while laughing at her attempts to wrestle with the pioneer challenges of midwestern winters and summers, she explores what it means to be a lone physical and spiritual homesteader at the end of the twentieth century.

A collection of poetry on the subjects of death and grieving, written as a series of family portraits.

Polite Society resounds with unusual spirit and searing honesty. Darren, a not-so-nice young woman from Tennessee, joins the Peace Corps for lack of a better idea. Fitting in with Southerners was hard enough, but trying to understand friends, lovers, and herself while unemployed in Senegal sends Darren reeling. The world that spirals around her is full of outrageous encounters, interracial affairs, and nights of drunken revelry. Against the backdrop of a society that is governed by hospitality and good manners but is full of strangers and unfamiliar customs, Darren runs headlong into her own insecurities, fears, and desires. With sly humor and acuity, Melanie Sumner brings readers a youthful heroine who is stubborn and selfish, loving and libidinous, and, ultimately, unsparingly human.

A sharp-eyed, uniquely humane tour of America’s cultural landscape—from high to low to lower than low—by the award-winning young star of the literary nonfiction world.

In Pulphead, John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us—with a laidback, erudite Southern charm that’s all his own—how we really (no, really) live now. In his native Kentucky, Sullivan introduces us to Constantine Rafinesque, a nineteenth-century polymath genius who concocted a dense, fantastical prehistory of the New World. Back in modern times, Sullivan takes us to the Ozarks for a Christian rock festival; to Florida to meet the alumni and straggling refugees of MTV’s Real World, who’ve generated their own self-perpetuating economy of minor celebrity; and all across the South on the trail of the blues. He takes us to Indiana to investigate the formative years of Michael Jackson and Axl Rose and then to the Gulf Coast in the wake of Katrina—and back again as its residents confront the BP oil spill. Gradually, a unifying narrative emerges, a story about this country that we’ve never heard told this way. It’s like a fun-house hall-of-mirrors tour: Sullivan shows us who we are in ways we’ve never imagined to be true. Of course we don’t know whether to laugh or cry when faced with this reflection—it’s our inevitable sob-guffaws that attest to the power of Sullivan’s work.

One evening late in his life, veteran sportswriter Mike Sullivan was asked by his son what he remembered best from his three decades in the press box. The answer came as a surprise. "I was at Secretariat's Derby, in '73. That was . . . just beauty, you know?"

John Jeremiah Sullivan didn't know, not really—but he spent two years finding out, journeying from prehistoric caves to the Kentucky Derby in pursuit of what Edwin Muir called "our long-lost archaic companionship" with the horse. The result—winner of a National Magazine Award and named a Book of the Year by The Economist magazine—is an unprecedented look at Equus caballus, incorporating elements of memoir, reportage, and the picture gallery. In the words of the New York Review of Books, Blood Horses "reads like Moby-Dick as edited by F. Scott Fitzgerald . . . Sullivan is an original and greatly gifted writer."