The Phantom Empire is a brilliant, daring, and utterly original book that analyzes (even as it exemplifies) the effect that the image saturation of a hundred years of moving pictures have had on human culture and consciousness. In his intense and mysterious evocation of (seemingly) every kind of movie ever made, Geoffrey O'Brien erases the distinction between spectator and commentator and virtually reinvents film writing in our time.

Sex and drugs and rock 'n' roll: the exhilarating but deranging American 1960's, captured in a classic. Dazzling, innovative, and courageous, Dream Time plunges the reader deep into the sensibility of the '60's in a wonderful display of cultural archaeology. Far from being an unqualified celebration of the era, it is a deliberate experiment, combining the genres of memoir, novel, and cultural history in order to convey the complex impact of the late '60's counterculture.When Dream Time was published in 1988, it won Geoffrey O'Brien a Whiting Writers' Award. Previous books on the subject had focused primarily on media icons such as Bob Dylan, John Lennon, or Andy Warhol; Dream Time shifts the focus to the ways in which the psychedelic and countercultural currents of the era played themselves out in younger and more marginal lives. If you lived it, but never really came to grips with it; if you missed it but wish you hadn't—this is the book that tells it, at last, like it really was.

Nurkse delivers, as always, narratives and lyrics of sparkling intelligence and wit, complicated by emotional dramas which engage, alarm, and earn our attention and concerns every step of the way.

This is the first full-length collection of poems by D. Nurske, whose work has appeared in such publications as The Massachusetts Review, American Poetry Review, New Letters, Epoch, Confrontation, and Hanging Loose.

Ann Drayton and Georgette George meet as freshmen roommates at Barnard College in 1968. Ann, who comes from a wealthy New England family, is brilliant and idealistic. Georgette, who comes from a bleak town in upstate New York, is mystified by Ann's romanticization of the underprivileged class, which Georgette herself is hoping college will enable her to escape. An intense and difficult friendship is born. Years after a fight ends their friendship, Ann is convicted of a violent crime. As Georgette struggles to understand what has happened, she is led back to their shared history and to an examination of the revolutionary era in which the two women came of age. Only now does she discover how much her early encounter with this extraordinary, complicated woman has determined her own path in life, and why, after all this time, as she tells us, "I have never stopped thinking about her."

A young woman looks back to the world of her immigrant parents: a Chinese-Panamanian father and a German mother. Growing up in a housing project in the 1950s and 1960s, she escapes into dreams inspired both by her parents' stories and by her own reading and, for a time, into the otherworldly life of ballet. A yearning, homesick mother, a silent and withdrawn father, the ballet—these are the elements that shape the young woman's imagination and her sexuality. It is a story about displacement and loss, and about the tangled nature of relationships between parents and children, between language and love.

Tragicomedy of the highest order, this stellar collection is Croatian writer Novakovich's best ever. Hailed as one of the best short story writers of the 1990s, Josip Novakovich was praised by The New York Times for writing fiction that has "the crackle of authenticity, like the bite of breaking glass."

In his new collection, he explores a war–torn Balkan world in which a schoolchild's innocence evaporates in a puff of cannon smoke, lust replaces love, and the joy of survival overrides all other pleasures. As Serb, Croat, and Bosnian Muslim armies clash in the cities and countryside of the former Yugoslavia, it's hard to tell the front lines from the home front. The characters in Infidelities—soldiers and civilians alike—are caught in the ridiculous, often cruelly whimsical contradictions of war and the paranoia and folly of those who conduct it. In "Ribs," a Croatian woman whose husband has already been taken by the war will go to any length to keep her son out of the army, including sleeping with the draft officer, a tryst that leads to an unexpected, and disturbing, spiritual vision. A Buddhist soldier in the Bosnian Muslim military is accused of being an informer to the enemy Serbs after his detachment ambushes itself in "Hail." A draft dodger is in the hospital for a transplant, in "A Purple Heart," when a high–ranking Croatian general steals the heart for himself (and dies) while the dodger suddenly discovers a new thirst for life. In "Spleen," a Bosnian émigré in America learns that even in the throes of passion she cannot find release from the haunting memories of her homeland.

These stories cover a broad sweep of time, reaching back to the first shots of World War I in Sarajevo and forward to the plight of Balkan immigrants in contemporary America. Throughout, acts of compassion, gallows humour, even desire arise from a landscape devastated by tragedy.

Ivan Dolinar is born in Tito's Yugoslavia on April Fool's Day, 1948—the auspicious beginning of a life that will be derailed by backfiring good intentions in a world of propaganda and paranoia. At age nineteen, an innocent prank cuts the young Croatian's budding medical career short and lands him in a notorious labor camp. Released on the eve of civil war, Ivan is drafted into the wrong army, becoming a pawn in an absurd conflict in which the rules and loyalties shift abruptly and without warning. But even in a world gone mad, one course of action remains eminently sane: survival. Told with bitingly dark humor and a deep tenderness, April Fool's Day is both a devastating political satire and a razor-sharp parody of war.

In the frozen wilderness of northern Manitoba, fourteen-year-old Noah Krainik lives with his mother and cousin. With his quirky, cheerful best friend, Pelly Bay, he explores this exotic, lonely land—the domain of Cree Indians, trappers, missionaries, and fugitives from the modern world. When tragedy strikes, Noah must go on alone, discovering a new life in the south and the bustling of Toronto. It is there in the Northern Lights movie theatre—with a Cree family taking up residence in the projection booth, and the reappearance of his elusive father—that Noah becomes an adult.

Howard Norman's The Bird Artist, the first book of his Canadian trilogy, begins in 1911. Its narrator, Fabian Vas, is a bird artist: He draws and paints the birds of Witless Bay, his remote Newfoundland coastal village home. In the first paragraph of his tale Fabian reveals that he has murdered the village lighthouse keeper, Botho August. Later, he confesses who and what drove him to his crime—a measured, profoundly engrossing story of passion, betrayal, guilt, and redemption between men and women. The Bird Artist was a 1994 National Book Award Finalist for Fiction.