Drawing on deep passion and personal experience, former US Poet Laureate Tracy K. Smith demystifies the art form that has too often been mischaracterized as "inaccessible," "irrelevant," or "intimidating." She argues that poetry is rooted in fundamentally human qualities innate to our capacities to love, dream, question, and cultivate community. Lifting the veil on her own creative process, Smith shows us how reading and writing poetry allows us to better confront life's many uncertainties and losses, build camaraderie with strangers, and understand ourselves more fully. In six insightful chapters, she grounds readers in the technical elements of the craft and provides close readings of the works of contemporary poets such as Joy Harjo, Danez Smith, and Francisco Márquez, alongside classic poems by Dickinson, Keats, Millay, and others. By reimaging and reexamining the age-old art form, Fear Less is a warm invitation to find meaning, consolation, and hope through poetry for poetry fans and newcomers to the art form.

In the world of Black radical politics, the name Audley Moore commands unquestioned respect. Across the nine decades of her life, Queen Mother Moore distinguished herself as a leading progenitor of Black Nationalism, the founder of the modern reparations movement, and, from her Philadelphia and Harlem homes, a mentor to some of America's most influential Black activists.

And yet, she is far less remembered than many of her peers and protégés—Marcus Garvey, Malcolm X, and Muhammad Ahmad, to name just a few—and the ephemera of her life are either lost or plundered. In Queen Mother, celebrated writer and historian Ashley D. Farmer restores Moore's faded portrait, delivering the first ever definitive account of her life and enduring legacy.

Deeply researched and richly detailed, Queen Mother is more than just the biography of an American icon. It's a narrative history of 20th-century Black radicalism, told through the lens of the woman whose grit and determination sustained the movement.

Journalist Dom Phillips traveled deep into the Amazon rainforest searching for solutions to the problem of deforestation, a threat to the local ecosystem, native tribes, and the global climate. When he was murdered in the Javari Valley by a group of environmental criminals, a cohort of journalists and activists took up his work to finish his book and share his important message.

During the dark days of the Bolsonaro administration, British journalist Dom Phillips set out to accomplish an ambitious goal: through research, interviews, and site visits deep in the rainforest, he would emerge with a book answering the question—how can we save the Amazon? Traveling with his companion Indigenous expert Bruno Pereira, Dom’s adventure includes trekking through Amazonia to see where ranching, fires, illegal fishing, mining, the drug trade, and urbanization have deforested and degraded millions of acres of important forest, degraded ecosystems, and created dangerous conditions for the Indigenous tribes who have called the Amazon home for thousands of years.

When asked why she writes, Lydia Davis confesses that the question makes her uncomfortable. Maybe she would rather not know. Instead, Davis considers how she writes her stories, how other writers write, and what insights the how might provide into the why.

In this free-ranging exploration, Davis discovers that one reason she writes is for pleasure: the pleasure of encountering something that demands to be treated in language, of handling and manipulating the language into the form it ought to take, and, finally, of seeing a story exist where it didn’t exist before. As she observes the processes of some of the authors who interest her the most, she finds that there seem to be as many reasons to write as there are writers: to relive an experience, to share an experience, to articulate something one has not quite comprehended.

Reflecting on an eclectic mix of thinkers, including James Baldwin, Kate Briggs, Walter Raleigh, Christina Sharpe, Knut Hamsun, Grace Paley, Josep Pla, John Ashbery, and John Clare, Davis undertakes a clear-eyed, patient inquiry into the manifold reasons we choose to put pen to paper and begin something new.

In Elements of Los Angeles: Earth, Water, Fire, Air, D.J. Waldie continues his singular meditation on Los Angeles: a place of contradictions, dreams, and disquiet. With uncommon clarity and emotional depth, Waldie considers Los Angeles as a place of both promise and disillusionment, of civic memory and strategic forgetting, of natural beauty and environmental fragility. Each of the four classical elements forms the basis for a profound and poetic reassessment of the city’s image, exploring topics as diverse and resonant as the unlikely history of the Hass avocado, the St. Francis Dam disaster, an endurance contest that saw a young woman buried alive, and the sound of Vin Scully’s voice carried across the summer air.

