Aloma is an orphan, raised by her aunt and uncle, educated at a mission school in the Kentucky mountains. At the start of the novel, she moves to an isolated tobacco farm to be with her lover, a young man named Orren, whose family has died in a car accident, leaving him in charge. The place is rough and quiet; Orren is overworked and withdrawn. Left mostly to her own, Aloma struggles to settle herself in this lonely setting and to find beauty and stimulation where she can. As she decides whether to stay with Orren, she will choose either to fight her way to independence or accept the rigors of commitment. Both a drama of age-old conflicts and a portrait of modern life, C. E. Morgan's debut novel is "simply astonishing . . . a book about life force, the precious will to live, and all the things that can suck it right out of a person" (Susan Salter Reynolds, Los Angeles Times).

"This impressive first book manages the double ground of a nightmarish surrealism and a dryly perceptive wit. It's as if Humphrey Bogart were taking a good, if final, look at what's called the world. These are poems of a survivor, urbane, intelligent, fact of hope and despair equally. The Geographics is an ultimate detox center for 'reality' addicts as thinking becomes the only way out." —Robert Creeley

“Mobilio’s poetry is the ultimate detox center for reality addicts,” wrote Robert Creeley. Infused with pop culture references spanning Tom and Jerry cartoons, Spinoza, and the confessions of a stag film actress, these poems revel in roughhouse lyricism. Mobilio is the winner of a Whiting Writers Award and the 1998 National Book Critics Circle Award for excellence in reviewing.

A fascinating, intimate portrait of Beijing through the lens of its oldest neighborhood, facing destruction as the city, and China, relentlessly modernizes. Soon we will be able to say about old Beijing that what emperors, warlords, Japanese invaders, and Communist planners couldn’t eradicate, the market economy has. Weaving historical vignettes of Beijing and China over a thousand years, Michael Meyer captures the city’s deep past as he illuminates its present, and especially the destruction of its ancient neighborhoods and the eradication of a way of life that has epitomized China’s capital. With an insider’s insight, The Last Days of Old Beijing is an invaluable witness to history, bringing into shining focus the ebb and flow of life in old Beijing at this pivotal moment.

In this invigorating mix of natural history and adventure, artist-naturalist Ellen Meloy uses turquoise—the color and the gem—to probe deeper into our profound human attachment to landscape. From the Sierra Nevada, the Mojave Desert, the Yucatan Peninsula, and the Bahamas to her home ground on the high plateaus and deep canyons of the Southwest, we journey with Meloy through vistas of both great beauty and great desecration. Her keen vision makes us look anew at ancestral mountains, turquoise seas, and even motel swimming pools. She introduces us to Navajo “velvet grandmothers” whose attire and aesthetics absorb the vivid palette of their homeland, as well as to Persians who consider turquoise the life-saving equivalent of a bullet-proof vest. Throughout, Meloy invites us to appreciate along with her the endless surprises in all of life and celebrates the seduction to be found in our visual surroundings.

Long believed to be disappearing and possibly even extinct, the Southwestern bighorn sheep of Utah’s canyonlands have made a surprising comeback. Naturalist Ellen Meloy tracks a band of these majestic creatures through backcountry hikes, downriver floats, and travels across the Southwest. Alone in the wilderness, Meloy chronicles her communion with the bighorns and laments the growing severance of man from nature, a severance that she feels has left us spiritually hungry. Wry, quirky and perceptive, Eating Stone is a brillant and wholly original tribute to the natural world.

A collection of the best essays from one of America's best (winner of an Andy Warhol Foundation Grant) and most poignant, personal and philosophical young critics, Morgan Meis Ph.D, on art, culture, politics and the transitory and illusory nature of time.

A native of Bombay, Suketu Mehta gives us an insider’s view of this stunning metropolis. He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs; following the life of a bar dancer raised amid poverty and abuse; opening the door into the inner sanctums of Bollywood; and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks.

These lyric elegies, spoken by the “under-self,” become a series of subtle chants which sing the speaker into being both physically and spiritually, and through which Mead seeks solace, enlightenment, and joy in the cycles of life and death in the natural world.

"The Lord and the General Din of the World, spoken in an intensely open voice . . . suggests that the only stable existential presence can be created in the language of art. But at every turn the relationship between language and identity is questioned." —The Journal

"[These poems] may change your view of what has meaning in the madness of American culture. Such poetry could easily become tediously clinical or unbearably despairing, as so many poems on the subject are. In fact, Mead never lets the reader off easy the unearned hope or resolutions. She does reveal, however, possibilities for redemption." —Small Press Review

"These are not poems to be read silently, in a comfortable corner or chair . . . [Mead's] poems enriched my appreciation of words and image and life in general." —Hodge Podge Poetry