Loosely based on the mysterious 1961 disappearance of Michael Rockefeller, The King of America traces the short, brilliant life of Stephen Hesse, firstborn son of one of America’s wealthiest, most powerful men. After a lonely and restless childhood in a broken family, Stephen attends Harvard, eventually accompanying his mentor, a charismatic anthropology professor, to the impossibly strange and distant world of New Guinea, where a thriving Neolithic culture still practices its ancient rites. There Stephen hopes to make an archaeological discovery that will secure his professional standing and guarantee him a lasting place in the world’s—and his father’s—esteem. But his hardheaded insistence on securing his treasure before the onset of the monsoon season has tragic consequences.

In this dynamic collection of short stories, including the eight previosuly published in the chapbook Winners on the Pass Line (1985), Dagoberto Gilb captures the texture of the Southwest's working class in clear, ironic, and bitingly realistic fiction about regular people going about their complex lives.

A Chicano of Anglo and Mexican heritage, Gilb calls El Paso and Los Angeles home. His rich experiences translate into stories that range the width of his native desert lands: finding employment as a tile setter in Dell City, Texas—or unemployment as a laborer in Los Angeles; blowing up a car in Phoenix; falling in love with the prettiest girl in El Paso on the way to a music gig in Austin; and coming to life again at the glance of a stranger across a Las Vegas craps table.

Mickey Acuña is a man suspended between a vague past and a vaguer future. Emerging from the landscape of the Southwest, buffeted by life and licking his wounds, he moves into a YMCA to wait for a check that is coming to save him and that demands an address. As days and then weeks pass without its arrival, he picks up work—first odd jobs and then shifts at the cash register of the Y—and hangs out with his neighbors, playing handball, drinking coffee, shooting pool, getting drunk, falling in love or lust with women he meets, works with, passes on the street. In the vacuum of the Y, Mickey finds himself becoming the unwitting center of a community starved for human contact and for meaning: Sarge, with his fast-food coupons; Omar, with his drunken rages and obsession with the vanished Lucy; Rosemary, whose abundant physical presence both attracts and repels him. Mickey fights to maintain his distance and his freedom, until the narrative converges abruptly around him in a profound and shocking conclusion.

In his third book of poems, David Gewanter takes on wartime America, showing our personal costs and inextricable complicities. The constructs of our social lives, the conventions of our political values, the ambitions of our private fantasies—all these collide comically and tragically. Here, the far right marries the far left, and the sacred is undone by the profane. Gewanter's ironic vision pulls together details from science, history, philosophy, the disappearing dailies, and the emotional life of an engaged and singular mind into poems on the move with tense rhythms, rich correspondences, and daring hairpin turns. War Bird gives the lie to the shining moral complacencies of the homefront. Unsettling yet radiant, this collection is a book for troubled times, for what Whitman called, in “1861,” our “hurrying, crashing, sad, distracted year.”

The Sleep of Reason plunges us into a macabre world where good impulses bring on evil consequences—a world not unlike our own. In David Gewanter's alternately delightful and startling poems, allegory comes alive and stalks a bookstore's musty aisles, comedians eviscerate their families for a laugh, lovers love each other for withholding affection, and theaters collapse on audiences hungry for spectacle. Amidst such surreal subjects, Gewanter's delicate musicality and keen sense of humor sparkle; his inquisition regarding a fallen world becomes a dark comedy of errors haunted by the most unexpected characters—from JFK Jr. to Tacitus, Redd Foxx to General Motors, Mariah Carey to 100 rabbits with herpes. An offbeat satire for an off-kilter age, The Sleep of Reason offers an incisive guide to moral behavior in an immoral world.

Reina and Constancia Agüero are Cuban sisters who have been estranged for thirty years. Reina—tall, darkly beautiful, and magnetically sexual—still lives in her homeland. Once a devoted daughter of la revolución, she now basks in the glow of her many admiring suitors, believing only in what she can grasp with her five senses. The pale and very petite Constancia lives in the United States, a beauty expert who sees miracles and portents wherever she looks. After she and her husband retire to Miami, she becomes haunted by the memory of her parents and the unexplained death of her beloved mother so long ago. Told in the stirring voices of their parents, their daughters, and themselves, The Agüero Sisters tells a mesmerizing story about the power of myth to mask, transform, and finally, reveal the truth—as two women move toward an uncertain, long awaited reunion.

Here is the dreamy and bittersweet story of a family divided by politics and geography before, during, and following the Cuban revolution. It is the family story of Celia del Pino, and her husband, daughter and grandchildren, from the mid-1930s to 1980. Celia's story mirrors the magical realism of Cuba itself, a country of beauty and poverty, idealism and corruption. Dreaming in Cuban presents a unique vision and a haunting lamentation for a past that might have been.

The Trace is a masterful, poetic novel about a journey through Mexico taken by a couple recovering from a world shattered. Driving through the Chihuahua Desert, they retrace the route of nineteenth-century American writer Ambrose Bierce (who disappeared during the Mexican Revolution) and try to piece together their lives after a devastating incident involving their adolescent son. With tenderness and precision, Gander explores the intimacies of their relationship as they travel through Mexican towns, through picturesque canyons and desertscapes, on a journey through the the heart of the Mexican landscape. Taking a shortcut through the brutally hot desert home, their car overheats miles from nowhere, the novel spinning out of control, with devastating consequences . . .

With The Trace, Gander has accomplished another brilliant work, containing unforgettable poetic descriptions of Mexico and a story both violent and tender.

The three long poems in Eye Against Eye convey the wrought particulars of intimate human relations, perceptions of the landscape, and the historical moment, tense with political exigencies. Mayan ruins invoke the collapsing Twin Towers, love between parents and child blister with tension, and a bicycle thief shatters the narcotic illusion of a private accord. Also contained is "Late Summer Entry," a series of poetic commentaries on Sally Mann's landscape photographs. Eye Against Eye, Forrest Gander's third book with New Directions, cries out an ethical concern for the ways we see each other and the world, the potential to share a vision that acknowledges our commonality. As always with Gander's poetry, suspensions and repetitions drive toward a complex emotional experience, evoking the multifaceted, multi-vocal surge of our present.

Amina Mazid is twenty-four when she moves from Bangladesh to Rochester, New York, for love. A hundred years ago, Amina would have been called a mail-order bride. But this is the twenty-first century: she is wooed by—and woos—George Stillman online. For Amina, George offers a chance for a new life for her and her parents, as well as a different kind of happiness than she might find back home. For George, Amina is a woman who doesn't play games. But each of them is hiding something: someone from the past they thought they could leave behind. It is only when Amina returns to Bangladesh that she and George find out if their secrets will tear them apart, or if they can build a future together.