Grounded in the physical and emotional geography of Los Angeles—its earth, its water, its fires, its air—this collection is a portrait of a city always in flux, and of those who try to make a life within it. For anyone who has ever lived in Los Angeles, or simply wondered what lies beneath its glittering surface, Elements of Los Angeles is a guide to seeing the city anew.

Drawing on new archival material, original research, and interviews, this spellbinding book is the first major biography of James Baldwin in three decades, revealing how profoundly his personal relationships shaped his life and work.

Baldwin: A Love Story tells the overlapping stories of Baldwin’s most sustaining intimate and artistic relationships: with his mentor, the Black American painter Beauford Delaney; with his lover and muse, the Swiss painter Lucien Happersberger; and with his collaborators, the famed Turkish actor Engin Cezzar and the iconoclastic French artist Yoran Cazac.

As a civil engineer, Sangamithra Iyer knows about resilience from studying soils and water. As an animal rights activist, she advocates for a revolution in how we value and relate to other species. And as the child of immigrants from India, she searches for submerged histories.

Animated by a series of questions—How do we disentangle ourselves from systems of harm? Is it possible to grasp the scale of planetary sorrow and emerge with truth and love as our guides, rather than despair? What is the relationship between individual action and systemic change?—this memoir takes the form of three meandering rivers, each written as a letter. Addressing the first of them to her grandfather, Iyer assembles the story of a man who embraced Gandhi’s philosophy and went to work developing wells in Tamil Nadu. In a second letter, addressed to her father, she explores their shared interest in cultivating compassion for all beings. And then in a final letter, addressed to readers, she braids these explorations of her familial past with her own experiences as a woman of color and citizen of the world, always seeking ways to move beyond resignation and restore flow.  

A lyrical story of lineages and an urgently needed reckoning with the ways bodies are both controlled and liberated, Governing Bodies is a timeless work with profoundly timely relevance.

A provocative, revelatory history of British Romanticism that examines the impact of the transatlantic slave economy on the lives and times of some of our most beloved poets—with urgent lessons for today.

A scrap of Coleridge’s handwriting. The sugar that Wordsworth stirred into his teacup. A bracelet made of Mary Shelley’s hair. Percy Shelley’s gilded baby rattle. The death mask preserving Keats’s calm face. Byron’s silk-lined leather boot. Who would have known there could be vast worlds contained in these items? In a completely new interpretation of the Romantics and their context, Mathelinda Nabugodi uses these items to frame her interrogation of the poets, leading us on an expansive journey through time and memory, situating us in depth of their world, and her own.

A richly imaginative, powerfully empathetic, and intimate portrait of five remarkable Black men that is also a moving meditation on race, estrangement, and the search for home.

Telling the stories of Ira Aldridge, Matthew Henson, Frantz Fanon, Malcolm X, and Justin Fashanu, Ekow Eshun pushes the boundaries of genre to capture them in all their complexity, interweaving biography, fiction, historical record, and memoir, sharing his own experiences living as a Black Briton in the art world. The Strangers illuminates both the hostility and the beauty each man encountered in the world, positioning them all within a wider landscape of Black art, culture, history, and politics throughout the diaspora.

Adrift in the winter of 2021 after a sudden breakup and the ensuing depression, the novelist Catherine Lacey began cataloguing the wreckage of her life and the beauty of her friendships, a practice that eventually propagated fiction both entirely imagined and strangely true. Betrayed by the mercurial partner she had trusted with a shared mortgage and suddenly catapulted into the unknown, Lacey’s appetite vanished completely, a visceral reminder of the teenage emaciation that came when she stopped believing in God. Through relationships, travel, reading, and memories of her religious fanaticism, Lacey charts the contours of faith’s absence and reemergence. Bending form, she and her characters recall gnostic experiences with animals, close encounters with male anger, grief-driven lust, and the redemptive power of platonic love and narrative itself.

A hybrid work across fiction and nonfiction with no beginning or ending, The Möbius Book troubles the line between memory and fiction with an openhearted defense of faith’s inherent danger.